Horse Landscape Paintings

Edward Benjamin Herberte British, (1830-1896) The Meet Oil on canvas, signed & dated 1890, embossed makers mark to stretcher Image size: 15.5 inches x 23.5 inches Size including fra...

David Bates British, (1840-1921) The Plough Team, Bredon’s Norton Oil on canvas, signed & dated 1908, further inscribed verso Image size: 15.5 inches x 23.5 inches Size including frame: 21.5 inches x 29.5 inches A lovely landscape painting of a plough team on a country track near Bredon’s Norton by David Bates. Bredon’s Norton is a village located in the Cotswolds, on the slopes of Bredon Hill in South Worcestershire. The America women’s rights activist Victoria Woodhull Martin moved to the village in 1901 and by 1908 had set up an agricultural school for women at her Norton’s Park estate. The Antarctic explore Raymond Priestley also lived there. Although Bates was living in Surrey at the time of this painting, he would have been familiar with the area after having lived and worked in Worcestershire for some considerable time. He would have also most likely been aware of Victoria Woodhull Martin and the school. David Bates was born in March, Cambridge in 1840 to Benjamin Bates a shoe maker and Sarah Bates. By 1851, the family had moved to Upton upon Severn in Worcestershire and from 1855 Bates became an apprentice at the Royal Worcester Porcelain Works in Worcester. There he developed his artistic talent, painting flower decorations onto vases and plates. At some point after 1861, he became a full time artist and made his debut at the Royal Academy in 1863, continuing to exhibit there until 1893. He also exhibited at the Royal Birmingham Society of Artists, Suffolk Street and the Grosvenor Gallery. He married Elizabeth Higgs from Worcester in 1867 and they lived at Cherry Orchard, Bath Road in Worcester where their children were later born. Their second child John Bates Noel (1870-1927) became a landscape artist and their younger son David Samuel...

A fine antique oil painting of horses pulling a stagecoach in snow , by John richard Worsdale (1869-1947) The artist portrays this powerful scene with an extensive view, featuring the stagecoach pulled by 4 horses and a village scene behind with buildings and peopla with another coach behind. oil on canvas, signed lower left, housed in a gilt frame. The size of the painting is approx 74 cms x 49 cms, whilst framed size is 90cm x 67cm. The painting is in very good condition, relined, with only some minor craquelure to the skyline, The frame appears original and is also in good condition with only minor age wear. Provenance: The E. W. Towler Collection, formerly of Glympton Park, Woodstock, Oxfordshire. Eric W. Towler was a remarkable man. He was born in 1900 and left school at the age of 12 to work in a Yorkshire pit and through a lifetime of hard work, self-improvement, luck and a refusal to limit his horizons achieved many of his aspirations. As a Yorkshireman through and through, he believed in ‘spending the brass in his pocket’ and over time he was successful enough to acquire enough ‘brass’ to enable his purchase of Glympton Park and furnish it as a traditional country house with all the trappings – in his case collections of antique furniture...

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 RIDERS PASSING BY A TAVERN signed, located & dated "Joaq. D. Becquer. Sevilla, 1847." (lower l...

"Christmas Morn" Sleigh in the Snow after W.C Bauer, London Oil on Linen 1937 Christmas Morning and a sleigh ride by Mrs. J.B. Anthony (American, 19th-20th C.)...

"Horses Feeding" is an Equestrian painting by American Impressionist painter Joseph Thurman Pearson, Jr. The 40.5" x 56.25" oil on masonite ...

LUNA, Charles de (1812-1866) Horses and carriage hunting Oil on canvas signed low left and dated 1841 Old original frame gilded with leaves Dim canvas : 39 X 75 cm Dim frame : 89 X 52 cm Certificate of authenticity LUNA, Charles de (1812-1866) French Painter 19th century Born in 1812 in Châlon sur Saone Genre scenes, military subjects, Orientalism Pupil of Léon Cogniet...

