Late 20th Century Mixed Media

Bernard Buffet (1928-1999) - The Little Template Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excellen...

Bernard Buffet (1928-1999) - The Stone Garden Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excellent c...

Bernard Buffet (1928-1999) - The deer in Nara - Sorlier Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in E...

Bernard Buffet (1928-1999) - The fountain or purification Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in...

Bernard Buffet (1928-1999) - Fuji Yama Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excellent conditio...

Bernard Buffet (1928-1999) - Katsura Rikyu-Kyoto Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excellen...

Bernard Buffet (1928-1999) - Sigura Bank Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excellent condit...

Bernard Buffet (1928-1999) - The Eiffel Tower and the highway, Tokyo Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 53.5 x 39 cm. Hand signed. The...

Bernard Buffet (1928-1999) - Voyage au Japon Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 53.5 x 39 cm. Hand signed. The work is in Excellent co...

Bernard Buffet (1928-1999) - Nishi-Ginza Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 53.5 x 39 cm. Hand signed. The work is in Excellent condit...

Bernard Buffet (1928-1999) - A Japanese woman Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 53.5 x 39 cm. Hand signed. The work is in Excellent c...

Semjon Segelman (1933)

Color lithograph with color paper collage, 1987. Pencil signed lower right and dated, and numbered lower left 5/24. Litho depicts a poem titled "Ariadne" by T. Weiss. Published by ...

"Rainy Day" is a captivating original acrylic painting on canvas, enhanced with dimensional wood pieces for a unique textured effect. This stunning figurative artwork, influenced by ...

Signed lower right, 'Douglas McClellan', dated 1988 and titled lower left, 'Cretan View'; additionally signed, titled, dated and media noted as 'monotype with collage' on verso. A ...

Happy in ‘72 Josep Grau-Garriga, Spanish (1929–2011) Date: 1972 Acrylic and Collage on Paper Size: 24 x 32 in. (60.96 x 81.28 cm) Provenance. Arras Gallery, NYC

*Card pictured after painting not included. Dongkuk Ahn (1937-2013), better known as Don Ahn, was a South Korean artist and t'ai chi master who resided in New York City. Don Ahn (Ahn Dong Kuk) was born in Seoul, Korea. He studied at Seoul University (BFA), graduate student at Miami University, Oxford Ohio 1962...

Yuriko Takata's work is a simple celebration of the beauty of nature. Her floral prints range from delicately rendered watercolors reminiscent of French antique botanical prints to bold, pastel still-life images inspired by the oil paintings of the old Dutch Masters. After making extensive sketches in exotic and beautiful locations around the world, Takata returns to the privacy of her own studio to complete her works. She eagerly explores different artistic styles, and her talent lies in her ability to foresee interior design developments and focus her imagery on these trendsetting styles. Always searching for new insights and visual experiences, Takata's interests range from realistic still-life and landscape to the exploration of purely abstract imagery with a simplified surface. Takata was born and raised in California but still converses in Japanese with her mother, who studies the ancient Japanese art of flower arranging. Although she frequently visits the rest of her family in Japan, Takata considers the San Francisco Bay area her home. With exhibits in the United States, Europe and Japan, Takata's work is held in the collections of AT&T, Bank of America, Dean Witter, Foremost McKesson, Hollister, Inc., Illinois Bell...

Louis K. Stone (1902-1984) Untitled, 1980 Mixed media on paper Framed: 52 1/4 x 42 1/4 in. Signed lower right: Stone 80 An abstract painter, Louis Stone settled in Lambertville, New ...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

Nell Blaine (1922-1996) American Original India Ink and Wash titled "The Harbor from Banner Hill" The sight size is 17 x 27 inches. Signed and dated 1986 lower right and again verso...

Untitled Mixed media on paper mounted on paper, c. 1990's Signed by the artist in pencil lower right (see photo) Condition: Excellent Image size: 8 5/8 x 10 1/4 inches Support Sheet size: 11 1/4 x 12 3/4 inches Provenance: Estate of the Artist Dehn Heirs Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

*Card pictured after painting not included. Dongkuk Ahn (1937-2013), better known as Don Ahn, was a South Korean artist and t'ai chi master who resided in New York City. Don Ahn (A...

Artist: Konstantin Bokov, Ukrainian/American (1940 - ) Title: Mihail (Chemiakin) Year: 1985 Medium: Found Art Collage with Paint on Canvas, Signed and dated Size: 20 x 16 in. (50.8 x...

Composition is an artwork realized by Leo Guida in 1970s.  Fabric, 120 x 78 cm; framed. Good conditions.

