Art by Medium: Intaglio

Héliogravure on brown-toned paper, so signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. ...

Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Canard de Miclon (Old Squaw)" (1008) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the plate (printed...

After Georges Braque (French, 1882-1963) "L'Oiseau d'Or," embossed cast-paper intaglio with 18K gold paint after Braque's Oiseau brooch design, unsigned, edition number 169/250, Siz...

Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Sacelle male, de la cote de Coromandel" (Plate 949) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the...

Signed and numbered from the edition of 15. Printed on Chine colle. Image of two Eagles dressed as angels, celegrating a beautiful landscape under a smilin...

Edward S. Curtis Walpi Architecture 1921 Photogravure Print 18 x 22 inches Vintage large format Curtis Portfolio Photogravure, Portfolio 12, Plate #421, The North American Indian, o...

Harold Town (1924-1990) is the best-known and most dynamic artist from the "Painters Eleven" group. His reputation goes beyond his association with the group as arguably one of Can...

Pasta is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatchings.

In this framed wall sculpture, hand-colored intaglio prints on loktah tissue and hand-colored digital prints on kozo paper cut to mimic botanical shapes and pinned with entomology pi...

Carborundum and intaglio. Signed and numbered from the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns an...

Artist: Timothy Cole after Johannes Vermeer Title: Woman with Water Jug Year: 1912 Medium: Photolithograph, signed in pencil, marked Vermeer, Metr...

The background is made up of thousands of photographic fragments of feminine curves. In the foreground stands an image that radiates intensity, a symbol of intimacy, a face. The pho...

Artist: Tony Minartz (French, 1873-1944) Title: "L'Avant-Foyer de l'Opera" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1903 Medium: Original Etching on cream laid paper Limited edition: Unknown Printer: Unknown Publisher: Revue de l'Art Ancien & Moderne, Paris, France Framing: Recently framed in a traditional gold and black moulding with 100% cotton rag matting Framed size: 18.63" x 16.38" Sheet size: 12" x 9" Image size: 9" x 7.25" Condition: In excellent condition Notes: Printed in one color: bistre. This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Biography: Tony Minartz, pseudonym of Antoine Guillaume, born 8 April 1873 to Cannes and died in that city on 13 December 1944 Is a painter, draftsman , illustrator and engraver French. Painter autodidact , Tony Minartz starts to become known in 1896 by exhibiting paintings at the Salon of the National Society of Fine Arts , and then decorates the Pompadour theater of painted panels for fashion shows " Grand Guignol ", directed by L. Darthenay. In 1903, Henri Béraldi , with whom he worked, praised him in The Journal of ancient and modern art, writing that "it was thirty years ago," and he has received advice from Paul Renouard to be formed the technique of etching ; Béraldi adds that his favorite subjects are "Paris at night Paris at night, always." Minartz also gives them some high-remarkable in The Journal of ancient and modern art until 1910: balls, cafe concerts, Parisian in their most beautiful dresses, but also music-halls, music halls, restaurants, large and small theaters, are the preferred settings of his compositions. Its fertile period seems to end in 1914. In addition to the National Salon, Minartz exhibited in Paris at the gallery Bartholomew (1903), the Independent Living (1905, 1906) and the gallery Devambez (1909) and received the Academic Palms . He occasionally collaborates with periodic illustrated as The Almanac Sports (Ollendorff, 1899), or satirical as Gil Blas...

Les Pavots Noirs is a prototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923....

Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Le Canard a Longue Queue (The Long Tailed Duck)" (Plate 954) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martin...

Mythologies is an original Rare Book engraved by André Masson (Balagny, Oise, 1896 - Paris, 1987) in 1946. Original Edition. Published by Editions de la Revue Fontaine, Paris. Fo...

After Eadweard Muybridge — Black-and-White Heliogravure “Child with Watering Can” Electa Editrice Portfolio (Milan, 1981/82) — Framed Charming black-and-white heliogravure after Ead...

