1960s Figurative Paintings

Jeffrey Morgan (British, b.1942) Laurel and Hardy Poster paint and pencil 22.3/4 x 15.3/4 in. (57.8 x 40 cm.) An original pop art design for a tin print...

This original 1960s oil painting titled Sybils Telling Cosmic Jokes on Mankind is a striking semi-abstract work by renowned 20th-century Denver modernist artist Edward Marecak (1919-...

ALL TOGETHER Size: 55 x 64.5 cm (including frame) Oil on canvas A richly textured mid-century abstract figurative painting, executed in oil onto canvas. Simple yet effective in it...

In a small town. 1969, paper, watercolor, 36x48 cm Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits, landscapes, flowers an...

Paul Alan Williams a famous Connecticut Impressionist Painter. Paul was color blind, his works were masterfully done with brush strokes full of different color paint, evoking a spec...

Snow, winter, white ,Night LEONID VAICHLIA (St. Petersburg, 1922/2013) Works by Leonid Vaichlia can be found in various private collections in Europe, Japan, United States and in t...

On offer is a timeless expression of social realism, in the style of the late American artist Ben Shahn. You sense the couple has shared a lifetime. Still standing close together, th...

Signed lower left, 'H. Howard Miller' (American, 20th century) and painted circa 1965. A large, American Impressionist oil study of a young woman wearing an orange blouse...

"Patterns and Shapes" is a portrait painting by Philadelphia born Expressionist painter Bernard Harmon. The 40" x 36" oil on board portrait is painted in a vibrant color palette. "St...

E. Simms Campbel was the first major African American Illustrator. He did covers for Esquire Magazine starting in the 1930s. He created the famous bulging-eyed Esquire Mascot “Esky.” He also worked for The Chicagoan, Cosmopolitan, Ebony, The New Yorker, Playboy, Opportunity: A Journal of Negro Life, Pictorial Review, and Redbook. This work, "What do you mean your wife doesn't understand you ---- I'm your wife!" is from Cuties Daily Comic Strip, June 18, 1950 He was inducted into the Society of Illustrators' Hall of Fame in 2002. His work demonstrates a deep and masterfully understanding of drawing figures and faces in an academic but stylized style. "My pleasure, boys. Always glad to see a delegation from the States." From the Playboy Collection...

Clementine Hunter, African House This is an excellent example of Hunter’s work, featuring the iconic African House. Three figures are present in the work, a boy, a girl, and an elde...

snow ,winter,white landscape,russian art LEONID VAICHLIA (St. Petersburg, 1922) Works by Leonid Vaichlia can be found in various private collections in Europe, Japan, United Stat...

Sunil Das - Untitled - 23 x 16.5 inches (unframed size) Ink & Watercolor on paper Inclusive of shipment in ready to hang form. In the mid sixties again he explored diverse cults of popular ritual for pictorial ingredients of an evocative mystic symbolism. An ink-and-wash of 1965 features a figurative image of ambiguous connotation. The motif looks like a cult image worshipped by people practising primitive religion. A squat but monumental figure, it has for each hand several reptilians snaking down from shoulder to the finger-tips, for legs a pair of beastly fore-paws and its dark oval totemic frame...

'Ghost Town' is a vintage painting with a lone Prospector with his pack mule standing in the ruins of an abandoned mining town, probably set in Colorado, set within a Mountain landscape with late summer, early autumn foliage by Harold Skene (1883-1978). Signed by the artist in the lower right corner, titled and dated by the artist verso. Colors include blue, green, golden yellow, pink, red, brown and white. Oil on board. Presented in a mahogany frame, outer dimensions measure 30 x 35 1/2 x 2 3/4 inches. Image size is 24 x 30 inches. Expedited and International shipping is available - please contact us for a quote. A native of Massachusetts, Harold Vincent Skene graduated from Harvard University School of Architecture in 1906. After relocating to Colorado, he studied at the Denver Art Academy, the Broadmoor Art Academy and served as an assistant to artist, Allen Tupper True.

An elegant oil portrait of a young Arab woman shown wearing a veil and gazing with candor and interest directly towards the viewer. Signed lower left, "Jan Hoowij" (Dutch-American, ...

Lithograph on Arches Exemplaire B/165 Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the...

