Horse Landscape Paintings

An Original Oil Painting of George's Street Kingstown in 1910 by Modern Impressionist Irish Artist, Robert D. Beattie (1900-1979). The painting captures a historic moment...

Work on canvas Molded frame in plaster and gilded wood 65.5 x 91.5 x 7 cm

George Turner British, (1843-1910) Crossing the Ford Oil on canvas, signed, further signed & inscribed verso Image size: 15.5 inches x 25.5 inches Size including frame: 21.5 inches...

"The Farmyard" by John Frederick Herring is a well-known piece by the 19th-century English artist, famous for his depictions of animals and rural scenes. In "The Farmyard," Herring ...

George Paice (1854-1925 A horse-drawn buggy on a track, a hunt beyond signed and dated lower left Oil on canvas Canvas size 23 x 60 in Framed size 27 x 65 in Provenance The Collecti...

Marc Etherington’s works take pop culture, childhood memories and everyday domestic life as their subject matter, rendering them through a darkly humorous and sometimes absurd lens. ...

An important oil on panel painting by the great Tuscan artist Ruggero Panerai. It depicts one of his favourite and most successful subjects, wild horses portrayed in a natural pose o...

Clearing the Fence by Eric Goddard, British 20th century signed and dated 1970 oil painting on board, framed Measurements 34 x 44 cm, frame 46 x 56 cm Condition: very good provenanc...

Established in 1750 on the 15,000 acre Belvoir Estate in Leicestershire, England. The Belvoir Hunt, also known as the “Duke of Rutlands Hounds”, has a very long and rich history. The...

Signed lower left "Vigny" for Sylvain Vigny (French, 1903-1970) and painted, circa 1935, on artists board prepared by Maison Franco, 19 Rue Pastorelli, Nice. Born in Vienna, Sylvain...

