Santi Moix Art

Artist : Kory Twaddle Title : Basement Systems Materials : Acrylic, tempera, gouache, and glitter glue on cardboard drawing pad back Date : 2019 Dimensions : 18 x 12 x .2 in. Kory ...

Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...

Plate VI, Le Cocu Magnifique etching & aquatint, 1968 Unsigned as usual From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed edition of 30 i...

De trace de pas de trace de… Color etching with aquatint, 1966 From: Monsour and Matta, Les Damnations, 1966 (11 plates, this one of 7 hors text images) Edition: 85 portfolios in the...

Artist: Salvador Dali Title: Paysage avec figures-soleil from sun Portfolio: Neuf Paysages Medium: Etching Year: 1980 Edition: 3/49 Sheet Size: 14 7/8" x 14 7/8" Signature: Initialed...

JOAN MIRÓ (1893–1983) – “L’OISEAU DU FORGERON” Etching and Aquatint in Colors with Debossing on Arches Paper ⚜ Hand Signed and Numbered ⚜ Custom Conservation Frame A POETIC DIALOGUE BETWEEN INDUSTRIAL MATTER AND THE LIFE OF THE BIRD “L’Oiseau du Forgeron”, or “The Blacksmith’s Bird,” is a 1963 etching and aquatint with debossing by Joan Miró, hand signed in pencil lower right and numbered 48 from the limited edition of 75. The work belongs to Miró’s celebrated Forgeron series, in which the artist used aggressive plate biting and physical debossing of the paper to summon the world of the blacksmith’s forge directly onto the printed sheet. Printed in colors on heavy Arches wove paper with the watermark present, the impression was published by Maeght Éditeur, Paris, the central printmaking publisher of Miró’s mature career, and is documented in Jacques Dupin’s Miró Engraver, Vol. II: 1961–1973 (Daniel Lelong Éditeur, Paris, 1989) as plate 363. The composition is built around a bold visual pairing. At its center sits a heavy gray geometric form, rendered through the combined effect of etching, aquatint, and debossing, the latter pressing the contours of the deeply etched plate physically into the paper to create a tactile, sculptural relief that mimics forged industrial iron. The form is perforated with a constellation of small circles that read as rivet holes and is edged with the irregular notches of a blacksmith’s tool...

Artist: Stephan Strocen, Argentine (1930 - 1999) Title: Dialogando en Amarillo Year: 1970 Medium: Aquatint Etching with Intaglio, signed and dated in pencil Edition: 100 Size: 30 x 2...

Color etching with full margins. Signed by the artist and numbered 147/250 in pencil in lower right and left margins respectively. Printed and published by DeFrancony, Paris. Ca...

Artist: Salvador Dali Title: Piano chevelure dans un désert from lys Portfolio: Neuf Paysages Medium: Etching Year: 1980 Edition: 3/49 Frame Size: 22" x 22" Sheet Size: 14 7/8" x 14 ...

KURT SELIGMANN (1900–1962 American, born in Switzerland,) LA SORCIERE - (The Witch) 1934 Etching and aquatint, unsigned ? possibly a proof aside from The ...

Artist: Salvador Dali Title: Fantasmes de la plaine d'Ampurdam from begonia Portfolio: Neuf Paysages Medium: Etching Year: 1980 Edition: 3/49 Frame Size: 22" x 22" Sheet Size: 14 7/8...

Rolf Thiele The Staff Color Etching 1974 Size: 12.25 x 11.75 on 21 x 15.5 inches (31.12 × 29.85 cm on 53.34 × 39.37 cm) Edition: 100 Signed, dated and numbered in pencil by the artis...