1930s Drawings and Watercolor Paintings

Artist Charles Perry Weimer employs thin black horizontal lines that intersect with thin black vertical lines. The result is a triumph of design w...

Classic art deco gouache by Sue (LL) depicting four polo players in blue & yellow jerseys on a tobacco ground colour Image Sz: 12"H x 14 1/2"W Frame Sz: 19 1/2"H x 22 1/2"W

Art Deco "Mademoiselle X" story illustration for Vogue February 1, 1934, watercolor and ink, reverse signed in pencil "Benito for Madame X," pencil inscription "Feb.1, 1934 / Page 51 / 316," accompanied by corresponding issue of Vogue magazine...

"Streetscape" American Scene WPA Era Social Realism Mid 20th Century Industrial Herbert Heyel (American 1907-2000) "Streetscape" 14 x 20 inches Watercolor on paper, c. 1939 Signed l...

'Place Pigalle', oil and gouache on art paper, by Lucien Génin (circa 1930s). Pigalle is well known to tourists who want to experience "Paris by night". It is home to some of Paris' most famous cabarets such as the Moulin Rouge which was immortalised by artist Toulouse-Lautrec. Lautrec's studio was here as was Picasso's, Vincent Van Gogh's and that of Andre Breton. In 1928 Josephine Baker opened her first nightclub next door to Breton's apartment. It is certainly a historical landmark of Paris and well known to so many visitors of this beautiful city. Génin painted Paris and Parisians and this is another one of his charming works among many held by this gallery. Please feel free to peruse them all on this platform. In good overall condition. Newly framed and glazed with anti-reflective glass. Upon request a video may be provided. About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer...

Paul Brown (New York/ Minnesota; 1893 – 1958) The Water – Aintree, 1931 Color lithograph on paper Signed to lower right margin; signed in plate Print Sz: 9 3/4"H x 18"W Frame Sz: 1...

Frank Nelson Wilcox (American, 1887–1964) Two Old Pecan Trees, 1932 Watercolor on paper mounted on board Signed lower right 21 x 28.25 inches 27 x 35.25 inches, as framed Exhibited: 1932 May Show (1st Place) Cleveland Museum of Art; Poetics of Place: Charles Burchfield and His Contemporaries, 2001 Cleveland Artist's Foundation. Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...

Rare original trio of drawings by Paul Desmond Brown (1893-1958) depicting: Virginia Gold Cup 1931/ Llangollen Farms 1932/ & National Horse Show 1932...

'Le Pont Neuf', gouache on fine art paper, by Lucien Génin (circa 1930s). The Pont Neuf is the oldest standing bridge across the river Seine in Paris, France. It stands by the western point of the Île de la Cité, the island in the middle of the river that was, between 250 and 225 BC, the birthplace of Paris. It is called 'The New Bridge' because at the time of its inauguration (built 1578-1607), it embodied a very modern look compared to other bridges which spanned the Seine. Lucien Génin has captured its beauty in this lively depiction from the 1930s. Just before the bridge is a 'Bateau Mouche' an open excursion boat that provides visitors with a view of the city from along the river. The artwork is in good overall condition commensurate with age and medium used. It has been newly frame with anti-reflective glass. Please enjoy the photos accompanying this listing. Signed by the artist in the lower left hand. Upon request a video may be provided. About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...

Nude trio in distinct poses sketched in charcoal by French artist A. Delamaire, circa 1930. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standa...

Painted by Nura Woodson Ulreich (American, 1899-1950) as a full-page illustration for the book 'The Buttermilk Tree', circa 1935. A rare example of a fully-developed pen, ink and gou...

CYRIL POWER (British 1872-1951) STUDIES FOR THE COLOR LINOCUT REVOLUTION II, 1931 Pencil on thin wove paper. Unsigned. Consists of two 3 inch square pencil drawings on one sheet of thin wove paper 10 x 7 3/8 inches. Preliminary studies for Power's Grosvenor School...