"Audience" Mid 20th Century American Figurative Theatre Performance Contemporary Leon Bibel (1912 - 1995) "The Audience," 52 ½ x 41 ¼ inches. Oil on canvas, c. 1963. Signed lower right. Framed. BIO Painter, printmaker and sculptor, Leon Bibel was born in San Francisco in 1913. He trained at the California School of Fine Arts and received a scholarship to study under the German Impressionist Maria Riedelstein. He worked in collaboration with Bernard Zackheim, a student of Diego Rivera, to create frescoes for the San Francisco Jewish Community Center and the University of California Medical School. In 1936 Bibel moved from California to join the Federal Art Project at Harlem Art...

Lazzaro Donati (Italian, 1926-1977) Oil on board. Colorful Architectural Italian Landscape. Porto Azzurro, 1964 Hand signed upper right. signed, titled on back of panel. Dimensions: (Frame) H 37" x W 29", (Panel) H 27" x W 19" Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work is recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings...

Ralph Rosenborg (American, 1913-1992) "American Landscape, Sky and Shore, 1973" Oil on canvas. Signed 'Rosenborg' (lower right). Titled (verso). 30 x 40 in Ralph Rosenborg (1913–1992) was an American artist whose paintings were described as both expressionist and abstract and who was a colleague of the New York Abstract Expressionists in the 1940s and 1950s. Unlike them, however, he preferred to make small works and tended to explicitly draw upon natural forms and figures for his abstract subjects. Called a "highly personal artist," he developed a unique style that was considered to be both mystical and magic. His career was exceptionally long, covering more than 50 years. Rosenborg was born in Brooklyn, New York, on June 9, 1913. In 1929, while he was a high school student, he began to work with the designer, artist, and instructor, Henriette Reiss. When Rosenborg encountered her, Reiss was serving as an instructor for the School Art League in the American Museum of Natural History. She was then engaged in instructing both students and their teachers in the city school system by a method she called Rhythmic Design. She believed inspiration for abstract designs could be found in rhythms—rhythms that could be perceived in ordinary perceptions much as they are when listening to music. In May 1930 Reiss selected a drawing by Rosenborg to be shown in an exhibition of creative design by City high school students. From 1930 to 1933, aged 17 to 20, Rosenborg studied with Reiss in what Vivien Raynor of the New York Times called a "pupil-apprentice" relationship. During this time she instructed him in music appreciation, literature, and art history as well as giving technical training in art. In April 1934 Rosenborg was one of 1,500 artists to participate in the annual Salons of America exhibition, which was held that year in Rockefeller Center RCA Building. Each paid two dollars for the privilege of hanging up to three works and none was given prominence over the others. The New York Times reported that by the time the show closed a month later, some 30,000 people had viewed it. The following year he was given a solo exhibition (his first) at the Lounge Gallery of the Eighth Street Playhouse. The year after that he participated in a group show held by the Municipal Art Committee and in 1937 was given a second solo exhibition, this time in the Artists Gallery. That year he also became a founding member of and participated in a group show held by American Abstract Artists, a loose assembly of artists that aimed to promote abstract art and artists in New York. Its founders included Josef Albers, Ilya Bolotowsky, Werner Drewes, Ibram Lassaw, Mercedes Matter, Louis Schanker, Vaclav Vytlacil and Rudolph Weisenborn. At roughly the same time Rosenborg associated himself with a group of abstractionists that called itself "The Ten" (It included Ben-Zion, Mark Rothko, Adolph Gottlieb and Joe Solman) and in May 1938 joined with its other members in what would be his first appearance in a commercial gallery: the Gallery Georgette Passedoit. In 1938 he his work appeared in a group show at the Lounge Gallery, in 1939 in group shows at the Artists Gallery and at the Bonestell Gallery with David Burliuk, Earl Kerkam, Karl Knaths and Jean Liberte...

With vibrant yellows and oranges, the artist depicts workers unloading sacks of cargo off of a sailboat. Incised with bold lines that give a lively surface. Encaustic/ Mixed Media.. ...

woman on boat,lake,1967,russian art LEONID VAICHLIA (St. Petersburg, 1922) Works by Leonid Vaichlia can be found in various private collections in Eur...

Musicians, guitar, violin,Buskers,Music Boris Lavrenko (Rostov, 1920 – St. Petersburg, 2001) Works by Boris Lavrenko can be found in various private collections in Europe, Japan, ...

Oil on plywood realized by Martin Bradley in 1974.  Hand signed and dated in top right corner; hand signed and titled on rear. Very good condition.