Ink and acrylic paint on paper by the well known Russian/American artist, Nahum Tschacbasov. Titled top left. Signed and dated lower right, 1979. Condition is very good. Framed in one inch wide black matte frame with white mat. Overall 17.5 by 21.5 inches. Provenance: Estate of the artist. Nahum Tschacbasov’s paintings are in the permanent collections of the Metropolitan Museum of Art, the Brooklyn Museum, the Jewish Museum, the Philadelphia Museum, the Pennsylvania Museum of Fine Art, as well as numerous college and private collections. His work was shown at ACA Gallery in New York, as well as Perl’s Gallery and John Heller...

Limited edition in 150 exemplars in cardinal numbers Current exemplar numbered as: 124/150 Signed in pencil by artist in lower right corner. Mixed media polymaterial color screen pr...

The window in the night is an original mixed media drawing, realized by Bernadette Kelly in 1980s. Hand signed on the lower right margin The artist depicts a sensual figure of a wo...

This Lichtenstein plate, commissioned by Rosenthal/Germany, is hand-colored porcelain, stamp signed and inscribed  “Kunstlerplatzteller" / "Rosentha...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

Genre: Contemporary Subject: Abstract Medium: Mixed Media, Collage Surface: Paper Country: Spain Dimensions: 14" x 11" Dimensions w/Frame: 15" x 12" Alejandra Icaza Born in Bilbao,...

Antithesis is an original artwrok realized by Michelangelo Conte beetween 1990-91. Mixed media (wood and steel). Hand signed, titled, and dated on ...

Colorful abstract in lavender, blue, and pink with a bubble-like pattern that creates a delicate lattice effect by Marianne K. Brown (American, 1928-2019). Unsigned, but was acquired with a collection of Brown's work. Presented in a new cream mat with foamcore backing. Image size: 18"H x 22"W Marianne K. Brown (American, 1928-2019) has taught watercolor and design for thirty years. Her work has been shown in many art magazines, including Watercolor Magic and The International Artist Magazine, and several books on watercolor painting. She was elected secretary of Orange County Art Association in 1964. Listed in the National Watercolor Society. Author, Watercolor by Design Member, East Bay Watercolor Society 1964 - 3rd Place, non-figurative exhibit of Orange County Art Association 1978 - Honorable Mention, Central California Art...

Alo Manas by Lawrence Fodor (American, b. 1951). A lithograph of Hopi Medicine Men. Shortly after Summer Solstice each year the Hopi ceremony called the Niman Kachina, also known as “The Going Home of the Kachina.” Presented in a wooden frame. Signed "Larry Fodor...

Untitled - Leaves is a beautiful original colored print with mixed media (etching, aquatint, soft paint and drypoint on glossy paper) made in 1991 by Mario Merz...

Bright and expressive interior scene in a cubist style with a warm and bright color palette of orange, green, blue, and a pop of magenta, by Michael William Eggleston (American, 20th...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Carrie Chapman Catt, monoprint with Chine collé, 18 ¾ "x 12 15/16", 1992 (1859 – 1947) The women’s right to vote in the United States is owed largely to the efforts of Carrie Chapman Catt. Born in Wisconsin and educated at Iowa State, Catt left work as a high school principle and later as a newspaper editor to join the fight for women’s suffrage. Skilled as a lecturer, Catt rose rapidly to national leadership, succeeding Susan B. Anthony as president of the National/American Women’s Suffrage Association in 1900. Catt’s pressure on President Woodrow Wilson and her tireless work to secure state ratification, culminated in the Nineteenth Amendment’s adoption in 1920. Following suffrage work, Catt devoted herself to peace and disarmament issues, serving as chair of the Committee on the Cause and Cure of War. The Women’s Rights Historical Park exhibited the growing series in 1995 during the 75th anniversary of women’s suffrage. The Oberlin College...

Signed lower right, 'Barbara Johnson' (American, 1927-2021) and titled, lower left, 'Oberon Series 1'. Exhibited: Carmel Art Association, circa 1995 (accompanied by original label) ...

“Fountain and Fan” by artist Mary Spencer is a 22.5 x 30 inch surreal mixed media painting on paper with dominant colors of blue, red and white. The painting is signed and dated on t...

