Horse Landscape Paintings

“In June (Im Juni)” Julius Paul Junghanns (German, 1876-1958) Oil on canvas Signed and dated “1913,” titled on reverse 18 ½ x 23 1/4 (27 1/4 x 31...

Bringing in the Harvest British School, late 19th century signed lower corner oil painting on canvas, framed framed: 29.5 x 55.5 inches canvas: 24 x 50.5 inches provenance: private c...

Sweeping early 20th century figurative landscape of a Swiss Alps harvest scene by Daan Donker (Dutch, early 20th Century). Signed "Daan Donker" lower right. Presented in a gold-toned...

Oil on panel by Jenness Cortez signed and dated lower left beautifully framed and matted measuring 16" x 21" including the frame. This painting features two jockeys and their race ho...

This serene landscape painting is by James Howe Carse, a Scottish-Australian artist whose lineage and mentorship are deeply rooted in the artistic traditions of his time. Carse's wor...

Signed and dated in the right hand corner. Beautiful and impressive painting by the italian painter Giuseppe Raggio, both in size and atmosphere, representing a Lake in the countrys...

Title: Mid-Century French Pastel Drawing of Four Horses Grazing in a Meadow Landscape by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper stu...

French Orientalist Schooll late 20th century signed oil painting on canvas, framed framed: 30 x 34 inches canvas: 20 x 24 inches Provenance: private collection, Cornwall, England Con...

Elegant painting from the second half of the 17th century. Oil on canvas artwork depicting a splendid landscape with grazing animals, of great pictorial quality. In the foreground we...

The Master of the Fox Hounds by John Renney (British circa 1960's) signed to label verso oil painting on board, framed painting: 18 x 22 inches framed: 23.5 ...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: signed painting: 12 x 2...

Antique American watercolor painting, landscape harvest farm scene by Frank F. English (1854 - 1922), Bucks County, Pennsylvania, Circa 1900. A very attractive painting by the celebrated Pennsylvania artist Frank F. English, the location is in Point Pleasant, Bucks County, Pennsylvania. The painting depicts a scene of blue skies with two farmers tossing hay with pitchforks & two horses harnessed to a hay wagon, with barns to the background. The painting signed lower right " Frank F. English", condition is excellent this very charming painting is ready to hang on your wall. Biography Frank F. English was born in Louisville Kentucky in 1854. In the early 1880s, he studied for five years in the evening classes of the Pennsylvania Academy of the Fine Arts. His instructors included Thomas Eakins, James P. Kelly and Thomas Anshutz. However, English's reputation primarily rests with his outstanding facility as a watercolorist; most of his known paintings are executed in this medium. English's propensity for its use coincides, appropriately enough, with the watercolor's growing popularity among other American painters. The American Water Color Society brought the medium special prominence by the late 1860s, and acceptance on the level of oil painting in 1876. That same year, the society was invited to display its works at the Philadelphia Centennial Exposition. Its members exhibited 116 watercolors, and their public exposure was enormous. It is safe to assume that during the 159-day Centennial, Frank English was among the nearly 10 million exposition attendees, surpassing attendance records at all preceding world's fairs. At age twenty-two, English, traveled to Philadelphia to see works by the Society's notables such as Samuel Colman, R. Swain Gifford, Louis Comfort Tiffany, Albert Fitch...

Charming mid century oil painting of two horses at watering trough by William M. Lemos, Santa Cruz and San Francisco artist (American, 1861-1942), circa 1900. Writing on verso is in ...

Sir Alexander Von BENSA Panel Size: 18 x 25" Outside Frame Size: 26 x 34" Oil on panel in very good condition and has benefited from a light clean only. Original frame Austrian Sc...

Signed lower left John Steuart Curry was born in Dunavant, Kansas, and, after training at the Chicago Art Institute, the Kansas City Art Institute and Paris’s Academie Julian, major...