Oil painting by John Dearman 1852, farm with cows and horse. Signed and dated lower left. Unframed. Age-related condition. Painting has been professiona...

This is an original unique oil painting, signed by the artist.

Cowboys trying to run out of the storm on this cold rainy day of cattle herding on the ranch. A cowboy in a wagon being pulled by four brown and black horses is herding the longhorns...

This vibrant and colorful piece, "Scarlet Coat", is a 14x18 equine oil painting on canvas featuring a red coated huntsman atop his dark brown horse in a green grassy field during a f...

Naturalistic painting of a mare and foal as they travel down a dirt path near the seaside. Signed and dated in the front lower right corner. Currently hung in a vintage gold frame D...

This vibrant landscape, "Spring", is a 9x12 equine oil painting on canvas featuring a grey horse and a brown horse walking in a lush green grassy pasture in the warm sunlight. Trees...

Nimes, Etching with Aquatint Painting by Julian Trevelyan 1910-1988, 1972 Additional information: Medium: Etching with Aquatint 24 x 30 in 61 x 76.2 cm Signed and titled in pencil ...

Raymond Allègre 1857-1933 French Pont Neuf Signed “R. Allègre" (lower right) Oil on panel This exquisite Parisian city scene displays Raymond Allègre's Impressionist style throug...

A majestic Canadian mountain rises to the sky with a small Canadian Mountie on hours viewing the scene, Mizen uses a creative technique of exposing...

THE CORONATION OF HER MAJESTY QUEEN ELIZABETH II, 1953 by Patrick Edward Phillips (British 191907-1976) signed and dated oil painting on canvas, unframed canvas: 26.5 x 27.5 inches p...

Feeding The Plough Horses, 19th Century attributed to Edward Robert SMYTHE (1810-1899) Large 19th Century English farm scene of a farmer feeding his pl...

"Stable Walk", is a 22x30 oil painting on canvas by artist Dahl Taylor featuring a two brown horses being led back to the stable after morning workouts at Saratoga Race Course. Brigh...

This colorful piece, "Frozen in Time", is a 18x24 oil painting on canvas featuring two riders atop their horses in a green field during a fox hunt. A group of hounds eagerly run alo...

Oil on canvas Canvas size: 28 x 36 inches Framed size: 36.75 x 44.75 inches Signed lower right

18th-Century Pastoral Scene Dutch School, 18th century oil on canvas, framed Framed: 22 x 25.5 inches Canvas : 18.5 x 22 inches Provenance: private collection, France Condition: very...

George William Horlor British, (1820-1899) The Day’s Bag Oil on canvas, signed & dated 1895 Image size: 17.5 inches x 23.5 inches Size including frame: 28 inches x 34 inches A won...

“Herd of Horses in a Marshy Landscape” Frances Mabel Hollams (England 1877-1963) Oil on canvas on board 14 x 20 (24 x 30 frame) inches Signed “FM Hollams Private Collection Durham, E...

Approach of a Rider Noel Daggett, American (1925–2005) Date: 1980 Oil on Canvas, signed Size: 30 x 36 in. (76.2 x 91.44 cm) Frame Size: 35 x 41 inches

Oil on canvas Canvas size: 19.5 x 24 inches Framed size: 25.75 x 30 inches Signed lower right

John Berry is a well-known English artist who painted portraits of the royal family. During his career, he discovered Edward Curtis's photographs of Native Americans and became awestruck by the strength and power each portrait held. He studied them in-depth and became an expert in depicting the Native American lifestyle and portraits. This painting entitled "Solitary Figure" is an original oil on canvas painting measuring 40x30 in. In this painting a Native American chief with an Indian headdress...

