Late 20th Century Mixed Media

This is an rare Gerald Poussin original 1998 mixed media on canvas . In good condition measures 50x50 .

A pair of original cut paper collages by Venezuelan American artist Ricardo Morin. Each of these works measure 7" x 5" unframed and come housed in a...

"I don’t see shapes as much as I see the energy of elements interacting to move, stop, support or explode. I mostly use clean bright color to keep my world hot and alive. My painting...

This colorful abstract paper and fabric collage was created by American artist Jean Olds. Olds is known for her work with collages and flat mixed-media sculptures. This work in her t...

Marty Greenbaum (1934-2020) ''Brooklyn Local in Weege Wisconsin'' Lithograph, with hand-coloring, blind stitching, stitching, burning, tape collage and paint with Jewish, Hasidic, Sleepy Moishy character. Marty Greenbaum (1934-2020) was an American painter, mixed media assemblage and book artist. Greenbaum is best known for his mixed media assemblage, painting and artist books. Greenbaum appeared in three films: Hallelujah the Hills in 1963 by Adolfas Mekas, Life Dances On, in 1980 by Robert Frank, and The Present in 1996 by Robert Frank. Between 1962 and 1965 he took part in happenings by Allan Kaprow and experimental dance by Yvonne Rainer. Greenbaum authored his own happenings, i.e. Coney Island Carny, including artists such as Eddie Barton, Remy Charlip, Paul Kaplow, Paul Krasner, Al Hanson, Ed Blair, Allen Ginsberg, John Hammond, Eddie Rabkin, Lou Gossett, Renee Renee, Allan Kaprow, Phyllis Yampolsky, Thomas Hoving, Jackie Ferrara, Peter Schumann, Jim Bell, Bill Marshall, Corla Lopez, Bruce Waite, and Mark di Suvero, as well as organizing the Hall of Issues with Phyllis Yampolsky at The Judson Memorial Church. Greenbaum had several teaching positions in the New York City public school system and was a member of the Creative Artists Public Service program twice, he also participated in various exhibitions with book objects. His work is in several public collections including The Art Institute of Chicago, Artists' Books, The Brooklyn Museum Collection, The Chrysler Museum, Norfolk, VA, Citibank, NYC, Colgate University, Hamilton, NY, Jacksonville Art Museum, Jacksonville, FL, Madison Art Center, Madison, WI, SUNY at New Paltz, NY and more. Books as Objects "Greenbaum, an early conceptualist, burned books in the 1960s, exhibiting the remains as 'corpses.' Today, he makes fetishistic notebooks filled with colored paper and scribbled equations, accretions of feathers and Rhoplex." "Marty Greenbaum and Barton Lidice Benes destroy texts to create sculpture: Benes 'Bound Book,' a literal rope and wax imprisonment, and Greenbaum's 'Cutting Up,' a mixed media paste over of muted colors." Some of his most notable artist books include: "Batman" 1963-67, "In '84 Returned in 2004". Two stories about Marty from James Pernotto: we met at William Weege print shop in 1974 when he drove out from NYC with Alan Shields and Paco Grande and I was a lithography printer hired to work with them. Alan recalled on the trip out that Marty was working on his altered books and putting airplane glue on the pages and lighting it with a match. Enough said. I printed for Marty. Solo exhibitions 2007 Two Artists, Windsor Whip Works, Windsor NY 2001 Pacifico Fine Art, NYC 1972, 1979, 1985 Allan Stone Gallery, NYC 1977 Picker Art Gallery, Colgate University, Hamilton NY 1963, 1964, 1965 Stryke Gallery, NYC Group and Traveling exhibitions 2019 One Plus One Equals Three, curated by Roger Winter, Kirk Hopper Fine Art, Dallas, TX Collage and assemblage by Romare Bearden, Roy Fridge, Marty Greenbaum, David McManaway, Robin Ragin, Nancy Willis Smith, and Roger Winter. 2017 Sorcery & Craft, Allan Stone Projects, New York, NY 2008 8 Artists 8 Books, 5 + 5 Gallery, Brooklyn, NY 1999 Talent, Allan Stone Gallery, New York, NY 1998 Artist Books, Bound & Unbound Gallery, New York, NY 1992 Fetishism, Allan Stone Gallery, New York, NY Salon of the Book, Caroline Corre, Paris, France; Artists; Books, Centre Georges Pompidou, Paris, France 1979 "Book Makers: Center for Book Arts First Five Years", Arthur A. Houghton, Jr. Gallery, The Cooper Union, NYC 1978 The Detective Show MoMA, PS1, Queens, NY (with Richard Artschwager and Gordon Matta Clark...

Santiago "Toni" Perez Cordoba (Barcelona 1972-2019). Spanish artist and art critic. He exhibited regularly at Galeria Sastre.

