Art by Medium: Intaglio

This is an original, framed mixed media work (hand painting on top of a photogravure print)) by artist Nazanin Moghbeli. The abstracted calligraphy text in her "Words from My Mother...

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

This piece titled "Because the Night VE 1/5" is a variable edition piece by Kate VanVliet and is made from two-plate etching with aquatint, soft ground and relief chine colle on Rive...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 1/2 inches (...

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

Carriage engraving from the Encyclopedie ou Dictionnaire raisonne des sciences, des arts et des metiers, par une societe de gens de lettres. edited by Denis Diderot and Jean le Rond ...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 inches (200 ...

Artist: Man Ray (American born, 1890 - 1976) Title: ABSTRACT RAYOGRAPHY Date Of Negative: 1932 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 19...

Medium: heliogravure (after the drawing). This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by S...

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

This piece titled "La Mer VE 3/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...

Heliogravure on cream laid paper, 3 1/4 x 4 1/4 inches (80 x118 mm), thread margins. In good condition with a soft vertical crease and minor uniform toning. Printed early 19th centur...

Das Gesicht der Herrschenden Klasse is an original modern rare book written by Wieland Herzfelde (Weggis 1896 – 1988) and illustrated by George Grosz (Berlin, 1823 - 1959, Berlin) in...

This piece titled "(Love's) Ring of Fire" is a limited edition piece by Kate VanVliet and is made from intaglio with aquatint, soft ground, and drypoint on Rives BFK. This piece is a...

Myril Adler "Equatorial Curtain" c.1960s Intaglio etching collage, ink on paper 5.75"x2.5" site unframed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vite...

Edition of 279 copies. Copy on Vélin d'Arches paper. Includes 14 original xylographs by Roger Grillon. Language: french. Spine lightly worn and binding unglued. Very good conditions ...

Jasper Johns Recent Still Life (Hand signed and dated by Jasper Johns), 1966 Collotype. Hand signed and dated by Jasper Johns Edition of 2100 (this work is, exceptionally, hand signed & dated by Johns; the regular edition is not) Signed and dated lower right front by Jasper Johns in graphite pencil August, 27, 2008 Provenance: Estate of artist and noted collector Rick Collar Framed - held in original vintage frame under plexiglass This scarce early (1966) limited edition collotype was published on the occasion of the exhibition "Recent Still Life" at the Museum of Art, Rhode Island School of Design. The regular unsigned edition was 2100, and the official signed edition was 100; however, exceptionally, Jasper Johns signed...

Héliogravure on brown-toned paper, so signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. ...

This piece titled "Spacial Studies III" is an original artwork made from relief, chine colle, intaglio on Rives BFK by Katie VanVliet. This piece is shipped in the pictured white fra...

Considered a major force in the op art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric ...

Bernard Schardt worked on the the WPA in NYC during the Depression. (During this period, off and on, he lived with friend and colleague Jackson Pollock...

London: Gebbie & Husson Co., 1879 Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4 inches (258 x 310 mm), full margins. In good condition with some very minor margina...

The artwork "Nipples & Peas" by Tina Heck, created in 1983, is a print that combines elements of realism and abstraction. The technique appears to be a combination of printmaking, ...

Artist: John James Audubon (American, 1785-1851) Title: "Sandwich Tern (with Florida Cray Fish) (Florida Keys)" (Plate CCLXXIX - 279; part No. 56) Portfolio: The Birds of America (Ha...

LEONARD EDMONDSON (1906 – 2001) GARDEN OF EDEN c. 1960 Color intaglio (carborundum?) Signed and titled in pencil. Small edition, these larger prints...

This piece titled "Like a Pen VE 9/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an edi...

Myril Adler "Duo" c.1960s Collagraph ink on paper 2."x2.5" unframed Signed and titled in pencil Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (now Belarus), and im...

Héliogravure on japanese paper realized by Fraz von Bayros in 1913 for Ex Libris Verlag K. Th. Senger, Munich. Mounted on passepartout. Edition of 260, hand signed in pencil by the ...

Public Building'S Packaging is an original photo-offset realized by Christo in 1974. Hand-signed and numbered, edition 48/100. Very good conditions. Chri...