"Lady Looking at Brian (Her Grandson)" Mixed media collage, assemblage, gestural painting on masonite. Hand Signed in ink and titled verso. It does not appear to be dated. I am estimating it is from the 1980's. It has some Postmodern elements and similarities to Transavanguardia is the Italian version of Neo-expressionism. Francie Bishop Good (American, 1949-) Francie Bishop Good was raised in Allentown, Pennsylvania. She currently lives and works in South Florida and New York City. Her work has been exhibited nationally and internationally. Bishop Good is twice recipient of the South Florida Cultural Consortium Fellowship, and the State of Florida Individual Artist Fellowship. She completed her Graduate Studies at Maine Media College, Rockport, Maine, International Center of Photography, New York, New York, Master of Arts, Florida Atlantic University, Boca Raton, Florida, B.F.A. University of Colorado, Boulder, Colorado, Philadelphia College of Art, Philadelphia, Pennsylvania, William Allen High School, studies under James Musselman Her museum solo shows include the Allentown Art Museum, Allentown, PA, Museum of Art, Fort Lauderdale, FL, the Museum of Contemporary Art, Jacksonville, FL, Art and Culture Center, Hollywood, FL, and the Hilliard Museum, Lafayette, LA. Bishop Good's work has been shown at David Castillo Gallery, Mindy Solomon Gallery, Miami, FL. Griffin Museum of Photography, Bernice Steinbaum Gallery, and AMbrosino Gallery. Recent museum acquisitions include Museum of Fine Arts, Boston, MA The Wadsworth Atheneum, Hartford, CT, The Patricia & Philip Frost Art Museum at Florida International University, Miami, FL, Bass Museum of Art, Miami Beach, FL and the NSU Art Museum, Fort Lauderdale, FL. Selected Group and Invitational Exhibitions NSU Art Museum, Remember to React: 60 Years of Collection, Fort Lauderdale, FL Frost Art Museum, Connectivity: Selections from the Collection of the Frost Art Museum, Miami, FL Dual Roles, curated by Laura Marsh, Art and Culture Center of Hollywood FL David Castillo Gallery, gallery artists, in terms of collage, Miami Beach, FL Multidisciplinary, curated by Dimensions Variable, Open Source Gallery, Brooklyn, NY Cornell Museum, Artistically Speaking, Boca Raton Museum of Art, FL. People and Places, Photographs from the Collection, summer 2015 Frost Museum, FIU Miami FL, 25 Inches, The Faces of the Permanent Collection Locust Projects, Smash and Grab, November Annie Wharton Fine Art, Los Angeles group show, summer Museum of Art Fort Lauderdale ,The Art of Caring summer Women to Women, collaboration with Samantha Salzinger, Bakehouse Fredric Snitzer Gallery Boy oh Boy, Summer Show Miami A.I.R. Gallery, The Man I Wish I Was, curator Kharis Kennedy Photo Miami with Nina Arias, Miami, FL December Alva Gallery, New London, Ct Being Good: Women's Moral Values Art Basel with Ambrosino Gallery, Miami, FL 51st Venice Biennale, Italy Poles Apart / Poles Together, International Artists' Museum, White Box Norton Museum of Art, West Palm Beach, FL, FOCUS ON: New Photography, National Museum of Women in the Arts, FL Transitory Patterns Museum of Contemporary Art, Miami, FL Optic Nerve Selected Collections Museum of Fine Arts, Boston, Ma. Wadsworth Atheneum Museum of Art, Hartford, Ct. Bass Museum of Art, Miami Beach, FL Frost Museum of Art, Miami Florida Norton Museum of Art, West Palm Beach, Florida Museum of Contemporary Art, Jacksonville, Florida Boca Raton Museum of Art, Boca Raton, Florida Sagamore Hotel Collection, Miami Beach, Florida Museum of Art, Fort Lauderdale, Florida Refco Collection, Chicago, Illinois Allentown Art Museum, Allentown, Pennsylvania New World Symphony Residence, Miami, Florida Art in Public Places, Broward County, Florida Art and Culture Center of Hollywood, Florida William Gates III (Bill Gates) Monica and Richard Segal Saks Fifth Avenue Asides from being an exceptional artist she is also a passionate collector. Photographs by Cindy Sherman and the late Ana Mendieta, collages by Kara Walker, a watercolor by Louise Bourgeois, Cecily Brown, Tracey Emin, Teresita Fernandez, Carrie Mae Weems, Nan Goldin, Barbara Kruger, Catherine Opie, Lorna Simpson, Kiki Smith, Mickalene Thomas, and Kara Walker. are among 100 works by leading contemporary artists donated by philanthropists David Horvitz...

The Buildings in the night is an original mixed media, realized by Bernadette Kelly in about 1980 s. Hand signed on the lower right margin. The artist depicts the night city, where ...