Story illustration for “The Gay Banditti” by I. A. R. Wylie for The Saturday Evening Post, published February 26, 1938, pages 6-7. The full caption reads: “‘It’s high time we met,’...

Watercolor w/ gouache highlights Art Sz: 12"H x 18"W Frame Sz: 16"H x 22 1/2"W Inscribed LL: The Freshest thing to win a National in years- and he broke the record at that. Golden Miller wins in 9:20 2/5 1934 Golden Miller (1927–1957) was a Thoroughbred racehorse who is the most successful Cheltenham Gold Cup horse ever, winning the race in five consecutive years between 1932 and 1936. He also is the only horse to win both of the United Kingdom's premier steeplechase races - the Cheltenham Gold Cup and the Grand National - in the same year (1934). Golden Miller was trained by Basil Briscoe in Longstowe, Cambridgeshire and owned by Dorothy Paget, who was the British flat racing Champion Owner in 1943, and the leading National Hunt owner in 1933-34, 1940–41 and 1951-52. In 1931, Golden Miller made his steeplechasing debut at Newbury Racecourse where he finished first, only to be disqualified for carrying incorrect weight. On 30 December, he won the Reading Chase before winning the Sefton Steeplechase on 20 January 1932. In 1933, as a six-year-old and winner of two Cheltenham Gold Cups, he started as the 9/1 favourite in the Grand National but fell at the Canal Turn. In the 1934 Grand National win, he set a new course record of 9 min 20.4s for Aintree. This victory was the middle of five consecutive Gold Cup victories, a Gold Cup record.[2] He retired in 1939 with a record of 29 wins from 52 races. He is buried at Elsenham Stud, a working farm in Elsenham, West Essex. Artist Bio: Paul Desmond Brown (1893-1958) was born in Minnesota and soon moved to New York City with his family. A quote from his biography:"Paul Brown told his host on a radio interview held in September of 1956, 'One day in 1904, I got 50 cents someplace and went over to the National Horse Show at the old Madison Square Garden and saw 'fine leppers,' [a term used for jumpers] as we called them, and Thoroughbreds for the first time.' From then on he appeared to be hooked on drawing horses." At the age of 17, his family relocated again to Garden City on Long Island, where Brown had the opportunity to explore polo grounds...

Pen & ink drypoint depicting a military rider clearing a tripple bar fences Signed: Paul Brown LR w/ Closson Gallery label on verso c1930s Art Sz: 7"H x 11"W Frame Sz: 16"H x 2...

Painter and Aquarellist. Nanterre (92) March 13th 1900 – Clichy (Seine) Dec 29th 1950. He was the son of Frank Boggs, an American citizen. He started his career with the nickname “Wi...

Glangesia would finish 4th w/ J. Browne jockey aboard Watercolor w/ gouache highlights Art Sz: 9 3/4"H x 15 5/8"W Frame Sz: 18"H x 24"W Preparations for the Grand National Steeple...

A 1930s charcoal on paper drawing of a woman seated at a lunch counter by artist Francis Chapin. Artwork size: 10 3/4" x 14". Archivally matted to 20" x 16". Provenance: Estate ...

Figure of Man is a Colored lithograph realized by Jean Cocteau (1889 -1963) in 1930 ca.  French draftsman, poet, essayist, playwright, librettist, film director. Good conditions. ...

