Art by Medium: Etching

Aquatint and etching in colors on Rives BFK paper. Hand signed lower right by Joan Miro. Hand numbered HC lower left (there is also a main edition of 75). Sheet size: 19.25 x 23.8...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Servitor, Bachelor of Divinity, Collector (1814) Aquatint with original hand colouring 24 x 29 cm Published by Rudolph Ackermann (1764 - 1834). A Servitor; Bachelor of Divinity; and Collector of the University of Oxford. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Phrases - Sombre is a Contemporary artwork realized by the Italian Contemporary artist Achille Perilli  (1927 -2021) and by the French philosopher Philippe Lacoue-Labarthe (1940-2007...

The Monument is a Contemporary artwork realized in  1976s  by the Italian artist Leo Guida. Etching on paper.  Hand-signed and  dated  in pencil on...

Dame Laura Knight "The Circus Dressing Room" 1925 Etching Ed. 20 Signed Lower Right Image Size: approx. 14 x 10 inches Framed Size: approx. 23.5 x 17.75 inches An English impressio...

To see our other views of Oxford and Cambridge, or Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message ...

Johnston, Ynez. UNTITLED. Etching, not dated (but likely 1950s). Edition of 20, signed in pencil and numbered 4/20. 6 7/8 x 9 inches (plate), 8 x 10 5/8 inches (sheet). In excellent ...

Erotic is an etching by Chas Laborde in the 1920s. This original print is hand-colored in watercolor. In very good condition, including white cardboard Passepartout, 52 x 37cm. This artwork belongs to the erotic series of Chas Laborde in which you recognize his authentic style of illustration. Chas Laborde (Buenos Aires, 1886 - Paris, 1941) Charles Laborde...

The Monument is a Contemporary artwork realized in  1976s  by the Italian artist Leo Guida. Etching on paper.  Hand-signed and dated in pencil on t...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832) St Aldate's From Carfax (1813) Aquatint with original hand colouring 27 x 21 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of St Aldate's, overlooked by Christ Church's pale and magnificent Tom Tower. John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints. Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

"Road Landscape" is an original etching and aquatint by Felix Bracquemond. This piece depicts a shadowy path through the foliage. The artist signed the piece in the lower right and i...

Jane Kent, American (1952 - ) - Embryo, Year: 1984, Medium: Monotype Etching, signed, numbered and dated in pencil, Edition: Working Proof 1/1, Image Size: 23.75 x 23.75 inches, ...

Etching on paper. Hand signed lower right margin. Image size: 20 x 13 inches. Frame size approx 36 x 27 inches. Reference: Figure 331 page 156 in "Louis Icart: The complete etchin...

Roth, Ernest (American, 1879-1964). FROM PIER 4 - EAST RIVER. Etching, not dated. Edition size not stated. Signed in Pencil, and titled in pencil at the lower edge, and Signed, dated...

The Dining Room is an Etching realized by Georges Jeanniot in the late 19th Century. Signed in the lower. Good condition.

As a printmaker, using traditional etching and aquatint techniques has allowed me to explore the ideas of nature, wildness, wilderness and the human attempt at wildlife management. I...

Surgical Treatements is part of the suite realized by Lorenz Heister in the series of Institutiones Chirurgicae, Amsterdam, Janssonius-Waesberg, 1750. Etching on paper. The work be...

This artwork titled "Skull" c.1990 is an original color etching and aquatint by noted California artist Arnold A. Grossman, 1923-2016. It is hand signed in pencil by the artist. The ...

Aquatint portrait signed by French artist George Pierrot (1871-1958). In a painted and gilded frame, with matting and glass cover.   Rouault first came to prominence in 1905, when ...

"Les Matelassiers (The Mattress Makers)" is an original etching by Auguste Brouet. It depicts people creating a mattress outside. The artist signed the...

Artist: Sandro Chia Title: Untitled 4 Medium: Carborundum etching with hand coloring on handmade paper, each piece is unique Size: 49 x 39 Inches Signed: Hand Signed Edition: 31/50...

Trees. 2016. Paper, etching, 2/5, 29x40 cm

Carborundum etching on hand made paper. Hand signed lower front by Roberto Matta. Edition 111/125. Published by Nordstamp. Artwork is in overall excellent condition. Certificate...

Caldara - Winter landscape is an artwork realized by Karolina Szewczyk the 2020s. Etching, Aquatint. Hand-signed. Numbered. Edition 5/50.

Artist: Sandro Chia Title: Untitled 7 Medium: Carborundum etching with hand coloring on handmade paper, each piece is unique Size: 48 x 38 Inches Signed: Hand Signed Edition: 31/50...

86.4 x 116.8 cms (34 x 46 ins) Edition of 17 Colour Trial Proof

Hayter, Stanley William. PERSONNAGE VIRTUEL. BM182. Engraving, soft-ground etching and scorper, 1947. Edition of 70, signed, dated, and numbered 42/70, all in pencil. 11 3/4 x 8 7/8...

