Torbecchia Michelucci

Find many varieties of an authentic torbecchia michelucci available at 1stDibs. Each torbecchia michelucci for sale was constructed with extraordinary care, often using wood, walnut and cane. You’ve searched high and low for the perfect torbecchia michelucci — we have versions that date back to the 20th Century alongside those produced as recently as the 20th Century are available. A torbecchia michelucci is a generally popular piece of furniture, but those created in mid-century modern styles are sought with frequency. Many designers have produced at least one well-made torbecchia michelucci over the years, but those crafted by Giovanni Michelucci and Poltronova are often thought to be among the most beautiful.

A torbecchia michelucci can differ in price owing to various characteristics — the average selling price 1stDibs is $5,309, while the lowest priced sells for $1,106 and the highest can go for as much as $9,840.

When discussing Italian architect Giovanni Michelucci, it is difficult to decide which is the more impressive achievement: his more than half-century track record of notable projects, which includes designing and restoring some of Tuscany’s most famous landmarks, or his nearly century-long life. While he is often remembered for passing away just two days before his centennial birthday, in the same breath he is memorialized for his exceptional contributions to Tuscan architecture, including Florence’s Santa Maria Novella Train Station, Palazzo delle Poste and restored rooms inside the legendary Uffizi Gallery. 

Michelucci’s practice began in childhood, at his family’s artistic metal workshop. There, he rubbed elbows with many passing artists and architects before pursuing design academically at Florence’s Istituto Superiore di Architettura. Michelucci graduated in 1911 and embarked on a long teaching career. By the early 1920s, he was instructing at the Istituto d’Arte of Rome and later at the Istituto Superiore di Architettura, from 1928 until 1936. He served as dean of the school’s architectural faculty twice during the 1940s and founded the magazine La Nuova Città between the two appointments. He left Florence in 1948 to become a professor at the School of Engineering in Bologna, where he remained until his retirement.

Other significant architectural projects dot Michelucci ‘s career, like the Santa Maria Novella church and church of St. John the Baptist. Often working in collaboration with the Grouppo Tuscano, a collective of young architects, Michelucci beat out more than 100 other bidders on multiple contracts to bring his modernist, rationalist approach to Italy’s architectural landscape.

In his hometown of Pistoia, as well as Fiesole, Michelucci formed the Fondazione Giovanni Michelucci, which undertook social projects targeted at prisons, hospitals and asylums within the cities. He dedicated the rest of his life toward using architecture to address social challenges — a cause the foundation continues to support today.

On 1stDibs, find a collection of Giovanni Michelucci lighting, case pieces and tables. 

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.