The most ordinary rural landscape. A quiet life among nature. This place is a good place to relax after the hustle and bustle of the city. • Includes a certificate of authenticity si...

Oil on canvas Canvas size: 20 x 30 inches Framed size: 25.25 x 35.25 inches Signed in lower right

"On the Hunt", is a 24x36 oil painting on board by artist Leslie Peck featuring a fox hunt scene of horses and hound dogs crossing a stream, following the ...

Artist/ School/ Date: William Rowland, British 20th century Title: Set of four (4) British hunting scenes. Ideal group of paintings to display in a country house setting or sporting...

"Apaches" is an oil on canvas painting by Olaf Wieghorst. The painting is signed on the lower left, "O-Wieghorst". The framed piece measures 25 1/2 x 29 3/4 x 2 in. “When the time comes for me to put away my palette and unsaddle my pony for the last time, I hope that my canvases will in some small measure add to the historical recording of an era, the cowboy, and the great American West.” ~ Olaf Wieghorst Wieghorst worked with the mounted patrol of the 7th Cavalry Regiment of the United States Cavalry (1920-1922) with occasional interludes as a wrangler on ranches in the western states. Wherever he went, he sketched and painted the Western culture he loved, often selling his work as calendar and magazine illustrations. His work appeared in Zane Grey...

"Love Being Hitched" (2019) by Lindsey Bittner Graham is an original handmade oil painting that depicts a horse drawn carriage in a snowy landscape. This Painting measures at 30.5 x ...

Antique Orientalist equestrian oil painting by Wordsworth Thompson American, 1896 Canvas: Height 30cm, width 46cm Frame: Height 42cm, 57cm, d...

This superb Dutch Old Master oil painting is attributed to Pieter Bodding van Laer. Painted circa 1635 during the Dutch Golden Age the composition depicts a number of figures and ani...

Horses Standing in Landscape French School, 20th century oil on canvas, framed framed: 25 x 34 inches canvas: 19.5 x 30 inches provenance: private collection, France condition: very ...

Very fine original oil painting by the highly regarded Suffolk School artist, Edward Robert Smythe (1810-1899). The painting is signed to the lower left and is a very fine example of this important artists work. Painted in oils on canvas, the artist has captured a traveller resting beside her camp, with a small fire burning to the right and her horse standing to the left. With the frame, the painting measures 16 by 18 inches. The painting comes to us from a private collection of Suffolk School paintings, housed in Suffolk, England, where we understand it has resided for many years. Born at Berners Street, Ipswich in 1810, son of James Smyth (1780-1863) and his wife Sarah Harriet née Skitter; James, who was an accountant with the bank Bacon, Cobbold, Durningham & Cobbold in Tavern Street, Ipswich added a final 'e' to his surname. Edward attended the school of Robert Burcham Clamp and had a liking for a military career but his love of art took his fancy. Elected a member of the Ipswich Society of Professional and Amateur Artists on 1 March 1832 and attended his first meeting on 18 November the same year and was probably working under Henry Davy [q.v.] and where he met many local artist members. In his younger days he had a studio in the Old Shire Hall, Ipswich where he painted with such artists as Samuel Read [q.v.], Walter Hagreen [q.v.], Frederick Russel [q.v.] and Robert Burrows [q.v.]. About 1840 he moved to Norwich to study the Norwich School of painting where he became acquainted with Robert Ladbrooke’s son, Frederick [q.v.] and is said to have worked with John Sell Cotman [1782-1842] but returned to Ipswich some five years later, taking a house in Bramford Road. He married at Ipswich in 1848, Ellen Bowman of Ipswich and where his first child Edward Robert, jun. was born the following year. In 1851, giving his age as 32, is living at Elmswell, Suffolk with his 24 year old wife Ellen and son but later that year moved to 3 Angel Hill, Bury St Edmund’s, where he kept company with his friend Fred Ladbrooke. By 1861, still at Angel Hill, they had further children born at Bury St Edmund’s, Francis (Frank) Rowland 1852, Ellen Kate 1854 and Mary Emily 1856, their daughter Louisa Jane, died at Angel Hill, Bury St Edmund’s on 7 April 1861, aged 3 years and 7 months. He exhibited at the Suffolk Fine Arts Association at the New Lecture Hall of the Mechanics' Institution, Ipswich in August 1850 several oil paintings including 'Chapel Viaduct, Colne Valley', 'A Group of Animals', 'A Sketch Ploughing', 'Ponies and a Dog' and 'A Landscape' and a watercolour 'The Ruling Passion strong in Death' and was also a member and exhibitor at the Ipswich Art Club 1886-1898. He also exhibited five works at the Royal Academey including 'View in the Colne Valley at Chappel, Essex' and exhibited five works at the British Institution including 'Pony and Boy' and 'The Village Blacksmith'. In 1865 Edward was living at 98 Risbygate Street, Bury St Edmund’s, and his wife died at 69 Risbygate Street, Bury St Edmund’s in 1879, aged 52. By 1891 he had moved in with his married daughter Ellen Kate, who had married at St Matthew’s church Ipswich on 10 May 1886, George Robert Chilvers, a tobacco manufacturer, at Burlington Lodge, 30 Burlington Road, Ipswich where he died on 5 July 1899, aged 88, and buried in Ipswich cemetery three days later. Five of his painting were on show at the Centenary exhibition of the Ipswich Art Club in 1974 a pastel 'Crossing the Stream...

