Art by Medium: Etching

Salvador Dalí (1904-1989) Les Animaux Malades de la Peste, from Le Bestiaire de La Fontaine (Field 74-1D; M&L 657) Etching with drypoint and pochoir printed in colours, 1974, signed ...

Hiroshi ASADA Zen : Water Drops on the Sand Original etching and aquatint Handsigned in pencil Numbered / 200 On Arches vellum 16.5 x 21 cm (c. 6.5 x 8 in...

Original color etching (Eau-forte originale), signed G. Schlumberger in pencil and dated Juillet 1953 on the reverse. A finely executed original colour etching depicting the iconic ...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Jesus Christ presente au Peuple, Year: 1873, Medium: Heliogravure, Size: 12 x 18 in. (30.48 x 45.72 cm), Prin...

Letter A is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

Barnet, Will (American 1911-20120. WOMAN, CAT, AND STRING. Etching and aquatint with handcoloring on wove paper, 1980. Signed and dated in pencil. 20 x 19 3/4 inches (plate), 29 7/8 ...

Joan Miró La Reine des éphémères (The Queen of Éphémeres), 1975, is a large sized etching and aquatint which is both immersive and abstract. Bold colors, animated imagery, and vivid ...

Medium: original etching. Published in Paris by Floury in 1929. This impression is printed on watermarked Lafuma wove paper. Plate size: 7 1/4 x 5 1/4 inches (185 x 135mm). Signed in...

Artist: Dali, Salvador Title: Ultra Surrealist Corpuscular Galutska Series: Memories of Surrealism Date: 1971 Medium: Lithograph with etching Unframed Dimensions: 29.75" x 21.25...

Etching on paper from "Antiquities of Herculaneum", realized by Filippo Morghen in the late 18th Century. Signed in the plate. Good conditions with some folding. The etching belon...

Young Girl with Umbrella is a beautiful drypoint made by the French painter, illustrator, and writer Amandine Doré in the second half of the 20th century. The state of preservation i...

This artwork titled "Marshland" 1962, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated, titled and numbered 31/40 in pe...

Hand watercolored drypoint etching on extremely fine Japanese paper, edited in 1969. Limited edition of 145 copies water-coloured, numbered in lower left corner EA (Epreuve d'artist)...

Zorn and His Wife. 1890. Etching. Hjert and Hjert catalog 31 state ii. 12 1/2 x 8 3/8 (sheet 23 1/2 x 18). Edition 40-50. A fine impression on simili-Japan paper. Signed in pencil. ...

George & Ira Gershwin Songwriters Tony Emmy Oscar Grammy Awards Broadway Musical Al Hirschfeld (1903-2003) George & Ira Gershwin Lithograph on heavy paper, 1981 Sheet: 15-1/4 h x 2...

Etchings with drypoint on laid Japon paper, 3 x 4 inches (71 x 102 mm); sheet 9 x 11 3/8 inches (230 x 290 mm), full margins. In very good condition with some minor uniform toning. ...

Medium: original etching. This impression on laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 9 1/4 x 6 1/4 inches (237 x 1...

Paralax VI Barry Nelson, British/American (1937) Date: 1980 Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil Edition of 28/30 Image Size: 20.25 x 29.5 in...

Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...

In Molvout, François Houtin merges organic vitality with the crumbling geometry of architecture. The composition presents a fantastical form that seems part tree, part tower, entwine...

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Liquid and Gaseous Television MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Merril Chase, Chi...

Whistler, James A. M. OLD WESTMINSTER BRIDGE. Etching and Drypoint, 1859. Glascow 47,Kennedy 39 .Third State of four. Printed on thin laid paper with watermark (Pro Patria?). The dry...

Baby, Baby Etching & aquatint printed in colors, 1991 Signed, dated, titled & numbered in pencil (see photos) Edition: 35 (4/35) plus 10 AP Condition: Excellent, colors fresh Image/...

This artwork titled "Diex, Carinthia, Austria" c.1950 is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. Published/printed by Graphics International, Austria. The plate mark (image) size is 13.75 x 10.75 inches, sheet size is 20.5 x 16.15 inches. It is in excellent condition, has never been framed. About the artist. Josef Eidenberger was born in 1899 in the little town of Goisern, Austria,he began his artistic career as a landscape painter. In 1923 he enrolled in the famed Graphic Academy of Art in Vienna and studied under Professor Alfred Cossman. His recognized talent brought him many commissions from city officials and members of the business communities throughout Europe, especially in Austria and Germany. In 1973 after visiting the United States for the first time he created a series of California etchings...

A tour de force of late 20th-century printmaking, Frank Stella print The Pequod Meets the Jeroboam. Her Story, 1993, is among the most visually complex and ambitious compositions fro...

Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...

Moses Parts the Red Sea & Receives the Ten Commandments - Leaflet from the 1497 'Pirate' Nuremberg Chronicles The Nuremberg Chronicles were first published in 1493 by Anton Koberg...

Artist Unknown "Fashionable Dress, 145" 1914 Etching

Line etching, sufar lift and aquatint in colours "Farewell Bill" by Georg Baselitz from 2013/14. The edition on Hahnemühle Filigrane comprises 40 copies. The present copy is numb...

This piece titled "All the Small Things III" is a unique monoprint piece by Kate VanVliet and is made from hand-colored etching with soft ground on Rives BFK. This piece is a unique ...

