Animal Paintings

Gerard ter Borch (II) (1617-1681), copy after, around 1700 'Boy Fleas a Dog' Oil on canvas Professionally restored (cleaned and relined) In modern frame in 17th century style Dimensions excl. frame: 33 x 27,5 cm. Dimensions incl. frame: approx. 50 x 45,5 cm. Depcited is a boy busy fleaing a dog. The boy sits on a chair with the dog on his lap. On a table on the right there is a book and a pen. On a wooden bench lies the boy's hat. What is unique about this painting by Ter Borch, is the relationship that is depicted between human and animal. Mostly animals like dogs where depicted as an attribute in paintings in the 17th century, and sometimes used to symbolize certain character traits. This boy is lovingly caring for his dog, which he is giving his full attention. Another interesting detail is that Ter Borch's brother Moses, was probably the model for this painting. Ter borch often used family members as models for his paintings. Moses was also a very talented painter and draughtsman. Several copies of this work by Ter Borch are known. One of these copies is in the collection of the Dutch Rijksmuseum (Image included in the image gallery (last image)). The original painting is in the collection of the Alte Pinakothek museum in Munich, Germany. Gerard ter Borch, also known as Gerard Terburg, was a Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu...

Cherryhead by Hunt Slonem Bunnies on Red Background with Diamond Dust Hunt Slonem is an American painter, sculptor, and printmaker whose work uniquely combines representational ima...

The Calf is an oil painting by Chilean artist Viviana Ovando. At this time it can be rolled and shipped. Waiting to be picked up by framer. Viviana Ovando Cid Visual Artist and Painter. She studied Visual Arts at the University of Chile and specialized as a Painter at the Martín Soria Academy of Fine Arts. Awarded by the Chilean-Japanese Cultural Institute and the National Society of Fine Arts. Viviana has participated constantly in group and individual exhibitions nationwide, Thanks to her constant concern she handles different painting techniques, from those coined by the Classic Academy to digital techniques, participating in 2D and 3D animation projects, exploring new representation techniques. Who are your biggest influences? Are you inspired by the work of your colleagues or someone else in particular? Antonio López, Goya, Rembrandt, Velásquez, Sorolla, Caravaggio, Franz Marc, Muñoz Vera, Sergio Castillo...

"6.5 Koi 23" is a complex work of koi fish swimming underwater filled with light and brilliant color painted in a lush and fluid style bordering on abstraction. Fish are in shades...

It is a tall, vertical painting. The mixed media is composed of oil paint and gold leaf with smaller silver leaf birds at the bottom of the composition. The bird silhouettes look lik...

This elegant minimal black and white dog painting of a seated English Setter gazing lovingly at his owner, is a contemporary portrait in ink on Ind...

Alfred de Breanski Snr British, (1852-1928) Near the Fairy Glen Betws-y-Coed Oil on canvas, signed & transcribed verso Image size: 23.5 inches x 35.5 inches Size including frame: 31 ...

Alexander Koester 1864-1932 German Ducks in a Pond Signed "A. Koester" (lower right) Oil on canvas Alexander Koester is one of the great animal painters of art history, and this ...

Jess Kellner is a multi disciplinary artist who’s work has a strong focus on exploring the human condition. It’s a theme that you see in his artwork as well as his filmmaking. While ...

Running Szobota István Budapest 1911 – 1994 Sopron Hungarian Painter Signature: Signed bottom left and dated '73 Medium: Oil on canvas Dimensions: ...

Signed hunting scene by Alfred Grenfell Haig (1870–1963). Haig's masterful oil on canvas brings to life the exhilarating spirit of a hunting scene, with a huntsman leading a pack of ...

There were several thousand people at the circus on July 6, 1944 for the mid-day show. As excited spectators were watching the Flying Wallenda's start their high wire act, a fire started on the sidewall of the enormous big top and spread quickly ovet the canvas, which was waterproofed with gasoline and parafin. As the fire burned over the crowd, a panic driven stampede caused many people to become tangled in the bleachers and animal cages in the ring, trapping them inside the tent as it became completely engulfed and burned to the ground in less than 10 minutes. This piece is framed in a wooden frame measuring 36 x 50.5 inches. Eric Edward Esper The Ringling Brothers...

