Art by Medium: Intaglio

Beth Ganz, 'Mount Vesuvius, Italy', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Mount Vesuvius (Italian: Vesuvio) is a somma-stratovolcano located on the Gulf of Naples in Campania, Italy, about 9 km (5.6 mi) east of Naples and a short distance from the shore. It is one of several volcanoes forming the Campanian volcanic arc. Vesuvius consists of a large cone partially encircled by the steep rim of a summit caldera, resulting from the collapse of an earlier, much higher structure. The eruption of Mount Vesuvius in AD 79, one of the most catastrophic eruptions of all time, destroyed the Roman cities of Pompeii, Herculaneum, Oplontis, Stabiae, and several other settlements. The eruption ejected a cloud of stones, ashes and volcanic gases to a height of 33 km (21 mi). More than 1,000 people are thought to have died in the eruption. Vesuvius has erupted about three dozen times since. It is the only volcano on Europe's mainland to have erupted in the last hundred years (1929 and 1944). It is regarded as one of the most dangerous volcanoes in the world—3,000,000 people live near enough to be affected by an eruption, with at least 600,000 in the danger zone, the most densely populated volcanic region in the world. Eruptions tend to be violent and explosive; these are known as Plinian eruptions. Vesuvius has a long historical and literary tradition. It was considered a divinity of the Genius type (a divine nature much like a guardian angel) at the time of the eruption of AD 79: it appears under the inscribed name Vesuvius as a serpent in the decorative frescos of many household shrines, surviving from Pompeii. The Romans regarded Mount Vesuvius as being devoted to Hercules. The historian Diodorus Siculus relates a tradition that Hercules, in the performance of his labors, passed through the country of nearby Cumae on his way to Sicily and found there a place called 'the Phlegraean Plain' ('plain of fire') 'from a hill which anciently vomited out fire ... now called Vesuvius.' It was inhabited by giant bandits, 'the sons of the Earth'. With the gods' assistance, he pacified the region and continued his journey. The area around Vesuvius was officially declared a national park on June 5, 1995. The summit of Vesuvius is open to visitors, and the park authorities maintain a small network of paths around the volcano. There is access by road to within 200 meters (660 ft) of the summit and a spiral walkway around the volcano from the road to the crater. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints...

intaglio on Somerset paper, 18”h x 14”w unframed Bio // Katie VanVliet is a sculptor and printmaker based in Philadelphia, PA. Found and collected objects are the main component of ...

Guillermo Silva Santamaria, Colombian (1922 -2007) - Fusilamiento, Year: circa 1963, Medium: Aquatint and Intaglio, signed, titled and numbered in pencil, Edition: C/A IV, Image S...

Robert Adams Harney County, Oregon 2005 Set of four photogravures Each image: 19 7/8 x 15 5/8 inches; 51 x 40 cm Each frame: 29 x 25 inches; 74 x 64 cm Edition of 30 Each signed, ...

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

'Un Barbier Distrait' A Distracted Barber Photogravure by Goupil after Jules Worms, 1879. Jules Worms (1832-1924) was a 19th century French painter. He was born in Paris and began ...

Flowers  and bugs is a phototype print on paper realized in early 20th Century by a Unknown Chinese Master. Monogrammed on plate on the right margin The artist want to define a well...

Bugs and leaves is a phototype print on paper realized in early 20th Century by a Unknown Chinese Master. Monogrammed on plate on the right margin.

The red flower is a phototype print on paper realized in the late 20th Century by a Unknown Chinese Master. Monogrammed on plate on the right margin The artist want to define a well...

The yellow flower is a  phototype print on paper realized in the late 20th Century by a Unknown Chinese Master. Monogrammed on plate on the right margin The artist want to define a ...

 The Rice Ear is a  phototype print on paper realized in the late 20th Century by a Unknown Chinese Master. Monogrammed on plate on the left margin The artist want to define a well-...

Flowers and bugs is a  phototype print on paper realized in early 20th Century by a Unknown Chinese Master. Monogrammed on plate on the left corner. The artist want to define a well...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for the rare portfolio "The Prints of Joan Miro...

'Maenad in Frenzy' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the im...

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

'Equestrian Torso from the Mausoleum' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top rig...

This piece titled "La Mer VE 4/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...

This piece titled "Timesteps" is an limited edition piece by Kate VanVliet and is made from two-plate etching with sugarlift, aquatint, drypoint on Rives BFK. This piece is an editio...

Artist: Man Ray (American born, 1890 - 1976) Title: ABSTRACT RAYOGRAPHY Date Of Negative: 1922 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 19...

