20th Century Paintings

Artist: Abraham Straski, Polish (1903 - 1987) Title: Rabbi and Student Year: 1957 Medium: Oil on Canvas, signed l.r. Size: 16 x 11 inches Frame Size: 25 x 20 inches

FINE 20th Century Piece By Louis Dodd SEASCAPE British old master oil Style painting in a Gold Gilt Frame Description “condition is very good for age , o...

Sit Pretty Maud Earl (British, American, 1863-1943) Oil on Canvas Laid to Board Signed Lower Right 19 x 25 inches 25.25 x 31.25 inches with frame Alice Maud...

Bruno Côté, Canadian, 1940-2010 L'île-aux-Coudres Quebec , 1984 Oil on masonite 12 x 16 in Signed and dated ’ lower right; Signed and titled verso framed

Antique American signed abstract expressionist oil painting. Oil on canvas. Signed. Framed.

"Wispy Trees" by Camille Meriot (French 1887-1975) pastel on unframed paper paper: 9.5 x 12.5 inches Fine original French Impressionist painting by the well listed and popular Fren...

Agnes Louise Agnete Jensen Weie (Danish, 1878-1964) and painted circa 1911. Provenance: ABR auction 170, 1964, catalog #83, 1964 (see photo); Inscribed, verso, '83/170' from auction ...

Title: Impressionist Forest Canal Scene with Autumn Trees by Fanch Lel By Fanch Lel Size: 19.5 x 20.75 inches (height x width) Oil painting on cardboard, unframed Condition: Good con...

Chuck Mauldin Born 1949 Fredericksburg Artist Image Size: 8 x 10 Frame Size: 12 x 14 Medium: Oil "Momma Likes Shade" A native of Texas, Chuck Mauldin has been painting in oil since the age of twelve. His interest in watercolor and pencil drawing grew during his years spent in Louisiana. With his move back to Texas, he has renewed his focus on oil painting, using this medium in a realistic yet painterly style. Striving to quickly capture color and mood with a direct "alla prima" technique is one of his main objectives in painting outdoors on-location. Cows, cowboys and Native Americans often enrich the landscape in his studio work, while anything can inspire his plein air paintings. Workshops with Charles...

Classical Portrait Oil Painting signed oil on canvas, framed French artist, indistinctly signed dated 1900 Framed: 28 x 24 inches Canvas: 22 x 18 inches Provenance: private collectio...

This artwork "California Coast" 1978 is an oil painting on hard board by noted California artist Robert Wee, 1927-2021. It is signed at the lower right corn...

Pierre Coquet (1926-2021) Still life with a red book Reference number F285 46 x 55 cm (not framed) This work is painted with oil on a canvas. There is a stamp of the signature in the...

Title: Mid Century French Nude Study Artist: Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper, double sided Size: 25 (height) x 19 (width) Stamped: Ver...

A wonderful Impressionist winter pastoral scene of a colorful quaint home by the river. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed much fee...

This early 20th-century oil painting by English artist John Falconar Slater (1857-1937) depicts a rustic cottage interior with an elderly lady reading. Slater was an accomplished, Ro...

Small but mighty. A moment caught, an explosion of energy, of color. And such a departure for California artist Heinie Hartwig (b. 1937), who is known primarily for his Western subje...

Early 20th century, oil on canvas. A cold winter's view of St Petersburg with the dome of St Isaac dominant in the city skyline. Well presented in a wooden frame. Signed to the lower...

A peaceful early 20th-century landscape by J.M. Livens, signed and dated 1924 on the reverse. The painting depicts a wide meadow under soft afternoon light, bordered by trees and pun...

Snow Bound oil on stretched canvas. Image is 16 x 22 unframed and 21.5 x 27.5 framed. The painting signed front LL in what looks like an original frame. Painting could use a light ...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 12.75 x 10 inches condition: excellent provenance: all the paintings we ha...

Provenance: Fischbach Gallery Tibor De Nagy Gallery Exhibited in The Virginia Museum, 1979 Nell Blaine, painter of still lifes and landscapes in brilliant colors, created abstract wo...

Cesare Gheduzzi (Crespellano 1894 - Turin 1957) - Port scene. 20.5 x 25 cm without frame, 29.5 x 34 cm with frame. Oil on panel, in giltwood frame. - Work signed on the lower righ...

