Art by Medium: Etching

Abeilles is a black and White etching realized by Alfred Emile Méry in the 1866.  Titled in the lower. Image size:24x31. Very good impression with wide margins and a very fresh in...

A contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his d...

Angels is an etching realized by Nicholas Cochin in 1755. Good conditions with slight foxing and aged margins. Signed in the plate. The etching was ...

This Map of Methoni is an etching realized by George Braun (1541 – 1622) The state of preservation of the artwork is good but aged and the trace of foxing that doesn't affect the i...

Andre DERAIN Such a Tall Woman Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent condition

Graham Clarke (b.1941) Original etching in colour. 'Excelsior'. Pencil signed below plate lines. Editioned 249/300. On paper.

Richard Serra (born 1939) Videy Afangar #6, from Videy Afangar Series, 1991 Etching on Hahnemühle paper Signed and dated in pencil lower right Edition 73/75 (there were also 20 artis...

Nude is the original etching and aquatint on paper realized by Carlo Mattioli in the 1970s. Hand-signed on the lower. Very good conditions. The artwo...

Colour-printed etching (bistre) on Auvergne paper Signed and numbered in pencil Reference: Michler & Löpsinger 114a Publisher: Werbungs und Comme...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

Artist: Richard Bosman, American (1944 - ) Title: Forced Entry Year: 1983 Medium: Sugar Lift Etching, signed, numbered, and titled in pencil Edition: 10/20 Image Size: 10 x 7 inches...

Image dimensions: 32 x 24 cm. Plate I from Suns/Landscapes is an original artwork realized beetween 1971 and 1972 by Roberto Crippa. Mixed oclored etching. Signed on plate on the lower margin. Numbere on the lower left. Edition 23/100. The artwork is from the portfolio Sun/Landscape, edited by Graphis Arte Livorno. Colorful and power artwork with a mixed composition of geometrical shapes and with different contrasting colors. Gaetano Crippa known as Roberto Crippa (Monza, 1921 - Bresso, 1972) was an Italian painter, sculptor and aviator. He started painting in 1945, with a figurative style and cubist influence close to Picasso's style. He joined the spatial movement with Lucio Fontana, Gian Carozzi...

Ancient Roman Fresco, from the series "Antiquities of Herculaneum", is an original etching on paper realized from a design by Deangelig after Nicolò Vanni in the 18th century. Signe...

La Danseuse et l'enfant is a superb original etching and drypoint on paper, realized at the beginning of XX century by an unidentified artist. Unsigned This print representig a dan...

Owl is an Etching realized by Enotrio Pugliese in 1963. Limited edition of 14 copies numbered and signed by the artist. Good condition on a white cardboard. Enotrio Pugliese (May ...

Marc Chagall "Samuel Called by God" from the series The Bible, which consists of 105 original etchings. Original hand colored etching 1958 Hand initialed "M.Ch" in pencil Numbered ...

"Les Erophages" is an etching and aquatint with gold ink on Japanese paper signed by Andre Masson. Coming from the corner on the lower left was a boarder of pink with lines and circl...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

ARTIST: Salvador Dali TITLE: Alchimie des Philosophes The Angel of Alchemy MEDIUM: Etching on parchment paper SIGNED: Hand Signed PUBLISH...

Jane Kent, American (1952 - ) - Fried Egg, Year: circa 1980, Medium: Monotype etching on heavy stock cotton paper, signed and numbered in pencil, Edition: 1/1, Image Size: 24 x 2...

ARTIST: Salvador Dali TITLE: Tauramachie Surrealiste The Giraffe on Fire MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: LXIV/C MEASUREMENTS: 20" x 26" YEAR: 1970 FRAMED:...

Abstract composition is a colored etching realized by Hsiao Chin in 1977. The artwork is hand-signed and dated in pencil on the lower right. Numbered on the lower left. Edition of ...

Demain (Tomorrow) is an original modern artwork realized in 1980s by the Belgian illustrator Jean Michel Folon (1934-2005). Original etching and aquatint. Hand signed and numbere...

Pablo Picasso’s 1968 etching and aquatint Théâtre ou télévision: cape et épée belongs to the artist’s late period, a time when he reflected intensely on the themes of performance, sp...

