Art by Medium: Etching

This original etching and aquatint in colours is hand signed in pencil by the artist "Miró" at the lower right margin. It is also hand numbered 48 in pencil from the edition of 50, ...

An early 19th century proof, in fair condition but with a very good inking, of the plate "View of the Arch of Constantine". It belongs to the first Paris Edition of 1800-1807. The f...

Etching on medium stock, cream wove paper, 5 15/16 x 10 3/16 inches (151 x 259 mm), full margins. Signed and titled in pencil, lower margin. A fine and detailed impression in dark bl...

Crystal Falls II Title: Paula Crane "Crystal Falls II" Original Limited Edition Modernist Landscape Print Background & Credentials: Born in Kansas City, Missouri, Paula Crane discove...

Salvador Dalí (Spanish, 1904–1989) Frère Ogrin l’ermite (Brother Ogrin the Hermit) Drypoint etching in colour From the 1970 Tristan and Iseult series, British book edition, printed o...

Griffon With Woodcock is an original etching by Leon Danchin showing a Griffon in a field pointing at a Woodcock trying to hide in the brush. This color etching is in good conditi...

Salvador Dali (1904-1989) - Dragon Apple from Flordali suite Lithograph with drypoint etching from 1969. The edition 16/35 on Rives paper. Dimensions of work: 74.5 x 54.5 cm. Han...

Etching on chamois-colored laid paper, realized in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand signed an...

Buffon, Histoire Naturelle, 1767–1771 – Tom. V, Pl. XXVII (p. 300): Le Lévrier Copper engraving depicting Le Lévrier (Greyhound) standing in elegant profile within a landscaped esta...

This piece is from a collection of originally designed etchings with drypoints by Rembrandt. It is printed on Ingres D'arches off-white laid paper. The prints are the sixth and final state Posthumous Impression. Printing plates were made in 1650, this collection was printed in 1998. Rembrandt van Rijn was one of the masters of the landscape genre in his prints and drawings. In his etching, "Landscape with a Cow...

Emily Mason Untitled (For Douglas), 1990 Carborundum etching and monotype on paper Pencil signed, dated and inscribed "For Douglas" Vintage wood frame included This work was created ...

Louis Icart Faust : Margueritte and Devil Original etching with aquatint Signed in pencil Blind stamp of the editor on the bottom left corner On vellum 62 x 45 cm (c. 25 x 18 in) ...

Carte de voeux pour Aime Maeght or Femme et Ange (Woman and Angel) Etching with woodcut, 1963 Initialed in the plate lwoer left of image (see photo) Edition: Unknown Published by Ai...

ARTIST: Salvador Dali TITLE: Faust Vignettes Faust Lisant MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 24/100 MEASUREMENTS: 15" x 1...

ARTIST: Salvador Dali TITLE: Memories of Surrealism Surrealist Gastronomy MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Transworld Art/ A & E Rich EDITION NUMBER: A 6/175 ME...

Marc Chagall Fables : The Funeral Procession (The Priest and the Dead Man), 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 3...

Le chapeau épinglé (La fille de Berthe Morisot et sa cousine) 3e planche. Etching realized by Renoir in 1894. Image dimension 11.5x8 cm. / sheet dimension 33.2x15.1 cm. The final s...

B.J.O. Nordfeldt, 'Broad Street (Wall Street)', etching, edition not stated, c. 1915. Signed in pencil. A superb impression, with rich burr, selectively wiped plate tone, and inky plate edges, on cream wove paper; the full sheet with margins (3/4 to 1 1/4 inches), in excellent condition. Printed by the artist. Matted to museum standards, unframed. Impressions of this work are in the permanent collections of the Fine Arts Museums of San Francisco, Princeton University, Smithsonian American Art Museum. A view looking down Broad Street past the New York Stock Exchange Building on the right with the columned Federal Hall...

A very good impression of this color aquatint, etching and carborundum. Signed and numbered 27/75 in pencil by Miro. Printed and published by Maeght, Paris. Catalogue reference: Du...