Myril Adler "Reconstruction" c.1960s Collagraph ink on paper 2.25"x2.25" ash wood gallery frame 9.5"x9.5" Titled in pencil, estate stamp Myril Adler, was born on September 22, 1920 ...

Die Elixiere des Teufels is an original modern rare book written by Hoffman E.T.A. (24 January 1776 – 25 June 1822) and illustrated by Hugo Steiner-Prag (Prague, 1880 - New York, 194...

Beth Ganz, 'Cerro Paine Grande, Chilean Patagonia', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Cerro Paine Grande is the highest summit of the Cordillera Paine Mountain Range located within Chile's Torres del Paine National Park, one of the most breathtaking national parks in the world and a UNESCO Biosphere Reserve since 1978. The Torres del Paine or Towers of Paine are three massive granite pillars...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 4 3/4 inches (...

after Salvador DALI (1904-1969) France : Auvergne, 1969 Lithograph and heliogravure Printed signature in the plate bottom right Tall model, from the 700 unumbered edition Printed in...

Rémy Duval, 'Parisian Balcony', photogravure, 1946. A fine, richly-inked impression in warm black ink, on cream wove B.F.K. Rives paper; the sheet with deck...

Figure is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatchings.

Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Unité, Planche 15" (Set of 2) Portfolio: Unité *Signed by Le Corbusier in pencil lower right. It is...

Héliogravure on brown-toned paper, so signature. On bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. Ref. Mourlot,...

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

This piece titled "Like a Pen VE 14/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an ed...

Artist: Timothy Cole after Johannes Vermeer Title: Woman with Water Jug Year: 1912 Medium: Photolithograph, signed in pencil, marked Vermeer, Metr...

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

Salvador DALI (1904-1969) Butterfly suite : Paris, 1969 Lithograph and heliogravure after original designs by Dali Printed signature in the plate bottom right Larger size with text,...

New York: The Society of Iconophiles, 1908. The complete portfolio containing 12 photogravures after monotypes printed on O.W. handmade paper. Each image measuring approximately 8 1/4 x 6 inches (208 x 151 mm), with full margins. Each with the Society of Iconophiles blind stamp in the lower left margin. In very good condition with no visible defects. Printed by John Andrew & Son, Boston. Presented in the original greenish-gray paper wrapper with the contents page. Edition of 100. Subjects are: 1. Van Cortland Manor House 2. Oyster Market on West Street 3. St. John's Chapel, Varick Street 4. Fraunces Tavern 5. Houses at Battery Park...

Black & Moorhead 145. The title, Le Beche, is The Shovel in English. Signed and dated in pencil under image at right.

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

A series of prints was commissioned by the Met Museum in NY in a regular edition of 40 This impression is from an edition of 5 artist proofs. This impression is #4/5 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting. In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...

Necklace with cameo depicting Vesuvius. Antique cameo, hand carved at the end of the 19th century. Central cameo with filigree cast, size h cm 2.5, L 3cm. Hand-engraved cameo on shell. Italian workmanship, typical of Naples and the areas around Vesuvius. Similar cameos were sold to travelers, attracted by the archaeological areas of Pompeii and Herculaneum. Neapolitan area town Torre del Greco Torre del Greco near the main center of cammeos carving and coral processing, thanks to the skill of its fishermen and its artisans, who specialized in refined and original techniques In excellent condition. With antique chain with blue milk glass beads. Necklace can be combined with similar earrings...

Original photogravure of a young woman in the garden. Original painting was done by Jean Louis Harmon in 1857. Condition is very good. Le Crepuscule is the French word for twilig...

Available individually ($2500), and also as a suite of five ($12,000). Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences (1949). She moved...

'Nereid' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the image. 260...

This piece titled "Weed Wreath (edition 5/6)" is an original artwork made from hand colored cut-plate intaglio on Somerset by Katie VanVliet. This piece is the fifth in an edition of...

'Demeter of Cnidos' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the i...

'Asclepios' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the image. ...

