Old Masters Figurative Paintings
OLD MASTERS
Encompassing centuries of change in Europe between 1300 and 1800, from booms of prosperity to bloody revolutions, Old Masters describes a wide range of artists. The informal term was derived from the title of an artist who trained in a guild long enough to become a master, such as Leonardo da Vinci, who studied in a Florence painters’ guild. However, Old Masters paintings, prints and other art is now used to refer to work made by any artist with a high level of skill in painting, drawing, sculpture or printmaking who worked during this era.
The 15th century’s expansive trade and commerce spread culture across borders. A vibrant period of art emerged, bolstered by studies of anatomy and nature that influenced a new visual realism. From Raphael and Michelangelo in the Renaissance to Rembrandt van Rijn and Johannes Vermeer in the Dutch Golden Age, artists expressed emotion, naturalism, color and light in new ways. El Greco and Paolo Veronese were leaders in the dramatic style of Mannerism, while Caravaggio and Peter Paul Rubens demonstrated the movement and meticulous detail of Baroque art.
Historically, most attention was concentrated on male artists, but recent research and exhibitions have elevated the impactful work of women such as Rachel Ruysch and Artemisia Gentileschi. In late-18th-century France, female artists like Adélaïde Labille-Guiard and Élisabeth Vigée Le Brun were prominent names. Nevertheless, access to the academies and guilds was highly restricted for women, and even those able to establish practices were expected to adhere to portraits and still lifes rather than the grand history paintings being created by men.
Find a collection of Old Masters prints, paintings, drawings and watercolors and other art on 1stDibs.
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Style: Old Masters
Portrait of a gentleman in red military uniform
By David Morier
Located in Stoke, Hampshire
David Morier (1705-1770)
Portrait of a gentleman in red military uniform
Oil on canvas
Canvas Size - 32 x 24 in
Framed Size - 39 1/2 x 31 in
Provenance: Sale, Christie's London, 21s...
Category
18th Century Old Masters Figurative Paintings
Materials
Oil
Madonna and child with angels, circle of Joos Van Cleve, 16th c. Antwerp school
By Joos van Cleve
Located in PARIS, FR
Madonna and Child with Saint John the Baptist and angels
Circle of Joos Van Cleve (1485 – 1541)
16th century Antwerp school
Oil on oak panel
Dimensions: h. 32 cm (13 in.), w. 28.5 cm...
Category
16th Century Old Masters Figurative Paintings
Materials
Oil, Oak
Antique Roman painter - 18th century landscape painting - Wanderers - Italy
Located in Varmo, IT
Roman painter (18th century) - Landscape with wayfarers.
43.5 x 34.5 cm without frame, 58.5 x 49.5 cm with frame.
Antique oil painting on canvas, in carved and gilded wooden frame....
Category
Early 18th Century Old Masters Figurative Paintings
Materials
Canvas, Oil
Huge 18th Century British Oil Painting Dusk Landscape Figures Boat & Lake
Located in Cirencester, Gloucestershire
Dusk Landscape
British School, 18th century
oil on canvas, unframed
painting: 32 x 41 inches
provenance: private collection, UK
condition: very good and...
Category
18th Century Old Masters Figurative Paintings
Materials
Canvas, Oil
Follower of Pietro da Cortona- 18th-19th century painting - Venus Aeneas - Italy
Located in Varmo, IT
Follower of Pietro da Cortona (18th-19th century) - Venus appears to Aeneas as a huntress.
50 x 60 cm without frame, 80.5 x 90 cm with frame.
Antique oil painting on canvas, in a c...
Category
Late 18th Century Old Masters Figurative Paintings
Materials
Canvas, Oil
Figures Dancing Classical Ancient Ruins & Landscape Large Old Master Painting
Located in Cirencester, Gloucestershire
Revelry in a Classical Landscape
Italian School, early 18th century (circa 1700)
oil painting on canvas, laid on board, unframed
board: 20 x 36 inches
provenan...
Category
18th Century Old Masters Figurative Paintings
Materials
Oil
17th century Dutch old Master Oil - The Smoker - Genre interior
Located in Antwerp, BE
17th century Dutch Old Master oil painting "The delighted Smoker"
This painting is a very enigmatic one with an equally thrilling story. We acquired this work some time ago as attri...
