1960s Figurative Paintings

ALFRED RETH 1884-1966 Budapest 1884-1966 Paris (Hungarian/French) Title: The Gardeners (Personnages), 1962 Technique: Original Signed and Dated Oil and Collage Painting on wood s...

This painting depicts a whimsical portrait of a young lady posing with an alluring look in a colorful blouse. The bright colors and quick brush strokes are what makes this painting s...

Renato Guttuso Italian 1911-1987 Father & Child Oil on canvas 30 ½ by 19 in. W/frame 31 ½ in. by 20 in. Signed verso "Guttuso" Signed lower center "Guttuso" Dated 1966 Titled vers...

Artist: David Messer Title: Three Children Playing Year: circa 1960 Medium: Oil on Canvas, signed verso Size: 10.75 x 13.75 in. (27.31 x 34.93 cm)

Artist: Lucio Ranucci, Italian (1925 - ) Title: Boy on Carousel Year: 1969 Medium: Watercolor on paper, signed and dated u.l. Image Size: 20 x 12 inches Size: 27 x 20 in. (68.58 x 50...

Medium: Oil on Canvas Signature: Signed Lower Right

Artist: Juan Garcia Ripolles, Spanish (1932 - ) Title: Woman with Flowers Year: 1970 Medium: Oil on Canvas, signed Size: 15 x 24 in. (38.1 x 60.96 c...

Medium: Mixed Media on Board with Collage Signature: Unsigned

Small portrait of a clown with colorful, expressionist brushstrokes by Marjorie Blake (American, 1920-1994). Signed "M. Blake" in the lower right corner...

Signature: Signed Lower Right

Western figurative landscape of a cowboy with two horses surrounded by desert scenery by Charles Cochrane (American, 1923-1990), 1966. Signed "Cochrane" lower right. Displayed in a rustic giltwood frame. Image size: 22"H x 27.5"W. In the Gold Rush days a visitor could be a friend or foe, which is the theme of this excellent example of Charles Cochrane's western style. Charles L. Cochrane was born in the hills of Missouri on January 29, 1923. During World War Two "Chuck" Cochrane served in the First Marine Parachute Regiment...

A printmaker, painter, and commercial artist, Marion Huse created work that ranged from realism to abstraction and included portraits, figure subjects, landscapes, and floral still l...

This beautiful work by the great American Illustrator Bob Peak has a sister work in the collection of the Lucas Museum of Narrative Art in Los Angles. We feel that our work has a lit...

Mid Century Dutch canal city scene, in brown, orange black, and white. Wonderful large mid-century Dutch or French canal /City scene. Top-quality painting with great appeal and impa...

Made for the movie poster for "Oliver" Signed Lower Right

Béla Czóbel, Paintings, Watercolors, Drawings, R. S. Johnson Fine Art, Chicago, 1996: no. 60 and reproduced on page 95 of catalogue.

Model. 1968. Oil on canvas, 118x65 cm Blond woman in magenta dress Laimdots Murnieks (1922-2011) studied at Cesis and Jelgava teachers’ institutes (19...

Oil on canvas painting by the French artist, Louis Marcy. Signed lower left. Not framed. Exhibited at Salon of Indépendants in Paris in 1964. Label verso. Inventory 2613. Louis Marcy...

Artist: John Uht, American (1924 - 2010) Title: Four Figures Year: circa 1960 Medium: Oil on canvas, signed l.l. Size: 40 in. x 30 in. (101.6 cm x 76.2 cm) Frame Size: 46.5 x 36.5 in...

Signature: Signed Lower Left Medical Times, vol. 89, no. 5, May 1961, pp. 7a, 192a, cover illustration. According to the Medical Times, where the present work was featured on the c...

The work is mostly black and white to indicate that this is a night scene. On closer inspection, you will see areas of magenta and ivory throughout The publisher's label on verso ide...

Artist: Lucio Ranucci, Italian (1925 - ) Title: Birdwatcher Year: 1969 Medium: Watercolor, signed and dated l.l. Image Size: 15 x 20 inches Size: 20 x 27 in. (50.8 x 68.58 cm)

In the mid-1960s Joseph Solman (American, 1909 - 2008) was commissioned to create portraits of the Begg family. This is a portrait of John Begg Sr., the patriarch of the mid-century ...

"For Posing, My Terms Are a Dollar an Hour, Room, and Board", Playboy cartoon illustration, page 67, August 1961 Watercolor and pen on board 15.5 ...

Oil on canvas Signed This artwork is offered by ClampArt, located in New York City Born in California, John Button (1929-1982) was educated at University of California, Berkeley. A...

The artist invents and then captures a moment of a peak drama with soldiers being shot and bombs exploding. It's beautifully rendered. This work was published as a two-page spread...

Signature: Signed Lower Left Cover of the Army v. Navy Football Program 1968. 204 page Army Navy Almanac Official Program for game played at JFK Stadium, Philadelphia The program ...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wond...