Artist: Salvador Dali (Spanish, 1904-1989) Title: "(Mort de Cleopatre) (The Death of) Cleopatra" *Signed by Dali in pencil lower right Year: 1972 Medium: Original Engraving on Arches paper Limited edition: 197/325 Printer: Ateliers Rigal, Paris, France Publisher: EUKA, Paris, France and Roten Gallery, Baltimore, MD Reference: "The Official Catalog of the Graphic Works of Salvador Dali" - Field No. 72-14, page 73; "Dali: Catalogue Raisonné of Etchings and Mixed-Media Prints, 1924-1980" - Michler/Löpsinger No. 820, page 247 Sheet size: 22.5" x 30.13" Image size: 16.38" x 20.38" Condition: Toning to sheet. Faint stain line at right edge and a few soft handling creases in right margin. It is otherwise a strong impression in good condition Notes: Provenance: private collection - Los Angeles, CA. Numbered by Dali in pencil lower left. Arches watermark lower right. We are specialists in Salvador Dali's printmaking oeuvre, having personally worked with his cataloger Albert Field in the 1980's, we unconditionally guarantee all of our examples to be authentic. Biography: Salvador Dalí (May 11, 1904 – January 23, 1989), was a prominent Spanish Catalan surrealist painter born in Figueres, Spain. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes...

Andy Goldsworthy Presentation print for Royal Mail Christmas Stamp Series, 2003 Color photogravure on handmade rag paper with deckled edges 15 × 20 1/4 inches hand signed lower right...

Myril Adler "Moonscape" c.1960s Intaglio etching collage, ink on paper 3"x6" site unframed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (n...

'Oriental Head Dress (Persia)' Photogravure after Donald Macbeth (1865-1943). Donald Macbeth was a commercial photographer who seems to have held a quasi-official position at the B...

'Harpy Tomb, West Side' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of t...

'Endymion' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the image. 1...

'Sculptured Drum, Temple of Artemis, Ephesus' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above...

This piece titled "Spacial Studies IX" is an original artwork made from relief, chine colle, intaglio on Rives BFK by Katie VanVliet. This piece is shipped in the pictured white fram...

Beth Ganz, 'Mount Haru, Japan', copperplate photogravure etching, edition 10, 2019. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. Mount Haku Mount Haku, commonly referred to as simply Hakusan is the most prominent natural feature of Ishikawa Prefecture, located on the island of Honshu. Its name means “white mountain,” and it is, in fact, covered with snow for more than half of the year. A dormant stratovolcano, it has been estimated to have first been active 300,000 to 400,000 years ago, with the most recent eruption occurring in 1659. The mountain's tallest peak, Gozenga-mine, gives the mountain its height of 2,702 m (8,865 ft). Along with Ken-ga-mine, which is 2,677 m (8,783 ft), and Ōnanji-mine, which is 2,648 m (8,688 ft), the three peaks are considered "Mount Haku's Three Peaks" (Hakusan San-mine). Mount Bessan and Mount Sannomine are sometimes included and called "Mount Haku's Five Peaks" (Hakusan go-mine). Mount Haku is considered to be one of Japan’s “Three Holy Mountains” (San-rei-zan), the other two being Mount Fuji and Tateyama. It has traditionally been revered by the people of the area as a source of water essential for farming and as a navigational landmark for fishermen and others at sea. Taichō, a mountain Shugendo monk, first climbed Mount Hakusan in 717. For hundreds of years, people have come to Haku for prayers (Hakusan Shinkō). A branch shrine of Shirayama Hime Shrine, which served as the supreme shrine for Kaga Province, is on the mountain. The Shirayama Hime Shrine is the main shrine (sō-Honshu) of approximately 2,000 Hakusan shrines (Hakusan jinja) in Japan. The area surrounding Mount Haku is one of the few in Japan that contains outcroppings from the Jurassic period of the Mesozoic era. Many of Japan's typical examples of dinosaur fossils were found in this area. One of the major rock outcrops is in the Kuwashima area and is known as the "Kuwashima Fossil Wall" (Kuwashima Kasekikabe). The mountain is well known for its many onsen (hot springs), and for its diverse variety of alpine plants are found, including the chocolate lily, which is Ishikawa's prefectural plant. Many alpine plants were first discovered along the older hiking trails leading to Hakusan Shrine, and have Hakusan in their names. These include Primula cuneifolia (Hakusan Kozakura), Anemone narcissiflora (Hakusan Ichige), Dactylorhiza (Hakusan Chidori), Geranium yesoemse (Hakusan Fuuro) and Rhododendron brachycarpum (Hakusan Shakunage). Mount Haku was designated as a national park in 1962 and was renamed Hakusan National Park. Because the central part of the mountain has much precipitous terrain, there are very few roads and, as a result, little human intrusion into the area. Also limiting human intrusion is the designation of the park as a Wildlife Protection Area, covering over 38,061 ha. The park stretches beyond the mountain's borders into Toyama Prefecture. In 1980 an area of 48,000 ha was designated a UNESCO Man and the Biosphere Reserve. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints...

'Apotheosis of Homer' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the...

'Choiseul-Gouffier Apollo' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner o...

This piece titled "Like a Pen VE 5/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an edi...