Hank Laventhol, American (1927 - 2001) - Mountain Village, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 300, AP XXXV, Image Size: 16.5 x 24...

Original black and white etching, hand signed in pencil on the lower right. Numbered in pencil on lower left. Edition of 100 prints. Representing a rooster on a branch. Very good con...

Artist: Pablo Picasso Title: Round Head of a Man with Tiny Features (Plate XVII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18"...

"Ni asi la Distingue" is an original aquatint realized by Francisco Goya in 1799, from Los Caprichos series, Plate 7, first edition. Rare and in ...

Ancient Roman Fresco, from the series "Antiquities of Herculaneum", is an original etching on paper realized from a design by Niccolò Vanni in the 18th century. Signed on the plate....

Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Les Levine, Irish/American (1935 - ) - Watch Series 3, Year: circa 1979, Medium: Color Etching, Signed and Numbered in red pencil, Edition: 2/100, Image Size: 18 x 11.5 inches, S...

Les Levine, Irish/American (1935 - ) - Watch Series 7, Year: circa 1979, Medium: Color Etching, Signed and Numbered in red pencil, Edition: 2/100, Image Size: 18 x 11.5 inches, S...

Joe Durante - City Lights. Year: 1983, Medium: Etching with Aquatint on Arches, signed, dated, numbered and titled in pencil, Edition: AP, Image Size: 15....

Etching on paper. Hand signed, titled (original title: una luna per bimbi), and numbered in pencil. Edition of 90. Excellent condition.

Landscape is an etching realized by Paul Emile Colin in the Mid-20th Century. hand-signed. Numbered.Edition, 1/30. Good conditions with slight foxing. The artwork is realized thr...

ARTIST: Salvador Dali TITLE: Florals Water-Hybiscus Swan MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Editions Graphiques Internationals EDITION NUMBER: 62/35...

Roses is an excellent Contemporary artwork realized by Renée Lubarow (b.1923) in 1978. The snow is an original modern artwork realized by Andre Roland Brudieux. Original etching on...

Signed and numbered from the edition of 30. Avery's prints often mix elements of satire, myth and legend with his own light touch of surrealism. David Avery continues to explore the expressive and technical possibilities inherent in black and white line etching...

Le Petit is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good condit...

William Lee Hankey (1869-1952) Drypoint etching on paper. Mother and Child. Monogrammed in plate. Pencil signed and blind stamped to the lower margin. Most likely a later restrike pr...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

ARTIST: Salvador Dali TITLE: Diane de Poitiers MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: LXVI/C MEASUREMENTS: 20" x 25.5" YEAR: 1973 FRAMED: No CONDITION: Excellen...

Lucian Freud Portrait Head 2001 Etching on Somerset Textured White paper 28 1/2 x 22 1/2 inches; 72 x 57 cm Edition of 46 Initialed and numbered in graphite (lower recto) Frame available upon request Published by Matthew Marks Gallery...

The Little Siren of the Arts Bridge is an Original Etching and aquatint realized by Edouard Chimot in 1922. The artwork is in good condition on the yellowed paper, included a cardbo...

Hand Signed. Edition of 100 prints. From the series “Les Fables de La Fontaine”.

The Tree at Villa is an artwork realized by the Contemporary Italian artist Leo Guida (1992 - 2017) in the 1970s.   Black and white etching on paper.   Hand Signed on the lower righ...

Drypoint and aquatint (brown ink) on cream paper. Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...