William Rickarby Miller Rapelyea House, New York, 1884 Signed and dated lower left Oil on canvas 20 x 30 inches Provenance: Kennedy Galleries, New York Born in Staindrop, County Durham, England, he was a portrait and landscape painter, especially appreciated for watercolor painting, which he sold through the American Art Union...

This Western Landscape by New England Impressionist painter Richard Edward Miller is a 12.5 x 23.5 inches, oil on board painting from 1931. A plein-air and impressionist painter as ...

Henry Bernard Chalon (London 1770-1849) 'Prime Minister' with jockey John Shepherd up, and owner Sir Mark Sykes Signed and dated 'H.B. Chalon pinxit 181...

Fine 19th century oil painting of a bustling Austrian/Germanic village with horse, rider and various figures outside an Inn, attributed to Arthur Georg Ramberg (1819-1879), well known for figurative genre paintings. The rider is carrying a bugle, apparently announcing news to the people; men are sitting by the table drinking, one with a raised stein. Women walking by stop to listen, a man carrying a sack has stopped to watch the rider, people are in the Inn doorway, and one is looking out the window. Children pause their playing. The scene is under a large tree beside the Inn; a whole community waiting for news. There is a great deal of detail in the scene, tree and Inn house...

"Windmills by a Dutch Waterway" by Joseph Paul. Joseph Paul was a Norwich landscape painter in the Dutch tradition. Regular local Exhibitor. Oil on canvas. Dimensions unframed heig...

Title: British Impressionist Watercolor of Countryside Scene with Horse and Rider By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dime...

Samuel Henry Alken (1810–1894) Horse Racing Scene, Possibly the Epsom Derby Oil on board, unsigned Attributed, English school circa 1840 Presented in a later gilt frame with beaded inner edge This dynamic mid-19th century racing scene, attributed to Samuel Henry Alken—also known as Henry Alken Junior—captures the high-stakes moment just before the thundering release of horses and riders at the starting line. A tightly packed field of brightly jacketed jockeys leans forward with urgent anticipation, the taut muscles of their mounts echoing the gathering tension. In the foreground, a race marshal gestures dramatically to signal the start, his stance underscoring the energy about to be unleashed. Though unsigned, the work bears the unmistakable hallmarks of Samuel Henry Alken’s hand: vigorous composition, attention to equine form, and a sharp eye for the choreography of sport. The figures are finely modelled, the palette lively but grounded, and the setting—with its wooded backdrop, animated crowd, and distant grandstands—suggests a major 19th-century race meeting, possibly the Epsom Derby, a subject Alken is known to have returned to in several formats. The composition’s panoramic sweep and low horizon lend a cinematic quality, while the density of detail—each silken cap and coat, each bridle and plume—evokes the pageantry and social theatre of Britain’s sporting calendar at the height of its Regency and early Victorian splendour. A rare and spirited scene from the golden age of English sporting painting...