Category
17th Century Old Masters Figurative Paintings
Materials
Canvas, Oil
Virgen del Carmen
Located in Miami, FL
Colonial School, Mexico, XVIII Century
"Virgen del Carmen"
Oil on canvas
70 x 40 in
Category
18th Century Old Masters Figurative Paintings
Materials
Canvas, Oil
The Abduction of the Sabine Women , a Renaissance drawing by Biagio Pupini
Located in PARIS, FR
This vigorous drawing has long been attributed to Polidoro da Caravaggio: The Abduction of the Sabine Women is one of the scenes that Polidoro depicted between 1525 and 1527 on the façade of the Milesi Palazzo in Rome. However, the proximity to another drawing inspired by this same façade, kept at the Ecole des Beaux-Arts, and to other drawings inspired by Polidoro kept at the Musée du Louvre, leads us to propose an attribution to Biagio Pupini, a Bolognese artist whose life remains barely known, despite the abundant number of drawings attributed to him.
1. Biagio Pupini, a Bolognese artist in the light of the Roman Renaissance
The early life of Biagio Pupini, an important figure of the first half of the Cinquecento in Bologna - Vasari mentions him several times - is still poorly known. Neither his date of birth (probably around 1490-1495) nor his training are known. He is said to have been a pupil of Francesco Francia (1450 - 1517) and his name appears for the first time in 1511 in a contract with the painter Bagnacavallo (c. 1484 - 1542) for the frescoes of a church in Faenza. He then collaborated with Girolamo da Carpi, at San Michele in Bosco and at the villa of Belriguardo.
He must have gone to Rome for the first time with Bagnacavallo between 1511 and 1519. There he discovered the art of Raphael, with whom he might have worked, and that of Polidoro da Caravaggio. This first visit, and those that followed, were the occasion for an intense study of ancient and modern art, as illustrated by his abundant graphic production.
Polidoro da Caravaggio had a particular influence on the technique adopted by Pupini. Executed on coloured paper, his drawings generally combine pen, brown ink and wash with abundant highlights of white gouache, as in the drawing presented here.
2. The Abduction of the Sabine Women
Our drawing is an adaptation of a fresco painted between 1525 and 1527 by Polidoro da Caravaggio on the façade of the Milesi Palace in Rome. These painted façades were very famous from the moment they were painted and inspired many artists during their stay in Rome. These frescoes are now very deteriorated and difficult to see, as the palace is in a rather narrow street.
The episode of the abduction of the Sabine women (which appears in the centre of the photo above) is a historical theme that goes back to the origins of Rome and is recounted both by Titus Livius (Ab Urbe condita I,13), by Ovid (Fasti III, 199-228) and by Plutarch (II, Romulus 14-19). After killing his twin brother Romus, Romulus populates the city of Rome by opening it up to refugees and brigands and finds himself with an excess of men. Because of their reputation, none of the inhabitants of the neighbouring cities want to give them their daughters in marriage. The Romans then decide to invite their Sabine neighbours to a great feast during which they slaughter the Sabines and kidnap their daughters.
The engraving made by Giovanni Battista Gallestruzzi (1618 - 1677) around 1656-1658 gives us a good understanding of the Polidoro fresco, allowing us to see how Biagio Pupini reworked the scene to extract this dynamic group.
With a remarkable economy of means, Biagio Pupini takes over the left-hand side of the fresco and depicts in a very dense space two main groups, each consisting of a Roman and a Sabine, completed by a group of three soldiers in the background (which seems to differ quite significantly from Polidoro's composition).
The balance of the drawing is based on a very strongly structured composition. The drawing is organised around a median vertical axis, which runs along both the elbow of the kidnapped Sabine on the left and the foot of her captor, and the two main diagonals, reinforced by four secondary diagonals. This diamond-shaped structure creates an extremely dynamic space, in which centripetal movements (the legs of the Sabine on the right, the arm of the soldier on the back at the top right) and centrifugal movements (the arm of the kidnapper on the left and the legs of the Sabine he is carrying away, the arm of the Sabine on the right) oppose each other, giving the drawing the appearance of a whirlpool around a central point of support situated slightly to the left of the navel of the kidnapper on the right.
3. Polidoro da Caravaggio, and the decorations of Roman palaces
Polidoro da Caravaggio was a paradoxical artist who entered Raphael's (1483 - 1520) workshop at a very young age, when he oversaw the Lodges in the Vatican. Most of his Roman work, which was the peak of his career, has disappeared, as he specialised in facade painting, and yet these paintings, which are eminently visible in urban spaces, have influenced generations of artists who copied them abundantly during their visits to Rome.