Hunting dogs and a deer, British oil painting Richard ANSDELL 19Th c Description Title: End of the run Materials: oil on canvas Signature: not signed Provenance: private collection...

Piggott finds resonance and beauty in the familiar. His subjects, anchored in the stuff of the every day, are quietly captured in a moment of time. Each composition speaks to the art...

Bloodhound, this stunning large minimalist black and white painting of a Bloodhound dog, is a contemporary portrait in acrylic on canvas. Ian Mason's portr...

William Sidney Cooper British, (1854-1927) At Marshside, Kent Oil on canvas, signed & dated 1920, inscribed in pencil verso Image size: 15.5 inches x 23.5 inches Size including fram...

A stunning original mixed media painting by Svetlana Shalygina. A unique combination of imagery and texture with this large scale original work of art. Custom digital renderings show...

Greg's witty and charming oil painting on aluminum comes framed in a floater frame which adds 1.75 inches all the way around. "Greg Decker is a visionary painter. His work epitomize...

Hunt Slonem - Lakeside Original Framed Oil Painting. Signed on Verso. Our Gallery works directly with Hunt Slonem. This painting was acquired directly from the artist and has the ...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on Mulberry paper, which mimics the swirl of water, the artist achieves a beautiful aesthetic. The artwork is matted and framed in a white wooden frame measuring 18.25h x 24.25w x 1d inches. Jeff Conroy Cobalt Canary sumi ink and colored pencil on mulberry paper 12.50h x 18.25w in 31.75h x 46.35w cm JEC122 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...

Like the 2015 String Theory series, the Dream Weavers takes its cue from the African Weaver Birds and their spectacular nest making skills. The Weaver Bird...

Sir Alfred James Munnings, P.R.A., R.W.S. (1878-1959) 'The hunt' Signed and dated 'A.J. Munnings. 1913.' (lower right) pencil, watercolour and bodycolour on a prepared sheet of paper...

Portrait of a Pekingese dog, oil painting on canvas by A. Schrotter 20th c. History of the Pekingese do breed : The Pekingese (also known as the Lion Dog, Peking Lion Dog, Pelchie Dog, or Peke) is an ancient breed of toy dog, originating in China. They are called Lion Dogs due to their resemblance to Chinese guardian lions (the Shih Tzu is also known as a Lion Dog in Chinese).The breed was favored by royalty of the Chinese Imperial court as both a lap dog...

Large American Orientalist oil painting of a courtyard by F. A. Bridgman American, c. 1900 Canvas: Height 69cm, width 91cm Frame: Height 95cm, width 108cm, depth 8.5cm Wonderfully p...

Oil Painting by Cornelius Jansen Walter Winter "A Favourite Hunter" 1817- 1891. Born in Bungay the son of a stained glass painter. Pupil of Edwin Cooper of Beccles. Painted Norfolk A...

A passion for horses, equestrian pursuits, and painting define Brooke Major's life and career. A native of Atlanta, GA, Brooke Major has been living and working as a professional art...

oil and gold leaf on wood panel

"Making a Beseech" (Frill Dog series). A colorful contemporary dog painting of a Scottish Terrier dog with accompanying text from a book is an inspirational departure from the traditional illustrations found in British Rudyard Kipling's "Thy Servant a Dog", 1930. The book was the first ever narrated by a dog, Boots, a Scottie. Making a beseech is the only trick the Scottie, Boots knows, paws over nose. Nancy van Meter...

