Jean Baptiste Corot Art

This is an exclusive handprinted limited edition cyanotype. This beautiful cyanotype is titled "Long Wave in Venice Beach" and it shows an outstanding wave in one of the most iconic ...

A rich and tonal image of an icon of Manhattan architecture. Etching with drypoint, 11 7/8 x 7 3/8 inches (300 x 186 mm), full margins. Edition of 100. Signed in pencil, lower right...

This is an exclusive handprinted limited edition cyanotype. "Blustery Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky after a storm. Details: + Title: Blu...

This is an exclusive handprinted limited edition cyanotype. "Pacific Ocean Currents" is a handmade cyanotype print of rough water texture resembling Pacific Ocean swell. Details: + ...

Sepia-toned architectural photograph of San Zavier Mission, a historic Spanish Catholic mission located near Tucson, Arizona, on the Tohono O'odham Nation San Xavier Indian Reservati...

Boston: American Art Review, 1880. Etching on cream laid paper, 5 3/4 x 8 3/4 inches (146 x 230mm), full margins. Light uniform age tone, scattered handling creases and minor toning ...

A delicate composition of an industrial Hudson River town, seen from lower Manhattan; a view of what is now Liberty State Park. New York: 1884. Etching with aquatint on cream laid p...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

The road from the mill. 1975 Paper, etching, 10x14.5 cm was a Soviet, Russian painter, graphic artist, art teacher, professor of the Leningrad Institute of Painting, Sculpture and A...

A dynamic football image from the 1920s by a female artist known for her sports scenes. Etching with drypoint on exceptionally fine laid Japon paper with a double watermark, 10 7/8 ...

