Early 2000s Drawings and Watercolor Paintings
10
to
88
734
300
261
205
528
526
68
417
255
244
123
84
Overall Height
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Overall Width
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401
323
93
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102
75
68
58
48
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46
43
40
39
23
23
23
22
21
455
2,875
18,299
15,467
309
403
777
1,067
956
1,562
1,547
1,605
1,172
1,038
359
89
39
35
33
26
647
626
506
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158
Period: Early 2000s
"MAROON BELLS" ASPEN COLORADO MOUNTAINS
Located in San Antonio, TX
Edward Lee Reichert
(1919-2011)
Texas Artist
Image Size: 12 x 18
Frame Size: 21 x 27
Medium: Watercolor
Dated 2005
"Maroon Bells" Aspen CO
Biography
Edward Lee Reichert (1919-2011)
E...
Category
American Impressionist Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
Untitled (de Kooning)
Located in New York, NY
Richard Prince
Untitled (de Kooning), 2008
Collage with color offset lithograph, hand-cutting, hand-painting and assemblage with extensive additions in graphite mounted on on inset board.
Hand signed and numbered with the letter L (from A-Z) by artist on the front
Frame Included
Richard Prince’s “de Kooning” series is a process of interaction and appropriation with the works of ground-breaking imagery of the Abstract Expressionist master, Willem de Kooning. The idea for these edgy, Oedipal works came to him when he was leafing through a catalogue of de Kooning’s "Women" series. Prince started sketching over the paintings, and, as time went on, he began applying fragments cut and pasted from catalogues and vintage porn...
Category
Pop Art Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Mixed Media, Color Pencil, Graphite
Mazovian landscape. Watercolor, Realistic, Landscape, Classic, Polish artist
Located in Warsaw, PL
Contemporary watercolor painting on paper by Polish artist Wlodzimierz Karczmarzyk. Landscape painting depicting trees from woods at pink sky during sunrise or sun coming down. Artwo...
Category
Other Art Style Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
All Out
Located in Kansas City, MO
Lonnie Powell
All Out
2009
Pastel on Paper
Size: 27x40.5in
Frame: 36x50x1.5in
Signed and dated by hand
COA provided
Ref.: 924802-1752
-----------
Tags: Women in Sports, Female Ath...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Paste, Paper, Oil Pastel
Orange and Yellow by Annemarie Ambrosoli, watercolor, abstract geometric
Located in Kiens, BZ
Orange and Yellow is a watercolor by contemporary artist Annemarie Ambrosoli painted on 600 gsm Fabriano paperboard, measuring 39x50 cm.
Cardboard surface: coarse grain.
This painting is part of a series of watercolors painted between 2000 and 2015.
The painting is signed in the lower right corner.
In this watercolor painting Annemarie Ambrosoli made several sketches of the calla flower. Transparent color overlays give depth to the flower. It consists of three calla lilies of different colors and in the background the various shades of blue sky.
The study of flowers and landscape have long been favorite themes of artist Annemarie Ambrosoli.
The watercolor Orange and Yellow comes with a certificate of authenticity.
About the artist
Annemarie Ambrosoli is an award-winning artist, below are the latest awards:
- Collectors Art...
Category
Abstract Geometric Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
A bridge. Watercolor, Realistic, Landscape, Classic, Polish artist
Located in Warsaw, PL
Contemporary watercolor painting on paper by Polish artist Wlodzimierz Karczmarzyk. Landscape painting depicting scene in the woods with little bridge on a reservoir. Artwork's style...
Category
Other Art Style Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Pine neighborhood. Watercolor, Realistic, Landscape, Classic, Polish artist
Located in Warsaw, PL
Contemporary watercolor painting on paper by Polish artist Wlodzimierz Karczmarzyk. Landscape painting depicting trees from pines woods. Artwork's style is sketch-like but realistic ...
Category
Other Art Style Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
At the dawn. Watercolor, Realistic, Landscape, Classic, Polish artist
Located in Warsaw, PL
Contemporary watercolor painting on paper by Polish artist Wlodzimierz Karczmarzyk. Landscape painting depicting trees from woods at pink sky during sunrise. Artwork's style is sketc...
Category
Other Art Style Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Jastarnia, local boats. Watercolor, Realistic, Classic, Polish artist
Located in Warsaw, PL
Contemporary watercolor painting on paper by Polish artist Wlodzimierz Karczmarzyk. Marine painting depicting boats on a water. Artwork's style is sketch-like but realistic at the sa...