George Elbert Burr, 'Old Cedars – New Mexico', etching, 1920, edition 40, Seeber 218. Signed and annotated '(c) George Elbert Burr Del. et Imp.' in pencil. ...

Louis Icart Faust : Margueritte and Devil Original etching with aquatint Signed in pencil Blind stamp of the editor on the bottom left corner On vellum 62 x 45 cm (c. 25 x 18 in) ...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on watermarked J Whatman Turkey Mill 1843 paper with a gilded edge, 11 1/2 x 14 3/4 inc...

Session VI, paper/etching, 63/75, 11x12 cm, 1988

The single letter "J", from the alphabet, illustrated by a Jaguar. All letters from the Kelvin Mann's bestiary alphabet are available, and the full set of 27 etchings in folio box is...

Salvador Dali (1904-1989) - Aphrodite Etching from 1963. Handsigned in two places. The edition 114/150. Dimensions of work: 76 x 56 cm Reference: Michler/Löpsinger 117 Side not...

Etching realized by Mariangelo Zappitelli in 1980s. Hand signed in pencil. Artist Proof. Very good condition.

This piece is from a collection of originally designed etchings with drypoints by Rembrandt. It is printed on Ingres D'arches off-white laid paper. The prints are the sixth and final state Posthumous Impression. Printing plates were made in 1650, this collection was printed in 1998. Rembrandt van Rijn was one of the masters of the landscape genre in his prints and drawings. In his etching, "Landscape with a Cow...

Mother and Child Leonor Fini, Argentine/French (1918–1996) Color Etching on Japon, signed and numbered in pencil Edition of 153/186 Image Size: 18 x 12 inches Size: 26.5 x 19 in. (67...

Waiting for my Train is #55 from edition of 100. "Waiting for my train" is the stop right before the tracks cross, and create Chicago's famous "Loop", on the above ground EL. The M...

Created by David Shapiro in 1994, Savasan 8 is an original lithograph, collagraph, and aquatint in colors on Japon paper. Hand-signed in pencil, titled, dated, and numbered from the ...

Etching on fine art paper, E.A. 1/1 from the cycle " Botanical Dream Nr. 11", presented in the Danubiana Meulenstein Art Museum in Bratislava/2021..

Pablo PICASSO Carmen, The Round Face, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog r...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Jan Uytenbogaert (1606-84; The Goldweigher), Year: Of Original 1639, Medium: Etching, Image Size: 9.5 x 8 inches, Si...

This is an abstract etching and aquatint by American artist James Rosenquist with colorful red, blue, green, and yellow shapes. It is signed and dated in pencil. Edition 57/78 17 3/...

Salvador Dali, Spanish (1904 - 1989) - Look Not Upon Me..., Portfolio: The Song of Songs of King Solomon, Year: 1972, Medium: Color Etching with Gold Dust on Arches Paper, signed ...

This artwork "Abstract Composition." c.1970 in an original color etching and aquatint on Arches paper by noted Polish artist Johnny Friedlaender, 1912-1992. It is hand signed and num...

Artist: Leonor Fini Title: Untitled IV Year: circa 1970 Medium: Etching, Signed and Numbered in Pencil Edition: 180/280 Size: 26 in. x 19.5 in. (66.04 cm x 49.53 cm)

Elephants. 1979 edition 2/20 Hand signed and dated Framed 24.5 X 28. Sheet 23 X 26 This is from a series of prints Boxer produced at Tyler Graphics between 1975 and 1979. Over thi...

Salvador Dali - Argus - from "Mythologie" Original Etching Dimensions: 76 x 56 cm 1962 Editor: Pierre Argillet Edition: /150 Handsigned and numbered On Arches Paper References : Fiel...

Jan Charles Vondrous, 'Piazzetta, Venice', color etching, 1930. Signed, dated, and titled in pencil. Signed and dated in the plate, lower right. A fine impression, on cream, laid pap...

Medium: original etching. This impression on laid paper was printed by A. Salmon and published in Paris by L'Art ca. 1880. Size: 11 x 8 3/8 inches (image) -- 280 x 212 mm. Signed in ...

Picasso captures these ordinary, everyday objects of his surroundings with vibrancy, contrast, and character. The picturesque setting is a seamless fusion of naturalism and cubism; t...

Anemogra Phica is a rare ancient map realized in 1650 by Johannes Janssonius (1588-1664). First modern map of the Pacific Ocean. Good conditions. From Atlantis majoris quinta pars,...

By Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins. Minor...

A richly hand-colored image with a counterstrike on the verso. London: Hannah Humphrey, 1804. Etching with hand coloring in watercolor on buff wove paper, 10 1/4 x 15 inches (260 x...

Medium: etching (etched by James Fagan after the William de la Montagne Cary painting). Printed in 1888 on cream wove paper and published for the portfolio entitled "Picturesque Cali...

Gorgeous aquatint in reds and oranges by Piero Dorazio (Italian 1927-2005). This aquatint is on heavy "Umbria" Fabriano paper. It is signed and dated 1964 in the lower margin in penc...

Johan Wilhelm Palmstruch (1770-1811) Sweden Title: A Wolf hand-coloured print early 1800s print dimensions approx 4.33 x 7.08 inches (11 x 18 cm) frame 11.81 x 15.74 inches (30 ...

Etching with aquatint in colors on white wove paper with a deckle edge, 17 1/2 x 23 1/2 inches (317 x 598 mm); sheet 22 1/2 x 30 inches (571 x 762 mm), full margins. Signed and numbe...