Preliminary study for Cretan Dancer bronze sculpture Unsigned Graphite on tracing paper, 1930-1934 Sheet size: 6 7/8 x 7 1/8 inches Created while the artist was woring in Paris, c. 1930 “The stylizing of the Cretan allegories, used in figures of animals such as horses and bulls, symbolizes the ancient power of the South. These figures reveal a spiritual sensuality as he strives to attain a symbol of the earth and universe endowed with musical values. If man is the center of his idea of life and nature, it is because of the laws that govern the movement of stars and history. The link binding his figures together has, in a sense, a Pythagorean harmony.” Salvatore Quasimodo, Milan, 1967, quoted from Bush, Boris Lover-Lorski: The Language of Time, page 12. Regarding the artist: Boris Lovet-Lorski Lithuanian/Russian/American 1894-1973 Sculptor, painter, and printmaker, Boris Lovet-Lorski was born in Lithuania in 1894. His mother died when he was age three. His father was affluent and owned real estate. Boris grew up in a privileged environment. He studied architecture and then fine arts at the Imperial Academy of Art in Petrograd, Russia (now Saint Petersburg). Following the revolution in 1917 and its aftermath, Boris immigrated to Boston to live with his brother. In the 1920’s, his stylized, Art Deco inspired sculptures, lithographs, and paintings proved to be popular among the American elite. He exhibited frequently, holding his first solo exhibition in Boston, 1920. In the following years, Boris exhibited in New York at Marie Sterner Gallery, Jacques Seligmann Galleries and Wildenstein and Company. He lived in Paris from 1926 to 1932 where he befriended Joseph Hecht, and was exposed to the works of Pablo Picasso, Ossip Zadkine, Contantin Brancusi and Aristide Maillol. In 1932 he returned to America where he became a citizen later in the decade. Lovet-Lorski exhibited in the United States, South America, Europe and Asia. He was a member of the Society of Independent Artists (New York), the National Academy of Design (New York), and the Lotos Club (New York), as well as several Parisian salons. His work is in the permanent collections of numerous museums including the Musée Luxembourg, Bibliotèque Nationale, and the Petit Palais in France, the British Museum in London, the Metropolitan Museum in New York, the National Gallery in Washington, the Los Angeles County Museum of Art. (A more extensive list of his works in museums follows) He is considered one of the most successful and recognized sculptors of his generation. His creative influence can be seen in many of his contemporary artists. He died in Los Angeles in 1973. Regarding his iconic Art Deco sculptures of Cretan Dancers: “The stylizing of the Cretan allegories, used in figures of animals such as horses and bulls, symbolizes the ancient power of the South. These figures reveal a spiritual sensuality as he strives to attain a symbol of the earth and universe endowed with musical values. If man is the center of his idea of life and nature, it is because of the laws that govern the movement of stars and history. The link binding his figures together has, in a sense, a Pythagorean harmony.” Salvatore Quasimodo, Milan, 1967, quoted from Bush, Boris Lover-Lorski: The Language of Time, page 12. Lovet-Lorski created sculptures of the following major figures I.J. Paderewski, Prime Minister of Poland Arturo Toscanini, Italian Conductor Lilian Gish, Actress President Franklin D. Roosevelt Mrs. M. C. Niarchos, wife of Stavros Niarchos President Abraham Lincoln James Forrestal, Secretary of the Navy, First Secretary of Defense Pope Pius XII Dr. Albert Einstein, theoretical physicist President Dwight D. Eisenhower Albert Schweitzer, theologian, organist, writer, humanitarian, philosopher, and physician General Charles De Gaulle, President of the Fourth and Fifth Republic, France John Foster Dulles, Secretary of State, 1953-1959 President John F. Kennedy Works by Lover Lorski are in the following public collections: Albright-Knox Art Gallery, Buffalo Art Institute of Chicago Bibliotheque Nationale, Paris Brandeis University, Waltham, MA British Museum, London Boston University Brooklyn Museum California Palace of the Legion of Honor, Sam Francisco...

Clara Deike (American, 1881-1964) Cactus (Mexico), 1930 Watercolor on paper Signed lower right, titled and dated on label verso 15.25 x 13.25 inches 25 x 22.5 inches, framed A gradu...

Moissonneurs à Blarimon by Ludovic-Rodo Pissarro (1878-1952) Watercolour and ink on paper 26.4 x 37 cm (10 ³/₈ x 14 ⁵/₈ inches) Signed lower left, Ludovic Rodo. Executed in 1931 Th...

