Santi Moix

Artist : Kory Twaddle Title : Basement Systems Materials : Acrylic, tempera, gouache, and glitter glue on cardboard drawing pad back Date : 2019 Dimensions : 18 x 12 x .2 in. Kory ...

Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...

Plate VI, Le Cocu Magnifique etching & aquatint, 1968 Unsigned as usual From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed edition of 30 i...

De trace de pas de trace de… Color etching with aquatint, 1966 From: Monsour and Matta, Les Damnations, 1966 (11 plates, this one of 7 hors text images) Edition: 85 portfolios in the...

Hand-Loomed 'Medina' Flatweave rug for Nanimarquina. Executed in 100% hand-spun Afghan wool. Inspired by rugs from long ago, the 'Medina' collection represents the modern transformation of tradition. Its classical aesthetic is achieved with handcrafted production in the north of Pakistan, using a very old and traditional technique: the kilim. Hand-loomed kilim rugs are typically high-density, durable, and resistant, while at the same time lightweight. Nani Marquina founded her namesake company in 1987 in Barcelona. More than 30 years later, the company continues to offer artisanal rugs...

Artist: Salvador Dali Title: Paysage avec figures-soleil from sun Portfolio: Neuf Paysages Medium: Etching Year: 1980 Edition: 3/49 Sheet Size: 14 7/8" x 14 7/8" Signature: Initialed...

JOAN MIRÓ (1893–1983) – “L’OISEAU DU FORGERON” Etching and Aquatint in Colors with Debossing on Arches Paper ⚜ Hand Signed and Numbered ⚜ Custom Conservation Frame A POETIC DIALOGUE BETWEEN INDUSTRIAL MATTER AND THE LIFE OF THE BIRD “L’Oiseau du Forgeron”, or “The Blacksmith’s Bird,” is a 1963 etching and aquatint with debossing by Joan Miró, hand signed in pencil lower right and numbered 48 from the limited edition of 75. The work belongs to Miró’s celebrated Forgeron series, in which the artist used aggressive plate biting and physical debossing of the paper to summon the world of the blacksmith’s forge directly onto the printed sheet. Printed in colors on heavy Arches wove paper with the watermark present, the impression was published by Maeght Éditeur, Paris, the central printmaking publisher of Miró’s mature career, and is documented in Jacques Dupin’s Miró Engraver, Vol. II: 1961–1973 (Daniel Lelong Éditeur, Paris, 1989) as plate 363. The composition is built around a bold visual pairing. At its center sits a heavy gray geometric form, rendered through the combined effect of etching, aquatint, and debossing, the latter pressing the contours of the deeply etched plate physically into the paper to create a tactile, sculptural relief that mimics forged industrial iron. The form is perforated with a constellation of small circles that read as rivet holes and is edged with the irregular notches of a blacksmith’s tool...

Small 'Tres' hand-loomed rug for Nanimarquina. Fabricated from a natural blend of New Zealand wool, felt, and cotton, 'Tres' is a traditional Indian flat...

'Tones' Kilim rug by Clàudia Valsells for Nanimarquina. Executed in 100% hand-loomed New Zealand wool. These rugs aim to bring a distinctive, harmonious, and sensitive touch, with c...

'Quill M' Rug by Nao Tamura for Nanimarquina Executed in 100% hand-tufted new wool. Indian in origin, this wool reduces environmental impact as it is produ...

Small 'Shade' Hand-Loomed outdoor rug for Nanimarquina. The 'Shade' collection is inspired by magical moments in nature where colors melt elegantly into one another and speak for th...

Color etching with full margins. Signed by the artist and numbered 147/250 in pencil in lower right and left margins respectively. Printed and published by DeFrancony, Paris. Ca...