Indra Dugar - Untitled - 10.5 x 8 inches (unframed size) 16 x 18.5 inches ( framed size ) This is a two sided work, Recto & Verso. Ink on paper. Inclusive of shipment in framed fo...

Indra Dugar - Untitled - 10.5 x 8 inches (unframed size) & 16 x 18.5 inches ( framed size ) Ink on paper Inclusive of shipment in framed form. About the Artist & his work : Born : ...

Artist: Marshall Goodman, American (1916 - 2003) Title: Self-Portrait Year: circa 1960 Medium: Oil on Canvas, signed l.r. Dimensions: 48 x 30 in. (121.92 x 76.2 cm)

Artist: LeRoy Neiman, American (1921 - 2012) Title: Dick Tiger Year: 1967 Medium: Acrylic on Paper, signed and dated l.r. Size: 26 in. x 44 in. (66.04 cm x 111.76 cm) Frame Size...

Gabriel Godard French, Born 1933 Le Gouter Oil on canvas 36 by 29 in. W/frame 38 by 31 in. Signed lower right & dated 62 Gabriel Godard was born on April 28, 1933 in Delouze in Lo...

A strong modernist oil painting depicted in 1962 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his portraits in countryside landscapes with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. Art measures 21.25 x 25.5 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century, it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. For the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher, he encouraged individual expression. Baxte stated, “No pupil should ever be forced into the imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient's light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...

A strong modernist oil painting depicted in 1969 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his bold still life paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 21.75 x 18 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...

Indra Dugar - Untitled - 10.5 x 8 inches (unframed size) 16 x 18.5 inches ( framed size ) This is a two sided work, Recto & Verso. Ink on paper. Inclusive of shipment in framed fo...

EMILIO GRAU SALA Spanish, 1911 - 1975 SPRING IN BAGATELLE, PARIS signed "Grau Sala" (lower left) signed again, located and dated "GRAU SALA / Bagatelle 68 / PARIS” (on the reverse) oil on canvas 19-3/4 x 39-1/2 inches (50 x 100 cm.) framed: 26-3/4 x 46-1/4 (67.5 x 117 cm.) PROVENANCE Private French Collection Spring in Bagatelle, Paris In this work Grau Sala gives us to our sense of sight, a symphony in delicately painted greens and yellows, two different shades of greens dominate the entire work, while the yellows are subtle brushstrokes that combine with touches of intense red and vibrant on the grass. At the centre of this beautiful Parisian park view, the silhouettes of some chairs in red, very characteristic of Grau Sala. Through the trunks of the numerous trees, drawn with a very marked line, the artist is introducing us more and more into the landscape, which reflects his stillness and calm. Two lonely figures enjoy that spring and reflective environment Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in "Sala Parés", Barcelona. His first works were exhibited at the Salon des Independents. In the years 1930-33 he had painted under the influence of Cubism, especially that of Torres García. It is from that time a painting of the port of Barcelona, ​​geometric and structural, which completely anticipated what would later be his work. His personality began fully painting watercolors and oils with a certain fantasy character, with a point of decorative instinct and themes full of naivety and grace. Romantic interiors, paddocks, port scenes, sailors, etc. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Mediterranean because his work has the color and light of that land. He understood and assimilated impressionist painting very well, and for that reason he was never subject to the modules of a formulist realism, nor the sexigencias of the forms. In Paris he found the best environment to give us a fruitful and intense work, because he could use the expressive potential of French art to enrich it. All this made him a very esteemed artist everywhere where his work was known. He was also very often required to illustrate books and publications in Paris. Also his posters were very successful. He painted a large number of subjects, but perhaps the theme of horse racing is where you can see in a very clear way the joyful and optimistic life that was lived at that time. In this fabric there is an explosion of juicy and vivid colors full of ingenuity and simplicity in its composition. Only a teacher could turn the complicated into something simple and beautiful. Before this work we feel a deep emotion, the emotion of before starting a horse race. Joy and nervousness at the same time. Especially since it is a direct emotion. There are no intermediaries between our eyes and what the work intends to tell us. This is precisely what seduces and catches us of this painting. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum...