Polidoro Caldara was born in Caravaggio around 1495-1500 (the birthplace of Michelangelo Merisi, known as Caravaggio, who was born there in 1571), some forty kilometres east of Milan. According to Vasari, he arrived as a mason on the Vatican's construction site and joined Raphael's workshop around 1517 (at the age of eighteen according to Vasari). This integration would have allowed Polidoro to work not only on the frescoes of the Lodges, but also on some of the frescoes of the Chambers, as well as on the flat of Cardinal Bibiena in the Vatican.
After Raphael's death in 1520, Polidoro worked first with Perin del Vaga before joining forces with Maturino of Florence (1490 - 1528), whom he had also known in Raphael's workshop. Together they specialised in the painting of palace façades. They were to produce some forty façades decorated with grisaille paintings imitating antique bas-reliefs.
The Sack of Rome in 1527, during which his friend Maturino was killed, led Polidoro to flee first to Naples (where he had already stayed in 1523), then to Messina. It was while he was preparing his return to the peninsula that he was murdered by one of his assistants, Tonno Calabrese, in 1543.
In his Vite, Vasari celebrated Polidoro as the greatest façade decorator of his time, noting that "there is no flat, palace, garden or villa in Rome that does not contain a work by Polidoro". Polidoro's facade decorations, most of which have disappeared as they were displayed in the open air, constitute the most important lost chapter of Roman art of the Cinquecento. The few surviving drawings of the painter can, however, give an idea of the original appearance of his murals and show that he was an artist of remarkable and highly original genius.
4. The façade of the Milesi Palace
Giovanni Antonio Milesi, who commissioned this palace, located not far from the Tiber, north of Piazza Navona, was a native of the Bergamo area, like Polidoro, with whom he maintained close friendly ties. Executed in the last years before the Sack of Rome, around 1526-1527, the decoration of Palazzo Milesi is considered Polidoro's greatest decorative success.
An engraving by Ernesto Maccari made at the end of the nineteenth century allows us to understand the general balance of this façade, which was still well preserved at the time. The frescoes were not entirely monochrome, but alternated elements in chiaroscuro simulating marble bas-reliefs and those in ochre simulating bronze and gold vases...
Category
16th Century Old Masters Figurative Paintings
Materials
Ink, Gouache, Pen
Fine English Georgian Period Oil Painting Portrait of a Country Squire Gentleman
Located in Cirencester, Gloucestershire
Portrait of a Country Gentleman
English School, circa 1800
oil on canvas, unframed *see below
painting: 30 x 25 inches
provenance: private collection
condition: very good and sound c...
Category
Early 19th Century Old Masters Figurative Paintings
Materials
Canvas, Oil
Large 18th Century European Oil Painting Portrait of Noble Lady Lace Collars
Located in Cirencester, Gloucestershire
Portrait of a Noble Lady
European School, 18th century
oil on canvas, framed
framed: 37.5 inches
canvas: 30 x 24.5 inches
provenance: private collection, France
condition: very good ...
Category
18th Century Old Masters Figurative Paintings
Materials
Canvas, Oil
Vedustist painter (Veneto school) - 19th century landscape painting - Padova
Located in Varmo, IT
Venetian painter (19th century) - Padua, Porta Liviana.
37.5 x 48.5 cm without frame, 50.5 x 60 cm with frame.
Oil on canvas, in a carved wooden frame.
Condition report: Good stat...
Category
Early 19th Century Old Masters Figurative Paintings
Materials
Canvas, Oil
The Serving - British Old Master 18th century oil painting historical interior
By (Circle of) William Hogarth
Located in London, GB
A superb British Old Master oil painting which is attributed to circle of William Hogarth and was painted circa 1760. This fine oil painting is in good clean condition and depicts a ...
Category
18th Century Old Masters Figurative Paintings
Materials
Oil
Travellers near Ruins in a Landscape - Dutch Old Master art figural oil painting
By Pieter Wouwerman
Located in London, GB
This lovely Dutch Old Master oil painting is attributed to artist Pieter Wouwerman. Painted circa 1660 it is figurative landscape with horseback travellers and their dogs in the foreground approaching ruins on their left. Beyond is a river snakes through the landscape, beneath the fading light of approaching dusk. There are some superb details making this an excellent Dutch Golden Age oil painting...
Category
Mid-17th Century Old Masters Figurative Paintings
Materials
Oil
Fine 18th Century Italian Old Master Drawing Mother & Children
Located in Cirencester, Gloucestershire
Giovanni Battista Cipriani, RA,
Italian 1727-1785
Sketch of a mother with three children;
black and red chalk on laid paper with watermark '© TAYLOR', 22.4 x 17.5 cm.
Provenanc...
