Art by Medium: Intaglio

Artist: Henri Le Sidaner (French, 1862-1939) Title: "Pavillon dans les Arbres (Pavilion in the Trees)" Portfolio: Henri Le Sidaner (Camille Mauclair) *Issued unsigned, though signed ...

Sketch for a theatrical Costume is a modern artwork realized after Sergei Eisenstein in the mid-20th Century. Mixed colored phototype print. Includes frame: 45 x 34 cm Fair condit...

Myril Adler Untitled c.1960s Intaglio etching collage, ink on paper 3"x6" mahogany wood gallery frame 8.25"x11.25" Estate stamp lower right Myril Adler, was born on September 22, 1...

Steh auf prolet! is an original modern rare book engraved by George Grosz (Berlin, 1823 - 1959, Berlin) and written by Oskar Kanehl (Berlin, 1888 - Berlin, 1929) in 1922. Original F...

Artist: William Henry Toms (English, c.1700-1765) Title: "Draught of a Galley" (Plate 13, Vol. III, page 131) Portfolio: La Spectacle de la Nature Year: 1737 Medium: Original Hand-Co...

Artist: James Coignard (French, 1925-2008) Title: "Deux Bleus Sur Noir (Two Blues on Black)" *Signed by Coignard in pencil lower right Year: 2006 Medium: Original Hand-Embellished Ca...

Myril Adler "Hierophany" c.1960s Collagraph ink on paper 2"x2" ash wood gallery frame 9.5"x9.5 Signed and titled in pencil Myril Adler, was born on September 22, 1920 in Vitebsk, R...

Héliogravure on brown-toned paper, so signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. ...

Paul Gauguin, After, French (1848 - 1903) - Nave Nave Fenua, Portfolio: Twenty Four Masterpieces of Graphic Art, Year: Year Printed 1974, Medium: Collotype, Image Size: 13.25 x 7...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Phototype on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition; never framed or matted. Notes: From the volume, La Fleur de Barbe, 1960. Published by Jean Dubu...

Pablo Picasso, After, Spanish (1881 - 1973) - Les Saltinbanques, Portfolio: Twenty Four Masterpieces of Graphic Art, Year: Year Printed 1974, Medium: Collotype, Image Size: 10.75...

Artist: Man Ray (American born, 1890 - 1976) Title: ABSTRACT RAYOGRAPHY Date Of Negative: 1923 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 19...

By: Yuji Hiratsuka Medium: Intaglio and Chine Colle Year: 2024 Image Size: 16 x 11 inches Edition: 15 A Japanese celadon decorated vase with flowers hiding the face of a young woman...

Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Atraphaxis (Shrub); Cabomba (Carolina Fanwort)" (Hexandrie, Digynie, Plate 265) Portfolio: Histoire Naturel...

Artist: Man Ray (American born, 1890 - 1976) Title: HENRI MATISSE Date Of Negative: 1922 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1934 1st...

Original photogravure of a young woman in the garden. Original painting was done by Jean Louis Harmon in 1857. Condition is very good. Le Crepuscule is the French word for twilig...

Signed, title and numbered in pencil by the artist. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate mor...

Sketch for a theatrical Costume is a modern artwork realized after Sergei Eisenstein in 1921. Mixed colored phototype print. Includes frame: 44.5 x 33.5 cm Fair conditions due to ...

"Juggling" shows a woman depicted from behind, her hair neatly arranged and crowned with a large, intricately woven bird’s nest. Atop the nest sits a vibrantly patterned bird, render...

Artist: Man Ray (American born, 1890 - 1976) Title: SINCLAIR LEWIS Date Of Negative: 1930 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1934 1s...

Medium: Intaglio Year: 2023 Image Size: 16" H x 11" W Edition Size: 20 Portrait of a young woman with floral decor and a bouquet of flowers hiding her face. While Hiratsuka's images...

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

Myril Adler "Reconstruction" c.1960s Collagraph ink on paper 2.25"x2.25" ash wood gallery frame 9.5"x9.5" Titled in pencil, estate stamp Myril Adler, was born on September 22, 1920 ...