Szalenstwo Milosci - Vintage Poster is a vintage poster realized by Unknow Artist, in 1979s. Mixed colored offset print. Dimension: 83 x 58.5 cm The artwork represents the poster...

Carborundum and intaglio. Signed and numbered from the edition of 25. Delicate organic shapes. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe U...

Embossed print after Braque, based on his sculpture by the same name. Embossed in the print paper is "'Cephale', Hommage aux bijoux de braque, or fin 23 carat, sculpt heger de Lowen...

Nazanin Moghbeli is a Persian American artist with training in Persian calligraphy, miniature painting, and music. The abstracted calligraphy text in her "Words from My Mother" seri...

Hand colored, Copperplate Etching on Paper Image size: 9.5 x 9 in Frame size: 23.25 x 22.25 in. Date: 1935 An illustrative view of Saint Michael's, a Late Romanesque, early Gothic e...

Artist: Salvador Dali (Spanish, 1904-1989) Title: "(Mort de Cleopatre) (The Death of) Cleopatra" *Signed by Dali in pencil lower right Year: 1972 Medium: Original Engraving on Arches paper Limited edition: 197/325 Printer: Ateliers Rigal, Paris, France Publisher: EUKA, Paris, France and Roten Gallery, Baltimore, MD Sheet size: 22.5" x 30.13" Image size: 16.38" x 20.38" Reference: "The Official Catalog of the Graphic Works of Salvador Dali" - Field No. 72-14, page 73; "Dali: Catalogue Raisonné of Etchings and Mixed-Media Prints, 1924-1980" - Michler/Löpsinger No. 820, page 247 Condition: Toning to sheet. Faint stain line at right edge and a few soft handling creases in right margin. It is otherwise a strong impression in good condition Notes: Provenance: private collection - Los Angeles, CA. Numbered by Dali in pencil lower left. Arches watermark lower right. We are specialists in Salvador Dali's printmaking oeuvre, having personally worked with his cataloger Albert Field in the 1980's, we unconditionally guarantee all of our examples to be authentic. Biography: Salvador Dalí (May 11, 1904 – January 23, 1989), was a prominent Spanish Catalan surrealist painter born in Figueres, Spain. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes...

Myril Adler "Metaphor" c.1960s Collagraph ink on paper, A/P 1.75"x2.25 unframed Signed and dated in pencil Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (now Belar...

Artist: George Edwards (English, 1694-1773) Title: "Set of Two Hand-Colored Ornithological Engravings by George Edwards" Portfolio: A Natural History of Uncommon Birds, and of Some O...

Signed, l.r. Edition of 50 This work is offered by ClampArt in New York City.

Robert Adams Harney County, Oregon 2005 Set of four photogravures Each image: 19 7/8 x 15 5/8 inches; 51 x 40 cm Each frame: 29 x 25 inches; 74 x 64 cm Edition of 30 Each signed, ...