Category
18th Century Old Masters Figurative Paintings
Materials
Chalk
Dutch 17th Century Oil Painting - The Card Game by Ter Borch
By Gerard ter Borch the Younger
Located in London, GB
Gerard ter Borch
The Cards Game
Oil on canvas
14 x 15.5 inches unframed
19 3/4 x 21 1/2 inches framed
Gerard ter Borch (Dutch; December 1617 – 8 December 1681), also known as Gerard Terburg, was an influential and pioneering Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu...
Category
17th Century Old Masters Figurative Paintings
Materials
Oil
Fine Georgian Oil Painting British Portrait of 18th Century Gentleman
Located in Cirencester, Gloucestershire
Portrait of a Gentleman
English School, late 18th century
oil on canvas, framed
framed: 29 x 23.5 inches
canvas: 26 x 19.5 inches
provenance: private collection, England
condition: ...
Category
Late 18th Century Old Masters Figurative Paintings
Materials
Canvas, Oil
San Francisco Javier
Located in Miami, FL
Colonial School, Mexico, XVIII Century
"San Francisco Javier"
Oil on canvas
18 x 14 in.
Category
18th Century Old Masters Figurative Paintings
Materials
Canvas, Oil
The Grape Seller - Workshop of Jacob Ochtervelt
Located in Stockholm, SE
Jacob Ochtervelt (Workshop)
The Grape Seller
oil on canvas
unframed: 80.7 x 61 cm.; 31 ¾ x 24 in.
framed: 109.5 x 89 cm.; 43 1/8 x 35 in.
Essay:
This captivating piece, originating from the studio of the revered Dutch artist Jacob Ochtervelt, mirrors the composition of a signed and dated 1669 canvas by Ochtervelt that is presently housed in the Hermitage museum. Its subject, "The Grape Seller" immerses us in a typical 17th-century interior, replete with characters from various strata of society.
At the center, a fruit vendor is depicted bending over to weigh grapes for the buyer. A child hands some of the grapes to her mother to taste, their attentive maid standing by. The backdrop showcases typical Ochtervelt details: a hint of the city visible through the doorway, light filtering in through an overhead window, and a playful dog at their side.
The exquisite quality of the piece is evident in the minutiae, such as the intricate detailing of the mother's earring, which in reality spans only a few millimeters yet boasts impressive attention to detail. Initially, Sotheby's considered this work to be an autograph piece by Ochtervelt. But due to some uncertainty, it was auctioned as Workshop of Jacob Ochtervelt. On the other hand, the esteemed Cabinet Turquin in Paris leans toward attributing the piece directly to Jacob Ochtervelt himself.
The painting is framed in an authentic period frame, which has been delicately restored by Stockholm's Förgyllning och Bildhuggeri. The frame retains its age-old patina and, while in used condition, has minor imperfections adding to its charm.
Another interesting thing worth to mention is the painting's provenance. It was once owned by the 1st Viscount Rothermere (1868-1940), the founder of the Daily Mail and Daily Mirror...
Category
17th Century Old Masters Figurative Paintings
Materials
Canvas, Oil
La Sagrada Familia
Located in Miami, FL
José de Páez (1727-1790)
Colonial Mexican painting from the 18th century. Conserved in excellent condition.
"La Sagrada Familia"
Oil on Copper
8 x 12 in
...
Category
18th Century Old Masters Figurative Paintings
Materials
Copper
La Anunciación
Located in Miami, FL
Anonymous Artist
"La Anunciación" from the 18th Century.
Oil on Copper
21.5 x 15.7 inches
Perfect Condition
It represents the moment when Mary accepts the divine designs transmitted by the archangel Saint...
Category
18th Century Old Masters Figurative Paintings
Materials
Copper
Friendship
Located in Ibadan, Oyo
"Friendship" is a visually captivating artwork that immediately evokes a sense of warmth and connection. The piece is created using oil and acrylic on canvas and portrays two figures...
Category
1990s Old Masters Figurative Paintings
Materials
Canvas, Oil, Acrylic
Fine 18th Century Italian Old Master Oil Painting Berghers with Animals Sunset
Located in Cirencester, Gloucestershire
The Close of Day
Italian School, early 18th century
oil on canvas, unframed
canvas: 17 x 22.5 inches
provenance: private collection, France
condition: very good and sound condition
Category
18th Century Old Masters Figurative Paintings
Materials
Canvas, Oil
Figures Chatting outside Village Tavern in Mountain Landscape, Period Oil
Located in Cirencester, Gloucestershire
Dutch/ Flemish School, early 1800's
oil on canvas, framed
framed: 19 x 24 inches
canvas: 13.5 x 18.5 inches
provenance: private collection, France
condition: good and sound condition...