‘Hunter’ (Bay Horse) by Georgie Dowling [2021] original and hand signed by the artist Oil paint on canvas Complete Size of Unframed Work: H:40 cm x W:40 cm ...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 16 x 15 tall Medium: Bronze Sculpture / Studio Copy 1984 "Working as One" G. Harvey, known for paintings closely linked in mood and subject matter to Edouard Cortes [1882-1962], G Harvey creates romanticized street scenes of turn of the century towns in America. Rain slick streets reflect urban lights, and the weather is obviously cold. He grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend for his grandson. So, the American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduating cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream, commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. Today, G. Harvey lives in Fredericksburg, Texas, with his wife Pat in a 150-year-old stone home built by German settlers. His studio and residence are nestled within the Historic District of Fredericksburg. It is obligation of fine artists to present us with more than pretty pictures. They must also make us feel. Among the western painters of today, there is none more capable of accomplishing this than G. Harvey. In his paintings, the viewer into only sees the physical elements of his subject, but also senses the mood that surrounds them. It is a remarkable aspect of fine art, which few artists are able to master. Gerald Harvey Jones was born in San Antonio, Texas, in 1933. His grandfather was a cowboy during the trail-driving era when legends grew up along the dusty trails north from Texas. Family stories of wild cattle and tough men were absorbed by a wide-eyed boy and became the genesis of G. Harvey's art. A graduate in fine arts at North Texas State University, Harvey taught full-time and painted nights and weekends for several years. It was through painting that he found his greatest satisfaction, and his native central Texas hill country provided the inspiration for most of his earliest work. With the development of his talent and the growth of his following, Harvey began to expand his artistic horizons. He left teaching and concentrated on a career in fine art. He sought the essence that is Texas and found it not only along the banks of the Guadalupe, but in cow camps west of the Pecos, and in the shadows of tall buildings in big Texas cities. The streets of Dallas once echoed with the sound of horse's hooves and the jingle of spurs. Historic photographs reveal what it looked like, but only an artist like Harvey can enable a viewer to experience the mood and flavor or the time. Contemporary west art has too often centered on the literal representations from its roots in illustrations. Artists like G. Harvey take us a step further, to the subjective impressions that are unique to each great talent, and which constitutes something special and basic to fine art expression. Harvey is a soft-spoken and unassuming man who cares deeply about what he paints without becoming maudlin or melodramatic. We sense there is more in each Harvey painting than just that which is confined to the canvas. Resources include: The American West: Legendary Artists of the Frontier, Dr. Rick Stewart, Hawthorne Publishing Company, 1986 Artist G. Harvey grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend. So, the American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduation cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Two years as a struggling artist followed, but 1965 brought acclaim for the artist's first prestigious show, The Grand National exhibition in New York, and the American Artists' Professional League presented him with their New Master's Award. President Lyndon Johnson discovered his fellow Texan's talent, became a Harvey collector and introduced John Connally to the artist's work. Connally was enthusiastic about Harvey's art, and, on one occasion, he presented a G. Harvey original to each governor of Mexico's four northern states. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. Through his art, our history lives. Today, G. Harvey lives in Fredericksburg, Texas, with his wife Pat in a 150-year-old stone home built by German settlers. His studio and residence are nestled within the Historic District of Fredericksburg. Gerald Harvey Jones, better known as G. Harvey, grew up in the Texas Hill Country listening to his father and grandfather tell stories about ranch life, frontier days in Texas, and driving cattle across the Red River. Early in his career, he began to draw inspiration from that collective memory for paintings that would eventually earn him the reputation as one of America's most recognized and successful artists. His art is rooted in the scenic beauty of the land he grew up in and the staunch independence of the people who live there. He says, "My paintings have never been literal representations. They are part first-hand experience, and part dreams generated by those early stories I heard. They are a product of every place I have been, everything I have ever seen and heard." G. Harvey graduated from North Texas State University. He taught in Austin, but continued to study art in his spare time, eventually devoting full time to his painting. The year 1965 was a turning point when he won the prestigious New Masters Award in the American Artist Professional League Grand National Exhibition in New York. It is often said that in viewing a work of art, one is granted a unique look into the thoughts and expressions of values that give meaning to the artist work. Nowhere does this ring truer than the art of G. Harvey. Though Harvey has had nearly two decades of sell-out shows, an outstanding honor came with a series of one-man shows in Washington, D.C. in 1991. The first was at the National Archives featuring his paintings of the Civil War era, then a selection of paintings of notable Washington landmarks was exhibited at the Treasury Department, culminating in a one-man show of 35 paintings at the Smithsonian Institution during their exhibition of The All-American Horse. His work was featured in Gilcrease Museum exhibitions from 1992-1997. In 1987 his alma matter honored him with a Distinguished Alumni Award. One of Harvey's paintings was featured on the cover of Smithsonian Institution's 150th anniversary engagement book. He now has four books published and resides with his family in The Texas Hill Country. integrity, strength, courage, faith, heritage - these are compelling words that have often been used by collectors and art critics alike to describe that intrinsic value that courses through every original painting or sculpture by artist G. Harvey. Whether drawing inspiration from his own deeply rooted Texas heritage or his world travels with wife Patty, the human experience is fully revealed in his art. He is often credited with technical brilliance as his goal is to approach each subject with discipline, maturity and artistic integrity. Yet beyond this vast and well-schooled knowledge, is a deeper set of values, an inner luminosity that transcends time and place, evoking familiar sights, sounds, moods and emotions. Harvey grew up in San Antonio, Texas. He resides now in Fredericksburg, Texas where he lives in a 150-year-old stone home built by German settlers. Lyndon Johnson introduced his works to John Connally who presented a G Harvey original to the governors of four Northern Mexican states. He celebrated a one-man show at the Smithsonian Institution entitled The All-American Horse. Harvey has always believed that history lives through art including the epic struggle between the states, the western migration, the brief time when horses and automobiles clattered across cobblestones together. He is faithfully able to capture the drama and feeling of such a moment in time. Please view my 1stdibs store front for other Great Vintage Texas...

Oil on canvas Canvas size: 28 x 36 inches Framed size: 36.75 x 44.75 inches Signed lower right

In this charming oil on canvas, Irish artist Sam Spode beautifully captures a serene moment within the quiet, intimate setting of a stable. The grey pony, depicted with remarkable detail, stands alongside a loyal dog, creating a peaceful harmony between the two animals. Samuel Spode...

Substantial California oil painting of a Navajo horseman in the New Mexico mountains. Stylistically similar to Constantine Cherkas Navajo Rider painti...

A bay hunter and a black and white short haired dog (possibly a bull terrier) in an extensive English landscape. a rustic barn in the near distance. Indistinctly signed 'Br...' and d...

"Surefooted Team" (2019) by Lindsey Bittner Graham is an original handmade oil painting that depicts a horse drawn carriage walking through a snowy forest. This Painting measures at ...