Alistair Grant was a familiar feature of the London art scene. Best known as a printmaker, his entire teaching career was spent in the printmaking department at the Royal College of Art, where he was to become Professor. Over the years he taught printmaking to many who were to become leading UK artists. Grant was at the top of his profession and a groundbreaker in his explorations of mixed media techniques. Grant was also a wonderful painter. In the early 1980s his imagery had turned to an open expressionist style, with sweeping brush marks and the introduction of new vibrant colour. Inspired by the Normandy coastline around Etaples and Le Touquet. Grant would create cyphers from the shapes and forms in the landscape, which he would offset against curtains of colour. They evoke bright or misty days, blazing skies or sunsets, beaches or harbours. The paintings and prints are descriptions of places he loved and constantly returned to. One could describe him as a French reflection of the St. Ives School where painters explored the landscape in similar fashion, as they still do. There is a wonderful sense of freedom in these images, and a great joie de vivre. Grant was a supreme colourist. He also co-authored an important book on the life and works of fellow English artist Henry Moore, whom his abstract figurative style resembles. This print is from the late 1960s and show the strong influence of figurative abstraction and surrealist elements in his work. Although best known as a printmaker, Grant also painted throughout his career and in the 1980s he adopted an expressionist style using vibrant colours. He was born in London and studied at Birmingham College of Art (1941-43). After serving during the war, Grant returned to art school and the Royal College, where he was taught by Carel Weight and Ruskin Spear. Grant was to work in the printmaking department of the Royal College for 35 years (1955-90), ending his career as Emeritus Professor of Printmaking at the RA. He showed with Julian Trevelyan. Grant showed at the Royal Academy, Artists International Association, and New English Art Club, and was a prize-winner at the Krakow Print Biennale in 1972. The TATE, The Victoria & Albert Museum, British provincial and many overseas galleries hold Grant’s work. His work is amongst the finest of modern British printmaking alongside richard smith, joe tilson, peter blake, patrick caulfield, alan davie, terry frost, david hockney and howard hodgkin. Select Group Exhibits 1951 New Editions Group,Auckland,New Zealand 1952-54,78 Redfern Gallery, London 80,83,84,86 1956 Nutida Engelsk Grofik, Stockholm 1957 National Arts Council of Southern Rhodesia 'Looking at People', South London Art gallery 1959 Tel Aviv Museum, Israel Arte Britonico Maderno Figurotiro, Galeria,Buchloz, Bogota The London Group 1960 Graven Image, Whitechopel Gallery, London Sixteen Pointers, A I.A. Gallery, London 1961 Museo de Arte, Barcelona Senfelder Group, Arts Council, London 1962 Towards Art Gulbenkian,R.C.A .London Contemporary British Pointers, Birmingham 1964-66 Curwen Gallery 1966 Crabowski Gallery, London 1967 A.A.A. Gallery, New York Schuman Gallery, New York 1968 Camden Arts Centre, London 1969 Pratt Centre, New York Art for lndustry, Arts Council, London 1970 University of South Florida, Miami 1971 Portland Museum,Oregon 1972 Art Gallery of Ontario, Toronto, Canada 1976 R.C.A.Printmakers,Waddington Gallery,London 1988 'Exhibition Road',R.C.A,London 1989 Berkeley Square Gallery, London 1989,90 Austin Desmond Gallery, london 1990 Scottish Gallery, London 1991 Big Little Picture-Show,W.Jackson,London 1992 'Winter Seen III',W.Jackson Gallery,London 1993 1 st Egyptian Print Triennale, Giza, Egypt 1994 Art '94, london, with Art First La Galerie du Touquet (with Alain Morcot) 1995 Art...

Artist: Louisa Chase, American (1951 - 2016) Title: Portfolio of Six Etchings Year: 1984 Medium: Six Drypoint Etchings with Aquatint, Signed and Numbered in Pencil Edition: 30 Paper...

Yoshitomo Nara (b. 1959)
On the F-Word, 2002

Medium: Intaglio on paper (photogravure and aquatint; 4 plates, 7 colors)

Color softground etching with aquatint and spitbite aquatint. Edition of 50

Represented by George Billis Gallery, NYC & LA -- Kiki Smith is one of the most widely recognized people in the art world today, and one of the most prolific artists of her generati...

Tommy's Pond Etching, aquatint and intaglio, 1966 Signed, dated and numbered in pencil Image/Plate size: 13 7/8 x 10 7/8 inches Sheet size: : 20 1/16 x 14 7/16 inches From: The Portf...

Artist: Pierre Augustin Massé (French, 1880-?) Title: "Portrait de Femme (Portrait of a Woman)" Portfolio: Gazette des Beaux-Arts Year: 1898 Medium: Or...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Unité, Planche 19" (Set of 2) Portfolio: Unité *Signed in pencil lower right. It is also monogram s...