Jim’s of Lambertville is proud to offer this artwork by: Joseph Meierhans (1890 - 1980) Joseph Meierhans is one of the most important modernist painters associated with Bucks Count...

Date: 1933 Medium: Pencil on Paper Dimensions: 16.00" x 13.00" Signature: Signed and Titled For the Broadway play "Young Sinners" Dianne starred in the play “Young Sinners” in 1933.

NYC Cityscape American Scene Social Realism Mid-Century Max Arthur Cohn (1903-1998) New York City Skyline 14 x 21 1/2 inches Watercolor on paper, c. 1...

Post Office, New York Watercolor on paper, c. 1930 Signed with the Estate stamp lower left (see photo) Illustrated: Marbella Gallery, Robert Hallowell (1886-1939), No. 64 Provenance:...

MANE KATZ [Katz Emmanuel] 1894-1962 Kremenchug, Ukraine 1894-1962 Tel Aviv (Russian / Ukrainian / French / Israeli) Title: Boats in the Harbour, circa 1938 Technique: Original...

Beautiful original drawing by American artist, Albert Sway (b.1913). Cincinnati Cityscape, ca. 1935. Ink on paper measures 10 x 15 inches. Signed lower left. Good condition with no d...

This elegant wood-engraving charcoal drawing lithograph print was designed by John Buckland-Wright (1897-1954). The piece is signed, dated, titled, and numbered in pencil on the marg...

Art Sz: 9 1/2"H x 12 1/2"W 1933 Proof Plate for 'Spills and Thrills' Published by Charles Scribner's Sons New York 1933

Sir Jacob Epstein KBE (10 November 1880 – 19 August 1959) was an American British sculptor who helped pioneer modern sculpture. He was born in the United States, and moved to Europe in 1902, becoming a British subject in 1911. He often produced controversial works which challenged ideas on what was appropriate subject matter for public artworks. He also made paintings and drawings, and often exhibited his work. Epstein's parents were Polish Jewish refugees, living on New York's Lower East Side. He studied art in his native New York as a teenager, sketching the city, and joined the Art Students League of New York in 1900. For his livelihood, he worked in a bronze foundry by day, studying drawing and sculptural modelling at night. Epstein's first major commission was to illustrate Hutchins Hapgood's 1902 book Spirit of the Ghetto. Epstein used the money from the commission to move to Paris. Moving to Europe in 1902, he studied in Paris at the Académie Julian and the École des Beaux-Arts. He settled in London in 1905 and married Margaret Dunlop in 1906. Epstein became a British subject on 4 January 1911. Many of Epstein's works were sculpted at his two cottages in Loughton, Essex, where he lived first at number 49 then 50, Baldwin's Hill (there is a blue plaque on number 50). He served briefly in the 38th Battalion of the Royal Fusiliers, known as the Jewish Legion during World War I; following a breakdown, he was discharged in 1918 without having left England. In London, Epstein involved himself with a bohemian and artistic crowd. Revolting against ornate, pretty art, he made bold, often harsh and massive forms of bronze or stone. His sculpture is distinguished by its vigorous rough-hewn realism. Avant-garde in concept and style, his works often shocked his audience. This was not only a result of their (often explicit) sexual content, but also because they deliberately abandoned the conventions of classical Greek sculpture favoured by European Academic sculptors to experiment instead with the aesthetics of art traditions as diverse as those of India, West Africa, and the Pacific Islands. Between 1913 and 1915, Epstein was associated with the short-lived Vorticism movement and produced one of his best known sculptures The Rock Drill. Between the late 1930s and the mid-1950s, numerous works by Epstein were exhibited in Blackpool. Adam, Consummatum Est, Jacob and the Angel and Genesis, and other works, were initially displayed in an old drapery shop surrounded by red velvet curtains. The crowds were ushered in at the cost of a shilling by a barker on the street. After a small tour of American fun fairs, the works were returned to Blackpool and were exhibited in the anatomical curiosities section of Louis Tussaud's waxworks. Bronze portrait sculpture formed one of Epstein's staple products, and perhaps the best known. These sculptures were often executed with roughly textured surfaces, expressively manipulating small surface planes and facial details. Some fine examples are in the National Portrait Gallery. He completed a bust of Winston Churchill...

