Art by Medium: Etching

Bords du Lac à Lausanne is an original etching realized by Camille Quesneville in 1955. Good comdition. Artist proof. The artwork is depicted through strong hatching in a well-bala...

Original etching and drypoint on wove paper. This is the third version and the second edition printed in 1921 of Le Chapeau Epingle. Condition is very good...

A fine nautical etching by William Lionel Wyllie (1851-1931). Syracuse, Sicily, with sailing vessels and Maniace Castle in view. Signed in graphite below plate lights. Framed & m...

Artist: Salvador Dali Title: Espace paysage from cobea Portfolio: Neuf Paysages Medium: Etching Year: 1980 Edition: 3/49 Frame Size: 22" x 22" Sheet Size: 14 7/8" x 14 7/8" Signature...

Pierre-Auguste Renoir Le chapeau épinglé - 3e planche (Delteil, Stella 8), circa 1894 Etching on laid paper. Signed in the plate lower left. From La Vie Artistique by Gustave Geffroy...

Abstract Composition is an original print in etching and drypoint on white color paper, realized by an anonymous artist of the Mid-20th Century. In very good conditions. The artwor...

Henri Laurens: 1885-1954. Well listed French artist with Auction records in the millions of dollars and over $8000 for a print. This rare print came in a small edition of Which I bel...

Barnet, Will (American 1911-20120. WOMAN, CAT, AND STRING. Etching and aquatint with handcoloring on wove paper, 1980. Signed and dated in pencil. 20 x 19 3/4 inches (plate), 29 7/8 ...

Hand signed and numbered. Edition of 50 prints. From the book "Idea e Spazio" including 12 etchings by Marino Marini and poems by Egle Marini. Ref.: Toninelli n. 80. Image dimensio...

A superb, dark impression of a well known scene by Arms. Etching with aquatint on watermarked handmade F.J. Head & Co. laid paper, 12 3/8 x 13 15/16 inches (315 x 354 mm), full marg...

Elizabeth O'Neill Verner: 1883-1979. Well listed American artist who has been called the best known 20th century woman artist of South Carolina. She was one of the leaders of the Cha...

Limited edition of 125 prints, 25 of which numbered in roman numbers; hand signed and numbered.

Artist: Hirst, Damien Title: The Souls on Jacob’s Ladder Take Their Flight (U.P.) Date: 2010 Medium: Unique Etching on Hahnemühle paper Unframed Di...

The famous Austrian artist, Luigi Kasimir ( 1881- 1962 ) studied at the Vienna Academy of Art. He went on to develop the technique of color etching using multiple plates to create a finished etching in color. Previously a colored etching had to have the color applied by hand. Kasimir was a very prolific artist famous for his scenes of Vienna...

Black Mythological Scene with Centaur, ca 1970's. Etching on wove paper, plate measures 17.5 x 21.5 inches on a sheet 22 x 26 inches. Unsigned and unattributed. This is an examp...

1866 Etching on cream wove paper. 5 1/2 x 4 3/8 inches (138 x 110 mm), full margins. Third state (of 4). Light scattered age tone, and time stain. Scattered extremely light areas of ...

The Bride is an original etching realized by Gabrijel Stupika in the 1980s. Good Conditions. Includes frame: 100 x 78 cm Hand-signed on the lower right margin. Bonne a tirè Gabrijel Stupika: Yugoslavian painter (Drazgose 1913-1990). He trained in the popular tradition, to the point of becoming one of the most notable representatives, with Pregely, Hededusic and V. Velickovic, of the neo-figurative current of Yugoslav painting...

A tour de force of late 20th-century printmaking, Frank Stella print The Pequod Meets the Jeroboam. Her Story, 1993, is among the most visually complex and ambitious compositions fro...

Conrad Marca Relli - Composition I Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions and n...

"Road Landscape" is an original etching and aquatint by Felix Bracquemond. This piece depicts a shadowy path through the foliage. The artist signed the piece in the lower right and i...

Young Girl with Umbrella is a beautiful drypoint made by the French painter, illustrator, and writer Amandine Doré in the second half of the 20th century. The state of preservation i...