Paperback book cover illustration for A Few Painted Feathers by Stephen Longstreet, published by Popular Library, 1963. A historical novel about the American Revolution. The cover...

Oil and tempera on cardboard realized by Sirio Pellegrini in 1960. Hand signed lower right. Includes a wooden frame realized by the Artist cm. 80x60. Sirio Pellegrini, born in Rom...

'Mont Sainte-Victoire', oil on canvas, by Yves Brayer (circa 1960s). For Cezanne (1839-1906), his famous works depicting Sainte-Victoire Mountain were an ongoing study and a constant...

EMILIO GRAU SALA Spanish, 1911 - 1975 COURSES signed "Grau Sala" (lower left) signed, dated and titled "GRAU SALA / 1967 / “Courses”" (on the reverse) oil on canvas 23-5/8 x 29 inche...

Jules Perahim (Born: 1914; Bucharest, Romania - Died: 2008; Paris, France) Oil painting on paper depicting a figure with abstract multicolor design. (thi...

At the Port. 1966, oil on cardboard, 56x69,5 cm He learned at State Technique of Riga, architecture department. 1937 –Latvian academy of Art, landscape Studio of V. Purvitis, with d...

Dancer in black leotard 1969. Oil on canvas, 92.5x92.5 cm Painting depicts the slim figure of a woman in a black leotard against a blue curtain with floral patterns. This choice of...

Trumpet Player Marshall Goodman, American (1916–2003) Date: circa 1960 Oil on Canvas Size: 30 in. x 24 in. (76.2 cm x 60.96 cm) Frame Size: 32 x 26 inches

Signed lower left: "Kainen". Inscribed verso: "Park Musicians- Discussion Jacob Kainen '65".

Lady with a Hat Abstract Expressionist Heavy Impasto Figurative Original Oil Abstract Expressionist painting of a close-up, expressive portrait of a woman by an unknow artist, rende...

Artist: Edith Varian Cockroft, American (1881 - 1962) Title: Girl in a White Dress Year: 1961-1962 Medium: Oil on Canvas, signed l.r.(signed Cocroft) ...

Early realistic neutral toned portrait painting by Belgian artist Julien Buysse. The work features a depiction of the artist as he sits at an easel while working on a canvas. Signed ...

Honoured Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State prize.

Ship repair. Oil on cardboard, 56x69,5 cm He learned at State Technique of Riga, architecture department. 1937 –Latvian academy of Art, landscape Studio of V. Purvitis, with diploma...

Edna Hibel: 1917-2015. Well listed important American artist. Mostly associated with Florida and Massachusetts. There is a Hibel Museum in Florida. Some called her the latter 20th ce...

Alvar Suñol (Montgat- Barcelona 1935). "Chicas con mandolina". Óleo sobre lienzo. Firmado a mano, en el ángulo inferior derecho. Medidas: 97 x 49 cm; 112 x 64 cm (marco). Estado: en ...

EMILIO GRAU SALA Spanish, 1911 - 1975 INTERIEUR AUX FLEURS JAUNES signed "Grau Sala" (lower left) signed again, located, dated and titled "Grau Sala, Paris 61, Interieur aux fleurs jaunes" (on the reverse) oil on canvas 15 x 18-1/4 inches (38 x 46 cm.) framed: 23-1/2 x 26-1/2 (59.5 x 67 cm.) PROVENANCE Private Parisian Collection Interieur aux fleurs jaunes This interior with two female figures where also the plans made in different colors are drawing the composition. The abundant pictorial material distributed in geometric portions, gives life to the tablecloth and mother and daughter figures, in black and white colors of the jacket, while the black line takes care of the environments so as not to separate them. The fruit bowl and flowers give a cheerful touch with their pastel tones. Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in "Sala Parés", Barcelona. His first works were exhibited at the Salon des Independents. In the years 1930-33 he had painted under the influence of Cubism, especially that of Torres García. It is from that time a painting of the port of Barcelona, ​​geometric and structural, which completely anticipated what would later be his work. His personality began fully painting watercolors and oils with a certain fantasy character, with a point of decorative instinct and themes full of naivety and grace. Romantic interiors, paddocks, port scenes, sailors, etc. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Mediterranean because his work has the color and light of that land. He understood and assimilated impressionist painting very well, and for that reason he was never subject to the modules of a formulist realism, nor the sexigencias of the forms. In Paris he found the best environment to give us a fruitful and intense work, because he could use the expressive potential of French art to enrich it. All this made him a very esteemed artist everywhere where his work was known. He was also very often required to illustrate books and publications in Paris. Also his posters were very successful. He painted a large number of subjects, but perhaps the theme of horse racing is where you can see in a very clear way the joyful and optimistic life that was lived at that time. In this fabric there is an explosion of juicy and vivid colors full of ingenuity and simplicity in its composition. Only a teacher could turn the complicated into something simple and beautiful. Before this work we feel a deep emotion, the emotion of before starting a horse race. Joy and nervousness at the same time. Especially since it is a direct emotion. There are no intermediaries between our eyes and what the work intends to tell us. This is precisely what seduces and catches us of this painting. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum...