Flowers and bugs is a  phototype print on paper realized in early 20th Century by a Unknown Chinese Master. Monogrammed on plate on the left corner. The artist want to define a well...

This (Exotic Temple) is monogrammed in the plate at the lower right. A Buffalo, New York native, Kevin O'Callahan studied at the Carnegie Institute and worked on the WPA. He is kno...

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

Myril Adler "Jerusalem" c.1960s Collagraph ink on paper 2.75"x2.75 ash wood gallery frame 9.5"x9.5" Titled in pencil, estate stamp Myril Adler, was born on September 22, 1920 in Vi...

This artwork from the suite "La Tauromaquia, Plate #10" engraved between 1815 and 1816, is a photogravure on creme wove paper after renown Spanish artist Francisco Jose De Goya...

Pierre-Auguste Renoir, After, French (1841 - 1919) - Le Petit Garcon au Porte-Plume, Portfolio: Twenty Four Masterpieces of Graphic Art, Year: Year Printed 1974, Medium: Collotype...

Pierre Bonnard, After, French (1867 - 1947) - Le Menu, Portfolio: Twenty Four Masterpieces of Graphic Art, Year: Year Printed 1974, Medium: Collotype, Image Size: 11.5 x 10 inche...

Aristide Maillol, After, French (1861 - 1944) - Nude on Sofa, Portfolio: Twenty Four Masterpieces of Graphic Art, Year: Year Printed 1974, Medium: Collotype, Image Size: 7 x 9 in...

Jean Sariano, Algerian/American (1943 - ) - The Flying Dutchman, Year: 1979, Medium: Etching with Intaglio, signed and numbered in pencil, Edition: 300, Size: 26.5 in. x 18 in. (...

Héliogravure on brown-toned paper, no signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the A...

Carborundum and intaglio. Signed and numbered from the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns an...

Myril Adler Untitled c.1960s Intaglio etching collage, ink on paper 3.75"x2" site unframed Signed in ink lower right Myril Adler, was born on September 22...

Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Quivisia; Portesia" (Octandreie, Monogynie, Plate 302) Portfolio: Histoire Naturelle Year: 1749-1789 Medium...

Héliogravure on brown-toned paper, so signature. On bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. Ref. Mourlot,...

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

Artist: Man Ray (American born, 1890 - 1976) Title: INTERIOR DESIGN Date Of Negative: 1934 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1934 1...

Artist: Man Ray (American born, 1890 - 1976) Title: Andre Derain Date Of Negative: 1926 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1934 1st ...

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

A heliogravure reworked in drypoint and ink drawing on Chinois ancien paper by Salvador Dali, 1967. Hand signed twice within the drawing and dated '1967'. It is inscribed "Por monsi...

BRASSAI (Hungarian–French, 1899-1984) Street Fair on the Place d'Italie, 1931 Medium: Sheet-fed Gravure Printing Date: 1970's Printed in the USA Image: 10 1/2 x 8 inches Framed: 14 1/2 x 12 inches Although his real nameis Gyula Halasz, he took the name Brassai from his birthplace, and it means someone who comes from Brasov. He used the name all his adult life and is known throughout the world as Brassai. He was of Hungarian ethnic origins. Brasov in Transylvania has been a part of Romania since the end of the First World War, and that region is still largely populated by ‘Romanain-Hungarians.’ Two of these became well known in the film industry: Bela Lugosi and Gabriel Pascal. When the Austro-Hungarian Empire was dismantled after the War, most of its territories were distributed amongst a number of nations. It was at this time that Transylvania returned to its earlier identity as part of Romania. Brassai had served in the Austro-Hungarian cavalry for the last year of the War, 1917-1918. After he settled in Paris in 1924, Brassai never returned to his homeland, remaining in exile for the rest of his life. His parents continued to live in Brasov but joined him for long visits in Paris. In 1949 Brassai became a French citizen, having been a stateless person since 1947. He fell in love with a French woman, Gilberte Boyer, and they married in 1948. Gilberte worked closely with her husband as he pursued his photographic career, helping him develop prints in his dark-room, and often writing descriptions of the subjects and personalities. It was also in 1949 that a book with 207 photographs of Picasso’s sculptures was published, with photographs by Brassai. He and Picasso became friends and the latter asked him to photograph his work for this volume. Brassai was a frequent visitor to Picasso’s studio and there he took several portraits of the artist. Brassai has become one of the leading photographers of the twentieth century with collectors all over the world seeking his work. In an era which produced several brilliant and inspired photographers, not least Brassai’s friend Man Ray, he was able to capture a quality of magic in the atmosphere, bordering on the supernatural. Many of his pictures were taken at night or in fog, a frequent condition in Paris in the early part of the twentieth century. Even his day time photographs capture a moment of eerie transition between the mundane and the surreal. He is on the doorstep of another world where time stands still. Light becomes spectral as if it is the breath of an invisible power. Figures seem set in amber. Wet cobbles seem to slither and flow. A Master of capturing the ordinary, Brassai saw things as they were but transmuted the scene through his use of the lens into something outside the ordinary. Brassai was a familiar figure prowling round Paris after dark with his camera and tripod and heavy bag of glass photographic plates. He was sometimes accompanied by Ernest Hemingway, Henry Miller, or Leon Paul...