Well known animal artist Marie Du Barry original etching of a Scotty dog with ball. Presents in a simple mat with no frame. Pencil signed lower right and pencil titled lower left. A...

Medium: original etching. This impression on laid paper was printed in 1903 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 6 1/2 x 4 5/8 inches (167 x 11...

Jacqueline De Butler, French (1928 - ) - Red Composition, Year: circa 1968, Medium: Etching with Aquatint on Arches, signed and numbered in penc...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel. Hockney stated: “The old woman who wants the child. In one tr...

George & Ira Gershwin Songwriters Tony Emmy Oscar Grammy Awards Broadway Musical Al Hirschfeld (1903-2003) George & Ira Gershwin Lithograph on heavy paper, 1981 Sheet: 15-1/4 h x 2...

Etching and drypoint on tissue-thin cream laid paper, 6 5/8 x 8 1/8 inches (167 x 205 mm), full margins. Signed in pencil in the lower right margin, and inscribed "Ponte Trinità, Florence" in pencil the lower left margin. Non-archival paper tape tabs at the top right and left corners on the verso, with minor associated discoloration which presents on the recto. Minor, light mat tone, and some very small losses at the extreme corners, well outside of image area. The numerals "325" written in pencil in the lower right margin, in reference to the Rinder catalog number. A beautiful, silvery, early-state impression. Rinder 325 [Rinder 325 iii/vii]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...

Edition of 50 copies. Copy number 41, signed by the author. Collection of etchings, each of them numbered and hand signed by the artist. Includes introduction in french by Alain Jou...

Letter A is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

Artist: David Hockney Title: "The Buzzing of the Blue Guitar" (from The Blue Guitar Series) Year: 1977 Medium: Etching with Aquatint on Inveresk Mould-Made Paper Sheet size: 21.65" x...

Bretherton, James (After Rembrandt van Rijn). Christ and the Woman of Samaria Among Ruins. London: c 1775. Etching on light cream laid paper, 4 3/4...

Map Traiectvm ad Mosam is original etching realized by Georg Braun and Franz Hogengerg between the end of the 16th and the first years of the 17th Century. Dimension: 40 x 54 The ...

Glasgow: Regality Club, 1894. Etching on cream laid paper with a poppy watermark, 4 1/2 x 5 7/8 inches (115 x 148 mm) full margins. Notations in the margins recto, well outside of image area. Scattered very minor light brown foxing in the right-side sheet quadant, virtually invisible on recto. [Rinder 191]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...

Whistler, James A. M. OLD WESTMINSTER BRIDGE. Etching and Drypoint, 1859. Glascow 47,Kennedy 39 .Third State of four. Printed on thin laid paper with watermark (Pro Patria?). The dry...

Original color etching (Eau-forte originale), signed G. Schlumberger in pencil and dated Juillet 1953 on the reverse. A finely executed original colour etching depicting the iconic ...

Marc Chagall, Russian (1887 - 1985) - Le Lion Amoureux, de la Fables de La Fontaine, Year: 1952, Medium: Etching on Japon Nacre, Image Size: 11.75 x 9.5 inches, Size: 15 x 11 in. (3...

Etching on paper, realized in 1982 by Pasquale Basile. Hand signed and numbered in pencil. Edition of 69. Excellent condition.

Medium: original etching. Catalogue reference: Tabanelli 220. This impression on watermarked laid paper was printed in 1906 and published by Gazette des Beaux Arts. Plate size: 8 5/8...

Etching and drypoint on heavy cream wove paper, 11 5/8 x 18 1/4 inches (295 x 460mm); sheet 16 3/4 x 22 1/2 inches (425 x 570 mm), full margins. A superb proof printed in bistre brow...

Salvador Dalí (1904-1989) Les Animaux Malades de la Peste, from Le Bestiaire de La Fontaine (Field 74-1D; M&L 657) Etching with drypoint and pochoir printed in colours, 1974, signed ...

This proof depicts one of Jim Dine's signatures motifs, a deep red heart, which drips down the page. Along the right side of the heart, hand-drawn text reads: “Red design for satin h...