"PROFILE OF A WOMAN" OIL ON PANEL C.1960 PAINTED IN ITALY 16 X 12 INCHES Morton Dimondstein 1920-2000 At the age of seventeen Morton Dimondstein enrolled in the American Artists School and then the Art Students League in New York City, where he studied painting, drawing, and printmaking with Anton Refregier, Harry Sternberg, and Kimon Nicolaides. After serving in the 387th Field Artillery Battalion during World War II, Dimondstein continued his studies at the Otis Art Institute in Los Angeles. He was one of the first artists to produce serigraphic prints on the West Coast, marketing them as affordable art in galleries and retail stores. His prints and oil paintings garnered several awards during this post-war period, including an A.C.A. Gallery international competition for a one- man show in New York City. In 1951 he moved to Mexico, where he attended the Instituto Politécnico Nacional and studied art with José Gutiérrez and David Alfaro Siqueiros. During his three years in Mexico, Dimondstein worked as a staff artist and instructor in visual education for UNESCO and was a member of the Taller de Gráfica Popular. After moving back to Los Angeles, Dimondstein served as the art editor of the California Quarterly from 1953 to 1956. He briefly worked for the Saul Bass advertising firm where he designed books and book jackets, and collaborated on the ad campaigns for films such as William Wyler’s “The Big Country” and Otto Preminger’s “St. Joan.” Dimondstein received industry recognition for the images he created, but cranking out art for commercial ventures with strict deadlines was not for him. He chose to leave that world in favor of working as an independent artist and art teacher. Over the years he taught at the Kann Art Institute, the New School of Art, the University of Southern California in Los Angeles, and the School of Fine Art which he established with UCLA faculty member Martin Lubner...

Button On Coat is an original oil on canvas realized by Gianluigi Mattia in 1968. Hand-signed and dated on the higher margin. Includes frame: 43 x 2.5 x 49 cm Gianluigi Mattia In...

Mid Century figurative painting of a pensive sitting nude figure with moody, mid-century color palette in the background. Attributed to Elmer S. Albritton, unsigned (American, 1922-...

Indra Dugar - Untitled - 10.5 x 8 inches (unframed size) 16 x 18.5 inches ( framed size ) This is a two sided work, Recto & Verso. Ink on paper. Inclusive of shipment in framed fo...

Philip Campbell Curtis American 1907 - 2000 Reflections Oil on board, signed and dated 1960 Image size: 12 ½ x 5 ½ inches Original frame

Artist: Lou Fink, American (1925 - 1980) Title: Spanish Dancers Year: 1964 Medium: Oil on Board, signed, dated and titled verso Size: 10 in. x 14 in. (25.4 cm x 35.56 cm) Frame Size:...

Jonah Kinigstein is an artist living in Brooklyn. He works in the scorched earth tradition of such 18th- and 19th-century cartoonists as James Gillray, George Cruikshank, and Joseph Keppler, and embraces their somewhat rococo pen and ink technique as well as their penchant to exaggerate the grotesque. In the 1990s, he used to paste...

Untitled is a mixed colored artwork realized by Orazio Toschi (1887 – 1972) in the second half of XX century. Oil on board Signed lower right. Orazio Toschi was born in Lugo di R...

Medium: Acrylic on Paper Signature: Signed Kelly Freas Canvas Confidential Paul Cézanne "Card Players" Original Art (Dial Press, 1963). Canvas Confidentia...

Artist: Carlos Irizarry Title: Child with Doll and Buggy Year: circa 1965 Medium: Oil on Canvas, signed l.r. Size: 30 in. x 24 in. (76.2 cm x 60.96 cm)...

Medium: Gouache and Pencil on Paperboard Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, August 26, 1961. The Post described, “The Post desc...

Chalk on black paper 1963. (Inscribed 1963) Signed and Dated. I.Rice Pereira was an American abstract artist, poet, and philosopher who playe...

Medium: Gouache Painting Signature: Signed Lower Right An interesting piece by the Hall of Fame illustrator whose best works don’t show up all that frequently.

Fanciful mid-century modern abstract of trapeze artists by Brooklyn artist Hilda Dora Pape Arp (b. 1909). This 1962 highly abstracted depiction of trape...

Artist: Chaim Goldberg, Israeli (1917-2004) Title: Wanderer Medium: Oil on Canvas, Signed on Bottom Right and Left Size: 39 x 28 inches Frame Size 46 x 34.5 inches

Sunil Das - Untitled - 8.5 x 7 inches (unframed size) Ink & Lithograph on paper Inclusive of shipment in ready to hang form. In the sixties Sunil's art was often seen to feature a d...

Indra Dugar - Untitled - 10.5 x 8 inches (unframed size) 16 x 18.5 inches ( framed size ) This is a two sided work, Recto & Verso. Ink on paper. Inclusive of shipment in framed fo...

Green hue landscape scene of figures tubing in a river. It appears to be either the Guadalupe River or the Dry Frio River both located in West Texas. The painting is framed in a gold...

Signed lower left: "Kainen". Inscribed verso: "Park Musicians- Discussion Jacob Kainen '65".

Lovely impressionistic painting of the Holy City of Jerusalem by Texas artist Frank Freed. Dimensions of painting itself: H 18 in. x W 24 in. Artist Biog...

Artist: Marshall Goodman, American (1916 - 2003) Title: Young Girl on Couch Year: circa 1960 Medium: Oil on Canvas Size: 24 x 30 in. (60.96 x 76.2 cm) Frame Size: 26.5 x 32 inches