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Paul Mccobb Arbuck Wrought Iron Hairpin Chairs

Paul McCobb Arbuck Wrought Iron Hairpin Chairs Set, 1950s, Indoor Outdoor Patio
By Paul McCobb, Arbuck
Located in Brooklyn, NY
Paul McCobb Arbuck wrought iron hairpin chairs set, 1950s, indoor outdoor patio. Paul McCobb for
Category

Mid-20th Century American Mid-Century Modern Dining Room Chairs

Materials

Iron

Modern Paul McCobb Arbuck Black Wrought Iron Hairpin Chair 1950s
By Paul McCobb, Arbuck
Located in Brooklyn, NY
Paul McCobb for Arbuck Inc of Brooklyn, NY. Black wrought iron hairpin chair, c. 1951, minimal
Category

Mid-20th Century American Mid-Century Modern Dining Room Chairs

Materials

Iron

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A Close Look at Mid-Century Modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Finding the Right garden-furniture for You

Whether you're sitting around a firepit, playing games or enjoying a meal, outdoor furniture is crucial for a successful social gathering.

We’ve come a long way from the rudimentary patio and garden furniture of yore, which, in the Ancient Roman and Greek eras, meant stone slabs. Back then, your grandiose patch of outdoor greenery was a place to relax and admire the manicured hedges and fruit orchards. Fortunately, advancements in the design of outdoor furniture as well as the burgeoning of artisan landscape designers have made it easier to do so since then.

The need for outdoor chairs, tables and benches to withstand varying weather conditions means that many contemporary offerings prioritize durability over form. For a touch of glamour in your garden, antique and vintage pieces from France or Italy, which have already proven they can stand the test of time, can introduce an elegant sensibility to your outdoor space.

In the late 1940s, Hawaii-based architect Walter Lamb began fashioning outdoor furniture from nautical rope and metal tubing rescued from sunken Pearl Harbor ships. Although his designs were originally intended as gifts for returning GIs, his creations gained such popularity that they were picked up by the then-new Brown Jordan furniture company of California.

Lamb’s adventurous creations inspired many designers who followed. The seating and tables crafted by other mid-century furniture makers noted for their seminal patio and garden works — a list that includes Hendrik Van Keppel and Taylor Green, Russell Woodard and Woodard Furniture, Maurizio Tempestini and Richard Schultz — remain highly sought after by collectors today.

Whether it’s wicker couches for your screened porch or wrought-iron armchairs for fireside drinks, find the antique and vintage patio and garden furniture you need to wind down the day or welcome the morning sun on 1stDibs.