Henri Matisse (1869-1954) - Portrait of Marguerite Matisse Etching from 1920 on Chine appliqué paper. Dimensions of sheet: 30 x 21 cm Dimensions in frame: 53.2 x 43.2 cm Publishe...

Plate VI, Le Cocu Magnifique etching & aquatint, 1968 Unsigned as usual From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed edition of 30 i...

Medium: aquatint and drypoint Year: 2016 Edition of 21 Image Size: 16 × 12 inches Portrait of a plump and possibly perplexed owl in a nocturnal setting, by Franco-Iranian artist M...

Etching on chamois-colored laid paper, realized by Dalì in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand s...

JOHN J. AUDUBON (1785 – 1851) FORK-TAIL PETREL - PLATE CCLX Audubon, John James. FORK-TAIL PETREL - PLATE CCLX OF "THE BIRDS OF AMERICA by John James Audubon. From the "Double Eleph...

Ancient Roman Drawing, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Nolli in the 18th Century. Signed on the plate. Good conditio...

Workshop is an original artwork realized by an Unknown Artist, 19th century. Original etching on ivory paper. Good conditions. Image Dimensions: 10 x 7 / 14 x 11 cm

Joan Miro, Spanish (1893 - 1983) - Bagatelles Vegetales, Year: 1956, Medium: Etching with Aquatint and Carborundum, on Richard de Bas, Edition: 300, Size: 9.25 x 14.5 in. (23.5 x 36...

Paris: Cadart, 1873. Etching with engraving on white wove paper, 9 1/4 x 12 1/2 inches (235 x 318 mm); sheet 10 3/4 x 14 3/4 inches (274 x 375 mm), full margins. In very good condi...

"Requiem" is an original etching and aquatint by Joan Snyder. The artist signed the piece, and the edition is of 120. This piece features abstract, expressionist text and an striking portrait of a woman with red lipstick on a pink background. 25 5/8" x 20" art 32" x 26" frame Joan Snyder was born on April 16, 1940, in Highland Park, New Jersey. She received her AB from Douglass College in New Brunswick, New Jersey (1962), and an MFA from Rutgers University in New Brunswick, New Jersey (1966). She was the recipient of a National Endowment for the Arts Fellowship (1974) and a John Simon Guggenheim Memorial Fellowship (1983). Snyder lives in Brooklyn and Woodstock, New York. Although Snyder’s paintings are often placed under various art-movement umbrellas—Abstract...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

Salvador Dalí (Spanish, 1904 - 1989) Femme au Cochon, from Faust (La Nuit de Walpurgis) (Field 69-1B; M&L 299k) Etching with drypoint and roulette printed in colours, 1969 signed in ...

Color etching and aquatint realized in 1969/71. Hand signed and numbered in pencil. Edition of 99. Published by Georges Visat, Paris. Ref. Anselmino 29E Very good condition.

A magnificent forest scene with lush, vast foliage along a brook by a master of the Dutch Golden Age. Amsterdam: c1650. Etching on cream laid paper, 5 1/8 x 5 3/4 inches (130 x 147 ...

Make Fast, plate 2. 1929. Etching. Laver catalog number 146; Hurst catalog number 258. Plate: 14 3/8 x 9 13/16 (sheet 17 5/8 x 11 3/4). Trial proof 2, before the edition or 75. Ill...

Henri Matisse Martiniquaise 1946 Etching on annam appliqué on wove paper, Edition of 25 Paper size: 38 x 28 cms (15 x 11 ins) Plate size: 25.2 x 19 cms (10 x 7 1/2 ins) Henri Matiss...

Auguste RODIN (1840–1917) (after) The Showdown, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (...

Auguste RODIN (1840–1917) (after) Purgatory, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16....

Signed, titled and numbered in pencil by the artist. Edition size: 50. Abstract landscape. Christian Bozon was born in Lons-le-Saunier, France in 1969. He was trained at the Art Sch...

Auguste RODIN (1840–1917) (after) Seated Man, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16...

