Art by Medium: Etching

A bold and dynamic mid-century modern etching by acclaimed American artist Mary Chenoweth, “Flight” captures the energy, rhythm, and movement of postwar abstraction through sweeping ...

ARTIST: Salvador Dali TITLE: Memories of Surrealism Ultra Surrealist Corpuscular Galutska MEDIUM: Etching on Japon Paper SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: A XX...

Jim Dine The Christmas Print (Burg, 26), 2001 Drypoint, direct gravure, etching over offset lithograph with hand coloring by artist in oil stick, on T.H. Saunders paper, the full she...

1920 Social Realism Etching by John French Sloan titled "Bandits Cave" Compelling etching by John Sloan (American 1871 - 1951), 1920 during first year of prohibition showing a estab...

Artist: Salvador Dali Title: Passiflora laurigera (Le vine, Passionflower) Portfolio: 1968 Flora Dalinae Medium: Photolithograph, etching, and pochoir in colors on BFK Rives Date: 19...

Pablo PICASSO Carmen, The Round Face, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog r...

Suhas Roy - Landscape AP - 19/12 Etching on Paper 11 x 10.5 inches, 1985 ( Unframed & Delivered ) Style : He is one of the biggest and the most enduring names in the genre of Indian...

Medium: original etching. A nice impression on cream laid paper, published for the American Art Review in 1880; the American Art Review was a lavishly produced revue featuring origin...

Max Klinger, 'Erinnerung' (Remembrance), original etching with aquatint, 1896. A fine, richly inked impression on off-white, wove paper, with full margins (1 3/4 to 3 1/8 inches), in...

Joan Miró La Reine des éphémères (The Queen of Éphémeres), 1975, is a large sized etching and aquatint which is both immersive and abstract. Bold colors, animated imagery, and vivid ...

Figure is an original modern artwork realized the half of the XX Century by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original Etching on paper. Hand-signed in p...

Georges Braque (1882-1963) - Pichet et oiseau Etching from 1955. The edition of 74/300. Dimensions of work: 41.5 x 51 cm. Hand signed. Reference: Vallier 1005. The work is in G...

Emily Mason Untitled (For Douglas), 1990 Carborundum etching and monotype on paper Pencil signed, dated and inscribed "For Douglas" Vintage wood frame included This work was created ...

Hand signed. Signed and titled on plate. Very good conditions.

This artwork titled Jan Uytenbogaert" 1639 is an etching on paper After Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905. Sign...

1926. Etching in sepia ink on Japon paper, 9 5/8 x 11 1/2 inches (245 x 292 mm), full margins with the lower margin slightly notched. Signed, titled and dated in pencil in the lower ...

For Alberti, For Spain!  it's an original artwork realized by Joan Mirò in 1975. Etching,  90 x 66 cm.  Hand signed. Edition 50/90. Reference: Dupin 926 Printed on Fabriano paper...

Pablo PICASSO Carmen, The Bull's Horns, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog...

Etching on paper realized by Giovanni Omiccioli in 1974. Hand signed, dated and numbered. Edition of 80. Very good condition.

Salvador Dali (1904-1989) - A Shattering Entrance upon the American Stage Drypoint etching with stencil from 1973. Editon A 55/195 on Arches paper. Dimensions of work: 65.4 x 50.4...

From the Ponte Vecchio, Florence. 1925. Etching and aquatint. Fletcher catalog 159. state ii. Image: 11 1/8 x 15 1/4 (sheet 13 3/8 x 18 1/4). Edition 160 in this state (total edition...

Peterdi, Gabor. SPAWNING II. J.88. Etching and engraving with five stencilled colors, 1952. Edition of 200. Numbered and signed in pencil. 13 3/8 X 16 3/4 inches (plate), 15 x 19 1/4...

Lunar Poet  is a Contemporary Artwork realized in Italy by  Guelfo Bianchini  (Ancona, 1937) in 1978 . Colored Etching on paper.  Hand-signed  in pencil on the lower right corner: ...

A an impression after Rembrandt's only state of this image. Paris: 1644. Etching and engraving on high quality buff wove paper 4 7/8 x 4 1/2 inches (124 x 114 mm); sheet 12 5/8 x 1...