Les Chants de Maldoror is an original modern rare book written by Comte de Lautréamont, pseudonym of Isidore Lucien Ducasse (Montevideo, 1846 — ...

17 x 29.5 inch hand-pulled photogravure Image size 9 x 23 inches Signed, titled, dated and editioned on recto Edition 40

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

Héliogravure on brown-toned paper, so signature. Héliogravure on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. ...

Myril Adler Untitled c.1960s Intaglio etching collage, ink on paper 3.75"x1.75" site unframed Signed in ink lower right Very Good Condition- Wear consiste...

La Première Conscience Du Chaos is a phototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henr...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "The South View of the City of Worcester, from Digley Fields" and "Hewell, the Seat of the Right Honorable the Earl of Plymouth" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Two Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10.25" x 16.63" Image size (each): approx. 7" x 12" Reference: Upcott III, page 1330 Condition: "The South View of the City of Worcester, from Digley Fields" has some minor foxmarks in margins. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" has toning and uneven discoloration to its sheet. Have been professionally stored away for decades. They are both otherwise strong impressions, the first in excellent condition, and the second in good condition Notes: Provenance: private collection - Aspen, CO. "The South View of the City of Worcester, from Digley Fields" was engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after a drawing by himself. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" was engraved by English artist Michael Angelo Rooker (1743-1801) after a watercolor painting by English artist Paul Sandby (1731-1809). Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "The South View of the City of Worcester, from Digley Fields" has an unidentified watermark in the center of its sheet resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Man with a Hatchet is an artwork on white cardboard realized after Italian Artist Mario Sironi (1885-1961) in 1957. Phototype print. Signed on the low corner. Good conditions.  P...

Myril Adler "Greenscape" c.1960s Intaglio etching collage, ink on paper 6"x3" site unframed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (...

Hand signed. Edition of 60 prints, realized by Schifano at the very beginning of the 1970s. Very good conditions.

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

Artist: Georges Henri Manesse (French, 1854-1940) Title: "La Reine Marie d'Angleterre (Queen Mary of England)" Portfolio: Gazette des Beaux-Arts Year: 1893 Medium: Original Etching on cream laid paper Limited edition: approx. 1,500 Printer: Chardon Wittman, Paris, France Publisher: Gazette des Beaux-Arts, Paris, France Sheet size: 10.69" x 7.13" Image size: 7" x 5.25" Reference: Sanchez/Seydoux 1893-7 Condition: Light discoloration at edges. It is otherwise a strong impression in excellent condition Notes: This etching is after a painting from 1554 by Dutch artist Anthonis Mor (c. 1517-1577). Comes with its original tissue cover sleeve. This etching was published by Gazette des Beaux-Arts. The Gazette des Beaux-Arts was a French art review, found in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editor under the direction of George Wildenstein from 1928 until 1960. Her papers, which include all editions of the Gazette from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny. The Gazette was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The review closed in 2002. Mary I...

Carborundum and intaglio. Signed and numbered from the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns an...