The Paris Park by Claude Marin (French 1914-2001) signed and dated 88 oil on artist card stuck on board, unframed board: 7.75 x 9.5 inches Provenance: private collection, Paris, Fran...

24 x 36 inches Oil on gallery wrapped canvas unframed An elegant classic! A Manor scene featuring humans' allies in fox hunting: a horse and three hound dogs. The piece is masterfu...

A mid 19th Century oil on canvas of horses and their drover. The painting is signed MM, dated 1849 and carries a signature to the stretcher Marie Munch. The painting is presented in ...

A fine antique oil painting of horses pulling a stagecoach in snow , by John richard Worsdale (1869-1947) The artist portrays this powerful scene with an extensive view, featuring the stagecoach pulled by 4 horses and a village scene behind with buildings and peopla with another coach behind. oil on canvas, signed lower left, housed in a gilt frame. The size of the painting is approx 74 cms x 49 cms, whilst framed size is 90cm x 67cm. The painting is in very good condition, relined, with only some minor craquelure to the skyline, The frame appears original and is also in good condition with only minor age wear. Provenance: The E. W. Towler Collection, formerly of Glympton Park, Woodstock, Oxfordshire. Eric W. Towler was a remarkable man. He was born in 1900 and left school at the age of 12 to work in a Yorkshire pit and through a lifetime of hard work, self-improvement, luck and a refusal to limit his horizons achieved many of his aspirations. As a Yorkshireman through and through, he believed in ‘spending the brass in his pocket’ and over time he was successful enough to acquire enough ‘brass’ to enable his purchase of Glympton Park and furnish it as a traditional country house with all the trappings – in his case collections of antique furniture...

Oil Painting after William Lara "Traveller's outside the Inn" exhibited 1862 - 1871 William Lara was one of the pseudonyms of Georgiana Lara who exhibited at the Royal Society of Br...

Eugene Pechaubes 1890 - 1967 Canvas Size: 24 x 43" (61 x 109cm) Outside Frame Size: 33 x 51" (84 x 130cm) Signed Bottom Left. Free shipping Born on 24th June 1890 and died on 2 Fe...

The Horse Race French artist, circa 1960's signed oil on canvas, framed framed: 23 x 28.5 inches canvas: 20 x 26 inches provenance: private collection, Paris condition: very good and...

This late 19th-century oil painting by English artist Edward Robert Smythe (1810-1899) depicts a picturesque bay with buildings, fishing boats, figures and horses. Smythe was a maste...

Jan Brueghel the Younger (Antwerp 1601–1678) workshop of Noli me tangere Oil on canvas 97 x 128 cm - In frame 114 x 143 cm This is a fascinating work, both for its subject, f...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 24 x 30 Frame Size: 36 x 42 Medium: Oil on Canvas 1975 "The New Filly" Mr. Ger...

Dynamic depiction of a rider with a group of horses near the water's edge. Several horses are in for foreground, running towards the viewer. Just behind them, a rider in American col...

In this piece, I sought to capture the vibrancy and tranquility of nature, merging the wild with the serene. The crimson poppies dance in the breeze, a sea of passion and life, while...

Signed to the lower right. Presented in a gilt frame. On paper.

Adolf Schreyer's "Arabian Rider at Dusk" is a stunning oil painting on canvas that depicts an Arabian rider in a golden sunset. By Adolf Schreyer 8.5" x 15.5" Oil on Canvas Framed...