Etching and aquatint realized by Edolo Masci. Hand signed and numbered in pencil. Edition of 90. Excellent condition.

Etching and aquatint on paper realized by Angelo Casciello. Hand signed and numbered. Edition of 100. Very good condition. A refined and architectonic abstract composition by Ita...

Morning city 2005, paper, etching, 14x16 cm, 40/100 JEKATERINA GRYAZEVA Born in Latvia, Riga 1968 Education 1979 - 1986 J.Rozentals Secondary Art School (Riga). 1987...

John Hoyland Fly Away, 1981 Etching and aquatint with carborundum in colours, on wove paper, with full margins 68.3 x 91.6 cm 26 7/8 x 36 1/8 in John Hoyland would sometimes title h...

Howard Cook (1901-1980), Soaring New York, aquatint, soft0ground etching, roulette, 1931-2; signed, dated and annotated “imp” in pencil lower right, titled lower margin. Reference: D...

Roth, Ernest (American, 1879-1964). BRIDGE AT CHARTRES. Etching, 1927. A Trial Proof before the edition (if any). Inscribed in pencil "Trial Proof A (Bridge at Chartres) 1927." Signe...

William Lee Hankey (1869-1952) Drypoint etching on paper. Mother and Child. Monogrammed in plate. Pencil signed and blind stamped to the lower margin. Most likely a later restrike pr...

The painting is being offered with a work and authenticity certificate

ARTIST: Salvador Dali TITLE: La Venus aux Fourrures The Head MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 66/150 MEASUREMENTS: 15" x 11" YEAR: 1968 FRAMED: No CONDITION: Excellent AUTHENTICITY: This piece has been certified by Muse du Surrealisme - Christine Argillet REFERENCE: The Official Catalog of The Works of Salvador Dali by Albert Field page 40...

Maimon is an etching realized by Juste Chevillet in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Pari...

29.88 x 22.36 ins (75.9 x 56.8 cms) Edition of 96 Signature:Signed "R. Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; artist's chop mark lower right ...

Arnulf Rainer (1929) Paris : Louvre Museum with Orange Scratch (Fire) Original etching On vellum 40 x 50 cm (c. 16 x 20 in) Authenticated with the blind stamp of the editor Chalcogr...

Villon, Jacques (French 1875-1963). MONSIEUR PATRELLE. Etching, 1932. G&P E356. 3rd State of three. Edition of 50. Signed in pencil and numbered 8/50. In excellent condition.

Mireille Kramer, Egyptian/American (1932 - ) - Biblical III, Year: circa 1980, Medium: Etching, Signed, Titled and Numbered in Pencil, Edition: 300, Image Size: 17 x 14 inches, S...

Ex Libris - Ex Bibliotheca Macabrum is an Etching print created by Michel Fingesten in 1939. Good conditions. Michel Fingesten (1884 - 1943) was a Czech painter and engraver of Je...

Ina Kaur (b. 1980) is a multidisciplinary artist whose conceptually driven work responds to imbalances and injustices within social, cultural, and ecological environments. Her practi...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American artists that radically defined abstraction and establish...

City of Banges is an original etching on ivory paper, realized by Anonymous Artist of the XX century, in 1920s. In excellent conditions: As good as new. Not signed. Name of the pl...

John Harris after Harry Hall The Merry Beaglers c. 1845 48x65cm Aquatint with hand colouring The most famous beagling print there is, after the 1845 pa...

Richard Hricko has exhibited internationally in museums, galleries and juried competitions, including the National Academy Museum in New York, Glynn Vivian Art Museum in Wales, and G...

Le Dogue de Forte Race is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du C...

"Le Point de Bois (Rebecca & Eliezer)" is an etching by Claude Gellee (Le Lorrain). This etching is in the collections of the Metropolitan Museum and the Louvre. Publisher: Mannocci ...

The Cow is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi"....

Zorn, Anders. S. LOEB (SOLOMON LOEB). H&H76, Asplund 115, Delteil 113. Etching, 1897. Unsigned (signed in the plate). Apparently the 2d or 4th State of 4. All of the states are descr...

Jack Levine Etching and aquatint print on paper titled The Spanish General by Jack Levine (American; 1915-2010). Hand signed and numbered 89/100 lower edge. Born to Lithuanian Jewis...

Le Braque is an etching realized by Jean Moitte in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Artist's sign...

La Brebis D'islande is an etching realized by Antoine Defehrt in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

Le Mouton de Barbarie is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière ...

La Marte is an etching realized by Jean Gullaume Moitte in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Artis...

Le Palmiste is an etching realized by Jean Moitte in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Artist's s...

La Foutine is an etching realized in 1771 by Jean Moitte Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la desc...

Le Bouquetin is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particul...

Detailed mid-century modern figurative abstract etching by Gianpaolo Berto (Italian, 1940-2003). This etching features a central female figure, with layers of detailed embellishments...