Modern Landscape Paintings

Mid Century Fingerpainted Landscape in Acrylic, in Diamond-Shaped Frame Unique landscape by Hollywood, California artist Genevieve"Gen" Matucha (American, 1903-1989). The scene dep...

Rare and important large landscape painting by Paul Esteban (Pablo) O'Higgins (1904 - 1983). Oil on canvas. Signed lower right. Framed. Image size, 23.25L by 33.25H image size al...

Artist/ School: Jill Jackson (British, contemporary) Title: The Country Lane Medium: oil on board, framed Framed: 17 x 22 inches Painting : 14 x 18 inches Provenance: all the pa...

A charming 1956 oil on canvas board painting of a red brick house, titled "Corner of the Brick House with Last Snow Bank, Calais, VT" by artist Harold Haydon. The painting is framed...

On the River Huguette Ginet-Lasnier (French 1927-2020) signed and inscribed verso in a wooden frame oil painting on canvas framed: 29 x 37 inches All the paintings we have for sale b...

Clean and modern still life against a landscape background by Kipp Stewart (American, b. 1928). The still life consists of a rose in a pitcher, two Native American baskets (Salish an...

Antique American school modernist still life painting. Oil on board. Signed. Framed. In excellent original condition. Handsomely framed in a gold giltwood molding. Excellent c...

Lake scene. by Bernard Labbe (French, mid-20th century), stamped verso. Original watercolour/gouache painting on paper. Overall size: 10 x 15 inches. Condition: very good and ready t...

GLORIA STUART (1910 – 2010) WATTS TOWERS, 1971 Oil on canvas, signed lower right, 24” x 50 ½”. Gloria Stuart, an Academy Award nominated actress was also a painter, illustrator and printmaker. She most recently portrayed Rose in the blockbuster film “Titanic”. She was a Santa Monica native. In 2013 The Los Angeles Museum of Art, LACMA exhibited a nearly identical painting looking from the south, the same size and frame. Last 5 photos show the example at LACMA. One shows theirs in a distant room with a major Thomas Hart Benton painting in the foreground A VERY IMPORTANT MULTI-LEVELED DOCUMENT OF LOS ANGELES AND HOLLYWOOD CULTURAL HSTORYi The following is from her obituary in the Los Angeles Times upon her death in September 2010 at the age of 100 Gloria Stuart, a 1930s Hollywood leading lady who earned an Academy Award nomination for her first significant role in nearly 60 years — as Old Rose, the centenarian survivor of the Titanic in James Cameron’s 1997 Oscar-winning film — has died. She was 100. .......She devoted much of her time to designing and printing artists’ books (handmade, letter-press printed books in limited editions, with her own artwork and writing). Her work is in the J. Paul Getty Museum in Los Angeles, the Metropolitan Museum of Art in New York City, the Victoria and Albert Museum in London and other museums. Stuart, a founding member of the Screen Actors Guild who later became an accomplished painter and fine printer, died Sunday night at her West Los Angeles home, said her daughter, writer Sylvia Thompson. Stuart had been diagnosed with lung cancer five years ago. “She also was a breast cancer survivor,” Thompson said, “but she just paid no attention to illness. She was a very strong woman and had other fish to fry.” In July the actress was honored at an “Academy Centennial Celebration With Gloria Stuart” at the Samuel Goldwyn Theater in Beverly Hills. “She was a charming and beautiful leading lady in the ‘30s, and I never understood why her career didn’t go further at that time,” film historian and critic Leonard Maltin, who interviewed Stuart on stage at the event, told The Times on Monday. As for Stuart’s high-profile comeback in “Titanic”: “She was thrilled by the attention that that performance brought her and really wanted to win that Oscar. I thought she hit just the right notes in that performance. She was wry and engaging.” As a glamorous blond actress under contract to Universal Studios and 20th Century Fox in the 1930s, Stuart appeared opposite Claude Rains in James Whale’s “The Invisible Man” and with Warner Baxter in John Ford’s “The Prisoner of Shark Island.” She also appeared with Eddie Cantor in “Roman Scandals,” with Dick Powell in Busby Berkeley’s “Gold Diggers of 1935” and with James Cagney in “Here Comes the Navy.” And she played romantic leads in two Shirley Temple movies, “Poor Little Rich Girl” and “Rebecca of Sunnybrook Farm.” But mostly she played what Stuart later dismissed as “stupid parts with nothing to do” — “girl reporter, girl detective, girl nurse” — and “it became increasingly evident to me I wasn’t going to get to be a big star like Katharine Hepburn and Loretta Young.” After making 42 feature films between 1932 and 1939, Stuart’s latest studio contract, with 20th Century Fox, was not renewed. She appeared in only four films in the 1940s and retired from the screen in 1946. By 1974, “the blond lovely of the talkies” had become an entry in one of Richard Lamparski’s “Whatever Happened to” books. Writer-director Cameron’s $200-million “Titanic” changed that. Stuart played Rose Calvert, the 100-year-old Titanic survivor who shows up after modern-day treasure hunters searching through the wreckage of the sunken ship find a charcoal drawing of her wearing a priceless blue diamond necklace. Stuart’s performance as Old Rose frames the 1997 romantic- drama that starred Leonardo DiCaprio as lower-class artist Jack Dawson...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