"Driving Lines" (2019) by Lindsey Bittner Graham is an original handmade oil painting that depicts a horse drawn carriage in a cityscape. This Painting measures at 22.75 x 24.75 inch...

Arabian Horse in Landscape British School, late 20th century oil on canvas, framed canvas: 25.5 x 37 inches framed: 31 x 41 inches the painting is in overall very good and sound cond...

"Saratoga stables", is a 24x36 oil painting on canvas by artist Dahl Taylor featuring a brown horse being led back to the stable after morning workouts at Saratoga Race Course. Bright sun saturates the side of the green structure while a canopy of trees provide shade. About the artist: Over 30 years Taylor has worked on a wide variety of projects. Taylor has concentrated on illustration assignments for national corporate & publishing clients and museums. Commissioned portraits include the official portrait of a former NYS Attorney General, which hangs in the N Y State Capitol, and portraits for major institutional & corporate collections. Taylor has created paintings for limited edition prints for the National Law Enforcement...

A rustic, late 19th Century oil showing a grand church with domed spire. Outside, a horse drawn carriage has stopped and a young girl in Sunday school cl...

George Henry Durrie's painting "Gathering Wood for Winter, New Haven, CT" captures the essence of 19th-century rural America with its picturesque depiction of a serene winter landsca...

George Cole British, (1810-1883) Waiting for a Treat Oil on canvas, signed & dated 1857 Image size: 19.5 inches x 29.5 inches Size including frame: 26.25 inches x 36.25 inches A cha...

This artwork titled "The Despatch" c.1985 in an oil painting on canvas by British artist Reginald John Mitchell, 1923-2018. It is signed at the ...

This superb 17th century Dutch Golden Age oil painting has been more recently reattributed to Abraham Begeyn by Dr Marijke C. de Kinkelder formerly of the RKD - Netherlands Institute for Art History. Painted circa 1640 it is an Italianate wooded river landscape with drovers and their herd crossing a river with a watchtower beyond. Begeyn was one of the many 17th-century Dutch and Flemish painters to embrace the Italianate style, populating their decidedly non-Dutch, mountainous landscapes with rustic travellers and picturesque ruins bathed in warm, Mediterranean light. It has Begeyn's characteristic brightly lit cattle and grouping of figures, similar to a comparable painting in the Lichtenstein Princely Collections. The brushwork and details are superb. One can see the influence of his teacher Nicholaes Berchem (1620-1683) and the typical golden glow of the Golden Age painters. This is a stunning 17th century Golden Age oil painting and an excellent example of Begeyn's work. Provenance: With Koetser Gallery, Zurich. Private Collection (Rhine region). Anon. sale, Dorotheum, Vienna, 22 June 2010, lot 357, as by Jacob de Heusch (€18,600). Anon. sale, Christie's South Kensington,18 November 2015, lot 432, as 'Follower of Nicolaes Berchem'; where purchased by the present owner. Note: Begeyn was one of the many 17th-century Dutch and Flemish painters to embrace the Italianate style, populating their decidedly non-Dutch, mountainous landscapes with rustic travellers and picturesque ruins bathed in warm, Mediterranean light. He is thought to have studied under Nicolaes Berchem (1620-1683), a pioneer of this genre of landscape painting, and travelled extensively to Italy, London and later to Germany in 1688, where he lived out his days as court painter to Frederick III, Elector of Brandenburg (later Frederick I, King of Prussia). The present work was previously thought to be the work of Jacob de Heusch (1656-1701), but has been more recently reattributed to Abraham Begeyn by Dr Marijke C. de Kinkelder formerly of the RKD - Netherlands Institute for Art History. A comparable scene, which also includes Begeyn's characteristic brightly lit cattle and a similar figure group, was sold at Christie's Amsterdam, 18 November 2015, lot 110. Another can be found in the Liechtenstein Princely Collections (no.GE 290). Condition. Oil on canvas, image size 21 inches by 18 inches and in good condition. Frame. Housed in a beautiful gilt frame, 28 inches by 25 inches and in good condition. Abraham Begeyn (c. 1637 Leiden - 11 June 1697 Berlin), was a Dutch Golden Age painter. Begeyn was born in Leiden. Though perhaps known mostly for his Italianate landscapes and cattle in the manner of Nicolaes Pietersz Berchem, Begyn was a highly skilled painter active in many genres, who travelled widely. According to the RKD, Begeyn's earliest known work is from 1653, though he was first accepted into the Guild of St. Luke in Leiden in 1655. He stopped paying dues in 1667, because he set off for a trip to Italy. He is registered in Rome and Naples from 1659–1660. In the rampjaar or disaster year, of 1672, he is registered in Amsterdam, and after that he lived in London, where he painted at Ham House, Surrey, together with Willem van de Velde the Younger (1633–1707) and Dirck van Bergen...