Cirque du Soleil n.34 is a contemporary artwork realized by Sergio Barletta in 1990s. Hand Signed on the lower margin. Mixed media and collage on canvas. Includes frame: 142 x 97 cm

Discover a captivating piece of nature with this unique section of a vintage French herbarium. Crafted with meticulous care, this botanical press on p...

Cirque du Soleil n.20 is a contemporary artwork realized by Sergio Barletta in 1995 ca. Hand Signed on the lower margin. Mixed technique and collage...

Cirque du Soleil n.28 is an original contemporary artwork realized by Sergio Barletta in 1990s. Hand Signed and titled on the lower margin. Mixed technique and collage on canvas

Artist: Enrique Kico Govantes (Cuban, born 1957) Title: Uncle Charlie's Year: Circa 1980 Medium: Mixed media and collage Paper Sketch Image size: 9.5 x 13 inches Signatu...

Theater Show is an original mixed media drawing, realized by Bernadette Kelly in about 1980s. Hand signed on the lower right margin. The artwork represents the interior of a theatre...

Composition is an original contemporary artwork realized by Patrice Lavaud in 1983. Mixed media. Monogram of the artist and date on the lower margin. Hand signed on the back. Inc...

*Card pictured after painting not included. Dongkuk Ahn (1937-2013), better known as Don Ahn, was a South Korean artist and t'ai chi master who resided in New York City. Don Ahn (A...

Alighiero Boetti (Turin 1940 - Rome 1994), Untitled (Time) (1985) Mixed media on paper 70 x 50 cm signed in the bottom center, also at the bottom is an openwork inscription I vedent...

Artist: Schwebel, Ivan (Israeli 1932 - 2011) Title: Tel Aviv Dragon Slayer Dimensions: 22.5 x 30 inches Signature: signed and dated Schwebel 75 lower Right Corner Ivan Schwebel, Painter. Was born 1932, U.S.A. and immigrated to Israel 1963 after living in Spain, France and Greece. Studies: 1953-55 with Kimura Kyoen whilst serving with the U.S.Army in Japan; 1955-61 Institute of Fine Arts, with Philip Guston; New York University. Larry Abramson, who is very much in the mainstream of Israeli art, curated an exhibition of Schwebel’s work at the Jerusalem Print Workshop in the early 1980s; in the accompanying text, he described him as “an artist from the New York School ship-wrecked on a hill near Jerusalem.” IN SCHWEBEL’S BEST WORK, THE paint speaks for itself: the pools and explosions of rich color, achieved with pigment that he would grind and mix himself, the luminous figures emerging out of dark shadows, the quirky, dramatic compositions. Schwebel was erudite, with a passion for the bible and Jewish and Israeli history. He delved into all of it for his subject matter, bringing together characters and narratives regardless of time, and setting them in modern- day Tel Aviv or Jerusalem, the Judean hills, or New York City. He liked to play with ideas, and thoroughly mixed his visual metaphors. He showed David and Bat-Sheva next to a Nazi deportation train, and Job despairing over his relationship with the Palestinians. He based his characters on photographs of himself, friends and family, or movie stars. On his website, he describes a series of paintings about anti-Semitism in which the Holocaust is merged with the Spanish Inquisition: “Abarbanel who tried to negotiate with Ferdinand and Isabella is reincarnated in Rumkovski – the German appointed Head of the Lodz Ghetto. The bridge connecting two parts of the Ghetto is spanned over a present-day Tel Aviv cityscape. His “Tel Aviv” series, in contast, is fun: “Chen Cinema” shows a couple of actors who seem to have stepped out of an old romantic movie to cuddle in the shabby street outside the cinema. In his final “Safe Place” series of paintings, he goes beyond self-conscious narrative to create his own Garden of Eden. He had major shows over the years – at the Israel Museum and Tefen, and last year at the Ramat Gan Museum; his work had been exhibited at the Tel Aviv Museum and is represented in their collection. Retrospective 1966-1980 Gordon Gallery, Tel Aviv. Artists: Yehiel Shemi, Zvi Mairovich, Yosef Zaritsky, Ivan Schwebel, Benni Efrat, Leopold Krakauer, Moshe Kupferman, Avigdor Arikha, Dani Karavan, Avigdor Stematsky,Michael Druks, Raffi Lavie, Aviva Uri...