Jim’s of Lambertville is proud to offer this artwork by: Charles Hargens (1893 - 1997) Carversville, Bucks County, Pennsylvania artist and illustrator Charles was born in Hot Springs, South Dakota. As a young boy he loved to draw cowboys, Indians and ranch buildings. By age ten, he was “a commercial success” selling drawings of neighbors’ barns and houses for $25. When he grew older, his parents consented to enroll him at the Pennsylvania Academy (1913-20) where he studied with Daniel Garber, Hugh Breckenridge, Henry McCarter, and William Merritt Chase. At Garber’s invitation, Hargens occasionally came to visit his Lumberville studio to paint with him. A lifelong friendship resulted. In 1915, the Pennsylvania Academy awarded Hargens its Cresson Traveling Scholarship and he went to Paris to study at the Academie Julian and the Academie Colarossi. Hargens was a fellow of the Pennsylvania Academy and a member of the Society of Illustrators, the National Cowboy Hall of Fame and the Philadelphia Sketch Club. He exhibited at the Art Institute of Chicago (1923 awards) and at the Pennsylvania Academy of Fine Arts (1915 prize, 1917 prize, 1918 award). By the early 1920s, he began to produce illustrations for book jackets, books, magazines and advertisements. His career took off and soon his illustrations of cowboys, Indians, Western life, Revolutionary War action and boy scout themes appeared in, or adorned the covers of The Saturday Evening Post, Collier’s, Liberty, McCall’s, Boy’s Life and Gentlemen’s Quarterly. His work also appeared on billboards and advertisements for Stetson hats and Coca-cola. It was conditioned by Hargens that all of his original art was returned to him after being published. His entire body work remained in his studio until his death in 1997; this is largely the reason his paintings have not yet commanded the high prices of his contemporary Saturday Evening Post illustrators (i.e. Rockwell, Leyendecker and N.C. Wyeth). At first he and his wife worked from their studio in Philadelphia. In 1940, they purchased a property at the intersection of Aquetong and Sawmill roads in Carversville. They commuted to Philadelphia regularly and stayed in South Dakota every summer. Eventually, he set up a studio next to his Carversville home. After moving to Carversville, Hargens began a lifelong friendship with George Sotter. Hargens’ Carversville home was the subject of many of George Sotter’s paintings long before and during the time Hargens lived there. Hargens also studied with Henry Rand...