Art Sz: 9 1/2"H x 12 1/2"W 1933 Proof Plate for 'Spills and Thrills' Published by Charles Scribner's Sons New York 1933

Art Sz: 9 1/2"H x 12 1/2"W 1933 Proof Plate for 'Spills and Thrills' Published by Charles Scribner's Sons New York 1933

Art Sz: 9 1/2"H x 12 1/2"W 1933 Proof Plate for 'Spills and Thrills' Published by Charles Scribner's Sons New York 1933

Art Sz: 9 1/2"H x 12 1/2"W 1933 For Radnor Foxhall Farm Challenge Cup Proof Plate for 'Spills and Thrills' Published by Charles Scribner's Sons New York 1933

Art Sz: 9 1/2"H x 12 1/2"W 1933 Proof Plate for 'Spills and Thrills' Published by Charles Scribner's Sons New York 1933

A beautiful large signed and dated 1937 watercolour by Roland Vivian Pitchforth RA depicting the River Medway at Rochester in Kent. Fine qua...

Erotic Look is a superb original black China ink drawing on "British" ivory-colored paper. Unsigned, this is by all odds a Marcel Vertés's artwork with his unmistakable fluid line....

Classic charcoal polo drawing depicting 4 players on the field Art Sz: 8 1/4"H x 11 1/4"W Frame Sz: 13 1/2"H x 16 1/2"W

ERNST LUDWIG KIRCHNER 1880-1938 (German) Aschaffenburg 1880 - 1938 Davos Title: Ball Playing Nudes Ballspielende Akte, 1932 Technique: Chalk Drawing on Smooth Wove Paper Paper s...

Date: 1930s Medium: Pastel on Thick Paper Dimensions: 30.00" x 22.00" Signature: Signed Lower Left Crandell (1896-1966) was the undisputed "artist of the stars," befriending and immortalizing Hollywood's most beautiful starlets in his portraits. Among his subjects were Bette Davis, Judy Garland, Carole...

Signed lower right, 'W C Watts' for William Clothier Watts (American, 1869-1961), titled verso 'Water Pagent (sic), Burma' and painted circa 1930. A characteristically kaleidoscopic work by Watts showing a view of brightly caparisoned boats and gaily-dressed participants in a traditional Burmese Water ceremony. Watts began painting early and, by the age of 18, he had exhibited at the Pennsylvania Academy of Fine Arts (PAFA) where he also studied under Thomas Anshutz and Robert Vonnoh...

Medium: Pastel on Illustration Board Signature: Signed Lower Right Sight Size 20.00" x 28.50;" Framed 32.50" x 41.25" Cover Art for Unidentified Title Pre-code Hollywood starlet Verna Hillie is the subject of this erotically charged pastel portrait, which was the title Reel Movie Fun, a short lived wild and racy publication that merged the world of pin-up and burlesque with the envelope pushing film culture emerging from Hollywood before enforcement of the notorious Hays code put an end to overt expressions of sexuality or immorality on screen. Pastel is dated and signed on the back and the sitter is identified in the artist's hand as seen. Beautifully framed and matted behind glass in a handsome gallery frame and ready to hang. Verna Hillie was a Monograph Pictures star who appeared in The Marx brothers comedy "Duck Soup...

Study of an peasant woman. Red pastel. Signed. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. ...

Erotic is an original pencil drawing realized by Maurice Vertès in 1930s. The little drawing is in good condition on a yellowed paper. On the back the stamp of the collection by Comtesse Anna Laetitia...

