Art by Medium: Etching

Phrases - Silence is a Contemporary artwork realized by the Italian Contemporary artist Achille Perilli  (1927 -2021) and by the French philosopher Philippe Lacoue-Labarthe (1940-200...

Medium: original etching and drypoint. This pair of drypoints was printed in Paris in 1917 and published by Gazette des Beaux Arts. Plate sizes: 3 1/2 x 2 1/4 inches (89 x 58 mm) and...

drypoint etching on Rives paper, edited in 1969 limited edition of 125 copies on Rives , numbered in lower left corner 51/125 signed in pencil by artist in lower right corner paper s...

Artist: Salvador Dali Title: Espace paysage from cobea Portfolio: Neuf Paysages Medium: Etching Year: 1980 Edition: 3/49 Frame Size: 22" x 22" Sheet Size: 14 7/8" x 14 7/8" Signature...

The Cat is an Original etching print on paper realized by Giselle Halff in 1950 ca. Good conditions with some foxing. .

Etching with stencil and gilding on paper, edited in 1971. Limited edition, numbered in lower left corner 80/250 Signed in pencil by artist in lower right corner. Paper size: 55.5 x...

Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary...

This artwork titled "Genesis 1th Day" 1961 is a n original etching, with embossing by noted American artist Dennis Ray Beall, b.1929. It is hand signed, titled, dated and numbered 24...

Chevaliers et Sorcieres is a black and White etching realized by Charles Amédée De Boret in the 1860s.  Titled in the lower. Image size: 31x23. Very good impression with wide marg...

Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...

Diana Gonzalez Gandolfi, Argentine/American (1951 - ) - Bridge in Merida II, Year: 1986, Medium: Etching with Aquatint on BFK Rives, signed, ...

Beautiful proof of I state on III before the white space under the sword is covered. Without Margins. Very good condition. Ref. Bartsch 92; Biörklund 40-B; Hollstein (White and Bo...

Artist Unknown "Fashionable Dress, 145" 1914 Etching

George & Ira Gershwin Songwriters Tony Emmy Oscar Grammy Awards Broadway Musical Al Hirschfeld (1903-2003) George & Ira Gershwin Lithograph on heavy paper, 1981 Sheet: 15-1/4 h x 2...

Beverly Pepper, American (1922 - 2020) - Untitled, Year: 1987, Medium: Etching, signed and numbered in pencil, Image Size: 22 x 16.25 inches, Size: 37 x 26.25 in. (93.98 x 66.68 cm)

Medium: original soft ground etching. Signed in pencil and annotated "Artist's Proof". Printed in 1967 for the Dreigroschen Film portfolio and published by Touchstone Publishers. Thi...

Anton Schutz, 'L' Abside de Notre Dame' (The Apse of Notre Dame), etching, 1st state, c. 1927. Signed, titled, and annotated 'First State', in pencil. A supe...

Etching and aquatint on paper. Hand signed in pencil. Artist Proof. Very good condition.

This artwork titled "Curvy Brushstrokes" 1997 is a colors etching with sugar lift aquatint on Somerset textured white paper by renown artist Sol (Solomon) LeWitt, 1928-2007. It is hand signed and numbered 1/15 in pencil by the artist. The image size is 29.90 x 39.90 inches, paper sheet size is 40.5 x 49.80 inches, framed size is 43.75 x 53 inches. Published by Crown Point Press, San Francisco, printed by Dana Sywulak, assisted by Dena Schneleit, Mary Andrews and Case Hudson at Crown Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne, plate #1997.07. Custom framed in a wooden black frame, floated on white backing, with white spacer. It is in excellent condition, the frame has minor very small restorations, practically invisible. About the artist: Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality. Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman) Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman) Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art. LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...

Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...

Hand watercolored drypoint etching on extremely fine Japanese paper, edited in 1969. Limited edition of 145 copies water-coloured, numbered in lower left corner EA (Epreuve d'artist)...

Mixed media incorporating heliogravure and drypoint etching hand-colored on Arches paper , edited in 1963 Limited edition of 150 copies , numbered 23/150 in lower left Hand signed by...

Original Etching. "Portrait du Peintre A. Guillaumin au Pendu" by Paul Cézanne (French, Aix-en-Provence 1839-1906). Etching on archival paper, 1873. A good impression of the rare Fir...

New York: c 1920. Etching with aquatint printed in brownish black ink on cream wove paper, 8 3/4 x 12 inches (220 x 304 mm), full margins. Signed and titled in pencil in the lower ma...

This is an exclusive handprinted limited edition cyanotype. This cyanotype shows one of the mountains in beautiful Yosemite National park in California. Details: + Title: Yosemite Blue Mountain + Year: 2021 + Edition Size: 100 + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper * Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube. WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun. Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative to get the best image quality. Finally, the print is washed and fixed with water to stop the reaction and prevent fading. What you get is an amazing, royal blue image...

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

Considered a major force in the op art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric ...