Greg Singley , born 1950- Artist Statement: When the sun sets in the desert South West, things appear. This is the nature of what touches me about that la...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 16 x 15 tall Medium: Bronze Sculpture / Studio Copy 1984 "Working as One" G. Harvey, known for paintings closely linked in mood and subject matter to Edouard Cortes [1882-1962], G Harvey creates romanticized street scenes of turn of the century towns in America. Rain slick streets reflect urban lights, and the weather is obviously cold. He grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend for his grandson. So, the American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduating cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream, commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. Today, G. Harvey lives in Fredericksburg, Texas, with his wife Pat in a 150-year-old stone home built by German settlers. His studio and residence are nestled within the Historic District of Fredericksburg. It is obligation of fine artists to present us with more than pretty pictures. They must also make us feel. Among the western painters of today, there is none more capable of accomplishing this than G. Harvey. In his paintings, the viewer into only sees the physical elements of his subject, but also senses the mood that surrounds them. It is a remarkable aspect of fine art, which few artists are able to master. Gerald Harvey Jones was born in San Antonio, Texas, in 1933. His grandfather was a cowboy during the trail-driving era when legends grew up along the dusty trails north from Texas. Family stories of wild cattle and tough men were absorbed by a wide-eyed boy and became the genesis of G. Harvey's art. A graduate in fine arts at North Texas State University, Harvey taught full-time and painted nights and weekends for several years. It was through painting that he found his greatest satisfaction, and his native central Texas hill country provided the inspiration for most of his earliest work. With the development of his talent and the growth of his following, Harvey began to expand his artistic horizons. He left teaching and concentrated on a career in fine art. He sought the essence that is Texas and found it not only along the banks of the Guadalupe, but in cow camps west of the Pecos, and in the shadows of tall buildings in big Texas cities. The streets of Dallas once echoed with the sound of horse's hooves and the jingle of spurs. Historic photographs reveal what it looked like, but only an artist like Harvey can enable a viewer to experience the mood and flavor or the time. Contemporary west art has too often centered on the literal representations from its roots in illustrations. Artists like G. Harvey take us a step further, to the subjective impressions that are unique to each great talent, and which constitutes something special and basic to fine art expression. Harvey is a soft-spoken and unassuming man who cares deeply about what he paints without becoming maudlin or melodramatic. We sense there is more in each Harvey painting than just that which is confined to the canvas. Resources include: The American West: Legendary Artists of the Frontier, Dr. Rick Stewart, Hawthorne Publishing Company, 1986 Artist G. Harvey grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend. So, the American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduation cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Two years as a struggling artist followed, but 1965 brought acclaim for the artist's first prestigious show, The Grand National exhibition in New York, and the American Artists' Professional League presented him with their New Master's Award. President Lyndon Johnson discovered his fellow Texan's talent, became a Harvey collector and introduced John Connally to the artist's work. Connally was enthusiastic about Harvey's art, and, on one occasion, he presented a G. Harvey original to each governor of Mexico's four northern states. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. Through his art, our history lives. Today, G. Harvey lives in Fredericksburg, Texas, with his wife Pat in a 150-year-old stone home built by German settlers. His studio and residence are nestled within the Historic District of Fredericksburg. Gerald Harvey Jones, better known as G. Harvey, grew up in the Texas Hill Country listening to his father and grandfather tell stories about ranch life, frontier days in Texas, and driving cattle across the Red River. Early in his career, he began to draw inspiration from that collective memory for paintings that would eventually earn him the reputation as one of America's most recognized and successful artists. His art is rooted in the scenic beauty of the land he grew up in and the staunch independence of the people who live there. He says, "My paintings have never been literal representations. They are part first-hand experience, and part dreams generated by those early stories I heard. They are a product of every place I have been, everything I have ever seen and heard." G. Harvey graduated from North Texas State University. He taught in Austin, but continued to study art in his spare time, eventually devoting full time to his painting. The year 1965 was a turning point when he won the prestigious New Masters Award in the American Artist Professional League Grand National Exhibition in New York. It is often said that in viewing a work of art, one is granted a unique look into the thoughts and expressions of values that give meaning to the artist work. Nowhere does this ring truer than the art of G. Harvey. Though Harvey has had nearly two decades of sell-out shows, an outstanding honor came with a series of one-man shows in Washington, D.C. in 1991. The first was at the National Archives featuring his paintings of the Civil War era, then a selection of paintings of notable Washington landmarks was exhibited at the Treasury Department, culminating in a one-man show of 35 paintings at the Smithsonian Institution during their exhibition of The All-American Horse. His work was featured in Gilcrease Museum exhibitions from 1992-1997. In 1987 his alma matter honored him with a Distinguished Alumni Award. One of Harvey's paintings was featured on the cover of Smithsonian Institution's 150th anniversary engagement book. He now has four books published and resides with his family in The Texas Hill Country. integrity, strength, courage, faith, heritage - these are compelling words that have often been used by collectors and art critics alike to describe that intrinsic value that courses through every original painting or sculpture by artist G. Harvey. Whether drawing inspiration from his own deeply rooted Texas heritage or his world travels with wife Patty, the human experience is fully revealed in his art. He is often credited with technical brilliance as his goal is to approach each subject with discipline, maturity and artistic integrity. Yet beyond this vast and well-schooled knowledge, is a deeper set of values, an inner luminosity that transcends time and place, evoking familiar sights, sounds, moods and emotions. Harvey grew up in San Antonio, Texas. He resides now in Fredericksburg, Texas where he lives in a 150-year-old stone home built by German settlers. Lyndon Johnson introduced his works to John Connally who presented a G Harvey original to the governors of four Northern Mexican states. He celebrated a one-man show at the Smithsonian Institution entitled The All-American Horse. Harvey has always believed that history lives through art including the epic struggle between the states, the western migration, the brief time when horses and automobiles clattered across cobblestones together. He is faithfully able to capture the drama and feeling of such a moment in time. Please view my 1stdibs store front for other Great Vintage Texas...