Still Life Pink Flowers In A Vase Artist signed lower right corner and verso, canvas size 30x24, framed. Charlotte Igoe (Amar) was a self thought artist. Charlotte lived in London, England and had her apartment near Marble Arch and Park Lane, she was the first model in London to introduce photographic modeling, which was just starting in New York for magazines such as Vogue, Vanity Fair, Town and Country, Mayfair, etc. Charlotte was President and owner of the Fort William Times Journal and also President and owner of the James Murphy Coal and Oil Company. Charlotte financed and renovated the entire building of the Thunder Bay Historical Museum, she also financed and renovated the new library of the museum in honor of James Murphy her father-in-law, a well know pioneer at the Lakehead. Charlotte was well known at the Lakehead for her many charitable works, among them: Saint Joseph’s Orphanage, The Thunder Bay Historical Museum, McKellar Hospital, Port Arthur General Hospital, Saint Andrew’s Presbyterian Church, and the Frank Murphy Recreational Centre….St. Patrick’s Cathedral has a beautiful, large stained glass window dedicated in loving memory of Frank X. Murphy and his family. In the early 1950’s, Charlotte was instrumental in having cerebral palsy children recognized and started a school for them which was in the Baptist Church at Brodie and Donald Streets...

A MOMENT LEFT BEHIND Oil on canvas Size: 43 x 39 cm (including frame) A modernist style interior still life composition that captures a quiet moment, executed in oil onto canvas and...

Oil Painting of a Woodland Scene in the English Countryside by 20th Century Modern British Artist, James Wright Art measures 30 x 16 inches Frame measures 36 x 22 inches This 198...

Dimensions: (Frame) H 28.5" x W 35.5" (Painting) H 22" x W 30" Miguel Ángel Aybar Llauca, an artist specializing in expressionist painting, was born in Huancavelica and lives in the city of Ica where he began drawing from a very young age, drawing from its beautiful valleys and customs. In 1970 he began his studies in Drawing, Painting and Sculpture at the Regional School of Ica. He is a graduate of the National Superior Autonomous School of Fine Arts of Peru (1971-1976) with honorable mention, forming the promotion "Juan Manuel Ugarte Eléspuru". "Iqueño Expressionism" is the title of the exhibition that will be available to the public from May 25 to June 13 in the "Paracas" Room of the "Adolfo Bermúdez Jenkins" Regional Museum of Ica. Av. Ayabaca block 8°. Miguel Angel Aybar is a painter who characterizes expressionism in Ica without a doubt. His songs speak of longing, and secret friendships with the hurango, the palm tree of Huacachina or the silent and still sand of Ica. His work is primarily characterized by color. The contrasts between the intense dark contrasted with the radiance of reds, oranges, yellows or greens, achieve a positive effect on the observer. Its warm tones reach high levels like an Ica sun at noon. However, among those quasi Servulian colors , Andean prints maintain their presence. Hats, ponchos or skirts hidden from a root bound by blood or memories. The perfect textures of his works give him the seal, the personality that characterizes a curdled and experienced Aybar who no longer needs to dialogue with the brush; they just flow, hand and brush. When entering the exhibition hall, you do not need to read the signature, he is an Aybar. There is no room for confusion. Although there are not a few artists from Ica who use these boiling tones, and I translate it as a tribute to that Sérvulo that touches you in the depths of your being, if you are an artist and you live in Ica, you want to be possessed by the ghost of the disturbing Sérvulo Gutiérrez turned legend. Servulus still catches the spectator being absorbed, as if observing a volcano, fearing that it might erupt, but with an inexplicable delight that he stops you next to him and captures you. However, Aybar no longer needs Servulo's shadow, he has gained an important space in the artistic world of Ica. He is an artist and a close friend of poets and musicians. Painter recognized by the Ica society and deserving of all the medals and recognitions by the different institutions. He not only paints with mastery, as Alberto Dávila predicted, when he said that his maturity would give him the position that corresponds to him. He now sings in public to the delight of his closest friends. Ica recognizes him as a son and has given him the place that corresponds to this remarkable painter whom I congratulate. DATA ABOUT THE ARTIST Miguel Angel Aybar Yauca, was born in 1952 in Huancavelica. He has lived in Ica since he was very young; he began his art studies at the Ica Regional School of Fine Arts. He later moved to Lima to study at the National Autonomous School of Fine Arts of Peru from where he graduated in 1976. His teacher Alberto Dávila described him as: a restless, imaginative young man with a sober and dramatic color. His forms acquire poise and great eloquence . Aybar also had the painter Carlos Aitor Castillo...

