One Collection / HFJ On Sale

At 1stDibs, there are many versions of the ideal one collection / hfj on sale for your home. Each one collection / hfj on sale for sale was constructed with extraordinary care, often using wood, fabric and animal skin. A one collection / hfj on sale is a generally popular piece of furniture, but those created in Scandinavian Modern and Modern styles are sought with frequency.

Prices for a one collection / hfj on sale start at $5,403 and top out at $10,329 with the average selling for $7,077.

Onecollection has all the hallmarks of a classic start-up, from its beginnings in a cramped headquarters in co-founder Henrik Sørensen’s mother’s basement to its time in an old van. Out of these modest beginnings, Sørensen and co-founder Ivan Hansen earned the exclusive rights to produce the late Danish modern designer Finn Juhl’s work and now provide design solutions for many institutions, including the United Nations in New York City and the Sino-Danish Center in Beijing.

The early years were not easy financially for Hansen and Sørensen and they stretched what they had to get the most out of it. They used a finicky van to service their operations, including their first small series of furniture and candleholders. The venture earned enough to replace the van and enter the company’s work into the international market at the Scandinavian Furniture Fair in 1991. Their stand was a combination of wood and sand built by Hansen’s father. The fair was the first major collaboration between Hansen and Sørensen and furniture designer Søren Holst. Holst served as a mentor for years, and the trio has had a fruitful partnership.

The pair has also worked with Henrik Tengler, a designer from north of Copenhagen, who partnered with them to produce his conference chair. The office chair sold over 50,000 units and solidified a relationship in which Tengler assists with ongoing projects.

Onecollection is now a worldwide recognized brand with its Salto & Sigsgaard council chair used in the Finn Juhl Chamber at the United Nations in New York and on the new campus of the University of Oxford. Other recent projects include furnishings for a hospital in Gødstrup, Denmark, and the Brewer’s Yard for the New Carlsberg Foundation in Copenhagen.

On 1stDibs, find Onecollection’s innovative seating, storage and case pieces and tables.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.