Modern Landscape Paintings

An original Acrylic and Oil on canvas by Andy Gradwell. Greek Island Painting. circa 2012 Signed. 65cm x65cm. Landscape /seascape. Semi abstract ...

Modern abstract landscape painting by the iconic Houston based artist David Adickes. The work features a group of red, teal, and orange trees set against a light tan background. Curr...

An especially rare original watercolor painting by American artist Charles E. Martin (1910-1995) depicting The Metropolitan Museum of Art. Cover art for The New Yorker magazine, Feb...

Eric Brown 1894-1955 Salisbury Cathedral Oil on board Image size: 20 x 14 inches Hand made frame Eric Pitt Brown was born in 1894 in Salisbury. H...

It is infrequent, to say the least, that a diagnosis of tuberculosis proves fortuitous, but that was the event, in 1921, that set Paul Starrett Sample on the road to becoming a professional artist. (The best source for an overview of Sample’s life and oeuvre remains Paul Sample: Painter of the American Scene, exhib. cat., [Hanover, New Hampshire: Hood Museum of Art, 1988] with a detailed and definitive chronology by Sample scholar, Paula F. Glick, and an essay by Robert L. McGrath. It is the source for this essay unless otherwise indicated.) Sample, born in Louisville, Kentucky, in 1896 to a construction engineer and his wife, spent his childhood moving with his family to the various locations that his father’s work took them. By 1911, the family had landed in Glencoe, Illinois, settling long enough for Paul to graduate from New Trier High School in 1916. Sample enrolled at Dartmouth College, in Hanover, New Hampshire, where his interests were anything but academic. His enthusiasms included the football and basketball teams, boxing, pledging at a fraternity, and learning to play the saxophone. After the United States entered World War I, Sample, to his family’s dismay, signed on for the Naval Reserve, leading directly to a hiatus from Dartmouth. In 1918 and 1919, Sample served in the U.S. Merchant Marine where he earned a third mate’s license and seriously contemplated life as a sailor. Acceding to parental pressure, he returned to Dartmouth, graduating in 1921. Sample’s undergraduate life revolved around sports and a jazz band he formed with his brother, Donald, two years younger and also a Dartmouth student. In November 1933, Sample summarized his life in a letter he wrote introducing himself to Frederick Newlin Price, founder of Ferargil Galleries, who would become his New York art dealer. The artist characterized his undergraduate years as spent “wasting my time intensively.” He told Price that that “I took an art appreciation course and slept thru it every day” (Ferargil Galleries Records, circa 1900–63, Archives of American Art, Smithsonian Institution, available on line). In 1920, Donald Sample contracted tuberculosis. He went for treatment to the world-famous Trudeau Sanitorium at Saranac Lake, in New York State’s Adirondack Mountains for the prescribed regimen of rest, healthful food, and fresh air. Visiting his brother in 1921, Paul also contracted the disease. Tuberculosis is highly contagious, and had no certain cure before the development of streptomycin in 1946. Even for patients who appeared to have recovered, there was a significant rate of recurrence. Thus, in his letter to Price, Sample avoided the stigma conjured by naming the disease, but wrote “I had a relapse with a bad lung and spent the next four years hospitalized in Saranac Lake.” The stringent physical restrictions imposed by adherence to “the cure” required Sample to cultivate an alternate set of interests. He read voraciously and, at the suggestion of his physician, contacted the husband of a fellow patient for instruction in art. That artist, then living in Saranac, was Jonas Lie (1880–1940), a prominent Norwegian-American painter and an associate academician at the National Academy of Design. Lie had gained renown for his dramatic 1913 series of paintings documenting the construction of the Panama Canal (The Metropolitan Museum of Art, New York; United States Military Academy, West Point, New York). Primarily a landscape artist, Lie had a particular affinity