Michael Frary (1918 - 2005) Austin Artist Image Size: 16 x 12.5 Medium: Oil "The Clown" Biography Michael Frary (1918 - 2005) Michael Frary was born in Santa Monica, California on Ma...

Paracentese de L'homme C Post-Minimalist Original Art Monumental Museum Piece by Peruvian artist Emilio Rodriquez-Larrain (Peruvian, 1928-2015). His work was featured at MOMA as part of their permanent collection and was exhibited as part of Nelson Aldrich Rockefeller Collection exhibit in 1969. The artists is significant and works of this quality are in the Metropolitan Museum, auction high is $25,000. Stunning post-minimalist earth toned abstract with organic forms titled "Paracentese de L'homme C" (Paracenthesis of the man C) by Peruvian artist Emilio Rodriquez-Larrain (Peruvian, 1928-2015), 1964. This was entered into the XXXII 1964 Venice Biennale, arguably one of the most prestigious art events. Signed on verso and entry label for XXXII 1964 Venice Biennale, and Staempfli Gallery label attached to verso. Condition: Very good: professionally cleaned, structurally sound with no issues beyond normal wear with age. Image size: 56.50"H x 55.50"W. Presented in rustic wood slat shadow box frame. Emilio Rodríguez Larraín was a Peruvian postwar and contemporary painter and sculptor who was born in 1928. He was trained at the Lima School of Engineers (currently the National University of Engineering) from 1945 to 1949. This is how he entered art and was able to learn tools and techniques that would help him in his future works. In the 1950s he ventured into painting under the influence of the French architect and abstract art painter Jean Dewasne, thus developing a painting style based on the abstract and the geometric until his trip to Europe where he migrated to the style of modernist informalism. and made paintings that alluded to the cultures of ancient Peru. His work demonstrates versatile artwork of horizontal geometric constructions, expressive paintings and architectural interventions categorized as post minimalism. Received a John Simon Guggenheim Foundation award for his art. Fellow: Awarded 1976 Field of Study: Fine Arts Competition: Latin America & Caribbean His work was featured at MOMA as part of their permanent collection and was exhibited as part of Nelson Aldrich Rockefeller Collection exhibit in 1969. key galleries and museums, including the Revolver Galeria, Lima and the Galeria Lucia de la Puente. His work has also been exhibited in Lima, Madrid, Florence, Venice, Milan, Bergamo, Frankfurt, Berlin, Copenhagen, Mexico City, and Paris. In 2016, the Lima Art Museum presented a retrospective exhibit of his paintings and sculptures, calling Rodriquez Larraine "An important avant-garde sculptor, architect and painter who knew how to adapt to the artistic changes of the time and play a very important role in the visual arts of Peru." The piece we offered the front over of Staempfli Gallery's exhibit of Rodriquez-Larrain work. The write-up of Rodriquez-Larrain's work by The New Yorker, November 3, 1962 states: "Talk story about Emilio Rodriguez-Larrain, a Peruvian painter, who currently has 46 paintings on display at the Staempfli Gallery. A photograph of Emilio, distributed by the gallery, showed a great resemblance to Zero Mostel. He doesn't look like Mostel at all. The picture was taken in Paris last May, when he had the mumps. He was born in Lima in 1928, the son of an industrialist. His father's family came to Peru in the 17th century. Mr. Staempfli met Emilio in Llansa, Spain, last summer. Gordon Washburn, the director of fine arts at the Carnegie Institute in Pittsburgh, who had shown him last year, told Staempfli to look up Emilio, because he knew a tailor in Llansa who would make you a corduroy suit...