This artwork titled "Un Longue Apres Midi" 1984 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It ...

Salvador Dali (1904-1989) - La Plage de Sète (The Beach at Sète) Drypoint etching from 1967. The edition of 122/145 on Japan paper. Enhanced with watercolor.. Dimensions of work: ...

Yovani Bauta (Cuba, 1957) 'Untitled 1 (retrato)', 2003 engraving on paper Guarro Biblos 250g. 16.2 x 13 in. (41 x 33 cm.) Edition of 15 ID: BAU-315 Unframed

New York: c 1920. Etching with aquatint printed in brownish black ink on cream wove paper, 8 3/4 x 12 inches (220 x 304 mm), full margins. Signed and titled in pencil in the lower ma...

Le passage du Gué  is a beautiful etching and aquatint on ivory-colored and RBK Rives  watermarked paper, realized at the end of the 19th century by Frédéric August Laguillermie (184...

Peter Milton created this etching and engraving entitled “GARDEN WITH HENRY” in 1993. It is signed, titled, dated, and inscribed “153/250” in pencil under the image. The printed image size is 9.5 x 12 inches and the paper size is 15.5 x 18 inches. The inspiration for this piece came from the Henry James novella “The Aspern Papers” and clearly depicts the Venetian setting. The American-British author Henry James (1843-1916) wrote “The Aspern Papers” first published in 1888. Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...

Joel Shapiro For the Archives, 2008 Epson inkjet print on cotton etching paper Hand-signed by artist, Hand signed and numbered 171/175 by Joel Shapiro on the front Bears label from T...

Figures is an Etching realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was...

This piece titled "Timesteps" is an limited edition piece by Kate VanVliet and is made from two-plate etching with sugarlift, aquatint, drypoint on Rives BFK. This piece is an editio...

Medium: original etching. This impression was published in Boston in 1887 by Estes and Lauriat for the "Nature and Art" portfolio and is printed on cream laid paper. Size: 4 3/4 x 6 ...

Medium: original etching. This impression on laid paper printed in 1868 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 3 1/2 x 6 7/8 inches (88 x 175 mm...

Venetian Views: Venice, Morning, 1995 Howard Hodgkin Lift-ground etching and aquatint with carborundum printed in colours with hand-colouring in cadmium red, phthalo green-blue shad...

Etching, aquatint and drypoint. Not Signed and not Numbered as issued. Edition of 226 pieces. Belongs to the Suite "Histoire Naturelle de Buffon" (plate p. 86). Printed by Lacourièr...

Peintre et Modele Etching and aquatint on Rives wove paper, 1966 Signature stamp lower right (see photo) Annotated in pencil lower left: "epreuve avant acierage" (see photo) One of t...

Amy Sillman is an influential contemporary American painter and printmaker whose practice conflates the abstract and the figurative. Born in 1955 in Detro...

Etching with engraving on cream laid paper with a large unidentified alphabetic watermark, 6 1/2 x 9 7/8 inches (165 x 251 mm), the full sheet. In good condition with handling wear a...

Pierre Soulages Eau Forte XVIII, 1962 Edition number: 69/100 Etching and aquatint in colors, signed in pencil by the artist. 1 Plate on Velin d'Arches paper Printed by Lacouriere, Pa...

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche XIX Etching and aquatint from 1976. The edition of 225. Dimensions of sheet: 47 x 35 cm Dimensions in ...

The single letter "J", from the alphabet, illustrated by a Jaguar. All letters from the Kelvin Mann's bestiary alphabet are available, and the full set of 27 etchings in folio box is...

It is hard to characterize John Baldessari’s varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his ap...

An exalted portrait of fellow Flemish engraver and publisher Karel van Mallery. Lucas Vorsterman the Elder (after Anthony van Dyck). Carolus de Mallery, from Icones Principum Viror...

This is an abstract etching and aquatint by American artist James Rosenquist with colorful red, blue, green, and yellow shapes. It is signed and dated in pencil. Edition 57/78 17 3/...

