Parisi 754

Domenico “Ico” Parisi was one half of a prolific postwar design duo he comprised with his wife, Luisa. Their furniture designs are known for running the stylistic gamut, with celebrated mid-century modern pieces ranging from elegantly skeletal — like dramatic ebonized dining chairs — to plush and shapely, like the iconic 1951 Egg chair, in a plethora of materials.

The son of an art teacher father, Ico Parisi was exposed to art at an early age. Born in 1916 in the Sicilian capital of Palermo, he and his family moved to Como in 1925. There, the young Parisi would begin to develop his interest in architecture and design. After earning a degree as a building inspector in 1936 and working as a civil engineer, Parisi took on an apprenticeship in the studio of Giuseppe Terragni, the modernist, fascist Italian architect, pioneer of the Rationalist movement and creator of the iconic Casa del Fascio.

While working for Terragni, Parisi crossed paths with such contemporary design talents as Lucio Fontana, Bruno Munari and Pietro Lingeri, though he briefly moved away from design and architecture to explore photography and film. His artistic work would soon be interrupted, however, by the outbreak of World War II, during which he served at the front before returning to Como in 1943. There, he resumed work as a designer and architect, founding two architecture groups: the Alta Quota and the Gruppo Como.

Through his creative circles, Parisi met Luisa Aiani, a former student of the prolific architect and furniture designer Gio Ponti, who was affiliated with the Alta Quota. They married in 1947 and founded the studio La Ruota — a cross between a design firm and an intellectual salon — in Como shortly thereafter. In 1950, Parisi finally completed his architectural schooling, studying under the nationalist architect Alberto Sartoris at the Athenaeum Architecture School in Lausanne, Switzerland. He and Aiani began several decades of sophisticated output, designing curved sofas upholstered in yellow velvet and armchairs with slender mahogany frames for enduring Italian manufacturers such as Cassina and others.

Much like Charles and Ray Eames in America, the Parisis worked as a team and relied on experimentation in style and material for many of their designs. Ico Parisi died in Como in 1996.

Find a collection of vintage Ico Parisi coffee tables, dining chairs and more on 1stDibs.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

No matter your furniture style of choice, a shared meal is one of life’s true rewards. Why not treat your family and friends to a luxurious dining experience? Browse our top picks to find the perfect antique, new or vintage dining room table for this important occasion.

Modern furniture design borrows significantly from the trends of yore, and this is especially apparent in dining tables. Ancient Egyptians made practical use of the earliest four-legged tables of wood and rock — their models bear striking similarity to the dining tables of today — while common large medieval dining room tables in England were made of oak or elm. Romans and Greeks, renowned for big banquets that involved entertainment as well as good food, used early dining room tables made of marble or wood and metals such as bronze for meals. 

On 1stDibs, find a range of dining room tables that offers no shortage of options to accommodate modest interiors, midsize family homes and even lavish banquets (entertainment not included).

Beginning in the mid-19th century, more American homes featured dining rooms, where families could gather specifically for a meal together. In the States, upper-class families were the first to enjoy dining room tables, which were the centerpiece of the dining room. 

Dining room tables of the Victorian era were created in a range of revivalist styles inspired by neoclassical, Renaissance, Gothic and other traditions. Furnishings of the period were made of various woods, including oak, rosewood and mahogany, and referenced a variety of decorative arts and architectural motifs. Some dining room tables finished in the Rococo style feature gorgeous inlaid marble tabletops or other ornamental flourishes handcrafted by Parisian furniture makers of the 18th century.

In many modern spaces, there often isn’t a dining room separate from the kitchen — instead, they frequently share real estate in a single area. Mid-century modern dining room tables, specifically those created by designers such as Osvaldo Borsani, Edward Wormley and Alvar Aalto, are typically clean and uncomplicated designs for a dining area that’s adjacent to where the cooking is done. Furniture of this era hasn’t lost its allure for those who opt for a casual and contemporary aesthetic.

If you’re of the modern mindset that making and sharing meals should be one in the same — and perhaps large antique dining tables don’t mesh well with your style — consider a popular alternative. Working with a tighter space may mean that a round or oval dining room table, a design that references the festive meals of the medieval era, may be a better fit. Round dining room tables, particularly those that originated in the Art Deco period, still endure as a popular contemporary substitute for traditional rectangular dining tables. Giovanni Offredi’s Paracarro table for Saporiti Italia is a striking round table option that showcases the magnificent Italian industrial design of the 1970s.

Find a collection of antique, new and vintage dining tables on 1stDibs.