Unidentified Artist 19th Century Central European Winter Scene Oil on board Framed: 39 x 51 cm Panel: 23 x 36 cm This charming 19th-century winter landscape presents a picturesque C...

Title: Pair of Miniature Watercolors of Frenchay Church and Friends Meeting House by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurement...

Artist: Josef Hallberg (Austrian, Born in 1912- ) Title: The Ploughman Medium: Oil on Panel Dimensions: Framed 14” x 12”, Unframed 9” x 7” Description An oil painting of an Aust...

Born in Mouscron in the Belgian province of Hainaut, Cogghe attended the Academy of Roubaix where he studied under Constantin Mils. In 1876, Cogghe was admitted to the École Nation...

Oil on Board painting for American Weekly Magazine November 15, 1953. The decisive moment of a Cowboy and Horse is captured. As a determined team, t...

"Time of Day" (2019) by Sophy Brown is an original mixed media illustration depicting a white horse on the plains. Painting for me is a way of responding to the world as I experien...

"White Horse at Dusk, Tuscany" is a contemporary impressionist pastoral oil painting painted en plein air. Two horses stand under a run-in shed and graze from a haystack. Florence ca...

Farmyard Friends Continental School, second half 20th century oil on canvas, unframed Canvas: 20 x 24 inches Provenance: Private collection, Dorset, England Condition: very good cond...

Artist/ School: Michael Wood, British 20th century, signed Title: A huntsman mounted with four hounds at foot in a landscape Medium: oil painting on can...

Equestrian statue of Bartoloméo Colleoni Captain General of Venice Work on panel Golden wooden frame 29 x 30.5 x 7 cm

Oil on canvas Canvas size: 12 x 18 inches Framed size: 15.75 x 21.75 inches Signed lower right

Joe Rader Roberts (1925 - 1982) Lockhart/Houston Artist Image Size: 15 x 12 Frame Size: 23.5 x20.5 Medium: OIl "Howdy Mam" Joe Rader Roberts (1925-19...

Sunset over a Frozen Landscape by George Augustus Williams British 1814 - 1901 Oil on canvas Canvas size: 13 x 20 inches Framed size: 17 x 24 inches Monogrammed lower left

"Into The Wild" (2022) Is a beautiful impressionist landscape by contemporary painter Harold Deist, which depicts two people riding horses along a mountain path Harold Deist has bee...

Title: French Impressionist Oil Painting of Onlookers Watching Harness Racing By Fanch Lel (French b. 1930) Size: 8.75 x 10.75 inches (height x width) Signed: Yes Oil painting on boa...

The Polo Match, date 1957 signed Chate Large 1957 English view of polo match, oil on board signed Chate. Good quality and condition rare early study of th...

Moreno PINCAS depicts life. Noisy, agitated. With a critical and tender eye, he sketches existence as if it were a play and each time tells us a new story made up of meetings and liv...

The Italian Lakes Italian artist, early 20th century indistinctly signed oil on canvas, framed framed: 21.5 x 18 inches canvas: 17 x 14 inches Provenance: private collection, UK Co...

In this painting, I've captured the vibrant essence of freedom and movement against a backdrop of majestic mountains and an expansive sky. The bold strokes of acrylic and oil blend a...