This artwork, "Untitled" is a mixed media on paper by renown Malaysian artist Thang Kiang How, born 1946. It is signed at the lower right corner by the artist. The artwork size is 27.5 x 26.75 inches, framed is 31.25 x 30.75 inches. Custom framed in a wooden silver frame, with black color spacer. It is in excellent condition. An oil painting on canvas 38 x 44 inches by this artist, sold at auction on Nov 30th 2014 for a record price of $195,700.00 plus premium. About the artist: Thang Kiang How was born in 11th Sept.1946 in Malaysia Kiang How received the Public Service Medal (PBM) awarded by the President of Singapore in 1981 for his contribution to Singapore Nation Building. In the past 30 years, he has been an active participant in local and international art scenes. His unique technique of blending acrylic and airbrush printing effect on canvas and paper has become his trademark in the art circle and is constantly involved in major art projects (sculpture and murals). He has held 12 solo exhibitions and participated in more than 100 group exhibitions in countries, such as Australia, China, France, Indonesia, Korea, Malaysia, New Zealand, Thailand, Vietnam and also Singapore. He received many local and international awards.His works are collected by local as well as overseas museums, organizations and private collectors. He was the President of Modern Art Society Singapore (1982 – 1993), Vice President of Federation of Art Societies Singapore (1990 – 1996) and sits on the panel in National Arts Council (1984 – 1993). However, he was the person brought MASS onto a regional platform, Asian International Art Exhibition (AIAE) hosting by members in Federation of Asian Artists (FAA) yearly in 1990. Education 1964 - Graduated from Thomson Secondary School 1968 - Graduated from National Youth Leadership Training Institute and was awarded a Diploma for Community & Youth Work 1976 - Began experimenting with a mixed media of batik and acrylic Career 1964-1968 - Joined People's Association as Organising Secretary 1968-1979 - Chief Instructor-in-Charge of Art & Photographic Unit in Vihilante Corps 1977-2001 - Vice Chairman of Ang Mo Kio Citizens' Consultative Committee 1982-1993 - President of Modern Art Society 1982-1988 - Council Member of the Visual Arts Advisory Community 1984-1989 - National Arts Council Arts Advisory Committee 1989-1993 - Committee Member of National Community Organisation Council 1990-1994 - Member of Organising Committee ASIAN International Art Exhibition 1990-1996 - Vice-President of Federation of Art Societies, Singapore 1993-1996 - Member of Visual Art Resources Panel National Arts Council 1994-1996 - Vice-president of Modern Art Society One-Man Exhibition 1980 - Singapore Chinese Chamber of Commerce and Industry, Singapore 1987 - National Museum Art Gallery 1988 - Hyatt Regency Singapore Hotel, Singapore 1988 - To-day Art Gallery, Taipei, Taiwan 1988 - Kaohsiung National Library, Kaohsiuing, Taiwan 1989 - 5th Solo Art Exhibition at National Museum Art Gallery, Singapore 1990 - Singapore Conference Hall, Singapore 1995 - Art Gallery of Beijing International-Art Palace, China Group Art Exhibitions 1970-1989 - Annual National Day Art Exhibition 1974-1979 - National Museum Annual Art Exhibition 1980 - The Fifth Festival of Asian Arts 1980-1994 - ASEAN Painting and Photography Exhibition 1980 - Contemporary Singapore Paintings...

Collage 1974's is an original work by Sergio Barletta. A wonderful collage on cardboard with the great touch of the Italian Pop artist. Signed and dated in pen on the lower right....

Original Mixed media on paper, signed lower left "Strazza 79". Dedicated on rear by the artist to a friend. Certificate of authenticity signed by the Artist.

Mixed media and gouache on collage, signed on the back

"Grindelwa" Small Collage by Michael Pauker Small abstract paper collage by Bay Area artist Michael Pauker (American, b. 1957). This piece is created from a few pieces of antique pa...

Interior with night vision is an original mixed media, realized by Bernadette Kelly in about 1980 s. Hand signed on the lower right margin The artist depicts a scene of an interior...

This artwork titled "For Wally" 1974 is a collage on paper by New York artist Gerald Johnson, 1944-2000. It is hand signed, titled and dated in pencil by the artist. The artwork size is 24.5 x 18.15 inches, sheet size is 27.35 x 21 inches. It is in good condition, the paper is originally wavy as it show on the pictures. About the artist: Gerald Johnson [b.1944-2009] played a dynamic role in the Brooklyn art scene from the late 1960’s through the late 1980’s. After graduating from Pittsburgh State, he established a studio on Green Street and became right-hand to Steve Poleskie at the famed Chiron Press in 1967. There he formed creative relationships with the artists he was in charge of bringing to life; Andy Warhol, Roy Lichtenstein, Thomas Wesselman...