This exquisite aquatint by Henri Matisse (1869–1954), titled Trois têtes. A l'amitié (Three Heads. To Friendship), from the album Apollinaire, Henri Matisse (Apollinaire, Henri Matisse), originates from the 1952 edition published by Editions Raisons d'etre, Paris, and printed by Mourlot Freres, Paris, April 24, 1952. The work captures Matisses lyrical line and expressive minimalism, paying tribute to the French poet Guillaume Apollinaire through a synthesis of portraiture and calligraphic grace. Executed as an aquatint on velin a la forme des papeteries d'Arches paper, this work measures 12.99 x 9.84 inches (33 x 25 cm). Unsigned and unnumbered, as issued. The edition exemplifies the superior craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Henri Matisse (1869–1954) Title: Trois têtes. A l'amitié (Three Heads. To Friendship), from the album Apollinaire, Henri Matisse (Apollinaire, Henri Matisse) Medium: Aquatint on velin a la forme des papeteries d'Arches paper Dimensions: 12.99 x 9.84 inches (33 x 25 cm) Inscription: Unsigned and unnumbered, as issued Date: 1952 Publisher: Editions Raisons d'etre, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne Reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 31. Condition: Well preserved, consistent with age and medium Provenance: From the album Apollinaire, Henri Matisse (Apollinaire, Henri Matisse), published by Editions Raisons d'etre, Paris; printed by Mourlot Freres, Paris, 1952 Notes: Excerpted from the album (translated from French), Printing of this album was finished on April, Twenty-Four, M.CM.LII for the Editions Raisons d'etre, 2 rue des Beaux-Arts in Paris, was produced by Fernand Mourlot, based on the models of Henri Matisse. The eight original lithographs were shot on the presses of Mourlot Freres who also printed the cover and case composed by the artist. The stones were erased after drawing. The text and letrins engraved by Henri Matisse were drawn by Coulouma S.A., printer in Paris. Justification of the draw— XXX examples on large velin d'Arches a la forme, signed by the author and the artist, accompanied by a series of original lithographs numbered from I to XXX; CCC examples on velin d'Arches a la forme numbered from XXXI to CCCXXX; XX examples of non-commerce collaborators numbered from I to XX and in addition a few nominative examples on Grand Velin. About the Publication: Apollinaire, Henri Matisse (Apollinaire, Henri Matisse), published by Editions Raisons d'etre, Paris, in 1952, stands among Matisses most intimate artist’s albums, conceived as a visual homage to the poet Guillaume Apollinaire, whose friendship and creative influence had profoundly shaped the avant-garde in the early 20th century. The album unites Matisses mastery of line with his reverence for literature, pairing portraits, decorative initials, and typographic designs engraved in his own hand. Printed by the esteemed atelier Mourlot Freres, the volume exemplifies the peak of French postwar printmaking, merging literary refinement with visual purity. Each print reveals Matisses poetic sensibility—his ability to render emotion through the economy of contour and rhythm. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse Trois têtes. A l'amitié (Three Heads. To Friendship) Apollinaire, Henri Matisse (Apollinaire, Henri Matisse) 1952, Matisse Editions Raisons d'etre, Matisse Mourlot Freres, Matisse aquatint...

Original etching, aquaforte, aquatint engraving. poetry text by Robert Pinget on facing fold of sheet. The individual sheet is unsigned. The justification page is hand signed by th...

Etching realized by Fritz Schwimbeck in 1918. Edition of 125 realized in Munich on mulberry paper. Hand signed in pencil.

Celestial Music is an original black and white etching on cream-colored paper, realized by Charles-Nicolas Cochin the Elder (1688-1754), the well-known ...

This artwork titled "Venice Sailboats" c. 1975 is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed n pencil by the artist. The plate mark (i...

Etching realized by Fritz Schwimbeck in 1918. Edition of 125 realized in Munich on mulberry paper. Hand signed in pencil.

Limited edition. ANNA HALAREWICZ (born in 1983) graduated from the School of Fine Arts in Wroclaw on the drawing faculty. She received her Masters with distinction in Graphic Design ...

April Gornik Tropical Drift, 1998 Exquisite color direct gravure with spitbite aquatint on Somerset Satin white paper Pencil signed, dated, titled and numbered 11/40 by April Gornik ...

Flora Goddess, Allegory Of Spring from "Antiquities of Herculaneum" is an etching on paper realized by Pietro Campana in the 18th Century. Signed on the plate. Good conditions with...

Signed, titled and numbered by the artist. Edition of 10. Abstract patterns implying air currents and topography. Rosalyn Richards has been a member of the Bucknell University art ...

Goddesses from "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen in the 18th Century. Signed on the plate. Good conditions with foxing. The etching b...

Etching black and white from Civitates Orbis Terrarum. View of the Old Mexico City, built over the ruins of the Aztec city of Tenochtitlán from 1520, and Cusco, ancient capital of th...