A colorful harbor scene of Martha's Vineyard by noted Chicago Modern artist, Francis Chapin (Am. 1899-1965). A vibrant, blustery dockside view, with fishing and sailboats in the har...

Artist/ School: Huguette Ginet-Lasnier (French 1927-2020), signed lower front Ginet-Lasnier, the wife of the painter Jean Lasnier, was born in the Seine-Maritime region of France an...

Alex Charles Chartier, French, 1894-1957 Oil painting on board 1951 Quartier Plaisance, Paris village scene Hand signed and dated '51 lower left. Dimensions: 21" x 25-3/4", frame...

Artwork sold with frame (106 x 86 cm) Roger Paul Froidevaux (1918–1998) was a Swiss painter whose work captured the diverse landscapes and atmospheres of his homeland and beyond. ...

Very finely painted modernist landscape by Robert Noel Blair (1912 - 2002). Watercolor and gouache on paper. Signed Image size, 22 by 30 inches. In excellent original condition. ...

A large, magnificent 1950s Southwestern Painting of Sedona, Arizona by Francis Chapin depicting Cathedral Rock, Red Rock State Park. Canvas Size: 20" x 40"; Framed Size: 20 1/2" x 4...

Work on paper Brown wooden frame with glass pane 51,5 x 66 x 3,5 cm

De Hirsh Margules (1899-1965). North on West Street , 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15 x 22 inches. Framed measurement: 27 x 34 inched. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

The Provence Village 20th century French school after Andre Lhote (bears signature, ie: not by Andre Lhote) oil on board, framed framed: 12 x 19.5 inches board: 8 x 15.5 inches Pro...

Vintage American modernist abstract oil painting by Mildred Murphy Dillon (Born 1907). Oil on canvas. Framed. Signed, Measuring: 26 by 30 inches overall, and 18 by 22 painting alone...

An ode to the reason why you do what you do. A farm hand in Norfolk, England in autumn ADDITIONAL INFORMATION: Acrylic paint on Canvas Sold unframed Image size: Height: 61cm (24.02...

August Frederick Biehle (1885-1979) Woods Interior, Berlin Heights, 1920 Gouache and colored pencil on paper Signed and dated lower right 17 x 23 inches 23.25 x 29.25 inches, framed ...

CHARLES LEVIER – UNTITLED [PONT AU-DESSUS DU CANAL] Oil on Canvas ⚜ Signed Lower Right ⚜ Custom Conservation Frame A STYLIZED MIDCENTURY CITYSCAPE WITH CUBIST RHYTHM AND MODERN ELEG...