Category
Other Art Style Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Marina units. Watercolor, Realistic, Classic, Polish artist
Located in Warsaw, PL
Contemporary watercolor painting on paper by Polish artist Wlodzimierz Karczmarzyk. Marine painting depicting boats on a water. Artwork's style is sketch-like but realistic at the sa...
Category
Other Art Style Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Dead tree
By Simon Kozhin
Located in Sempach, LU
An old tree already dead overgrown with moss in the forest thicket. The tree trunk has already been eaten by a bug, and its picturesque texture with a variety of tonal nuances attracted me as a researcher. I watch...
Category
Realist Early 2000s Drawings and Watercolor Paintings
Materials
Charcoal, Magazine Paper
A forest bridge. Watercolor, Realistic, Landscape, Classic, Polish artist
Located in Warsaw, PL
Contemporary watercolor painting on paper by Polish artist Wlodzimierz Karczmarzyk. Landscape painting depicting view from woods with . Artwork's style is sketch-like but realistic a...
Category
Other Art Style Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Sopot, motorboats. Watercolor, Realistic, Classic, Marine, Polish artist
Located in Warsaw, PL
Contemporary watercolor painting on paper by Polish artist Wlodzimierz Karczmarzyk. Marine painting depicting boats on a water that are moored to the shore. Artowkr's style is sketch...
Category
Other Art Style Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Boats' pool - Watercolor, Realistic, Classic, Marine, Polish artist
Located in Warsaw, PL
Contemporary watercolor painting on paper by Polish artist Wlodzimierz Karczmarzyk. Marine painting depicting boat on a water that is moored to the shore.
WŁODZIMIERZ KARCZMARZYK (b...
Category
Other Art Style Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
In a harbour. Watercolor, Realistic, Classic, Marine, Polish artist
Located in Warsaw, PL
Contemporary watercolor painting on paper by Polish artist Wlodzimierz Karczmarzyk. Marine painting depicting boats on a water. Artwork's style is sketch-like but realistic at the sa...
Category
Other Art Style Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
In Monte Carlo. Watercolor, Realistic, Classic, Marine, Polish artist
Located in Warsaw, PL
Contemporary watercolor painting on paper by Polish artist Wlodzimierz Karczmarzyk. Marine painting depicting boats on a water. Artwork's style is sketch-like but realistic at the sa...
Category
Other Art Style Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Venice, gondola on a stop. Watercolor, Realistic, Classic, Polish artist
Located in Warsaw, PL
Contemporary watercolor painting on paper by Polish artist Wlodzimierz Karczmarzyk. Marine painting depicting boats on a water. Artwork's style is sketch-like but realistic at the sa...
Category
Other Art Style Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Honfleur (France). Watercolor, Realistic, Classic, Marine, Polish artist
Located in Warsaw, PL
Contemporary watercolor painting on paper by Polish artist Wlodzimierz Karczmarzyk. Marine painting depicting boats on a water. Artwork's style is sketch-like but realistic at the sa...
Category
Other Art Style Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Modern Abstract Blue and Orange Toned Organic Shaped Watercolor Painting
By Dick Wray
Located in Houston, TX
Modern abstract blue and orange toned abstract watercolor painting by native Houstonian, Dick Wray. The work features blue toned curving organic s...
Category
Abstract Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
Modern Abstract Orange & Green Organic Shaped Watercolor Painting
By Dick Wray
Located in Houston, TX
Modern abstract orange and green toned abstract watercolor painting by native Houstonian, Dick Wray. The work features green toned curving organic shapes set against an orange toned ...
Category
Abstract Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
Marine units. Watercolor, Realistic, Classic, Polish artist
Located in Warsaw, PL
Contemporary watercolor painting on paper by Polish artist Wlodzimierz Karczmarzyk. Marine painting depicting boats on a water that are moored to the shore. Artwork's style is sketch...
Category
Other Art Style Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Modern Abstract Blue & Orange Toned Organic Leaves Watercolor Painting
By Dick Wray
Located in Houston, TX
Modern abstract blue and orange toned abstract watercolor painting by native Houstonian, Dick Wray. The work features orange toned curving organic...
Category
Abstract Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
Modern Abstract Green & Tan Toned Organic Leaf Shaped Watercolor Painting
By Dick Wray
Located in Houston, TX
Modern abstract green toned abstract watercolor painting by native Houstonian, Dick Wray. The work features green toned curving organic leaf shapes set against a tan toned background...
Category
Abstract Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
Landscape. 2007. Oil on cardboard, 22x30, 5 cm
Located in Riga, LV
Landscape. 2007. Oil on cardboard, 22x30,5 cm
Edgars Vinters (1919-2014)
Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seas...