Category
Early 19th Century Old Masters Figurative Paintings
Materials
Canvas, Oil
Religious painter (Italian school) - Early 19th figure painting - Virgin Madonna
Located in Varmo, IT
Italian painter (early 19th century) - Mater Dolorosa.
37 x 33 cm without frame, 53 x 48 cm with frame.
Ancient oil painting on canvas, in an ancient carved and gilded wooden frame...
Category
Early 19th Century Old Masters Figurative Paintings
Materials
Oil, Canvas
Dancers in a Landscape - British 19thC art figurative landscape oil painting
Located in London, GB
This lovely painting is a British Old Master late 18th century or early 19th-century oil painting by Thomas Barker of Bath. It is stylistically very similar to his other works of the...
Category
Early 19th Century Old Masters Figurative Paintings
Materials
Oil
Joy of Twins Mother
Located in Ibadan, Oyo
Joy of Twins Mother is an original painting by the late Prince Twins Seven-Seven.
About the Artist
Twins Seven-Seven was born Taiwo Olaniyi Oyewale Aitoyeje in Ogidi Ikumu, Nigeria,...
Category
1980s Old Masters Figurative Paintings
Materials
Ink, Mixed Media, Oil, Acrylic, Wood
Guido Reni workshop (Bolognese school) - Late 17th century painting - Cupid
By Guido Reni
Located in Varmo, IT
Circle of Guido Reni (Bologna 1575 - Bologna 1642) - Cupid.
73.5 x 60cm.
Antique oil painting on canvas, without frame.
- The painting is taken from an original by Guido Reni (Bol...
Category
Mid-17th Century Old Masters Figurative Paintings
Materials
Oil, Canvas
Fine 17th Century Dutch Old Master Oil Painting Two Topers in Deep Conversation
Located in Cirencester, Gloucestershire
Topers in Deep Conversation
Dutch School, mid 17th entury
circle of David Teniers (Dutch 1610-1690)
oil on canvas
canvas: 8 x 7 inches
provenance: private collection, France
conditio...
Category
Mid-17th Century Old Masters Figurative Paintings
Materials
Canvas, Oil
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Figure Fame
Located in Cirencester, Gloucestershire
'Fame'
Italian School, 18th century
ink and wash drawing on paper, framed within a light oak wood frame (behind glass)
image size: 10.5 x 7 inches
overall framed: 17 x 13 inches
cond...
Category
18th Century Old Masters Figurative Paintings
Materials
Watercolor, Ink, Archival Paper
Fine Early 1800's Italian Oil Roman Buildings in Ancient Landscape
Located in Cirencester, Gloucestershire
Artist/ School: Italian School, early 1800's
Title: Ancient Buildings in Italianate Landscape
Medium: oil painting on board, framed.
framed: 18.25 x 20.75 inches
canvas: 11 x 13.7...
Category
Early 19th Century Old Masters Figurative Paintings
Materials
Oil
Italian painter (Copper plate) - 18th century figure painting - Flagellation
Located in Varmo, IT
Italian painter (18th century) - Flagellation.
17 x 15 cm without frame, 21 x 19 cm with frame.
Ancient alium painting on copper, in a gilded wooden frame.
Condition report: The m...
Category
Early 18th Century Old Masters Figurative Paintings
Materials
Copper
Old Woman and Boy with Candles, Oil on Panel, 1800s
Located in Stockholm, SE
In this painting titled "Old Woman and Boy with Candles" an intriguing scene unfolds before our eyes. An older woman gazes ahead, her eyes shielded from the flickering candlelight, w...
Category
19th Century Old Masters Figurative Paintings
Materials
Oil, Wood Panel
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Providenza
Located in Cirencester, Gloucestershire
'Providenza'
Italian School, 18th century
ink and wash drawing on paper, framed within a light oak wood frame (behind glass)
image size: 10.5 x 7 inches
overall framed: 17 x 13 inche...
Category
18th Century Old Masters Figurative Paintings
Materials
Watercolor, Ink, Archival Paper
Antique Italian painter - 18th century figure painting - Saint crucifix
Located in Varmo, IT
Italian painter (18th century) - Saint with crucifix.
65 x 50 cm without frame, 78 x 64 cm with frame.
Antique oil painting on canvas, in a gilded wooden frame.
Condition report: ...