for scenes with water. His paintings, impressionistic, atmospheric, and brushy, never strayed from a realistic rendering of his subject. Sample regarded Lie as a mentor and retained a lifelong reverence for his teacher. Sample’s early paintings very much reflect Lie’s influence. ` In 1925, “cured,” Sample left Saranac Lake for what proved to be a brief stay in New York City, where his veteran’s benefits financed a commercial art course. The family, however, had moved to California, in the futile hope that the climate would benefit Donald. Sample joined them and after Donald’s death, remained in California, taking classes at the Otis Art Institute in Los Angeles. In Sample’s account to Price, “I couldn’t stomach the practice of painting a lot of High Sierras and desert flowers which seemed to be the only kind of pictures that were sold here so I got a job teaching drawing and painting at the art school of the University of Southern California.” Initially hired as a part-time instructor, Sample progressed to full-time status and ultimately, by the mid-1930s, to the post of Chairman of the Fine Art Department. Sample, however, did not want to wind up as a professor. “Teaching is all right in small doses,” he wrote, “but I have a horror of drifting into being a college professor and nothing more.” At the same time as he taught, Sample began to exhibit his work in a variety of venues at first locally, then nationally. Though he confessed himself “a terrible salesman,” and though occupied with continued learning and teaching, Sample was nonetheless, ambitious. In 1927, he wrote in his diary, “I am eventually going to be a painter and a damned good one. And what is more, I am going to make money at it” (as quoted by Glick, p. 15). In 1928, Sample felt sufficiently solvent to marry his long-time love, Sylvia Howland, who had also been a patient at Saranac Lake. The Howland family were rooted New Englanders and in summertime the Samples regularly traveled East for family reunion vacations. While the 1930s brought serious hardship to many artists, for Paul Sample it was a decade of success. Buttressed by the financial safety net of his teacher’s salary, he painted realist depictions of the American scene. While his work addressed depression-era conditions with a sympathetic eye, Sample avoided the anger and tinge of bitterness that characterized much contemporary realist art. Beginning in 1930, Sample began to exhibit regularly in juried exhibitions at important national venues, garnering prizes along the way. In 1930, Inner Harbor won an honorable mention in the Annual Exhibition of the Art Institute of Chicago. That same year Sample was also represented in a show at the Albright-Knox Gallery in Buffalo and at the Biennial Exhibition of the Corcoran Gallery of Art, Washington, D.C. In 1931, Dairy Ranch won the second Hallgarten Prize at the Annual Exhibition of the National Academy of Design, in New York. Sample also made his first appearances at the Carnegie Institute, Pittsburgh, and The Pennsylvania Academy of the Fine Arts, Philadelphia. In 1936, Miner’s Resting won the Temple Gold Medal at the Pennsylvania Academy’s Annual Exhibition. Always interested in watercolor, in 1936, Sample began to send works on paper to exhibitions at the Whitney Museum, New York. While participating in juried exhibitions, Sample also cultivated commercial possibilities. His first New York art dealer was the prestigious Macbeth Gallery in New York, which included his work in a November 1931 exhibition. In 1934, Sample joined the Ferargil Galleries in New York, after Fred Price arranged the sale of Sample’s Church Supper to the Michele and Donald D’Amour Museum of Fine Arts in Springfield, Massachusetts. In 1937, The Metropolitan Museum of Art purchased Sample’s Janitor’s Holiday from the annual exhibition of the National Academy of Design, a notable honor. As prestigious as this exhibition schedule may have been, by far Sample’s most visible presence in the 1930s and 1940s was the result of his relationship with Henry Luce’s burgeoning publishing empire, Time, Inc. Sample’s first contribution to a Luce publication appears to have been another San Pedro...