William Frank CALDERON Signed and dated 1891 oil painting. A beautifully painted painting of a racing horse with its companion pony used to keep it calm and not lonely. Picture Size:...

Anthony Thieme Mountain Village in Winter Signed lower left Oil on canvas 25 x 30 inches Anthony Thieme was born in the Dutch port city of Rotterdam in 1888. He studied at the Acade...

This 20th century oil painting of mare and two foals is set in an idyllic landscape with mature old tree, stone well and cottage in the background; by Robert Alexander, signed and da...

Oil on canvas of the Belvoir Hunt by Tom Carr Thomas James Carr OBE (21 September 1909 – 17 February 1999) was an Irish artist who was associated with the Euston Road School in the ...

Very impressive mid century polo field modernist landscape. Oil on canvas. No signature found. Framed.

Medium: Oil on Paper Mounted to Board Signature: Signed Lower Right, Signed Again and Dated August of 1904 on Reverse The Rawhide Part III, 'He swung himself into the saddle and rode...

Oil on canvas Canvas size: 19 x 27.25 inches Signed lower left

Paris, place de la Madeleine. 1955, oil on canvas, 46x55 cm Paris landscape Merio Ameglio (1897-1970) Born in San Remo, Italy along the Mediterranean Sea, Mario Amegilo painted m...

Oil Painting by Gudrun Sibbons "Unloading The Catch" Born 1925 in Germany and studied medicine but came to England after the war. Sold to many Hollywoo...

The Fast Road to London Charming English Coaching Scene watched by the passing Hunt by Richard Simm (British, bn. 1926) signed oil on canvas with board backing, framed framed: 22 x 2...

Eric Harrison (Born 1971 ) Texas Hill Country Artist Image Size: 34 x 48 Frame Size: 44 x 58 Medium: Acrylic "Dapple Grey Horse" Bio “I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.” -Henry D. Thoreau Eric Harrison-born 1971 in San Antonio, Texas. In 1995 he married Kim Marie, and together they have two sons, Noah and Ethan. The Harrison’s reside in the hill country west of Blanco, Texas. Currently painting in a language resonant with other Texas artists such as Robert and Julian Onderdonk, Robert Wood, Porfirio Salinas, Dawson Dawson-Watson, and Robert Harrison; with an affinity toward the work of California painter William Wendt. Paul Cezanne and many of the post impressionists. Exhibitions and collections of his work include: The United States Embassy in Togo, Africa The University of Texas at San Antonio The Buckhorn Museum San Antonio Best of the Best Art Show Salado, Texas Texas Lanscape Show The Nave Museum, Victoria Texas The Harrisons, “A Family of Texas Painters” Charles Morin Fine Art...

A charming scene of a man leading his horse down a country lane near a red barn in Volcano, CA by listed artist Frederick Colbus (American, 1917-1986). Signed and dated "F. Colbus, 1978" lower right. On verso titled "Days End" (Volcano, CA), signed F. Colbus, and dated July 30, 1978. Presented in a wood frame with linen liner. Image size: 12"H x 24"L Frederick Colbus was born in Daly City...

Horses with carriage. Oil on panel. 16.1 x 24.2 cm

Northern Nocturnal Landscape is a colored oil painting on canvas realized by Johann Friedrich Hesse in the early XIX century. Canvas dimensions: cm. 120 x 90 The artwork is hand-s...

An exceptional horse portrait “Young Lightfoot” in the manner of Edward Troye (1808-1874). Troye was born Edouard de Troy in Lausanne, Switzerland, on 12 July 1808. He was the son of...

"Horses Feeding" is an Equestrian painting by American Impressionist painter Joseph Thurman Pearson, Jr. The 40.5" x 56.25" oil on masonite ...

Oil on canvas 60.3 x 73 cm.; 23 3/4 x 28 3/4 inches Signed lower right

"Horse & Caravan" by Fernand Audet (French, Tarascon 1923- Mulhouse 2016) signed lower right oil painting on board, unframed painting: 21.5 x 18 inches A fine "mid century" oil pa...

Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), 1995, signed to the front and inscribed verso Title - Church and Village at Altarnun. Cornwall. Church of St Non...

Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), undated, signed to the front and inscribed verso Title - Winter Morning at a Surrey Farm, England A horse and ca...

Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), dated 1990, signed to the front and inscribed verso Title - "Snow Bound" Road to the Green, Water Mill. English ...

A pair of old master paintings by August Querfurt (1696-1761). Oil on panel, one signed with initials in the lower left. Two scenes depicting hawking parties from the 18th century. I...

This is an original unique oil painting, signed by the artist.

The Chase French School, early 20th century signed 'L. Masson' signed oil painting on canvas board, framed framed: 29.5 x 51 inches board: 25.5 x 47 inches condition: very good prove...

As we gaze upon at this artwork, our eyes are immediately drawn to the foreground where a comical spectacle unfolds before us. A carriage, stubbornly stuck in the midst of a ford, se...

Richard Rodriguez's (US based) "First Light" is an original oil painting that depicts a gathering of horses bathed in early morning light. My Background Brushes, pallet knives, sc...

Richard Rodriguez's (US based) "Onlookers" is an original oil painting that depicts a gathering of horses. My Background Brushes, pallet knives, scrapers & squeegees are used with...

Robin Hextrum's (US based) "Pegasus" is an original oil painting that depicts a mythical white horse with wings. Artist Statement: This painting is part of my "Magical Realism" ser...

The Logging Team by John Falconar Slater (British, 1857-1937) signed oil on canvas, framed framed: 25 x 32 inches canvas: 20 x 27 inches Provenance: private collection, UK Condition...

"Moving the Wild Ones" by Robert Hagan is an original oil on canvas and measures 60x216. In this large original painting by Robert Hagan, cowboys on horseback run through the canyon mountains kicking up dust and trying to reign in runaway mustangs and they travel through the blue water and canyons. The contemporary cowboys are in trench coats with their cowboy hats flying off into the sky while holding Mustang Australian-style bullwhips that are ready to strike. Translating scenes of everyday life into nostalgic and blissfully peaceful visions of the world, Robert Hagan has become a premier Western artist of our time. A man of many talents his impressionistic style using a limited palette of oil brings a sense of tranquility that makes his paintings come alive. Robert Hagan is an Australian painter...

Painting of horses and farm animals by Herring the Younger British, 19th Century Frame: Height 83cm, width 97cm Canvas: Height 64cm, width 77cm This charming painting is by John Fre...

Scottish artist, David McEwen's oil painting of a Border Terrier dog and horse, "The Runaways" is a masterfully painted narration of Phillip, a dog, and...

Edward Lee Reichert (1919-2011) Texas Artist Image Size: 21 x 33 Frame Size: 24.75 x 36.75 Medium: Oil "Hereford Time" Biography Edward Lee Reichert (1919-2011) Edward Reichert, architect, designer and artist, is a native Texan who has combined regional, national and international study and practice of the visual art and architecture since 1936. He is a versatile artist and designer, skilled in creating quality landscapes, portraits, architectural, western, religious and varied work in all media. After 36 years of architectural practice based in Houston in which he was involved in the design of more than 400 regional and international projects, he now devotes full time to painting. Best known of his art works are his designs of stained and faceted art glass which include 100 panels designed for the First United Methodist Church of Houston. In 1983, he wrote and jointly published with the Church, Windows Sharing God’s Caring, an art book with photographs by his wife Elizabeth, illustrating and describing these panels and the historic sanctuary windows. While attending The University of Texas in Austin he served as art editor of the university publication Architecture, Engineering and Industry (1938-41). After receiving his Bachelor of Architecture Degree and the Alpha Rho Chi Architectural Medal in 1941, he was awarded scholarships for continued studies a M.I.T., Harvard, and Yale. As a Naval Reserve Officer during World II, he authored and illustrated Naval Intelligence publications. He became a Registered Architect in Texas in 1947, AIA member since 1951 and NCARB certified since 1974. He has worked and studied in England, Europe and Canada. Invitational study and travel with Master Painter, Lajos Markos...

Afternoon ride is a pair of, 13 x 9 inches each, equestrian paintings by Pennsylvania painter James N Hess. One is signed in the lower left, one is signed in the lower right. Animal...

Hermanus van Brussel Dutch, (1763-1815) The Farmyard Oil on canvas Image size: 18.25 inches x 21.25 inches Size including frame: 24.5 inches x 27.5 inches Provenance: Frost & Reed A...