This painting depicts a figure study of a male nude, standing in a classical contrapposto pose with one hand resting on a wooden table or stand. The artist has skilfully rendered the...

Title: French Château Landscape Oil Painting with Reflection in Lake and Turreted Towers By Fanch Lel Size: 13.25 x 16.25 inches (height x width) Oil painting on board, unframed Cond...

California/New Mexico artist Paul Pletka (b. 1946) Acrylic on Canvas, 1972. Native American subject in Decorative Hair Plates. Signed lower right. Titled in pencil on the verso by th...

Beautiful abstract Minimalist painting by unknown artist. Dated 1977. Oil on canvas measures 36 x 60 inches. Signed and dated lower right.

Market Stall Conversation French School, 20th century oil on canvas, unframed canvas : 24 x 20 inches provenance: private collection, France condition: sound condition but with consi...

Artist/ School: Albert Coste (French 1896-1985), signed lower right. Born 8 November 1895, in Marseilles; died 22 August 1985, in Marseilles. Albert Cos...

"The Park Bench" by Fernand Audet (French, Tarascon 1923- Mulhouse 2016) oil painting on canvas, unframed painting: 6.25 x 8.5 inches A fine oil painting by the listed French Impres...

Melitta Schiffer, painter. b. Trieste, Italy. In her youth, moved to Weimar, Germany with her parents. Studied at Art Academy, Weimar, Germany; Advanced studies with artist Mildan; 1...

The Three Graces - Original Surrealist On Board Dramatic and dynamic fantasy scene by Russell R. Tripp (American, 1942-2025). This piece depicts a dream like scene with two nude wom...

'Midcentury Biomorphic Abstract', NYMoMA, Paris, XXXII Venice Biennale, MALI, Lima, Peru Signed, lower right, 'E.R. Larrain' for Emilio Rodríguez Larraín (Peruvian, 1928-2015), and inscribed 'Roma, Nov 1963, Enero 1964'. (Rome, Nov 1963-January 1964). Verso titled, "L'Homme C'est Sujet à Errer" (Man Tends to Wander), and bearing the artist's self-portrait in india ink and wash. Exhibited: XXXII Venice Biennale, 1964. (original exhibition label verso) Previously with Staempfli Galleries, New York. This painting is registered in the Archives of American Art as 'Staempfli Gallery, inventory #775'. A monumental and historically distinguished work by this groundbreaking Peruvian Modernist who drew inspiration from Peruvian indigenous and pre-colonial culture. The paintings of Emilio Rodríguez Larraín are held in the permanent collections of museums worldwide including the Musée de la Ville de Paris, Peru's Museo de Arte de Lima and the Museum of Modern Art in New York. This painting was selected by the Peruvian Government for exhibition at the XXXII Venice Biennale in 1964 and is the largest single recorded work by the artist. Emilio Rodríguez Larraín received his Bachelors of Architecture in 1949 from Peru's Universidad Nacional de Ingeniería and held his first solo exhibition in Lima after visiting Europe in 1950. In 1951, he returned to Europe in the company of the artists Alfredo Ruiz Rosas and Joaquín Roca Rey...

American modernist abstract cityscape oil painting. Framed. Oil on canvas. Signed. Image size, 30H by 24L.

The Italian Coast Italian School, circa 1900's indistinctly signed oil on canvas, unframed canvas : 9.75 x 16.5 inches provenance: private collection condition: very good and sound c...

Maurice de Vlaminck was a French painter, best known as one of the spearheads of the Fauvism movement at the start of the 20th century. His reputation rests predominantly on his land...

Early 20th century Still Life with Fruits is by Reginald Bathurst Birch (1856-1943). Birch is best known as the famous illustrator of Frances Hodgeson Burnett's book 'Little Lord...

George Nemethy finds his inspiration in moments of quiet and solitude. Where he finds himself one with the sea and the sky and the tranquil world which he freely escapes to. Trained from an early age by his father Albert Nemethy, a world-renowned painter known best for his large scale steamer boats, George found...