It was Henry Cross's portraits of horses belonging to the prominent breeders and trainers of the second half of the nineteenth century that won the artist renown as an animal painter. Born and raised in upstate New York, Cross's proficiency in both drafting and caricature was revealed while he was still a student at the Binghamton Academy, New York. In 1852, when he was only fifteen years old, Cross joined a traveling circus that took him to Minneapolis, Minnesota, and to the first of many Indian encampments that he would draw upon for subject matter throughout his career. Biographers differ as to the year Cross left for Europe, however, he was in Paris from 1852 to 1853 or 1854, where he studied with Rosa Bonheur, a highly esteemed French painter of horses. Upon Cross's return to the United States he was commissioned to paint the studs of wealthy horsemen, including those of Commodore Cornelius Vanderbilt, Robert Bonner, the owner-publisher of The New York Ledger, and "Copper King" Marcus Daly, whose 18,000 acre stock farm was reputed to be the greatest and most valuable horse ranch in the world. Although Cross received the highest pay of any equine artist of his day (up to $35,000. for one order, according to The Horse Review of April 10, 1918, p. 328), he frequently joined traveling circuses and painted the locales where they visited. He also painted portraits of notable contemporaries, such as President Abraham Lincoln, ex-president Ulysses S. Grant, King Edward VII of England, W. F. "Buffalo Bill...

Walt Kuhn (1877-1949)was associated with the art group known as "The Eight" and with Arthur B. Davies, was a the key figure in forming the American Association of painters and Sculp...

This artwork titled "Dance Upon the Sky" 2013, is an oil painting on canvas by noted American artist Frederick Michael Wood, b.1944. It is signed at the lower right corner by the art...

Arthur Walker Redgate British, (1860-1906) A Wayside Chat Oil on canvas, signed Image size: 13.5 inches x 20.5 inches Size including frame: 19.5...

Oil on canvas Canvas size: 20 x 30 inches Framed size: 26.25 x 36.25 inches Signed lower left

Title: Historic Miniature Harbourside Watercolor of the Llandoger Trow Inn in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2.75 inches (height) x 3.25 inches (width) Condition: Very good and highly presentable Provenance: From a large private collection of this artists work in Bristol, England. Description: This characterful watercolor by Jack Grunwell captures the Llandoger Trow Inn, one of Bristol’s most iconic and storied pubs, located near the city’s historic harbourside. Built in 1664, the timber-framed building has long been associated with maritime history and folklore, said to have inspired Robert Louis Stevenson’s Treasure Island and once frequented by pirate Edward Teach...

Frederick Lester Sexton White Horse Signed lower right Oil on canvas 25 x 30 inches Provenance Part of a Collection received from the Lyme Art Association. Frederick Lester Sexton received a lot of reviews and exhibitions in the 1920s, 1930s, and 1940s, when he was at the height of his career. Because it captured the personal view of many people's wish to ignore national issues and simply live their lives in their homes, his work was favorably welcomed. The rise of modernist styles like Abstract Expressionism, which started to take over the American art scene in the 1950s, also contributed to Sexton's fall in popularity. As collectors and regular spectators discover once more that realism is a valid component of American art because it speaks directly and clearly to the beauty they perceive in their surroundings, many artists, like Sexton, are experiencing a renaissance. Cheshire, Connecticut, was the birthplace of Frederick Sexton in 1889. His father, J. Frederick Sexton, was the Rector of St. Peter's Church in Cheshire and a well-known Episcopal clergyman. The mother, Mary Louise Lester, was an amateur painter and came from a pretty well-known Hartford family. Frederick was killed in an open-hearth fire when he was eighteen months old. His right hand was badly burned and was never to be opened again. The father kept the family together after his mother passed away when he was nineteen. Sexton's mother taught him art, and he went to public schools in New Haven. He received the prestigious Winchester Prize for a year of study in Spain while attending the Yale School of Fine Art, where he studied under Augustus Tack...

Title: Trio of Watercolors of Frenchay Church Quaker Meeting House and Unitarian Chapel by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measu...

Swedish title: Hästkrake (The Old Nag) oil on panel signed on the reverse: Osc. Lycke Provenance: Acquired directly from Katarina Gunnarsson, who inherited the painting from her m...