Image Sz: 8 1/8"H x 7"W Sheet Sz: 12 3/8"H x 9 1/2"W *Vertical crease over plate*

Image Sz: 5 7/8" x 15 3/4" Sheet Sz: 12 1/2" x 19 1/8"

Octave Denis Victor Guillonnet (1872 - 1967) A young woman seated signed lower leftt Charcoal, red and white chalks on thin paper transfered on cardboard 49 x 39 cm Framed : 55.5 x ...

Plant is a drawing realized  in 1939. Pencil on paper. In good conditions. The artwork is represented through deft strokes masterly.

'Courtyard in Provence', ink on art paper, by Pierre Dionisi (circa 1930s). Sepia-toned, original drawing in a compelling style depicts a view of a tree...

Beautiful original drawing by American artist, Albert Sway (b.1913). Cincinnati Cityscape, ca. 1935. Ink on paper measures 11 x 17 inches. Signed lower right. Good condition with no ...

Louise Nevelson (1899-1988) stands as one of the most important artists of the 20th century. She is renowned for her monochromatic sculptural wooden constructions. However, it is important to emphasize that Nevelson toiled and experimented for nearly 30 years before arriving at her signature style, and overdue success, in the late 1950s. In recent years there has been an increase in scholarship, awareness, and collector interest in Nevelson's early work, as she was an early adopter of modernism in America. This drawing is a fine example from this era. After Nevelson divorced in 1931, she was finally liberated to devote herself to art-making. She studied at the Art Students League in New York and made several influential trips to Europe where she began studying with Hans Hoffmann...

Famed Art Deco Sculptor Boris Lovet-Lorski depicts his signature "Stallion." in this stunningly elegant drawing. It features a nude female that is c...

Massalia, Back from fishing. Watercolor signed and dated 1933. Paper laminated on cardboard. Signature to be identified. Water stain at the top left, sun exposure, foxing and ...

Beautiful original drawing by American artist, Albert Sway (b.1913). Cincinnati Cityscape, ca. 1935. Ink on paper measures 8 x 10 inches. Signed lower right. No damage or conservation. Birth place: Cincinnati, OH Addresses: Cincinnati, OH; NYC Profession: Painter, illustrator, etcher, lithographer, cartoonist, teacher Studied: Cincinnati Art Acad.; ASL Exhibited: AIC, 1936, 1938; PAFA Ann., 1936; Corcoran Gal biennial, 1939; GGE, 1939; Paris Salon, 1937; Stockholm, Sweden, 1937-38; Soc. Indep. Artists, 1938; WFNY, 1939; SAE; LOC, 1943-45; Albright-Knox Art Gal., 1951; SAGA, 1951-on; Royal Soc. Painters, Etchers & Engravers, London, England, 1954; Am.-Japan Contemporary Print Exhib., Tokyo, 1967. Awards: first prize in graphics, Cincinnati Mus. Assn., 1939. Member: Cincinnati Assn. Prof. Art; Cincinnati AC; SAE; SAGA Work: MMA; NYPL; CI; Penn. State Univ.; Soc. New York Hospitals. Comments: Contributor: cartoons in Saturday Review, New Yorker. Publications: illustrator, Lamb's Sectional Histories of New York State," Frank E. Richards; illustrator of filmstrips on New York State history produced by Our York State, NY, 1950-; medical illustrator, "A Syllabus for Health Visitors," Navajo Tribal Council, Arizona...

'Grazing Cattle in Normandy', watercolour on paper, by Genevieve Gallibert (circa 1930s). The artists captures a tranquil scene in Vallée d'Auge, Norman...

Nude Woman in Chair Watercolor, gouache, ink, and pencil on heavy paper, c. 1930-35 Signed with the artist's Estate stamp lower right (see photo) Note: "Matchstick" ink drawing of fe...

Daphne and Chloe is a beautiful black and white lithograph on paper by Pierre Bonnard in 1930s. Not signed, as issued.