Artist: Paul Strand – American (1890-1976) Title: Cristo, Tlacochahuaya, Oaxaca Year: 1933, printed 1967, Da Capo Press, New York Medium: Photogravure hand-printed from the original plates on BFK Rives paper Publisher: Da Capo Press, 1967, New York Sight size: 10 ¼ x 7 7/8 in. (260 x 200 mm) Sheet size: 15 3/4 x 12 3/8 in. (402 x 313 mm) Framed size: 17 x 14 inches Edition:1000 Condition: Excellent This hand-pulled photogravure is from Paul Strand’s Mexican Portfolio, first published in 1933. This photogravure is from the 2nd edition, published in 1967. It is in excellent condition. It is enclosed in a simple metal frame and Plexiglas only for protection. A seminal work by a legendary figure in 20th century American photography, the photographs taken by the author on his travels through Mexico in 1932-33 show architecture, landscape, the indigenous people, and religious folk sculpture. Strand's work first made its appearance as "Photographs of Mexico" in a limited edition of 250 copies in 1940, with the printing of the steel-faced gravure plates by master platemaker Otto Wackernagel being supervised by Strand himself and executed by Charles Furth and the Photogravure and Color Company. The second edition used the original Wackernagel plates, printed by Albert Delong at the Andersen Lamb Company of Brooklyn. Strand was even more pleased with this version, stating "Delong has made these plates sing." The images are a celebration of the subjects' pride, dignity and endurance. Paul Strand (1890–1976) is considered one of the most significant photographers of the 20th century. His breakthrough work in the 1910s heralded photography’s importance as a modern art form. Early in his career he broke from the soft, impressionistic Pictorialist style to produce among the first abstract images made with a camera. His questioning attitude led him to radically change his work multiple times in his career, always with the highest ambitions for the quality of his photographic prints. In 1932, Carlos Chavez, the director of the fine arts department at the Secretariat of Public Education in Mexico, invited Strand to Mexico. At this time, the Mexican government was concerned with demonstrating a national culture that was reflective of a burgeoning, modern, twentieth-century Mexico. In light of this, Chavez invited Strand to document the new social and physical environment. Over the next two years, Strand travelled around Mexico photographing...

This piece titled "I'll Be Your Mirror" is a limited edition piece by Kate VanVliet and is made from intaglio with soft ground, sugarlift, aquatint and spit bite on Rives BFK. This p...

This piece titled "Like a Pen VE 6/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an edi...

This artwork from the suite "La Tauromaquia, Plate #23" engraved between 1815 and 1816, is a photogravure on creme wove paper after renown Spanish artist Francisco Jose De Goya...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist. The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

intaglio with a la poupée on Somerset paper, unframed, edition of 6 Please message us directly if you are interested in a framed print. Bio // Katie VanVliet is a sculptor and printmaker based in Philadelphia, PA. Found and collected objects are the main component of her work, as the drawn components of her prints and the physical components of her sculptures and installations. After studying at Moore College of Art & Design, she founded BYO Print as a collective studio with the mission to keep artists printing on their own time, within a reasonable budget. More than 30 printmakers have been involved with the shop over the years, with 15 current members. She studied with Shelley Thorstensen at Moore as well as at Printmakers' Open Forum in Oxford, PA. She occasionally teaches workshops about about using reclaimed objects effectively in an art practice. In her studio, she is interested in engaging her audience in narrative. Like many artists, she has always been a collector of things. Aside from unique curiosities, she collects leftovers of routines and rituals, and incorporates them into ongoing bodies of work, most notably, the pill project. "The Only Reason I'm Still on The Pill is for the Art Project" began in 2006, when classmates started giving her empty birth control...

This piece titled "Like a Pen VE 14/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an ed...

This piece titled "Like a Pen VE 10/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an ed...

This artwork from the suite "La Tauromaquia, Plate #10" engraved between 1815 and 1816, is a photogravure on creme wove paper after renown Spanish artist Francisco Jose De Goya...

This piece titled "Extraordinary Machine VE 1/6" is a variable edition piece by Kate VanVliet and is made from Intaglio with soft ground and chine colle on Rives BFK. This piece is a...

This piece titled "Like a Pen VE 5/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an edi...

This piece titled "Like a Pen VE 8/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an edi...

This piece titled "Like a Pen VE 2/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an edi...

Intaglio on Somerset paper, edition of 4 The artwork is shipped unframed. Please message us directly if you are interested in purchasing the piece already framed. Bio // Katie Van...

This piece titled "Extraordinary Machine VE 3/6" is a variable edition piece by Kate VanVliet and is made from Intaglio with soft ground and chine colle on Rives BFK. This piece is a...

This piece titled "This Must Be the Place VE 3/7" is a variable edition piece by Kate VanVliet and is made from Intaglio with soft ground on Rives BFK. This piece is an edition of 7 ...

'Sculptured Drum, Temple of Artemis, Ephesus' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 1/4 inches (...

Héliogravure on japanese paper realized by Fraz von Bayros in 1913 for Ex Libris Verlag K. Th. Senger, Munich. Mounted on passepartout. Edition of 260, hand signed in pencil by the ...

Héliogravure on brown-toned paper, no signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the A...

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

Carborundum and intaglio. Signed and numbered from the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns an...

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

Hans Bellmer, 'Child and Seeing Hands', photogravure and engraving, edition 90, 1970. Flahutez 4-9. Signed by the artist and numbered '41/90' in pencil. A superb, richly-inked impres...

Héliogravure on brown-toned paper, no signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the A...

Hand signed and numbered lower right. Edition of 100 pieces numbered and hand signed. Very good conditions.

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

Medium: heliogravure (after the drawing). This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by S...