Three Chimneys, 1956, oil on Masonite, signed and dated lower left, 18 x 36 inches, titled verso, presented in its original frame Three Chimneys is a prime example of Ethel Margolies’ Precisionist-influenced industrial scenes. Throughout the 1950s and 1960s, Margolies made a name for herself by painting the Northeast’s factories, foundries, and manufacturing plants. Although this subject matter is often associated with male artists, Margolies is part of an important lineage of female modernists who depicted symbols of America’s industrial might. Starting with artists like New Jersey’s Elsie Driggs and Chicago’s Yvonne Deluc Pryor, Margolies is part of a through line of women Precisionist painters that also included the West Coast’s Vanessa Helder. Whereas these artists tended towards a stark and pristine realism, Margolies seems to have been influenced by the 1920s and early 1930s work of Charles Demuth’s and Charles Sheeler’s highly designed paintings from the same period, as both adopted a cubo-futurist oriented brand of Precisionism. Ethel Polacheck Margolies was a Connecticut painter...

Raoul Middleman (born 1935 in Baltimore, Maryland) is an American painter. Middleman has been a member of the Maryland Institute College of Art faculty since 1961. American University Museum at the Katzen Center has described Middleman as a "Baltimore maestro [whose] nudes are not pretty—they are sagging, dimpled, and real. His cityscapes reveal the underbelly of post-industrial rot, his narrative paintings give contemporary life to his personal obsessions. They are intelligent, messy, and utterly masterful." From an interview with RM "I was doing abstract art. Then Roy Lichtenstein came around, and I wanted to be current. I remember Grace Hartigan said, “You’ve gotta go to New York, seize destiny by the hand.” My friend Jon Schueler took my slides up to Eleanor Ward, who had the Stable Gallery. My Pop art paintings were discovered. I moved to New York into Malcolm Morley’s old loft down on South Street. Agnes Martin was upstairs... People who interest me come from different quarters. I knew guys around Schueler, like B.H. Friedman. But I also knew the Pop world pretty well – Al Hansen, Richard Artschwager, Lichtenstein. I became friends with Raoul Hague...

From a cloud, acrylic on panel, 120 x 150 x 2 cm / 47.24 x 59.06 s 0.79 inches Large format modern painting where the prominence of the sky presides over the horizon. Under its pro...

Caroline Burnett (1877-1950)(attributed to) Afternoon in the city Oil on canvas Unsigned On canvas 50 x 60 cm (c. 20 x 24 in) Presented in a gilded carved wooden frame 66 x 76 cm (c...

Honfleur by Henri Auguin (French b. 1934) titled verso signed oil on canvas, framed Framed: 27.5 x 31.5 inches Canvas: 22 x 26 inches Provenance: private collection, France Condition...

Signed and dated lower left: DALE NICHOLS ∙ 1961

A painting by Mary Deneale Morgan. "Twin Cypress" is a modern American landscape painting, gouache on paper in an earth-tone palette by femal...

Modern Impressionist gouache on paper view of London and the river Thames by M K Meyer. The painting is signed bottom right and titled to the backboard 'Londres'. Presented in a plai...

Byron Browne On the Beach (1959) Oil on canvas, 20" x 26" 26" x 32" x 1" frame size - likely original Inscribed verso "On the Beach / 1959 / Byron Browne" Provenance: Private collection, Berkley, California About this artist: Through an oeuvre displaying the re-envisioning of figural subjects and the formation of an abstract expressionist style, Byron Browne stands out among the American abstractionists of his generation. Born in Yonkers, New York, in 1907, the artist was a bright talent at the National Academy of Design in his teens. From 1924 to 1928 Browne studied at the Academy under notable artists Robert Aitkin, Charles Courtney Curran, Charles Hawthorne, Alice Murphy...

Cirrus Acrylic / canvas 150 x 50 cm. Vertical landscape where the predominance of the sky transmits the living and real contact with the fresh and transparent air, its luminosity nuanced by the thin bands of some clouds. (The artist frames almost all his paintings with a wooden strip between 0,5 and 1 cm. thick, which can be removed at will of the client). NB: This painting can be combined as a diptych or triptych with two other items by the same artist: Cirrocumulus (item reference: LU74439055992) Cumulonimbus (item reference: LU74439055402) ABOUT THE ARTIST Ángel Luis Úbeda...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon ...

"London," an original oil on canvas by Denis Paul Noyer, is a piece for the true collector. Noyer's capture of the architectural details of the surrounding buildings projects from th...

Under The Sea Series Nº 23. Oil on paper. Fantasy underwater abstract landscape. Green-blue color. Transparencies effect. Measurements: (H) 35 cm....

Oil on board painting by George Vander Sluis (1915-1984) titled Storm Over Victor (Colorado Mountain Town) from 1946. WPA Era Mountain Landscape wi...

Work on canvas

A Unique, Mid-Century Modern 1960s Chicago Harbor Scene Watercolor by Noted Artist, Rudolph T. Pen. Artwork is formatted in a trapezoid shape, an innovative compositional device for...

A Unique, 1960s Mid-Century Modern, European City View Watercolor by Noted Chicago Artist, Rudolph T. Pen. Artwork is formatted in a trapezoid shape, an innovative compositional dev...