This colorful abstract paper and fabric collage was created by American artist Jean Olds. Olds is known for her work with collages and flat mixed-media sculptures. This work in her t...

In this piece, Baiju Parthan elaborates in the workings of a mysterious inner universe through his mixed media composition. Here, the artist explores the imagery of mandalas and Tibe...

Mixed media on paper Signed and dated on the back Unique work In Geneviève Seillé’s works, the word reigns in master. It fascinates her for its own appearance and becomes an estheti...

From the visual collaborative series between Bernie Taupin CBE and Terry O'Neill CBE, titled 'Two Sides of the 60s; Limited Edition of 199 Hand Signed by Bernie Taupin

Once dubbed “the Grandfather of L.A. Modernism,” the Chicago-born Emerson Seville Woelffer was active as an innovative painter, collagist, and educator throughout his long and prolif...

This striking table base by French-American artist Arman (1928–2005) embodies the spirit of his celebrated “Accumulations” and “Colères” series, where everyday objects are reimagined...

You are viewing a mixed media painting and collage on paper by American artist Richard Huntington. This piece is titled "George Washington with Letters" and is signed lower r...

Mixed media on cardboard signed upper right and framed, outside measurement cm.47x32

Artist: Robert Kuszek Title: 6000 Feet Beyond Year: 1990 Medium: Mixed Media on masonite: Oil, Acrylic and Enamel Size: 40 x 32 in. (101.6 x 81.28 cm)

Original mixed media work by Canadian artist Brian Wood. This work comes in a contemporary frame presentation. Brian Wood is an artist working with multip...

Mixed media collage of hand drawn maps and photographs titled "Hog Bayou Ritual" by Roy Fridge. Artist Biography: A native of Beeville, Fridge was an only child who made his own toys. After serving in the U.S. Navy, he graduated from Baylor University in Waco with a degree in filmmaking. In the 1960s, he and his best friends, sculptors Jim Love and Dave McManaway, became known as the "unholy trio" of Texas contemporary art. In 1963, Fridge left a career in television advertising and "ran away to the beach." He settled in the sleepy town of Port Aransas...

Mixed media and gouache on collage, signed on the back

Artist: Jeffrey Maron, American (1949 - ) Title: A Head of Tomorrow from Yesterday Year: 1992 Medium: Mixed Media, Watercolor, Pastel and Collage on Paper, Signed and dated Paper Si...

Artist: Mike McKenzie, American (1954 - ) Title: When Dreams Come True (Madonna) Year: 1992 Medium: Screenprint with Hand Painting on Heavy Stock, signed and titled in marker Size: 3...

The artwork is dated, signed and inscribed verso. Franka Lechner was born in Vienna in 1944. The woven tapestrie-artworks constitute an important part of her oeuvre. The boundaries...

Artist: Lou Fink, American (1925 - 1980) Title: Pigtails Year: 1974 Medium: Sewn Canvas, signed verso Size: 20 x 16 x 3 inches

Elfi Schuselka (Austrian, b. 1940), Two Abstract Compositions, Mixed Media Collage on Paper, raised sculpted ridges with painted tips on black ground with painted edges, apparently u...

Artist: Michael Goldberg, American (1924 - 2007) Title: Untitled II Year: 1977 Medium: Papercast, signed and dated verso Size: 25 in. x 29 in. (63.5 cm x 73.66 cm)

An original mixed media work by Peter Max. Max created studies for his lithographic work in order to figure out the exact composition and colors. This is one such study. Max h...

mixed media and collage on cardboard. Depiction of Butterfly Fantasy

This mixed media painting on paper was created by American artist Edward Henderson (b. 1951). Henderson describes his process as an attempt to relinquish our comfortable recollection...

Abstract painting with geometric forms in grey tones with a red background. The work is from the Davis / McClain Gallery. It is titled and dated by the artist. The work is not framed. Artist Biography: The following is from the artist: I started drawing seriously at the age of 14 after attending a summer program at Indian Hill...

This is a mixed media oil painting, 'Untitled no. 40' on synthetic vellum by contemporary American artist John Millei. The work measures 14 x 11 inches and is displayed in a 20.5 x 1...

Artist: Jim Jacobs, American (1945 - ) Title: Kansas Year: 1983 Medium: Oil on Aluminum Laid Board, signed and dated verso Size: 60 in. x 48 in. x 1 in. (152.4 cm x 121.92 cm x 2.54 cm)

Raymond Pettibon Short Teats Bloody Milk 1985 (Raymond Pettibon zine): This visually enticing 1985 Raymond Pettibon artist book/zine titled, Short Teats,...