One of seven images from the Origin-Beginning series. Origin-Beginning-3 emphasizes vertical movement within the series. Darker forms gather toward the lower portion of the compositi...

The scarce and coveted piece is pencil-signed, titled AMOR and dated by the artist along the bottom edge. It is numbered 1/50 - the very first example from the small edition of only ...

A superb impression on Japon paper, one of only three proofs. Etching on handmade Japon paper with a deckle edge, 13 1/8 x 9 7/8 inches (333 x 252 mm); sheet 18 1/4 x 13 3/4 inches ...

ARTIST: Salvador Dali TITLE: Memories of Surrealism Surrealist King MEDIUM: Etching on Japon Paper SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: A XXX/XL MEASUREMENTS: 29...

This artwork titled Jan Uytenbogaert" 1639 is an etching on paper After Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905. Sign...

ARTIST: Salvador Dali TITLE: Les Amours de Cassandre The Fairy MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Editions Argillet, Paris EDITION NUMBER:...

Portrait is an original etching realized by Jean-Claude Picard. Hand-signed. The artwork is realized in a well-balanced composition.

Porta Angelica is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged margins...

'Derwent Water with Lowdore Waterfall' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman, soft ground etcher ...

Fine Art Aquatint Etching of Gordes, in Provence, France - "Legendary Provence" by Ronald Stephen Riddick Beautiful aquatint etching of a sunset over iconic Provence French town, Go...

Salvador Dalí Le Chateau de Gala (Gala's Castle) from After 50 Years of Surrealism Original etching, hand colored 1974 Image size: 15 3/...

"Astonishing, Health and Sunshine" triptych by artist Jim Dine. Three spitbite aquatint, drypoint and lithographs with additional hand coloring on Shiramibe paper mounted onto three ...

Gorgeous aquatint in reds and oranges by Piero Dorazio (Italian 1927-2005). This aquatint is on heavy "Umbria" Fabriano paper. It is signed and dated 1964 in the lower margin in penc...

Etching on paper realized by Alberto Gallerati. Artist proof. Hand signed in pencil. Excellent condition.

Glasgow: Regality Club, 1894. Etching on cream laid paper with a poppy watermark, 4 1/2 x 5 7/8 inches (115 x 148 mm) full margins. Notations in the margins recto, well outside of image area. Scattered very minor light brown foxing in the right-side sheet quadant, virtually invisible on recto. [Rinder 191]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers". Image size: 3 3/8 ...

Artist: Pablo Picasso Title: Head of a Man in Broken Lines (Plate XXXIV) Portfolio: Carmen Medium: Original etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18...

Ed Ruscha On the Road (10 sandwiches with bread and salami) (Hand signed and dated by Ed Ruscha), 2010 Letterpress on paper with die-cut photograph tipped in by hand to a blind debos...

Portrait is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Lov...

Pablo Picasso (1881-1973) - Torero Aquatint from 1964. The edition of 6/245 on Arches paper. Dimensions of work: 35 x 26 cm. Publisher: Éditions Français Réunis, Paris. Referenc...

Lucio Fontana Untitled from The International Avant-Garde (volume I), 1962 Hand signed and numbered ‘XIV/XXV L. Fontana’. This work is number 14 of 25 examples numbered X to XXV giv...

La Roussette is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good co...

Untitled  is a black and white etching realized by  Miodrag Djuric in 1980. Hand Signed, dated and numbered. Edition 9/40. Very good conditions excepts for foxings on the right mar...

La Mare Aux Grenouilles is a black and White etching realized by J. Desbrosses in the Late 19th Century.  Titled in the lower Image Size: 16x25 Very good impression. Realized by ...

Not signed The hand-colored etching plates by Johann Wilhelm Weinmann, from Phytanthoza Iconographia (1737–45), present carrot and primrose with a detailed balance of structure and v...

Medium: original soft ground etching. This is a lifetime impression printed in 1914 on laid paper and published in Berlin by Bruno Cassirer for Theodore Duret's "Die Impressionisten"...

L'Axis Femelle is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet d...

Salvador Dali (1904-1989) - Les Négresses Etching from 1969. 66/145 on Japan papaer. Dimensions of work: 38 x 28 cm. Hand signed. Publisher: Graphik Europa Anstalt. Reference: ...

Map Traiectvm ad Mosam is original etching realized by Georg Braun and Franz Hogengerg between the end of the 16th and the first years of the 17th Century. Dimension: 40 x 54 The ...

Buffon, Histoire Naturelle, 1767–1771 – Tom. V, Pl. XXVII (p. 300): Le Lévrier Copper engraving depicting Le Lévrier (Greyhound) standing in elegant profile within a landscaped esta...

A finely detailed etching by Claudio Gellee, better known as Claude Lorrain (1600-1682). This print is a later restrike of a seventeenth-century original, and depicts the myth of Mer...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Letter of the Alphabet Q from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Signed on the plate. Good conditions...