JEAN-BAPTISTE CAMILLE COROT (1876 - 1875) LE PETIT CAVALIER SUR BOIS. 1854 (1921) (Delteil 42) Cliché-verre on thin vellum. Signed in plate at bottom. 8 1/4 x 6 5/16” (sheet size)....

Zorn and His Wife. 1890. Etching. Hjert and Hjert catalog 31 state ii. 12 1/2 x 8 3/8 (sheet 23 1/2 x 18). Edition 40-50. A fine impression on simili-Japan paper. Signed in pencil. ...

Etching and aquatint of Wall Street, New York circa 1928 by Max Pollak. Painter and printmaker Max Pollak, (1886-1970), was born in Prague, Czechoslovakia and was raised in Vienna, A...

This artwork titled "Diex, Carinthia, Austria" c.1950 is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. Published/printed by Graphics International, Austria. The plate mark (image) size is 13.75 x 10.75 inches, sheet size is 20.5 x 16.15 inches. It is in excellent condition, has never been framed. About the artist. Josef Eidenberger was born in 1899 in the little town of Goisern, Austria,he began his artistic career as a landscape painter. In 1923 he enrolled in the famed Graphic Academy of Art in Vienna and studied under Professor Alfred Cossman. His recognized talent brought him many commissions from city officials and members of the business communities throughout Europe, especially in Austria and Germany. In 1973 after visiting the United States for the first time he created a series of California etchings...

Portrait V paper/etching, 9.8x7.2 cm, 1986

This piece is from a collection of originally designed etchings with drypoints by Rembrandt. It is printed on Ingres D'arches off-white laid paper. The prints are the sixth and final state Posthumous Impression. Printing plates were made in 1650, this collection was printed in 1998. Rembrandt van Rijn was one of the masters of the landscape genre in his prints and drawings. In his etching, "Landscape with a Cow...

Artist: Dali, Salvador Title: Ultra Surrealist Corpuscular Galutska Series: Memories of Surrealism Date: 1971 Medium: Lithograph with etching Unframed Dimensions: 29.75" x 21.25...

Paralax VI Barry Nelson, British/American (1937) Date: 1980 Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil Edition of 28/30 Image Size: 20.25 x 29.5 in...

Moses Parts the Red Sea & Receives the Ten Commandments - Leaflet from the 1497 'Pirate' Nuremberg Chronicles The Nuremberg Chronicles were first published in 1493 by Anton Koberg...

Salvador Dali (1904-1989) - Aphrodite Etching from 1963. Handsigned in two places. The edition 114/150. Dimensions of work: 76 x 56 cm Reference: Michler/Löpsinger 117 Side not...

Marc Chagall Untitled (from the Louis Aragon: Celui qui dit les choses sans rien dire suite), 1975 / 1976 etching and aquatint in colors on wove paper Image size: 40 × 30 cm Sheet s...

This artwork titled "Marshland" 1962, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated, titled and numbered 31/40 in pe...

In Molvout, François Houtin merges organic vitality with the crumbling geometry of architecture. The composition presents a fantastical form that seems part tree, part tower, entwine...

Signed, titled and numbered by the artist. Medium: etching and aquatint Image size: 12 x 9 inches Year: 2019 Fall colors along Ashland Creek in Lithia Park. Born in Berkeley, Ca...

Louis Icart Faust : Margueritte and Devil Original etching with aquatint Signed in pencil Blind stamp of the editor on the bottom left corner On vellum 62 x 45 cm (c. 25 x 18 in) ...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Jesus Christ presente au Peuple, Year: 1873, Medium: Heliogravure, Size: 12 x 18 in. (30.48 x 45.72 cm), Prin...

Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...

Medium: original etching. Published in Paris by Floury in 1929. This impression is printed on watermarked Lafuma wove paper. Plate size: 7 1/4 x 5 1/4 inches (185 x 135mm). Signed in...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Jan Uytenbogaert (1606-84; The Goldweigher), Year: Of Original 1639, Medium: Etching, Image Size: 9.5 x 8 inches, Si...