Emile Albert Gruppe (1896-1978) Fall landscape Oil on canvas laid to canvas Signed lower right: Emile A. Gruppe Canvas: 40" H x 30" W Inches Framed: 48.25 x 38.25 Inches Very large ...

Very finely painted modernist landscape by Robert Noel Blair (1912 - 2002). Watercolor and gouache on paper. Signed Image size, 22 by 30 inches. In excellent original condition. ...

Signed and dated lower right: “Jason Berger 2001”. Inscribed verso: “Factories / Mexhloiera”. From the estate of the artist. Boston Expressionist painter Jason Berger began visiting Portugal in the early half of the 1970s and would return for a part of almost every summer for the next twenty years, before moving there permanently in 1994. Berger painted mostly in the Algarve, Portugal's southernmost region known for its beautiful beaches and sparkling water...

Exuberance (Exuberancia). Green and leafy landscape. Acrylic and mixed media on panel, 82x60x3.5 cm. Author: Spanish artist Ángel Luis Úbeda. Exuber...

This 30.75" x 41" acrylic on canvas framed painting depicts an interior scene with a seascape seen through a window. This painting is a modernist work, characterized by its abstract forms, bold colors, and flattened perspective. The foreground features two mid-century chairs facing each other rendered in green, both with a thin yellow base and each with one red geometric shape that could presumably be pillows. These chairs are depicted in a simplified and abstracted manner, the use of geometric shapes and flat colors departs from traditional representational art and adheres to the linear quality of painting in which the objects are tangible and clearly defined by an obvious outline. Emerging from the bottom right corner of the work is an abstracted and simple rendering of a table with a vase of flowers. The table is designed with different colored stripes oriented in different directions, some diagonal, some vertical, and some horizontal. The flowers within the vase, and the vase itself, are represented as simple shapes with no shading or dimension, further emphasizing the painting’s modernist style. Below the table and chairs, is a vivid and flat lilac color representing the floor. In the background behind the chairs, one sees an opening, showcasing a simplified seascape with a sailboat and island. Again, the depiction of the sea and sky is highly stylized, with the use of geometric shapes and flat colors. The clouds in the sky are represented as simple, rounded shapes, with no detailed texture or shading. The composition is framed by a thin, painted orange frame. Overall, the painting employs a bold and vibrant color palette. A. David Crown...

A Vibrant, Colorful Modern Watercolor, "Garden in a City Park" by Noted Chicago Artist, Rudolph T. Pen. Painted in the 1960s, most likely depicting a city garden in Europe, Mexico o...

A Striking, 1960s Mid-Century Modern Watercolor of European City Rooftops, Painted from a City Bus. Rudolph Pen was fond of these innovative city rooftop compositions completed whil...

A Large, 1950s Mid-Century Modern Ink Drawing of Quebec City by Rudolph Pen. Artwork is formatted in a trapezoid shape, an innovative composition device for which the artist's work ...

A Vivid, Expansive Watercolor of Mexico, "Summer Landscape with Country Villa" by Noted Chicago Modern Artist, Rudolph T. Pen. Most likely depicts a picturesque country estate near ...

A Colorful, Panoramic Mid-Century Modern View of the famed fishing village (and renowned surfing locale) of Nazaré, Portugal by Rudolph Pen. Painted in the 1960s, this vivid waterco...

A Charming 1940s Watercolor of Mexico with Cathedral and Rooftops by Noted Chicago Artist, Rudolph T. Pen. Most likely completed during the artist's trip to Mexico in 1944 after rec...

A Striking 1940s Landscape Watercolor with Classical Architectural by Noted Chicago Modern Artist, Rudolph T. Pen. Most likely completed during the artist's trip to Mexico in 1944 a...

A Stunning Mid-Century Modern Cubist Watercolor, Harbor Scene & Rooftops by Noted Chicago Artist, Rudolph T. Pen. A vivid European harbor scene, depicting the whitewashed buildings ...

A Colorful, Vibrant, Mid-Century Modern Great Lakes Harbor Scene by Noted Chicago Artist, Rudolph T. Pen. This charming watercolor, completed in the early 1950's, depicts a wonderfu...

