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Max Ingrand 1699

Max Ingrand Round Orange Smoke Mirror Fontana Arte Model, 1699
By Max Ingrand, Fontana Arte
Located in Vienna, AT
Max Ingrand round orange-smokey mirror for Fontana Arte Model 1699, Italy Mid-century Handmade
Category

Vintage 1960s Italian Mid-Century Modern Wall Mirrors

Materials

Glass

Max Ingrand Round Blue Mirror Fontana Arte Model 1699, Mid Century Italy
By Fontana Arte, Max Ingrand
Located in Vienna, AT
Mod. 1699 mirror by Max Ingrand, Fontana Arte, Italy. Max Ingrand round blue mirror Fontana Arte
Category

Vintage 1960s Italian Mid-Century Modern Wall Mirrors

Materials

Brass

Max Ingrand Round Blue Mirror Fontana Arte Model 1699, Mid Century Italy
By Fontana Arte, Max Ingrand
Located in Vienna, AT
Large 30" Version of a mod.1699 mirror by Max Ingrand, Fontana Arte, Italy. Max Ingrand round blue
Category

Vintage 1960s Italian Mid-Century Modern Wall Mirrors

Materials

Brass

Max Ingrand Round Orange Mirror Fontana Arte Model 1699, Italy Circa 1958
By Fontana Arte, Max Ingrand
Located in Vienna, AT
Max Ingrand round light orange mirror for Fontana Arte, Milan Model 1699, Italy Mid-century
Category

Mid-20th Century Italian Mid-Century Modern Wall Mirrors

Materials

Brass

Max Ingrand Round Orange Smoke Mirror Fontana Arte Model 1699, Italy Circa 1958
By Fontana Arte, Max Ingrand
Located in Vienna, AT
Max Ingrand round orange-smokey mirror for Fontana Arte, Milan Model 1699, Italy Mid-century
Category

Mid-20th Century Italian Mid-Century Modern Wall Mirrors

Materials

Brass

Italian Rare Mirror by Max Ingrand for Fontana Arte, Model 1699
By Fontana Arte
Located in London, GB
Rare Max Ingrand for Fontana Arte Curved and beveled amber glass frame, mirrored glass encased in
Category

Mid-20th Century Italian Mid-Century Modern Wall Mirrors

Materials

Art Glass

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LUdish FWB Flush Mount
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Recent Sales

Max Ingrand Mirror for Fontana Arte with Peach Glass Surround
By Max Ingrand
Located in Stamford, CT
Model 1699 round mirror with peach glass molded frame, circa 1960.
Category

Vintage 1960s Italian Mid-Century Modern Wall Mirrors

Materials

Glass

Fontana Arte Pair of Mirrors Model 1699
By Max Ingrand
Located in New York, NY
Max Ingrand for Fontana Arte classic and elegant matched pair of amber colored, curved and beveled
Category

Vintage 1960s Italian Mid-Century Modern Wall Mirrors

Materials

Brass

Max Ingrand Round Blue Mirror Fontana Arte Model 1699
By Max Ingrand, Fontana Arte
Located in Vienna, AT
Max Ingrand round blue mirror Fontana Arte Model 1699, Italy, circa 1968. Elegant light blue
Category

Vintage 1960s Italian Mid-Century Modern Wall Mirrors

Materials

Brass

Pair of Max Ingrand Mirror for Fontana Arte Model 1699 with Blue Glass Surround
By Fontana Arte, Max Ingrand
Located in Rovereta, SM
Rare model 1699 round mirror with blue glass molded frame, circa 1960.
Category

Mid-20th Century Italian Mid-Century Modern Wall Mirrors

Materials

Glass

Fontana Arte Mirror Model 1699
By Max Ingrand
Located in New York, NY
Max Ingrand for Fontana Arte classic and elegant gray-green colored, curved and beveled glass
Category

Vintage 1960s Italian Mid-Century Modern Wall Mirrors

Materials

Brass

Circular Wall Mirror by Max Ingrand for Fontana Arte
By Max Ingrand, Fontana Arte
Located in Los Angeles, CA
Gorgeous pink/peach wall mirror, model no. 1699, by Max Ingrand for Fontana Arte, Italy. Circular
Category

Vintage 1960s Italian Mid-Century Modern Wall Mirrors

Materials

Brass

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A Close Look at Mid-Century Modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Finding the Right wall-mirrors for You

Vintage and antique wall mirrors add depth and openness to a space — they can help create the illusion that a narrow hallway isn’t so narrow. But you don’t need hundreds of enormous arched French or Italian mirrors framed in gilded bronze to dress up your home (maybe just a few).

A few well-placed large wall mirrors and other types of mirrors can amplify lighting and help showcase the decorative and architectural features of your home. For the Palace of Versailles during the 17th century, French King Louis XIV ordered the construction of the Hall of Mirrors after spending millions of dollars importing expensive Venetian mirrors from the revered glass-blowing factories on the island of Murano. A mirror-manufacturing rivalry between Paris and Venice took shape, and soon, across from 17 large windows that open out over the adjacent Palace Gardens on one side of the Hall, more than 350 mirrors — large mirrors made of groupings of small panes — were installed, effectively bringing the radiant colors of the outdoors into the opulent corridor.

Wall mirrors for your living room can work miracles — pull your landscaping’s colors and textures indoors, Louis XIV–style, by covering the length of an interior wall across from your living-room windows with wall mirrors.

For a similar effect, surrounding your mid-century modern wall mirror with leafy air plants and fern floor plants can amplify the sense of serenity that greenery offers in your home. Choose wall mirror frame styles to match your home’s decor, or shop for a frameless, organically shaped mirror that’s cut or beveled for a clean yet distinctive showpiece. For a free-spirited Bohemian feel, create a cluster of mismatched antique wall mirrors — an arrangement of circular Art Deco wall mirrors, Rococo-style silver leaf mirrors and decorative oval Victorian mirrors could add spice to an otherwise unadorned dining-room wall.

Elsewhere, there’s nothing vain about buying a full-length mirror for your bedroom, bathroom or walk-in closet to help you perfect your look for the day. Another may be needed in your entryway for a last-minute ensemble inspection. In fact, a shimmering 18th-century hall of mirrors awaits visitors behind the steel door of Stephen Cavallo’s atelier in Manhattan.

“We like to see the look on people’s faces when they walk in,” says Cavallo.

Decorating your home and office with wall mirrors is an art form in and of itself — get started today with the variety of antique and vintage wall mirrors on 1stDibs.