Signed lower left. Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman's house, who awarded Beauchamp a grant. That year he met his future wife, Nadine Valenti, whom he married in 1967. Beauchamp taught at a variety of schools during his lifetime including Brooklyn College, School of Visual Arts, Cooper Union and the Art Students League of New York during the last fifteen years of his life. Beauchamp described his drawings as painterly, seeking the spontaneity in an image. He would develop a drawing then a painting, and vice versa. His heavily impastoed paintings, often described as sculptures themselves, came from the pouring of paint from a can, with little planning and constant evolution in the medium upon the canvas. He preferred little planning to his creations, believing that an artists work would become stale and repetitive with constant planning. He also created large scale works, at times 70 inches long. Beauchamp had little intention of ever selling his large works, preferring to create them due to the slow and intense experience he received from the process. The large drawings he created on the floor, and the smaller works were created on a table. Paintings were created on either the floor or wall and he described his painting process as "splattering", "pushing the paint around," and sponging. Animals often appear in his paintings, despite a dislike for domestic animals outside of his artistic creations. He called the characters in his paintings as Beauchamps. Some Beauchamps hold meaning, with Beauchamp rarely sharing the meaning behind the symbols and characters. He made up the creatures himself, seeking to emphasize the character of each. In 2006 the University of Massachusetts Amherst College of Visual & Performing Arts hosted an exhibition of Beauchamp's pieces from the 1960s, curators stated that Beauchamp's work: "effortlessly blends innovative style elements with narrative, descriptive images. One senses equal enjoyment in the manipulation of, and interaction with, color and paint, and the often sudden and unexpected presence of a wasp or a lump of sugar." included in the important exhibit "Twelve New York Painters." New York: David Findlay Jr. Fine Art with Mary Abbott, Alcopley, Robert Beauchamp, Byron Browne, Charles Cajori, Jim Forsberg, Carl Heidenreich, Angelo Ippolito, Emily Mason, Robert Natkin, Robert Richenburg and Nina Tryggvadottir...

Eric Harrison (Born 1971 ) Texas Hill Country Artist Image Size: 34 x 48 Frame Size: 44 x 58 Medium: Acrylic "Dapple Grey Horse" Bio “I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.” -Henry D. Thoreau Eric Harrison-born 1971 in San Antonio, Texas. In 1995 he married Kim Marie, and together they have two sons, Noah and Ethan. The Harrison’s reside in the hill country west of Blanco, Texas. Currently painting in a language resonant with other Texas artists such as Robert and Julian Onderdonk, Robert Wood, Porfirio Salinas, Dawson Dawson-Watson, and Robert Harrison; with an affinity toward the work of California painter William Wendt. Paul Cezanne and many of the post impressionists. Exhibitions and collections of his work include: The United States Embassy in Togo, Africa The University of Texas at San Antonio The Buckhorn Museum San Antonio Best of the Best Art Show Salado, Texas Texas Lanscape Show The Nave Museum, Victoria Texas The Harrisons, “A Family of Texas Painters” Charles Morin Fine Art...

Daniel CLOWES (1774-1829) after George Stubbs Mares and Foals in a Landscape oil on canvas 29 x 33 inches, inc.frame Daniel Clowes lived and worked in Chester all his life and ...

Framed dimensions: 17 x 20 inches. Signed "C Ruvalcaba" lower right hand corner in orange paint.

"El Toro" (FRAMED) Painting 14.5" x 20" inch by Antonio Pelayo Medium: Pencil on Paper, Acrylic Ink & Paint on Animation Acetate Size: 12" x 17" inch Size framed: 14.5" x 20" inch ...

"Turning Dog" oil on wood 8 x 10 inches 2023

"Sweet Sounds," a mesmerizing painting by Rudolf Kosow, depicts a tranquil scene of harmony between a young girl and a slumbering cat. The girl, seated and playing an instrument, see...

19th Century Dutch

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

The raven is often thought of as a connection between the spiritual and physical world. In this painting, a wise young girl holds a raven in her hands up to her eye as if searching for some great meaning. A clock and a burning candle in the foreground suggests a symbolic connection between the two. The peaceful mountain landscape...

Elizabeth Nelson Fairchild (American, Born 1910) Signed: E. Fairchild (Lower, Left) " Portrait of a Horse ", c. 1940 Oil on Board 9" x 7" Housed in a 2" Gold Leaf Frame Overall...

This is a diptych of a new series - Over The Moon with Little British Birds. This Diptych include Little Kingfisher, Over The Moon and Little Blue Tit 4, Over The Moon, We are so bl...

