By Yosl Bergner
Located in London, GB
Oil on board
Image size: 5 3/4 x 7 inches (14.5 x 17.75 cm)
As can be seen in this painting, Surrealism served as a source of inspiration for Bergner, though he did not consider himself a surrealist but a lover of stories, and indeed narrative elements appear frequently in his work. He uses the “displacement” element, as the Surrealists did, and that is detaching the figures, objects or landscapes from the logical context and into a poetical-magical climate.
Nissim Aloni noted in 1983 He paints as though to install stabilizers against the turbulence of the dream, and perhaps these stabilizers serve him in time as a touchstone'.
The Artist
Yosl Bergner was born in Vienna, Austria, in 1920 and grew up in Warsaw, Poland.
With rampant anti-Semitism in Europe, the Freeland League for Jewish Territorial Colonization was formed in the United States in July 1935, to search for a potential Jewish homeland. Soon afterwards a pastoral firm in Australia offered the League about 16,500 square kilometres (6,400 sq mi) in the Kimberleys, stretching from the north of Western Australia into the Northern Territory. As history showed, the plans went nowhere. But for a time, the Australian idea was at least worth considering. Bergner's father, Melech Ravitch, became involved in a serious investigation of the Kimberley Plan.
In this way the Bergner family moved to Australia. Yosl emigrated to Australia in 1937 and studied in the National Gallery School in Melbourne. During World War II he served for four and a half years in the Australian Army, and later continued his studies at the Art School.
In Melbourne from 1937–48, Bergner befriended many of the local artists who now epitomize modern Australian art: Sidney Nolan, Albert Tucker...
Category
Mid-20th Century Surrealist Mary Spain Art