Category
Mid-18th Century Old Masters Figurative Paintings
Materials
Oil, Canvas
18th Century French Oil Painting Tavern Scene Interior Merry Making Figures
Located in Cirencester, Gloucestershire
Merry Makers in the Tavern
French School, 18th century
oil on canvas
canvas: 8 x 11 inches
provenance: private collection, France
condition: good and sound condition
Category
18th Century Old Masters Figurative Paintings
Materials
Canvas, Oil
Pair of Exceptional Italian 18th Century Still-Life Paintings
Located in Rome, IT
This pair of excellent Italian still life oil on canvas with flowers and fruit with classical ruins on the background and colored drapes create harmony of the composition. Notable ...
Category
Early 18th Century Old Masters Figurative Paintings
Materials
Oil
Antique European Religious Figure Oil Painting
Located in Cirencester, Gloucestershire
Antique European
oil on panel, framed
framed: 9 x 7 inches
board: 7 x 5inches
private collection, France
the painting is in overall very good and sound condition
Category
19th Century Old Masters Figurative Paintings
Materials
Oil
Figures in Winter Dutch Snow Landscape Large 19th Century Oil on Canvas Painting
Located in Cirencester, Gloucestershire
The Winter Landscape
Dutch School, 19th century
oil painting on canvas, framed
framed: 22 x 28 inches
canvas: 16.5 x 23 inches
provenance: private collection, UK
condition: very goo...
Category
19th Century Old Masters Figurative Paintings
Materials
Canvas, Oil
19th Century Spanish Impressionist Painting
Located in Larchmont, NY
Mystery Spanish Artist
Untitled, c. 1800s
Oil on canvas
8 1/2 x 12 1/2 in.
Category
19th Century Old Masters Figurative Paintings
Materials
Canvas, Oil
Roundel depicting St. Catherine
Located in Fairlawn, OH
Unknown French Art and Workshop, Middle 15th century
Roundel depicting St. Catherine (?)
Gouache, ink gold wash and gold burnishing on vellum
Book of Hours folio attributed to the C...
Category
15th Century and Earlier Old Masters Figurative Paintings
Materials
Gouache, Pigment
Italian painter - Late 18th century figure painting - Allegory of Peace - Metal
Located in Varmo, IT
Italian painter (18th century) - Flagellation.
17 x 15 cm without frame, 21 x 19 cm with frame.
Ancient alium painting on copper, in a gilded wooden frame.
Condition report: The m...
Category
Late 18th Century Old Masters Figurative Paintings
Materials
Metal
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Sicilia
Located in Cirencester, Gloucestershire
'Sicilia'
Italian School, 18th century
ink and wash drawing on paper, framed within a light oak wood frame (behind glass)
image size: 10.5 x 7 inches
overall framed: 17 x 13 inches
c...
Category
18th Century Old Masters Figurative Paintings
Materials
Watercolor, Ink, Archival Paper
Portraits of Francis Wood, and John Wood of Hollin Hall, Yorkshire (Pair))
Located in West Sussex, GB
A Superb pair of oval portraits with full provenance. Portrait of John Wood Esq of Hollin Hall, Yorkshire; Portrait of Francis Wood. Circa 1710.
Oils on canvas:29 x 24 in. Frame: 37...
Category
Early 18th Century Old Masters Figurative Paintings
Materials
Oil
Soldier in an Interior, Early 17th Century Dutch Oil
Located in London, GB
Pieter Symonsz Potter
Dutch 1600 - 1652
Soldier in an Interior
Oil on oak panel, red seal to reverse
Image size: 15 x 10 3/4 inches
Dutch Ebonised frame
Bathed in a well lit roo...
Category
Early 17th Century Old Masters Figurative Paintings
Materials
Oil, Board
Girl with a pen
Located in Genève, GE
Work on canvas
Category
Mid-19th Century Old Masters Figurative Paintings
Materials
Oil
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Female Statue of Beauty
Located in Cirencester, Gloucestershire
Belleza (The Art of Beauty)
Italian School, 18th century
ink and wash drawing on paper, framed within a light oak wood frame (behind glass)
image size: 10.5 x 7 inches
overall framed...
Category
18th Century Old Masters Figurative Paintings
Materials
Ink, Archival Paper, Watercolor
18th Century French Oil Painting Tavern Scene Interior Figures & Violin Player
Located in Cirencester, Gloucestershire
Violin Player in Tavern
18th century French School
oil on canvas
canvas: 8 x 11 inches
provenance: private collection, France
condition: good and sound condition
Category
18th Century Old Masters Figurative Paintings
Materials
Canvas, Oil
17th C Dutch Old Master Ink & Wash Painting Biblical Figures Rembrandt Pupil
Located in Cirencester, Gloucestershire
Figure being Comforted (Job?)
circle of Willem Drost (Dutch 1633-1659) *See notes below
ink and wash drawing on paper (Arms of Amsterdam watermarked)
Dutc...