Dimensions: 19" x 13" including frame, 17.5" x 11.5" image only. Frank Aumüller is a contemporary artist. Frank Aumüller is a german male artist born in Stuttgart (DE) in 1960. Frank Aumueller had his first exhibition at Art Cologne 1989 at Koelnmesse GmbH in Cologne in 1989, and Prognose at Württembergischer Kunstverein in Stuttgart in 2021. A notable show was 2041 Endlosschleife at Württembergischer Kunstverein in Stuttgart in 2014. Other notable shows were at Villa Merkel - Galerie der Stadt Esslingen in Esslingen and Museum für Neue Kunst in Freiburg. Frank Aumüller has been exhibited with Hildegard Esslinger and Beate Baumgärtner. Aumuellers jigsaw puzzle pictures are results of a multistage production process. Expressive, partially with strong auto-lacquers created paintings form the basis. Aumueller then takes a photograph of these abstract color experiments and cuts the photo by machine into jigsaw puzzles. Afterwards he reassembles individual parts, whereby the original parts produce a new picture in a new composition, a sculpture work. At first sight the jigsaw puzzle pictures appear as a "pleasant idea": The result of time-consuming artistic creation is presented as a well-known game for children and adults. This appears to be an ironic move by Aumueller. However, irony is not the artist's concern. There is more to the jigsaw puzzles than just a nice conception: Aumueller labels his jigsaw puzzles "unstable equilibria" - a suitable description for many things in a world which in many ways appears to be stable and arranged. The jigsaw puzzle is more than just a means of formal expression. Aumueller labels his jigsaw puzzles "unstable equilibria" - a suitable description for many things in a world which in many ways appears to be stable and arranged. The jigsaw puzzle is more than just a means of formal expression. It is metaphoric message as well as a clue to the artistic intention. Solo Exhibitions Frank Aumüller: Fotografie Kunstraum Kleine Galerie, Haus am Stadtsee Bad Waldsee Germany Frank Aumüller fine arts 2219 Galerie für Kunst der Gegenwart Stuttgart Germany Group Exhibitions 2023 Bis die Bude brummt – 30-jähriges Jubiläum des Fördervereins Museum für Neue Kunst Museum für Neue Kunst Freiburg Germany. Exhibition series with: Mandana Moghaddam, Jacob Ott, Thomas Ruff, Pia Stadtbäumer, Peter Vogel, Georg Winter...

Mixed Media primary tonal painting with two metal cars attached to the surface. The work is painted in yellow and red tones. The painting is signed by the ar...

Nino Longobardi (b. 1953): Untitled, 1983 Mixed media on paper. 19 x 14 in. (image), 26 x 21 in. (frame). Provenance: Cowles Gallery Born in Naples in 1953, he is one of the leading figures of Italian painting in the last two decades. Nino Longobardi did not attend schools or academies of art, rather he trained on-the-job: in art galleries, with artists such as Carlo Alfano...

Violet Composition is a contemporary artwork realized by Genny Puccini in 1977. Mixed media. Hand-signed and dated by the artist G. Puccini '77. Very good conditions.

This is a linen screen with stitching and cutting mounted over a panel. very unique and unusual piece by a prominent woman artist. unframed it is 22.75 X 30 inches. Lucia Stern (neé...

Richard Smith, British (1931-2016) Untitled (Abstract Composition) (1976) Gouache, crayon, charcoal and metal staples on Arches paper Hand signed lower center sheet: 22 x 22 inches ...

Set of four Leila McConnell abstract landscape cut paper mixed media collages completed in the 1970s. Image sizes range from H 7 in. x W 7 in. to H 5 in. x W 7 in. Artist Biography...

Sandro Visca, born in L'Aquila in 1944, has lived for many years in Pescara where from 1968 to 2003 he has taught Painting Disciplines at the Academy Section of the "G. Misticoni "(and among his many students, we remember at least the explosive talent of Andrea Pazienza). He made his debut early in important exhibitions, and already in '62 he was selected for the National Design Biennial "Premio Recoaro Terme" together with artists such as Casorati, Capogrossi, Morandi and Guttuso. In 1963 he moved to Rome where he lived until 1967. Versatile and busy, he collaborated in those years with the important seasons of the Teatro Stabile dell'Aquila, realizing in 1969 the scenes of Alberto Burri for "The Adventure of a Poor Christian" by Ignazio Silone (directed by Valerio Zurlini). The meeting with Burri grows to friendship, human association no less than artistic. Together they will spend numerous hunting trips, among the Umbria of the master of Città di Castello and their arcane mountains of Abruzzo. In 1973 he was invited with a work of six meters, in the Italian section "The empty space of the Habitat" of the XV International Triennial of Milan. Passionate frequentist of his mountains, together for love of hiker and science of anthropologist, he realizes in '75 a very particular performance, which is gesture, ritual, manifest, and at the same time medium-length: "A red heart on the Gran Sasso...