Category
Impressionist Early 2000s Drawings and Watercolor Paintings
Materials
Oil, Cardboard
Modern Abstract Green, Yellow, & Blue Organic Shaped Watercolor Painting
By Dick Wray
Located in Houston, TX
Modern abstract colorful abstract watercolor painting by native Houstonian, Dick Wray. The work features blue and green toned curving organic shapes set against an orange toned backg...
Category
Abstract Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
Modern Abstract Green, Blue, and Orange Toned Organic Shaped Watercolor Painting
By Dick Wray
Located in Houston, TX
Modern abstract colorful abstract watercolor painting by native Houstonian, Dick Wray. The work features blue and green toned curving organic shapes set against an orange toned backg...
Category
Abstract Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
Modern Abstract Blue and Green Toned Organic Shaped Watercolor Painting
By Dick Wray
Located in Houston, TX
Modern abstract blue and green toned abstract watercolor painting by native Houstonian, Dick Wray. The work features blue toned curving organic sh...
Category
Abstract Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
Impression of Autumn by Annemarie Ambrosoli, 50x30cm, abstract geometric
Located in Kiens, BZ
Impression of Autumn is a watercolor by contemporary artist Annemarie Ambrosoli painted on 600 gsm Fabriano paperboard, measuring 50 x 30 cm.
Cardboard surface: coarse grain.
The pai...
Category
Abstract Geometric Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
Plague - Yersinia Pestis
Located in New York, NY
DRAWING IS FRAMED. Framed size is 12 x 15 inches
Jody Rasch’s work is drawn from various science practices, including astronomy, biology, and sub-atomic physics. In his subject matt...
Category
Abstract Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Pastel, Pen
Luis Miguel Valdes, ¨Glifos 2¨, 2008, Work on paper, 15x11 in
Located in Miami, FL
Luis Miguel Valdes (Cuba, 1949)
'Glifos 2', 2008
ink on paper
15 x 11.1 in. (38 x 28 cm.)
ID: 1D200803
Hand-signed by author
______________________________________________
Biography
...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Ink, Paper
Delicatessen de ocho comensales
Located in Miami, FL
Roberto Fabelo (born 1951 Camagüey, Cuba) is a contemporary painter, sculptor, and illustrator. Born in Guáimaro, Camagüey, Fabelo studied at The National Art School and at the Superior Art Institute of Havana. He was a professor and a jury member for very important national and international visual arts contests. The Cuban state awarded him a medal for National Culture and the Alejo Carpentier medal for his outstanding artistic career. Fabelo’s art consists of nude women, who often appear with bird-like features, including a beak and wings. He drew in textbooks, and created figures out of the pictures already in the textbook. Another example of his art was watercolor markers used to draw on silk embroidered fabric. His work is exhibited at the Museo Nacional de Bellas Artes in Havana, and in the Cuban embassy in Mexico. His 2009 sculpture of a group of human-headed cockroaches can be found climbing one of the walls of the Havana Fine Arts Museum, entitled Survival. He also illustrated a 2007 edition of Gabriel García Márquez’s novel Cien años de soledad. He was described by the Dallas Morning News in 2002 as “one of Cuba’s premier artists...
Category
Early 2000s Drawings and Watercolor Paintings
Materials
Charcoal
Smudges Yankel Contemporary painting arbstract art collage brown text word
Located in Paris, FR
Oil paint and collage on panel
Unique work
Hand-signed lower right by the artist
Category
Abstract Early 2000s Drawings and Watercolor Paintings
Materials
Oil, Wood Panel
Algodón de Seda. FIne art drawing Framed
Located in Miami Beach, FL
Algodón de Seda, 1978 by Amelia Cajigas
Image size: 3 H x 2.75 W inches.
Frame size: 12 Hx 11.5 W x 1 D inches.
White Frame
___
Amelia Cajigas. Artist. He was born in 1932 in Paz de...
Category
Abstract Early 2000s Drawings and Watercolor Paintings
Materials
Archival Paper, Carbon Pencil
On the Way to Leonardo by Annemarie Ambrosoli, 41x51cm, abstract geometric
Located in Kiens, BZ
On the Way to Leonardo is a watercolor by contemporary artist Annemarie Ambrosoli painted on 600 gsm Fabriano paperboard, measuring 41 x 51 cm.
Cardboard surface: coarse grain.
The p...
Category
Abstract Geometric Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
Veiled Series XX , Abstract Expressionist Organic Drawing Watercolor Painting
Located in Surfside, FL
Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida.