Artist: David Smith-Harrison– American (1959-) Title: Orchard Year: circa 1988 Medium: Multiple Plate Intaglio etching Plate size: 19.75 x 27.5 inches. Sheet size: 26.5 x 35.5 inches. On Arches Cover White paper Matted size: 28.75 x 37.25 inches Framed Size: 31.25 x 38.75 inches Signature: Signed lower right Edition: 2nd state. Edition of 85. This one: 5/85 Condition: Very good This large etching is by the noted American artist David Smith-Harrison (1959-). It is framed with a light olive green linen mat. It is signed in the lower right and titled and numbered in the lower left margin, all in pencil. The print is in excellent condition, not examined out of the frame. The frame is in very good condition with a few very tiny, virtually invisible nicks. David Smith-Harrison’s approach to printmaking relies on drawing and alludes to past renaissance style architecture. He was awarded the Utah State Sterling Scholarship, before going on to be educated at the South Glamorgan Institute in Cardiff, Wales and at the University of Utah. He has participated in numerous shows, nationally and internationally. Juried exhibitions include Ashland University Printmaking Invitational Exhibition in Ohio, National Printmaking College of New Jersey, Trenton, Tokyo International Mini-Print Triennial, Japan, Society of American Graphic Artists at Federal Plaza, New York and US-UK Print Connection, Barbican Centre in London. COLLECTIONS (partial list) The Fine Arts Museums of San Francisco, Achenbach Foundation for Graphic Arts, San Francisco, CA Long Beach Museum of Art, Long Beach, CA Springville Museum of Art, Springville, UT Tama Art University Museum, Tokyo, Japan The Cleveland Museum of Art, Cleveland Ohio EDUCATION 1984 University of Utah, Salt Lake City, Utah 1983 South Glamorgan Institute, Cardiff, Wales, U.K. 1977-78, 1981-83 Utah State University, Logan, Utah 1977 Utah State Sterling Scholar SOLO EXHIBITIONS 2014 Old Town Gallery, Park City, Utah 2007 Waterworks Gallery, Friday Harbor, WA 2006 The Dovetail Collection, Healdsburg, CA 2005 Couturier Gallery, Los Angeles, CA 2005 Tula Prints, Cordoba, Spain 1999 The Artful Eye, Calistoga, CA 1998 The Artful Eye, Healdsburg, CA Evolving Space, San Francisco, CA Hallside Gallery, Univerity Medical Center, Salt Lake City, UT 1997 Evolving Space, San Francisco, CA 1996 Couturier Gallery, Los Angeles, CA Evolving Space, San Francisco, CA 1995 Pioneer Memorial Theatre, University of Utah, Salt Lake City, Utah Rasmussen Art Gallery, Pacific Union College, Angwin, CA 1994 J.D. Neumann, San Francisco, CA 1993 Sala d'art Josep Bages, Torre Muntadas, El Prat de Llobregat, Barcelona, Spain LeCelle Gallery, San Anselmo, CA 1990 Loge Gallery, University of Utah, Salt Lake City, Utah 1988 Contemporary Realist Gallery, San Francisco, CA Old Town Gallery, Park City, Utah GROUP EXHIBITIONS (selected) 2004 Studio 7 Gallery, Pleasanton, CA 2003 Studio 7 Gallery, Pleasanton, CA Waterworks Gallery, Friday Harbor, WA The Hayward Arts Council, Hayward, CA 2002 Present Art IX, Couturier Gallery, Los Angeles, CA 1999 Richard Reed Armstrong, Chicago, Illinois Ashland University Printmaking Invitational Exhibition, Ashland University, Ashland, OH University of Dallas National Print Invitational, Waco, TX 1998 Waterworks Gallery, Friday Harbor, WA Religious and Spiritual Art of Utah, Springville Museum of Art, Springville, UT Printmaking: People and Process, The California Society of Printmakers, Contra Costa College, CA 1997 Long Beach Museum of Art, Long Beach, CA Pacific Edge Print Exhibition, Mendocino Art Center, Mendocino, CA Hand-Pulled Prints V, Stonemetal Press Fifth Annual International Exhibition, San Antonio, TX Dakotas International, University of South Dakota, Vermillion, SD National Printmaking 1997, College of New Jersey, Trenton, NJ Survey of American Contemporary Prints, Los Angeles Printmaking Societiy, Los Angeles, CA Beyond Boundaries North American Printmaking Exhibition, Richmond Art Center, Richmond, CA 1996 Beauty's Plea, Long Beach Museum of Art, Long Beach, CA Davidson Gallery, Seattle, WA Art and Architecture, Nortel Northern Telecom, Santa Clara, CA Beyond Boundaries Preview Exhibition, Bank of America Concourse Gallery, San Francisco, CA Printwork /96, Barrett House Galleries, Dutchess County Art Association, Poughkepsie, NY Network General, Architecture in Art Exhibit, Menlo Park, CA 1995 Present Art III, Couturier Gallery, Los Angeles, CA Synopsys Inc., Architecture in Art Exhibit, Mountain View, CA Waterworks Gallery, Friday Harbor, WA 1994 Gump's Gallery, San Francisco, CA Bartlett Gallery, Pleasanton, CA 1993 Evergreen Graphic Art Association, Taipei Cultural Center, Taipei, Taiwan Republic of China 1990 Gump's Gallery, San Francisco, CA 1989 Intaglio, New Mexico State University, Las Cruces, NM 1988 Contemporary Works on Paper, William Gallery, St. Helena, CA Ornamentation in Architecture, American Institute of Architects San Francisco Chapter, San Francisco, CA 1987 Intaglio, Lawson Galleries, San Francisco, CA Fine Print Exhibition, Convergence Gallery, San Francisco, CA JURIED EXHIBITIONS (selected) 2005 Impressions: Matrix and Image, Alameda Art Center, Alameda, CA 2004 Delta National Small Prints Exhibition, Arkansas State University 2003 Delta National Small Prints Exhibition, Arkansas State University 1999 Ashland University Printmaking Invitational Exhibition, Ashland, OH 1998 74th Utah Spring Solan, Springville Museum of Art, Springville, UT 1997 The 15th University of Dallas National Print Invitational, University of Dallas, Irving, TX From Coast to Coast, Center for Visual Arts, Oakland, CA Janet Turner National Print Competition, Janet Turner Print Gallery and CA State University, Chico, CA The Fantastic Image, the Art of Intaglio, CA Society of Printmakers, Vallejo Community Arts Foundation, Vallejo, CA 73rd Utah Spring Salon, Springville Museum of Art, Springville, UT Pacific Edge Print Competition, Mendocino Art Center, Mendocino, CA Hand-Pulled Prints V, Stonemetal Press Fifth Annual International Exhibition, San Antonio, TX Dakotas International, University of South Dakota, Vermillion, SD National Printmaking 1997, College of New Jersey, Trenton, NJ Survey of American Contemporary Prints, Los Angeles Printmaking Societiy, Los Angeles, CA Beyond Boundaries North American Printmaking Exhibition, Richmond Art Center, Richmond, CA 1996 Beyond Boundaries, North America Printmaking Exhibition, San Francisco, CA Printwork 96, Barrett House Galleries, Dutchess County Art Association, Poughkeepsie, NY 72nd Utah Spring Salon, Springville Museum of Art, Springville, UT Pacific Prints 1996, 8th Biennial Print Competition and Exhibition, Palo Alto, CA 1995 Janet Turner National Print Competition, Janet Turner Print Gallery and CSU Chico, CA Tokyo International Mini-Print Triennial '95, Tokyo, Japan Impressions: The Medium Extended, ProArts, Oakland, CA 71st Utah Spring Salon, Springville Museum of Art, Springville, UT Print & Draw: Biennial, Triton Museum of Art, Santa Clara, CA 1994 10th Annual Exhibition, Part II, Berkeley Art Center Association, Berkeley, CA 1st Internet Art...

Jörg Olberg (*1956 Dresden), Agony, 1987. etching, E.A. (edition of 30), 24 x 17 cm (image), 46 x 37 cm (sheet), each signed in pencil lower right "Olberg" and dated "IX [19]87", inscribed lower left "E.A. [Epreuve d'Artiste]". - minimal crease and dust stains in the broad margin - The architecture of decay - About the artwork Jörg Olberg draws here the sum of his artistic study of the Berlin ruins, which were still present in the cityscape well into the 80s. With his work "Agony" he creates an allegory of decay. Positioned in the landscape of ruins, a ruined house grows before the viewer, rising like the Tower of Babel into the sky, its roof and gable brightly illuminated by the sun. But already the roof shows mostly only the rafters, and as the gaze is drawn further down, the building visibly disintegrates, the beams protruding in all directions looking like splintered bones. Slowly but inexorably - in agony - the house will collapse in on itself and become nothing more than the burial mound of itself. At the same time, the small-scale stone composition and the plaster form a pattern-like ornamentation of decay. The tension in the picture is fed by the counter-movement of growth and collapse, which is heightened by the dramatic formation of clouds. The swirls of clouds are reminiscent of a world landscape...