Waikiki Lounge

Forward-looking architect Walter Lamb is best known for his revolutionary and widely loved patio furniture — he salvaged metal tubing from sunken ships in Pearl Harbor in the 1940s to create alluring chaise longues and other pieces for the backyard. His vintage furniture designs have been adorning patios worldwide for almost a century.

Trained as an architect at the University of California Berkeley campus, Lamb found himself in Hawaii during the 1940s. This period was a time of growth for furniture designers and manufacturers, as veterans were returning to the United States, getting married and starting families. These folks needed practical furniture for their new homes, and as the movement we now call mid-century modern took shape, imaginative architects and furniture makers would fill that need. Lamb was one such innovator.

Lamb worked the shaped tubing and fittings he’d gathered from battleship wreckage into proper frames and wrapped the structures in marine-grade cotton cording to create comfortable, element-proof outdoor furniture. Today his patio furniture has an esteemed place in the history of design. In fact, furniture enthusiasts are eager to restore and collect his iconic aged furniture rather than purchase reproductions.

Postwar California would become reputable as a manufacturing center for versatile furniture intended for both indoor and outdoor spaces. Seating, tables and other items — often made with rattan — produced by the likes of McGuire and Brown Jordan became a defining feature of organic modern living, a style that still characterizes many California interiors and influences innumerable design firms. Pasadena’s then-new Brown Jordan picked up Lamb’s designs, which eventually included dining tables, side tables and coffee and cocktail tables. And along with these furnishings, Lamb's sculptural vintage seating — his curvaceous lounge chairs and armchairs with cotton cord seats — while perfect for your fire pit, shouldn’t be relegated to outdoors-only settings.

Lamb received much acclaim for his work. The Museum of Modern Art in New York recognized his 1940s-era outdoor furniture for Brown Jordan with a design award.

On 1stDibs, find a noteworthy collection of vintage Walter Lamb furniture.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.