She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art.
On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas.
She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970.
In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973.
Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said.
During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake.
By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel.
Group Shows Conceived and Curated by Dorothy Gillespie
Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...
Category
Abstract Expressionist Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Ink, Watercolor, Permanent Marker
Plum Blossom Trees - Spring by Annemarie Ambrosoli, 58x42cm, abstract geometric
Located in Kiens, BZ
Plum Blossom Trees - Spring is a watercolor by contemporary artist Annemarie Ambrosoli painted on 600 gsm Fabriano paperboard, measuring 58 x 42 cm.
Cardboard surface: coarse grain.
...
Category
Abstract Geometric Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
Gold and Blue by Annemarie Ambrosoli, watercolor, 35x55cm, abstract geometric
Located in Kiens, BZ
Gold and Blue is a watercolor by contemporary artist Annemarie Ambrosoli painted on 600 gsm Fabriano paperboard, measuring 35 x 55 cm.
Cardboard surface: coarse grain.
The painting i...
Category
Abstract Geometric Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
Mandorla - Large Format Charcoal On Paper, Black White Drawing
Located in Salzburg, AT
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
The artwork is unframed and will be shipped rolled in a tube
Artist Statement
In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category
Conceptual Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Circles in a Rectangle by Annemarie Ambrosoli, 34x46cm, abstract geometric
Located in Kiens, BZ
Circles in a Rectangle is a watercolor by contemporary artist Annemarie Ambrosoli painted on 600 gsm Fabriano paperboard, measuring 34 x 46 cm.
Cardboard surface: coarse grain.
The painting is part of a series of watercolors painted between 2000 and 2015.
The watercolor is signed in the lower right corner.
The color tones of the watercolor are very delicate. The painting has tones of dark blue, yellow, purple, red, and pink ochre.
The purple circle in the center rests on a dark blue triangle. The colored circles in the painting represent fullness and harmony and give the idea of movement and perfection.
In fact, the circle is very present in Annemarie Ambrosoli's current paintings.
The watercolor Circles in a Rectangle comes with a certificate of authenticity.
About the artist
Annemarie Ambrosoli is an award-winning artist, below are the latest awards:
- Collectors Art...
Category
Abstract Geometric Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
Canray and BoisSec (figurative drawing, Creole musicians, rural, fiddle player)
By Susan Kiefer
Located in Kansas City, MO
Susan Kiefer
Canray and BoisSec
Pastel on paper
Year: 2004
Size: 19x25in
COA provided
Ref.: 924802-1664
Framed pastel portrait of beloved Creole musicians Canray Fontenot and BoisSe...
Category
Modern Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Pastel
Flora - E-coli
Located in New York, NY
DRAWING IS FRAMED. Framed size is 12 x 15 inches
Jody Rasch’s work is drawn from various science practices, including astronomy, biology, and sub-atomic physics. In his subject matt...
Category
Abstract Early 2000s Drawings and Watercolor Paintings
Materials
Pastel, Pen, Paper
Luis Miguel Valdes, ¨Linea con cara-1¨, 2004, Work on paper, 11.8x13.8 in
Located in Miami, FL
Luis Miguel Valdes (Cuba, 1949)
'Linea con cara-1', 2004
ink on paper
11.9 x 13.8 in. (30 x 35 cm.)
ID: 1D200404
Hand-signed by author
______________________________________________
...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Ink, Paper
Raw - Salmonella
Located in New York, NY
DRAWING IS FRAMED. Framed size is 12 x 15 inches
Jody Rasch’s work is drawn from various science practices, including astronomy, biology, and sub-atomic physics. In his subject matt...
Category
Abstract Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Pen
Spring, 2009
By Matt Kinney
Located in Hudson, NY
ABOUT
Matt Kinney was born in Georgetown, Massachusetts. He attended Pratt Institute and The School of the Museum of Fine Arts, graduating in 1998. After graduation, Kinney began in...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
Color Circle and Star
Located in New York, NY
Polly Apfelbaum
Color Circle and Star, 2004
Fabric Marker and Fabric Dye on Velvet Cotton
Signed and dated in ink by the artist on the front with artist's inkstamp.
Frame Included
Si...
Category
Abstract Geometric Early 2000s Drawings and Watercolor Paintings
Materials
Fabric, Dye, Ink, Mixed Media, Permanent Marker
Abstract Painting by Antonio Carreno, 'Blue Light'
Located in White Plains, NY
'Blue Light' by Antonio Carreno, 2005. Mixed media on paper, 32 x 40 in. / Frame: 34 x 42.25 in. The drawing in Antonio’s paintings evolved into a personal form of graphic expression...