A Vibrant, Colorful Mid-Century Watercolor of Village Rooftops by Noted Chicago Artist, Rudolph T. Pen. Depicting a tropical hillside village of terracotta rooftops nestled beside a...

Picking the Olives by REUVEN RUBIN (1893-1947) Oil on canvas 65 x 81 cm (24 ¾ x 31 ½ inches) Signed Executed circa 1940

Stunning New York City urban modernist watercolor titled "Summer Afternoon Stroll" by Society of Six artist Bernard Von Eichman (American, 1899-1990), 1...

French mid 20th Century drawing in the style of Georges Remi, dit Hergé. The work is not signed but is titled (La Chapelle) and dated (Sept 1969) bottom left. Presented in modern silvered frame under glass. A charming view of the chapel at the Nice Chateau cemetery on the Cote D'Azur in the South of France. The artist has captured the imposing nature of the fine colourful stone buildings with their arches, cupolas and finials. Surrounding the buildings are trees and bushes and to the foreground cars of typical 1960s design. The style of the artist is clearly inspired by the animations of Georges Remi, dit Hergé which were so popular at this period. Georges Remi, more commonly known as Hergé created his own clean, expressive style of drawings known as ligne claire...

FLIGHT American Futurism Modernism Scene WPA Mid-Century Oil Painting Realism Daniel Celentano (1902-1980) "Flight," 26 x 26 inches. Oil on canvas, c. 1940s. Signed lower right. Ori...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to P...

Exhibited at the Pennsylvania Academy of Fine Arts (1947) and the University of Illinois Exhibition of Contemporary Painting (1948), this painting by Philip Evergood exemplifies the ...

Oval Watercolor Landscape watercolour on artist paper, stuck on black paper painting: 12.75 x 10 inches provenance: private collection condition: very good and sound condition

Yvonne Jacquette From World Trade Center: Mixed Heights, 1997-98 Pastel on paper 30 x 22 inches Yvonne Jacquette was born on December 15, 1934 in Pittsburgh, Pennsylvania and grew ...

size is with frame. Motke Blum was born in Racacun, Romania in 1925. Early in his childhood, the Blum family moved to Bukarest where they settled in a house situated near a circus. ...

This beautiful oil-on-canvas painting was created by Francois Gentilini (1930 -). This is a small-scale oil painting by the well-listed French Modern painter Francois Gentilini. The ...

Antique oil on board. Signed. Framed. Measuring 26 by 32 inches overall and 24 by 30 painting alone. In excellent original condition. Excellent condition, ready to hang and enjoy.

Henry & Joyce Collins made a whole series depicting London landmarks around the period of 1980. We recently sold a similar work of the Post Office Tower to the Science Museum for th...

Summer Resort in Michigan is an exceptional work painted by the Chicago Modernist, William Schwartz. He studied at the Art Institute of Chicago shortly ...

Signed lower right, 'Patricia Cunningham' for Patricia Stanley Cunningham (American, 1907-1984) and painted circa 1965. The first woman to serve as president of the Carmel Art Assoc...

Italian artist Renzo Gori (1911 - 1998) designed this oil on canvas painting which features an animated urban street scene in France. The artist's signature is in the bottom right co...

The beaches of Luigi Christopher Veggetti Kanku represent a pictorial exploration that goes beyond the mere representation of the subject itself. The artist seeks to convey a poetry ...

This piece is part of my private collection since the 1970's. It is an original color lithograph signed and numbered by the Japanese artist Shungo Sekiguchi. In 1935 Shungo Sekiguchi...

Signed and dated lower right: “Trachtman 6-6-73”. From the estate of the artist. Though much of his art was political in nature, Arnold Trachtman also...

Under The Sea Series Nº 25. Oil on paper. Fantasy underwater abstract landscape. Green color. Transparencies effect. Measurements: (H) 39 cm. / 1...

A Captivating, Expressive 1950s Mid-Century Modern Coastal Beach Scene of Portugal by Noted Chicago Artist, Rudolph T. Pen (Am. 1918 - 1989). Pen travelled extensively throughout Eu...

Oscar Yosef de Kerdsmont Socec was born in 1879. He studied at the Beaux Arts Academy in Paris under Edward Sain and Carolus Durand. Socec painted extensively in Europe in the 1900s, living for seven years on the island of Capri...