Elfi Schuselka (Austrian, b. 1940), "Triangle in 5", Mixed Media on Tarlatan, 1983, signed, titled, and dated to verso. 36.75" H x 39" W. Provenance: From the Collection of the artis...

Signed, dated, numbered and titled in pencil on recto; artist's copyright label affixed to verso Painted Gelatin Silver 16 x 20 inches Edition 8 of 25

Linda Stein, Measured Expansion 69 - Mixed Media Assemblage Contemporary Art Wall Sculpture Measured Expansion 69 is from artist Linda Stein's Brush Assemblage series, where she com...

Encaustic and Digital Print on Plywood American artist, Richard Purdy, born in Chicago, IL, 1956 Received his B.F.A. Indiana University of Pennsylvania Indiana, PA Exhibitions 2013–2014 Winter Blues, Nancy Hoffman...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...

Diptych of 2 original mixed media paintings on metal shelves. Each is hand signed on front by the artist. Each piece measures 36.25 x 15.5 in. Artw...

This intaglio mixed media unique monoprint is on heavy hand made paper with beautiful deckled edges on all sides. it is a Surrealist image with Outer Space and planets. This monotyp...

Large modern abstract mixed media sculpture featuring a finely sanded piece of wood twisted in coiled rebar. The organic wood entangled in the manmade metal offers subtle commentary ...

Framed in a shadow box. size includes frame. Paul Sarkisian (1928-) is an American artist who made significant contributions during the growth of contemporary art in Los Angeles, th...

Genre: Contemporary Subject: Nature Medium: Ink, Sandblasted Glass, Surface: Paper Country: United States Dimensions: 20" x 20" Dimensions w/Frame: 21" x 21" x 2" KEN APTEKAR (b.19...

This refined mixed media work was realized by the esteemed American artist Michael Brangoccio in 1986. Realized in the manner of Robert Motherwell, this painting features laid paper ...

"Don't Wine" is a mixed media piece, predominately a serigraph, by Paula Schuette Kramer and Bill Weege. Both artists signed in pencil in the lower right, and the title is in the lower left. It is one of a an edition of 50. The print is an explosion of bright colors, but red, blue, and green dominated the composition as they fade through the background. A blue figure climbs up a ladder out of an apple, hefting a large wine bottle overhead, which they pour out into the sea of wine. A man, woman, and long-necked orange bird also look out from the apple, reading for the stem of a floating bunch of green grapes. A group surrounds the grapes with their heads and shoulders above the water, eating the fruit. Birds fly through the background, dodging wine glasses and a vase of flowers that seem to be tumbling from a flying carpet. The entire image feels very surreal. Art size: 12" x 10" Frame size: 19 1/4" x 17" Paula Schuette Kraemer is an independent artist living in Madison, Wisconsin...

Ed Rossbach was known for experimenting by using unexpected materials and symbols in his baskets, vessels, and assemblages including plastic, cotton balls,...

From the visual collaborative series between Bernie Taupin CBE and Terry O'Neill CBE, titled 'Two Sides of the 60s; Limited Edition of 50 Hand Signed by Bernie Taupin

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

Mixed media composition on canvas. A sculture painting with many elemnts in relief. Dimension framed: 106x148 cm.

Pat Adams Free More, 1989 Acrylic and encaustic painting with varnish on paper laid down on canvas Hand signed and dated on the upper left front Original artist's frame included This...

Abstract bronze ribbon sculpture created by William Robert Stevenson. The sculpture includes a beautiful wooden base that includes a plaque with the artist's name. Artist Biography: William Robert Stevenson was born in 20 May 1925 in Eugene, Oregon. His family moved to Minneapolis, MN but he promptly returned to Oregon and Washington during the Great Depression to work in the Works Progress Administration (WPA). Hoping to study Art, his future was sidetracked when he was drafted into the United States Army at age 17 years old in early 1942. Being a strong swimmer, and having worked at stables as a child, he initially served in the last US Cavalry Corps, and also as a Swimming Instructor for the United States Army. Upon the abolition of the Cavalry Corps, he was trained as a Gunnar and Tank Commander for the M-4 Sherman Tank under General Patton...

Measures 8 x 6 inches and is Unframed. Good Condition.

Anniversary. 1997, pressed cardboard, acrylic, collage, 122x118 cm ALEKSANDRS DEMBO (1931. Paris – 1999. Riga) Born in 1931 in Paris, France, died in 1999 in Riga, Latvia. Professio...

Modern abstract fish sculpture made of copper by Houston, TX artist Frank Dolejska. The work features a rounded fish shape with the words "random harves...