THE SHIFTING SKY Size: 62 X 93.5 cm (including frame) Oil on board A large and striking mid-century modernist abstract landscape composed in rich, geometric swathes of colour, execu...

The Grand Canal, Venice French artist, mid 20th century oil on board, unframed board: 16.5 x 10.75 inches Provenance: private collection, France Condition: good condition For more ...

Forest Jazz Band by Bernard Labbe (French mid 20th century) original gouache on artist paper size: 20 x 25.5 inches condition: very good and ready to be enjoyed Description: This li...

French Landscape by Bernard Labbe (French mid 20th century), stamped verso original watercolour/gouache painting on paper overall size: 13 x 19.75 inches condition: very good and re...

French Expressionist circa 1970's signed and dated oil on canvas canvas: 25.5 x 32 inches provenance: private collection, France condition: very good and sound condition, age related...

Work on wood Plaster molding frame and gilded wood 36.5 x 28.5 x 4.5 cm

A lovely small oil on canvas painting in the style of the legendary artist Fernando Botero ( Columbian, 1932) showing people in large figures, "Boterismo...

Pair of Views of Villa Medici Vascello are an old master artwork realized by Artist of 17th Century. Mixed colored oil painting on canvas. The View of Villa Medici Vascello toward...

Gunnar Donald Anderson (American, 1927-2022) Untitled, c. 20th Century Oil on board Sight: 11 1/2 x 15 3/4 in. Framed: 20 1/2 x 24 1/2 x 1 1/4 i...

Oil on plywood realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Mid Century Mountain Stream Modernist Landscape by Honora Berg This mid century modernist landscape painting by Honora Berg (American, 1897-1985) depicts a vibrant mountain stream, ...

Signed lower left, 'Unik' for Leonid Unik (Ukrainian-Hungarian, born 1951) and inscribed, verso, on stretcher bar, with signature and title, 'Hongre' (Hungary). Leonid Unik first st...

'Port of Saint-Malo', oil on canvas affixed to board, French Modern School (1984). Although the artist dated this painting '84, it depicts a nostalgic view of the port of Saint-Malo in Western France's, Brittany in 1884 judging by the clothing worn by the characters depicted. The crowd on the shoreline is watching a sailboat regatta starting just inside the port's breakwater. A rather rare sunny day in Brittany brought out the parasols of the sitting ladies on the edge of the old ramparts. The walled city...

Charming and well painted rural New England modernist landcape by Vern Henry Smith (1927 - 2007. Oil on canvas. Framed. Signed.

This painting features a yellow sky (as Gastaldi named it) and it is part of 3. The #1 one is featuring a red sky and the third one is the desert light. #1 and 2 show the strength of nature with vigorous large brush strokes and bright colors whereas the colors of #3 depicting the desert light, are more muted and reflect perfectly the desert atmosphere before a storm. See, attached the pictures of the 2 matching ones. Jerome Gastaldi, born in Oakland, California, in 1945, is a contemporary artist. His works have been compared by art critics to that of Robert Rauschenberg, Edward Kienholz...