Category
Abstract Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Mixed Media
Veiled Series L, Abstract Expressionist Organic Drawing Watercolor Painting
Located in Surfside, FL
Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida.
She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art.
On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas.
She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970.
In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973.
Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said.
During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake.
By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel.
Group Shows Conceived and Curated by Dorothy Gillespie
Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...
Category
Abstract Expressionist Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Ink, Watercolor, Permanent Marker
MB 089A (Contemporary Graphite Drawing of Seated Male Nude)
By Mark Beard
Located in Hudson, NY
graphite, conte crayon and charcoal on Arches paper
30 x 22 inches, 37.5 x 26 inches framed
Custom frame with Natural wood molding, white 8ply mat, AR non glare glass
Signed BEARD 20...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Crayon, Archival Paper, Graphite
Who's That Girl
By Marcel Dzama
Located in Toronto, Ontario
With his unmistakable version of contemporary Surrealism, Marcel Dzama is one of the most successful Canadian artists.
Born in Winnipeg in 1974, Dzama had an international reputat...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Mixed Media, Ink, Watercolor
Luis Miguel Valdes, ¨A pura linea¨, 2002, Work on paper, 9.8x11 in
Located in Miami, FL
Luis Miguel Valdes (Cuba, 1949)
'A pura linea', 2002
pencil on paper
9.9 x 11.1 in. (25 x 28 cm.)
ID: 1D200205
Hand-signed by author
______________________________________________
Bi...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Ink, Paper, Aquatint
Veiled Series XXX, Abstract Expressionist Organic Drawing Watercolor Painting
Located in Surfside, FL
Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida.
She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art.
On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas.
She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970.
In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973.
Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said.
During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake.
By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel.
Group Shows Conceived and Curated by Dorothy Gillespie
Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...
Category
Abstract Expressionist Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Ink, Watercolor, Permanent Marker
'Basilica di Santa Maria della Salute, Venice', Venetian Vedute, Grand Canal
Located in Santa Cruz, CA
Signed lower right, 'Danail Ochkov' (Bulgarian-American, born 1977) and dated 2003.
Born in Bulgaria, Danail Ochkov studied fine art at St. Cyril and St. Methodius University in Sof...
Category
Post-Impressionist Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor, Postcard
Hommage á Léger
By Erró
Located in Malmo, SE
Artwork size: 47×38 cm
Frame size: 62,5 x 51,5 cm
Free shipment worldwide.
Acquired directly from the artist.
Signed and dated on the verso.
“I paint because painting is a private ...
Category
Pop Art Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Veiled Series X , Abstract Expressionist Organic Drawing Watercolor Painting
Located in Surfside, FL
Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida.
She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art.
On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas.
She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970.
In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973.
Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said.
During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake.
By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel.
Group Shows Conceived and Curated by Dorothy Gillespie
Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...
Category
Abstract Expressionist Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Ink, Watercolor, Permanent Marker
Luis Miguel Valdes, ¨Sillas 1¨, 2004, Work on paper, 22.4x18.7 in
Located in Miami, FL
Luis Miguel Valdes (Cuba, 1949)
'Sillas 1', 2004
acrylic, ink on paper Canson 320 g.
22.5 x 18.8 in. (57 x 47.5 cm.)
ID: 1D200407
Hand-signed by author
______________________________...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Ink, Acrylic, Paper
"Psalm 63:4...While I Live, " Oil Pastel signed by Reginald K. Gee
Located in Milwaukee, WI
"Psalm 63:4...While I Live" is a religious original oil pastel drawing on a grocery bag by Reginald K. Gee. The artist signed and titled the piece lower right. This piece illustrates...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Oil Pastel, Found Objects
Veiled Series LX , Abstract Expressionist Organic Drawing Watercolor Painting
Located in Surfside, FL
Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida.
She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art.
On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas.
She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970.
In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973.
Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said.
During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake.
By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel.
Group Shows Conceived and Curated by Dorothy Gillespie
Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...
Category
Abstract Expressionist Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Ink, Watercolor, Permanent Marker
Luis Miguel Valdes, ¨Gorda 2¨, 2007, Work on paper, 21.5x15 in
Located in Miami, FL
Luis Miguel Valdes (Cuba, 1949)
'Gorda 2', 2007
aquatint on paper Canson 320 g.
21.5 x 15 in. (54.5 x 38 cm.)
ID: 1D200713
Hand-signed by author
_____________________________________...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Ink, Aquatint, Paper
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