Artist: Cornelius Nozeman (Dutch, 1720-1786) Title: "Ardea, Nycticorax (Black-crowned Night Heron)" (Plate 78) Portfolio: Nederlandsche Vogelen (Dutch Bird...

This (Street Scene) is undoubtedly O'Callahan's hometown of Buffalo, NY, where he lived and spent most of his career. The artist's name appears in pencil at the bottom edge on the re...

"Thanks, Going" by Jean Sariano, Algerian/American (1943) Date: 1979 Intaglio Etching with Aquatint, signed and numbered in pencil Edition of 300 Size: 21.5 in. x 27 in. (54.61 cm x ...

Artist: Samuel Rush Meyrick (English, 1783-1848) Title: "John Duke of Somerset" (Vol. 2, Plate XLIX) Portfolio: A Critical Inquiry into Antient Armour Year: 1824 (First edition) Medi...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Torksey Hall" (Plate 179) and "Newark Castle" (Plate 226) Portfolio: Buck's Antiquities or Venerable ...

Salvador Dali Return of Ulysses, from Hommage à Homère, 1977 Photolithograph in colors on Arches paper Hand signed lower right Edition AP lower left Sheet size 76 x 56 cm Reference F...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

Edition of 25 Colour soap ground and spit bite aquatints with photgravure and roulette on Somerset Satin White paper Published by Crown Point Press 87.6 x 64.8 cms (34 1/2 x 25 1/2...

Héliogravure on brown-toned paper, so signature. On bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. Ref. Mourlot,...

Color spitbite aquatint and sugarlift aquatint. Edition of 35

Héliogravure on brown-toned paper, no signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the A...

Salvador DALI (1904-1969) Butterfly suite : Roussillon, 1969 Heliogravure / Photogravure after an original design by Dali Blind stamp signature bottom right Numbered / 1700 copies P...

Fisherman is a artwork realized after Corrado Cagli in the middle of the 20th century.  Photype print. Signed on the low side. Good condition.   Corrado Cagli (Ancona, 1910 - Ro...

Medium: collotype (after the drawing). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a scarce portfolio. Image size: 10 3/4 x 7...

Richard Tuttle (American, b. 1941) Surface, 1997 Medium: Photogravure on wove paper Dimensions: 15 x 17-3/4 in Edition of 100: Hand-signed and numbered Condition: Excellent

Hans Bellmer, 'Child and Seeing Hands', photogravure and engraving, edition 9, 1970. Flahutez 4-9. Signed by the artist and numbered '41/90' in pencil. A superb, richly-inked impress...

Color spitbite aquatint and aquatint with drypoint. Edition of 35

Annette Lemieux (American, 1957-) Date: 1994 Medium: photogravure, aquatint (photo etching) and stencil Hand signed and dated lower right. Editioned lower left. Dimensions: Sheet: 22...

Lyle Ashton Harris Five Photogravures, 2004 Somerset Textured Paper 14 x 11 inches Edition of 30 Published by Eminence Grise Editions Printed by Lothar Osterberg Individual image...

President's Wilson Great Message is an original vintage poster, realized n 1917. The status of preservation is quite Good.

Pojdziesz Ponad Sadem - Vintage Poster is a vintage poster realized by Unknown Artist, in 1974s. Mixed colored offset print. The artwork represented a Polish film poster. Director...

Die Elixiere des Teufels is an original modern rare book written by Hoffman E.T.A. (24 January 1776 – 25 June 1822) and illustrated by Hugo Steiner-Prag (Prague, 1880 - New York, 194...

Peterdi, Gabor (American, born Hungary, 19150-2001) . BLOOMING ICE. Combined technique (intaglio and screenprint) in six colors, 1965. P.228. Edition of 25. 20 x 32 inches, 504 x 813...

4th issue of VERVE, "the magazine to look for" Teriade, E. (director), texts by Henri Michaux, Paul Valéry, Rainer Maria Rilke, Jean-Paul Sartre et. al Verve Volume One No. 4; No. 4...