The Circus, The Party Is Here! Oil on board signed bottom left Patrick Franc and dated 1962 Dimensions: 50 x 65 cm ( 19.685 x 25.591 inches) Dimensions with frame: 56 x 71 x 1 c...

Ivery Tower Modern Figurative Oil Painting John Nathaniel Fenton was born in 1929 in Mountaindale, New York. He is a 20th-century American painter and printmaker who studied at the A...

Cynthia Bissell (American, 1924-2000) Changing Bear Maiden, 1962 Oil on canvas Signed and dated lower right 20 x 50 inches 26 x 56 inches, framed Cynthia Bissell was an American art...

Lewis Brown, American (1928 - 2011) - Judith #13 Tennis Dress, Year: 1966, Medium: Gouache and Oil on Board, signed, titled and dated in marker, Size: 22...

Gabriel Godard French, Born 1933 Le Gouter Oil on canvas 36 by 29 in. W/frame 38 by 31 in. Signed lower right & dated 62 Gabriel Godard was born on April 28, 1933 in Delouze in Lo...

It's the dream. One going back centuries. The glossy canals instead of streets reflecting the delicate hues of adjacent buildings, yes. But especially when these waterways are dotted...

There are a lot of people in the art world today who dismiss illustrators are being commercial solely because the artists identified as being commercial artists and that the work was done on assignment. Sadly these art world people have limited imagination and a restricted sense of curiosity. This boxing illustration/painting was done for Sports Illustrated...

Morning Swim Impressionist Nude Woman Portrait Artist signed, titled verso. Wallace Bassford was an American painter and illustrator, known particularly for his floral still-lifes an...

Outstanding Monumental Artwork Consists of 8 mounted Cubist charcoal drawings mounted on blind canvas frames. Drawing for the Panon University Hall Mosaic Project executed in 1965, City of Veszprem, Hungary. size : 420 x 370 cm cca Lajos Kántor painter, graphic artist 1922 - 2013 Lajos Kántor was a student of the Hungarian Academy of Fine Arts between 1949 and 1954, where Gyula Hincz, Endre Domanovszky, Bernáth Aurél, and Jenő Barcsay...

Oil and tempera on cardboard realized by Sirio Pellegrini in 1960s. Hand signed. Includes a coeval wooden frame realized by the Artist cm. 48.5x58.5.

Untitled painting of a group of men by Antonio Rodríguez Luna (1910-1985.) This moody piece by Antonio Rodríguez Luna is an excellent example of his work from the early 1960s, which...

Oil on wooden panel realized by Sirio Pellegrini in 1964. Hand signed and dated. Includes a wooden frame realized by the Artist. cm. 71.5x53.5. Sirio Pellegrini, born in Rome on M...

Oil on canvas realized by Sirio Pellegrini in 1965. Hand signed and dated. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his childhood yea...

There’s an instant in a competitive horse race—whether it’s at Churchill Downs, Del Mar, Santa Anita Park, Saratoga or Belmont—of the utmost ferocity. That’s when the riders are jamm...

Leonor Fini Le Concile d'amour, 1968 Gouache on paper 14 1/5 × 11 4/5 in l 36 × 30 cm Frame included - 22 x 18 1/8 in l 56 x 46 cm Signed, counter-signed and titled lower right Cond...

Oil on cardboard realized by Sirio Pellegrini in 1960s. Hand signed. Includes a wooden frame realized by the Artist. cm. 67x76. Sirio Pellegrini, born in Rome on March 1, 1922, of...

Rita Simon (aka Atirnomis), American (1938 - ) - Marionettes, Year: 1964, Medium: Oil on Canvas, signed 'Atirnomis' and dated l.r., Size: 50 in. x 36 in. (127 cm x 91.44 cm)

Signed lower left, 'M. V. Mujica' for Manuel Vicente Mujica (Venezuelan, 1924-2002). A bright and breezy oil painting of a dark-haired young woman wearing a wide-brimmed, floral hat and seated at a table decorated with a large vase of flowers. A charming and period work by this European-trained Venezuelan Post-Impressionist. Manuel Mujica first studied at the School of Plastic and Applied Arts under Antonio Edmundo Monsanto and Rafael Ramón González (1939-1942). Over the course of a long and successful career, he exhibited widely and with success including at the Salón Anual de Artistas Independientes held by the Caracas Museo de Bellas Artes...