Etching with drypoint on cream laid paper 4 x 6 1/2 inches (102 x 166 mm); sheet 5 1/8 x 7 5/8 inches (130 x 194 mm), full margins with a deckle edge. In good condition with light ye...

Color drypoint etching on BFK Rives paper, edited in 1970.
 Limited edition, numbered XVII/XXV in lower left corner.
 Hand signed by artist in pencil in the lower right corner. Plat...

"A sua Eccellenza il Signor Henry Hope Cav. Scozzese Amatore delle Belle Arti from "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ancient ornaments) is an etching by Giovanni Battista Piranesi, published in 1778. It depicts stone caryatids...

Etchings with drypoint on laid Japon paper, 5 x 6 3/4 inches (128 x 172 mm); sheet 9 x 11 3/8 inches (230 x 290 mm), full margins. In very good condition with some minor uniform toni...

The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...

Antonio Diaz Cortes (Mexico, 1935) 'Primavera/otoño', 2006 woodcut on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: DIA-106 Unframed

Artist: Alex Katz Title: Black Brook Medium: Aquatint in Colors on Wove Paper Sheet size: 30 3/8 x 66 7/8 Inches Edition: Publisher's Proof 1/4, aside from the standard edition of 50...

Original etching and drypoint on wove paper. This is the third version and the second edition printed in 1921 of Le Chapeau Epingle. Condition is very good...

This framed original 18th century etching is entitled "Fregio antico di marmo con Ippogrifi, nel cortile del palazzo della Valle" (Ancient Marble Frieze with Hippogriffs in the Courtyard of The Palace of the Valley). The etching is by Giovanni Battista Piranesi, published in Rome in 1778. It is from Piranesi's monumental work "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones...

Artist Name: Barbara Kwasniewska Title: L'Ete Year: 1969 Medium Type: etching Size-Width Size-Height: 22.5'' x 30" inches Signed Edition Size: Signed, Titled, and Numbered 2/75 ...

Georges Braque (1882-1963) - L'ordre des oiseaux Portfolio with 12 etchings with aquatint from 1962. The edition XXIX/XXX. Dimensions of work: 45 x 56 cm. Apart of an edition of ...

Une place vide is an original etching realized by Tobias "Toby" Edward Rosenthal ( 1848 - 1917 ). Hand signed on the lower right. Is not dated but we can attribute the period late 19...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

Sam Francis, American (1923 - 1994) - Untitled (SFE-118), Year: 1993-94, Medium: Aquatint, numbered in pencil and signature embossed, Edition: 4/20, Image Size: 35.75 x 18 inch...

Brodie Standing [08] Limited Edition Etching , hand printed on Hanemulle etching paper Edition of 75 Image size: H:30.5 cm x W:51 cm Complete Size of Unframed Work: H:45 cm x W:64 cm x D:.15cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look N.B. Original Print, handmade and hand printed etching. An old friend of mine, Brodie the Scottish Terrier. He was a regular at the shows and a wonderful character. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert...

Pablo PICASSO Carmen, The Round Face, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog r...

An exalted portrait of fellow Flemish engraver and publisher Karel van Mallery. Lucas Vorsterman the Elder (after Anthony van Dyck). Carolus de Mallery, from Icones Principum Viror...

WFUNA Marc Chagall Designed Etching · Produced after the artist's death with permission from his estate Image size 8.5" x 11" #215/1000 Perfect condition Certification document on ...

Etching hand colored realized in 1973. Hand signed, titled and numbered in pencil. Edition of 30. Very good condition except for some minor foxing.

Original edition of 1815/16 including 50 etchings hand watercolored by Bartolomeo Pinelli. Oblong Album including 1 frontispiece and 50 richly watercolored etchings showing romans' c...

ARTIST: Salvador Dali TITLE: 8 Mortal Sins Suite Anger Avarice Dalinean Envy Gluttony Lust Pride Sloth MEDIUM: 8 Etchings SIGNED: Each piece is Hand Signed PUBLISHER: Jean Schne...