Category
Mid-17th Century Old Masters Figurative Paintings
Materials
Ink, Watercolor
The Nativity of Christ
Located in Fairlawn, OH
Anonymous 15th Century Italian, Probably Milan area
The Nativity of Christ
Pigments, ink and gold leaf on vellum
Unsigned as is always the case with illum...
Category
15th Century and Earlier Old Masters Figurative Paintings
Materials
Pigment
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Africa
Located in Cirencester, Gloucestershire
'Africa'
Italian School, 18th century
ink and wash drawing on paper, framed within a light oak wood frame (behind glass)
image size: 10.5 x 7 inches
overall framed: 17 x 13 inches
co...
Category
18th Century Old Masters Figurative Paintings
Materials
Watercolor, Ink, Archival Paper
Huge 1700's English Portrait Aristocratic Wigged Gentleman in Stately Landscape
By Jacobo Amigoni
Located in Cirencester, Gloucestershire
Portrait of an Aristocratic Gentleman in his landscape, circa 1730's
Standing, three quarter length, wearing a dark russet coat and holding a book and a cane,
circle of Jacopo Amigoni (Italian 1682-1752)
oil on canvas, unframed
50 x 40 inches
Condition: old lining; retouching, principally towards the edges and in the background; the canvas with slight unevenness where the lining is not secured at upper right.
Provenance: private collection, England
Jacopo Amigoni (ca. 1685 – September 1752), also named Giacomo Amiconi, was an Italian painter of the late-Baroque or Rococo period, who began his career in Venice, but traveled and was prolific throughout Europe, where his sumptuous portraits were much in demand.
He was born in Naples. Amigoni initially painted both mythological and religious scenes; but as the panoply of his patrons expanded northward, he began producing many parlour works depicting gods in sensuous languor or games. His style influenced Giuseppe Nogari. Among his pupils were Charles Joseph Flipart, Michelangelo Morlaiter, Pietro Antonio Novelli, Joseph Wagner, and Antonio Zucchi...
Category
Early 18th Century Old Masters Figurative Paintings
Materials
Canvas, Oil
Whippet Greyhound in Classical Landscape Fine British Dog Painting in Oil
Located in Cirencester, Gloucestershire
Whippet in Classical Landscape
Michael Constable (20th Century British School)
oil on board, framed
framed: 19 x 25 inches
board: 15 x 21 inches
provenance: private collection, The C...
Category
Late 20th Century Old Masters Figurative Paintings
Materials
Oil
The Card Players by a Flemish 1600s Artist
Located in Stockholm, SE
Flemish 1600s School
The Card Players
oil on oak panel
panel dimensions 22.5 x 20 cm
frame included
Provenance:
From a Swedish private collection.
Condition:
Flat and stabl...
Category
17th Century Old Masters Figurative Paintings
Materials
Oak, Oil, Panel
Realist British painter - 19th century figure painting - Tavern interior
Located in Varmo, IT
English painter (19th century) - Interior of a tavern.
58 x 76 cm without frame, 75 x 91 cm with frame.
Ancient oil painting on canvas, in a wooden frame and gilded plaster (some b...
Category
Late 19th Century Old Masters Figurative Paintings
Materials
Oil, Canvas
Complete Set of Stations of the Cross Oil Paintings by Völkel
Located in London, GB
Complete set of Stations of the Cross oil paintings by Völkel
German, 1909
Canvas: Height 80cm, width 82cm
Frame: Height 134cm, width 111c...
Category
Early 1900s Old Masters Figurative Paintings
Materials
Oil
The Resurrection of Christ
Located in New York, NY
Provenance:
with “Mr. Scheer,” Vienna, by July 1918; where acquired by:
Jindřich Waldes, Prague, 1918–1941; thence by descent to:
Private Collection, New York
Literature:
Rudolf Kuchynka, “České obrazy tabulové ve Waldesově obrazárně,” Památky archeologické, vol. 31 (1919), pp. 62-64, fig. 5.
Jaroslav Pešina, “K datování deskových obrazů ve Waldesově obrazárně,” Ročenka Kruhu pro Pěstování Dějin Umění: za rok (1934), pp. 131-137.
Jaroslav Pešina, Pozdně gotické deskové malířství v Čechách, Prague, 1940, pp. 150-151, 220.