In 1993, a window of opportunity opened as a result of several different situations that were occurring. I was participating in an Artist-in-Residence program in Yellowstone Nationa...

Sekhar Roy - Untitled - 48 x 28 inches (unframed size) Acrylic on canvas Inclusive of shipment in roll form. Sekhar's acrylics generally treat the terrible strains and tensions of u...

Portrait Of A Maltese Terrier, 19th Century circle of George EARL (1824-1908) Large 19th Century portrait of a Maltese Terrier dog on a red cushion, oil on canvas. Excellent qualit...

Impressive early American modernist farm landscape with cows painting by Lawrence Butcher, Jr. (Born 1936). Watercolor and gouache on paper. Framed. Signed. Image size, 5 by 8 inches.

Alexandra Rozenman’s painting “Playing with Light” is 12 x 48 x 2 inch oil on canvas. It gives us a feeling that something magical is about to happen. This whimsical painting depicts...

Dog at the sea. Alla prima oil painting with few final tuches when dry. Beach Paintings always inspire thoughts of holidays, long walks, warm breezes and relaxation. beach and ocean ...

In 1993, a window of opportunity opened as a result of several different situations that were occurring. I was participating in an Artist-in-Residence program in Yellowstone Nationa...

GERALD ROSE (BRITISH, 1935 – 2023) SHEEP IN WINTER Acrylic on board Signed and dated ‘Gerald Rose 69’ (lower right) 29.1/2 x 19.1/4 in. (75 x 49 cm.)

Black bear with layers of potential meanings. Mainly oil on panel.

Outsider artist Scott Harbison imagines a world of curious alien beings and wide-eyed mutant animals, naively navigating unknown territory. His mischievous figures are activated by s...

Paul Bartlett has created a eye catching collage with colours of orange, blue and green to capture nature. Collage on board Framed Signed Frame w 51.6cm x h 37.3cm Image w 37cm x h ...

Igor Maikov (1966) Education: 1981 - 1984 The Art Academy of Latvia 1973 - 1983 Salaspils Primary and Secondary School Exhibitions: 1994 - Group Exhibition «Rol-Art», Latvia ...

Patrick Oates' work explores the intersection of landscape, identity, and family history. His experimental paintings delve into queer identity, trauma, and the unknown, weaving a com...

Charles Jones British, (1836-1892) Sheep Grazing on a Cliff Top Oil on canvas, signed with monogram Image size: 7.5 inches x 11.5 inches Size including frame: 13.5 inches x 17.5 inches A lovely landscape painting of sheep on a coastal cliff by Charles ‘Sheep’ Jones. The sheep and her two lambs are depicted against the backdrop of the sea with shipping and chalk cliffs in the distance. The location is likely to be the Devon coast, an area Jones visited often. Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours. By 1867, he had become a successful artist and had moved to 7 Paragon Place, Brixton Hill. From 1874, he lived at Heathercroft, Balham Hill where he spent the rest of his life. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas Richardson...

Heading due west from NYC to escape the hustle and bustle of city living and arrive in time for the afternoon milking was quite a trek for the American aristocrats who built the estates of the New Jersey Somerset Hills during the Great Depression. Whether arriving by horse and carriage, train or motorcar, the festivities never ceased once there, overlooking the bucolic farms and farmland, resplendent with with some of the most elaborate homes and estates in the country. A popular arrival spot was Bernardsville, with it's horse and carriage manufacturing plant, car repair and train station, still home to a dairy farm just outside of the town center. Artist Joseph Sundwall...

Anne Sargent Walker's "Getting Warmer" is an oil and acrylic painting with a halo of soft greens on a yellow green background with snippets of orange, suggesting foliage, surrounding...

George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...

Artist: Slonem, Hunt Title: Lilliana Date: 2023 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed verso Edition: Unique Hunt S...

Sheep in a VW Split Screen Camper Van at the Guinness factory in Ireland by Contemporary Artist Art measures 12 x 10 inches Frame measures 15 x 13 inch...