Daniel CLOWES (1774-1829) after George Stubbs Mares and Foals in a Landscape oil on canvas 29 x 33 inches, inc.frame Daniel Clowes lived and worked in Chester all his life and ...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: oil painting on thick paper, stuck on board unframed. Size: painting: 13 x 20 inches Prov...

A painting of a chestnut hunter in a landscape with a horse and rider accompanied by two hounds by a woodland river in the distance. Signed and inscribed 'Melton Mowbray', lower left. Oil on canvas in a giltwood frame. John Ferneley Sr (1782-1860) was born the son of a Leicestershire wheelwright, the youngest of six children. He is known as one of the great British equine artists, perhaps only second to Stubbs in terms of raw ability. Ferneley originally worked with his father, until by chance the Duke of Rutland saw some of his work on the side of a cart on which Ferneley and his father had been working. The Duke was so impressed with Ferneley that he persuaded John's father to allow him to become the pupil of Benjamin Marshall. Ferneley was so talented that apparently he produced almost perfect copies of his tutor's paintings and they were said to have been indistinguishable from the master’s. Marshall also enrolled him as a student of the Royal Academy Schools. In 1804 Ferneley paid a man named Thomas Harrison...

A vintage watercolor capturing a daily scene in the Spanish colonial town of Taxco, Mexico by Theodore Ernest Langguth (German-American, 1861-1952). Titled, dated and signed lower ma...

"Western Travellers" by Rudolf Stone, British late 19th Century signed by the artist on the lower left hand corner oil painting on wood panel, framed framed size: 8 x 14 inches Won...

Title: British Impressionist Watercolor of Horse Riders on a Country Lane By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15.5...

Antique American impressionist seascape signed oil painting. Oil on canvas. Signed. Framed. Image size, 16L x 12H. Artist Bio: Arthur James Beaumont was born in Yorkshire, England in 1877. He studied with Julius Olsson in London before moving to Paris at the turn of the century. In Paris, Beaumont studied at the Academie Julian* with William Adolphe Bougereau. The Academie awarded him a gold medal in 1905. After completing his studies, Beaumont settled in Cornwall where he became known for his marine and landscape scenes as a member of the St. Ives School*, an artist colony. While living in Cornwall, Beaumont traveled to the United States to exhibit his paintings. In 1906 he settled in New York, buying a house on Staten Island with his brother and sister in law, Ernest and Henrietta Beaumont, also artists, who arrived from England in 1907. Although Arthur Beaumont...

Giacomo Balla (Turin 1871 - Rome 1958), Knight at Campagnano (1935) Oil painting on pressed cardboard 46 x 64 cm signed Balla lower right, on the back are the following inscriptions...

A majestic Canadian mountain rises to the sky with a small Canadian Mountie on hours viewing the scene, Mizen uses a creative technique of exposing...

The Stubborn Mule Italian School, 19th century oil on canvas, unframed canvas: 9.75 x 14 inches provenance: private collection condition: very good and sound condition, a little scru...

Bob Wygant (1927 - 2008) Houston Artist Image Size: 20 x 30 Frame Size: 28 x 38 Medium: Acrylic on Masonite "Pale Morning Mist" Bob Wygant (1927 - 2008) A T...

Lambert de Hondt I (1620-1652) Battle scenes (2) Oil on panel, 18 x 13 cm Signature in the bottom middle The figures of knights and soldiers in the work under consideration are ...

Signed hunting scene by Alfred Grenfell Haig (1870–1963). Haig's masterful oil on canvas brings to life the exhilarating spirit of a hunting scene, with a huntsman leading a pack of ...

Edward William Cooke RA (1811–1880) Dutch Beach at Scheveningen, oil on canvas, circa 1850 This sweeping coastal scene by Edward William Cooke, painted circa 1850, captures the bust...