Patrik Šimon, Jindřich Waldes: sběratel umění, Prague, 2001, pp. 166, 168, footnote 190.
Ivo Hlobil, “Tři gotické obrazy ze sbírky Jindřicha Waldese,” Umění, vol. 52, no. 4 (2004), p. 369.
Executed sometime in the 1380s or 1390s by a close associate of the Master of the
Třeboň Altarpiece, this impressive panel is a rare work created at the royal court in Prague and a significant re-discovery for the corpus of early Bohemian painting. It has emerged from an American collection, descendants of the celebrated Czech industrialist and collector Jindřich Waldes, who died in Havana fleeing Nazi-occupied Europe.
The distinctive visual tradition of the Bohemian school first began to take shape in the middle of the fourteenth century after Charles IV—King of Bohemia and later Holy Roman Emperor—established Prague as a major artistic center. The influx of foreign artists and the importation of significant works of art from across Europe had a profound influence on the development of a local pictorial style. Early Italian paintings, especially those by Sienese painters and Tommaso da Modena (who worked at Charles IV’s court), had a considerable impact on the first generation of Bohemian painters. Although this influence is still felt in the brilliant gold ground and the delicate tooling of the present work, the author of this painting appears to be responding more to the paintings of his predecessors in Prague than to foreign influences.
This Resurrection of Christ employs a compositional format that was popular throughout the late medieval period but was particularly pervasive in Bohemian painting. Christ is shown sitting atop a pink marble sarcophagus, stepping down onto the ground with one bare foot. He blesses the viewer with his right hand, while in his left he holds a triumphal cross with a fluttering banner, symbolizing his victory over death. Several Roman soldiers doze at the base of the tomb, except for one grotesque figure, who, beginning to wake, shields his eyes from the light and looks on with a face of bewilderment as Christ emerges from his tomb. Christ is wrapped in a striking red robe with a blue interior lining, the colors of which vary subtly in the changing light. He stands out prominently against the gold backdrop, which is interrupted only by the abstractly rendered landscape and trees on either side of him.
The soldiers’ armor is rendered in exacting detail, the cool gray of the metal contrasting with the earth tones of the outer garments. The sleeping soldier set within a jumble of armor with neither face nor hands exposed, is covered with what appears to be a shield emblazoned with two flies on a white field, somewhat resembling a cartouche (Fig. 1). This may be a heraldic device of the altarpiece’s patron or it may signify evil, referencing either the Roman soldiers or death, over both of which Christ triumphs.
This painting formed part of the collection assembled by the Czech industrialist and founder of the Waldes Koh-i-noor Company, Jindřich Waldes, in the early twentieth century. As a collector he is best remembered for establishing the Waldes Museum in Prague to house his collection of buttons (totaling nearly 70,000 items), as well as for being the primary patron of the modernist painter František Kupka. Waldes was also an avid collector of older art, and he approached his collecting activity with the goal of creating an encyclopedic collection of Czech art from the medieval period through to the then-present day. At the conclusion of two decades of collecting, his inventory counted 2331 paintings and drawings, 4764 prints, and 162 sculptures. This collection, which constituted the Waldesova Obrazárna (Waldes Picture Gallery), was first displayed in Waldes’ home in Prague at 44 Americká Street and later at his newly built Villa Marie at 12 Koperníkova Street. This Resurrection of Christ retains its frame from the Waldes Picture Gallery, including its original plaque “173 / Česky malíř z konce 14 stol.” (“Czech painter from the end of the 14th century”) and Waldes’ collection label on the reverse.
The Resurrection of Christ was one of the most significant late medieval panel...
Category
15th Century and Earlier Old Masters Figurative Paintings
Materials
Tempera, Panel
17th Century Italian Old Master Oil Painting Moses Striking Water from the Rock
By Pier (Pietro) Dandini
Located in Cirencester, Gloucestershire
Moses Striking Water from the Rock;
Circle of Pietro Dandini, Italian 1646-1712
Italian School, late 17th century
oil on canvas, framed
framed: 3...
Category
Early 18th Century Old Masters Figurative Paintings
Materials
Oil, Canvas
Old Masters figurative paintings for sale on 1stDibs.
Find a wide variety of authentic Old Masters figurative paintings available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add figurative paintings created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Antonio Savisio, Goyo Dominguez, Paul Emile Léon Perboyre, and William Anderson. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Old Masters figurative paintings, so small editions measuring 4.53 inches across are also available. Prices for figurative paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $384 and tops out at $1,495,000, while the average work sells for $4,898.
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