The Group Portrait by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner dated 1991 oil painting on canvas, framed canvas: 42 x 52 inches framed: 33 x 43 inches Very good condition. Provenance: from the artists estate, France Maria Tort Xirau ( Figueres , 26 May 1924 – 6 June 2018) was a painter and photographic and cinematographic editor from Emporda. She developed a long professional career in leading photographic studios, in films for The Walt Disney Company and also in advertising claims for companies such as Educa Borràs . The second half of her life was dedicated to painting, exercising a luminous, varied and nostalgic chromatic style in the techniques of oil and watercolor and with exhibitions of her work in Barcelona and Figueres. The Biographical Dictionary of Art Empordà defined Tort Xirau's work as "a painting that is characterized by the strength of the strokes, the vividness and brightness of the chromatic range and exudes mastery of the photographic technique. A mixture of nostalgia and tenderness is evident.". Tort Xirau's paintings were exhibited in the two towns where she spent her life: in 1992 she exhibited his work at the Caixa de Figueres Exhibition Hall. Two years later, she did it at Sala Conex in Barcelona and in 2007 and 2013 the Consortium of Sant Ferran Castle and the Figueres Town Council organized tribute exhibitions. In 2013, she ceded to the council of the city of Figueres her work Mercat de la plaça de l'Ajuntament , watercolored on paper around 1991, which is exhibited in the rest room of the building. On June 6, 2018, she died in Figueres at the age of 94, receiving the apostolic blessing . Two years after her death, part of her paintings were included in the exhibition Paint, create, live. Women artists in the Alt...

Mane-Katz (1894-1962) Landscape with palm tree. Gouache on paper, signed lower right. Dimensions: (Frame) H 37.5" x W 31", (Sight) H 24.5" x W 18" Emmanuel Mané-Katz (Hebrew:מאנה כ...

In Full Pursuit Hunting Hounds clearing a Fence by Jean Terry, British 20th century signed and dated 1998 oil on board, framed framed: 28.5 x 45 inches board: 23 x 42 inches provenan...

Wayne Beam Morrell (American, 1923-2013) Untitled (Coastal Scene, Massachusetts), 20th century Oil on board 15 1/2 x 20 in. Framed: 24 x 27 1/3 in. Signed lower right Wayne Morrell ...

My interest is to convey elements of the classical arcadian landscape paintings of the 17th and 18th century, inviting the viewer to reflect again at the sublime landscape of the pas...

Vintage American modernist abstract oil painting. Oil on board. Framed. Excellent ready to hang condition.

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Modern Cubist inspired colorful desert landscape painting by the iconic Houston based artist David Adickes. The work features an abstract cluster of purple, coral, and yellow cacti s...

Artist/ School: French School, mid 20th century, follower of Henri Matisse Title: The Pink House. Medium: oil on board, framed Framed: 22.5 x 25.5 inches Painting: 15 x 18 inches...

This is a very hard to find hand colored etching of Central Park Zoo, New York City, well conserved in this excellent condition. It’s beautiful both for the skill: intricate details,...

Impressive early American modernist central park, new york city oil painting. Framed. Oil on canvasboard . Image size, 18H by 24L.

RUSTIC HOUSES Size: 57 x 67 cm (including frame) Oil on Canvas A wonderfully executed mid-century modernist style landscape composition, painted in oil onto canvas. The composition...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Tower and Wires, 1987, acrylic on canvas, signed lower right, 24 x 16 inches, exhibited: Alfred P. Maurice Artist in the City Paintings 1979 - 1997, Archer Gallery of Clark College, ...

Tall Ships off the Coast French School, signed and dated 1927 oil on canvas, framed dated 1927 framed: 21 x 26 inches canvas: 18 x 24 inches provenance: private collection, France co...

A Colorful, Panoramic Mid-Century Modern View of the famed fishing village (and renowned surfing locale) of Nazaré, Portugal by Rudolph Pen. Painted in the 1960s, this vivid waterco...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Albert Roca (1945) - Sailor playing the accordion oil on board painting Medidas óleo 62x46 cm. Medidas marco 73x57 cm. Painter of landscapes and figures, ...

Colorful Abstracted Landscape in the Style of Diebenkorn by Ellis Hopkins (American, b. 1952). This dynamic piece features textured blocks of color which resemble an abstracted lan...

* No US duty or taxes to pay on this item * A beautiful mid 20th century Modern British oil on canvas depicting a red house on Hampstead Haeath, by Arnold Auerbach. The work is sig...

“A Summer Moonlight” by Garstin Cox. Garstin Cox 1892-1933 was a Cornish artist who studied at the Cambourne School of Art and was a member of the Newlyn S...