Image dimensions: 32 x 24 cm. Plate I from Suns/Landscapes is an original artwork realized beetween 1971 and 1972 by Roberto Crippa. Mixed oclored etching. Signed on plate on the lower margin. Numbere on the lower left. Edition 23/100. The artwork is from the portfolio Sun/Landscape, edited by Graphis Arte Livorno. Colorful and power artwork with a mixed composition of geometrical shapes and with different contrasting colors. Gaetano Crippa known as Roberto Crippa (Monza, 1921 - Bresso, 1972) was an Italian painter, sculptor and aviator. He started painting in 1945, with a figurative style and cubist influence close to Picasso's style. He joined the spatial movement with Lucio Fontana, Gian Carozzi...

Dan Flavin (American, 1933-1996) Untitled (Triptych), 1996-98 Medium: Set of three aquatints on handmade rag paper Dimensions: each 50 x 40 cm (19.75 x 15.75 in) Edition of 60: Each ...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850) Jesus College...

Etching on antique cream laid paper with a deckle edge, 9 1/8 x 9 3/4 inches (232 x 248 mm); sheet 12 1/8 x 12 3/4 inches (307 x 323 mm), full margins. Signed and dated in pencil in ...

Landscape is an original artwork realized by Pio Joris, in 1870s. Beautiful etching on ivory paper. conditions: diffused foxings. Pio Joris (1843 - 1921) was an Italian painter, e...

Artist: Joan Mitchell (American, 1925-1992) Title: "Fields I" Portfolio: Fields *Signed and numbered by Mitchell in pencil (on second sheet) lower right Year: 1992 Medium: Original E...

Reginald Marsh (1898-1934), Tattoo-Shave-Haircut, etching, 1932. Signed, titled (“Tattoo-Haircut-Shave”), dedicated (“for Arnold Newman”), and annotated (“Fourth State. First of Two Prints”). Reference: Sasowsky 140. On cream wove paper. In very good condition, with small margins (as trimmed, slightly irregularly, by the artist) (slight foxing in margins), remains of prior hinging verso; 9 7/8 x 9 3/4, the sheet 10 15/16 x 10 5/8 inches; archival matting. A very fine rich black impression; we have not seen impressions of comparable quality on the market. Provenance: Estate of Arnold Newman. Arnold Newman (1918-2006) was one of the great 20th Century masters of photography, and a friend of many leading artists; it is appears that Marsh took special care in printing this impression for Newman. Sasowsky calls for 10 states of Tattoo-Shave, based largely on Marsh’s notes. But the states are not clearly delineated (e.g., his States 3 and 4, one proof each, are characterized by Marsh as “Engraving added”; no information is given for State 5). The design for the print was complete in the first state, and subsequent state changes were not, apparently, major. This impression does not appear to differ in etching lines from the final state impression shown in Sasowsky. Its inscription (as a Fourth State, by Marsh), as well as its rich inking and quality, attest to its being a proof before the edition (of about 34 impressions), but the state of this print (and, presumably of many of the other several proof impressions) cannot at this time be stated with confidence. Marsh printed this impression personally (we recall his famous answer to a question about the size of his editions: “Since I do practically all my own printing, I do not limit the edition. The buyer limits the edition – he rarely buys, I rarely print”). Tattoo-Shave-Haircut depicts a scene in the Bowery, a section of New York’s Lower East Side, during the Great Depression. The building and train structures in the top half of the print recall Piranesi’s Carceri...

The Profile is an etching on ivory-colored paper realized by anonymous Italian artist in 17th Century. Good conditions with slight foxing. The artwork is realized through deft smoo...

"Backlighting" was issued in an edition of 50. Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa) in 1962, he com...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Rouen: Rouen Augé, 1880. Etching and engraving on Arches laid paper with a partial watermark, 9 3/4 x 6 1/4 inches (241 x 157 mm), full margins. In very good condition with an exper...

Paul CÉZANNE (after) Provence : Sainte Victoire Mountain Etching and aquatint Engraved by Jacques Villon after the painting of Cezanne Signature printed in the plate On Arches vellu...

Etching and aquatint realized by Henry Alken in 1822. Table from "The Sporting Repository", first edition. Very good condition. Henry Alken (1765-1851) was en english painter and e...

Minami, Keiko (Japanese, 1911-2004) L'HIVER. Etching and aquatint in colors, 1959. Signed and Numbered 26/50. (plate), framed to 14 X 14 inches. In excellent condfition.