This artwork "Seascape, California Coast" is an oil painting on canvas by noted California artist Willam Henry Blackman, b.1930. It is signed at the lower left corner by the artist, also stamped signed in the back. The canvas size is 23.75 x 48 inches. It is in excellent condition. About the artist: William H. Blackman was born February 2, 1930 in San Diego. He spent most of his early years in West Los Angeles. He became interested in art at about the age of 12 when he painted his first oil painting. In high school he majored in art so he could experiment with various mediums to find ways to interpret his ideas. In December of 1948 he joined the Navy and was stationed in Hawaii. After his tour of duty he returned to California and attended Woodbury College to learn about advertising and the graphic arts. While there, he met his wife Shirley, who coincidentally came from the Big Island of Hawaii. They were married on June 11, 1955 in her home town of Honokaa. When they returned he began his career in the graphic arts. In 1960 they began their family and moved to a new home in the San Fernando Valley. Meanwhile, Bill had become interested in the fine arts again. His position as an advertising production manger put him in contact with art directors and they would lunch together and then visit various art galleries in the area. He began oil painting again as a hobby. In 1964 he made an important contact through an associate at his agency. This person was a vice-president at Aaron Brothers Galleries and purchased paintings for them. They had showrooms in various major cities and sold original framed paintings to art galleries and furniture stores. He said they could possibly sell some of his seascapes so Bill began painting in his spare time. Gradually, they sold more than he could produce so Bill made the decision to leave the advertising business and devote his time to painting. In 1965 the Blackman's moved to Thousand Oaks, California. He began his career as a fine artist and to this day resides in Thousand Oaks. He contracted with Aaron Brothers to be his exclusive agents and began specializing in seascapes. After a few years he added landscapes and some other subjects. Bluebonnet landscapes and Padre Island seascapes were popular in the Dallas showroom. He and his family vacationed frequently in Hawaii and that became another source of inspiration. There, he was represented by the Davis Gallery in Honolulu. A good relationship with "Barney" Davis continued after the closing of the Aaron Brothers Wholesale Division in 1980. He painted for the Davis Gallery for about 8 years until they closed due to illness. Afterwards, he was contacted by Kobayashi Art Enterprises and has been represented by them. In 1980 he began teaching in private studios around the country, demonstrating his method of painting various subjects. During the latter part of the 80"s he was approached by Susan Scheewe Publishing to author and illustrate a book showing his way of painting. The first was published in 1990 and he has authored four other books since then. He demontrated six different instructional video tapes that were produced by his artist friend Gary Jenkins. Gary, who was helpful introducing Bill to the teaching business, was also an artist for Aaron Brothers Galleries. William Blackman is a published artist. Twenty subjects have been lithographed, six being limited editions, when he was with Aaron Brothers. One of his Hawaiian paintings...

The painting signed Ernest Albert is 10.5 x 15.5 unframed, 14.13 x 19.13 framed could benefit from a cleaning and better frame unless you like this look. This painting has the tell ...

4034 Antique Impressionist oil on artist board Set in a vintage carved wood frame image size 11.5x9.5"

'Still Life with Grapes', oil on canvas, French School, signed 'Kerlog' (circa 1950s). A naively charming still life with vibrant colours and ha...

This charming rural winter scene of ice skaters fully displays Norman Rockwell's America, but it was painted by female artist Charlotte Joan Sternberg. She combines the mid-century A...

An expressive, unfinished oil study depicting a smartly dressed gentleman. The artist uses gestural brushstrokes and a muted palette to loosely capture the man's sharp features. Unsi...

Rustic Bouquet signed by Fanch Lel (French b. 1930) Size: 11.75 x 9 inches Oil painting on cardboard, unframed Condition: The painting is in good condition, with minor signs of aging...

La seine à Paris. Oil on canvas, 38x46.5 cm The artwork depicts a landscape scene of the Seine River in Paris. The dominant color palette of the painting consists of bright tones, ...

Olja Ivanjicki "Florence or Hell of l'Inconnue De La Seine" original oil circa 1965 Original oil on board. Dimensions 26" wide x 42" high. The frame measures 30" wide x 46" high. Signed and dated at the upper border. She has auction results over $9,000 which was earlier in 2021. Olga Ivanjicki, the daughter of Russian emigrants was born in Pancevo, Danube Banovina. She studied at the Academy of Fine Arts in Belgrade, graduated in 1957, and in the same year she was the only woman among the founders of MEDIALA Belgrade, an art group of painters, writers and architects such as Leonid Šejka, Vladimir Velickovic, Ljubomir Popovic, Miodrag Ðuric. In 1962, she received a scholarship of the Ford Foundation to pursue her art studies in the United States, and in 1978 she was a selected artist of the Fulbright program Artist in Residence at the Rhode Island School of Design. She had over ninety individual exhibitions and participated in numerous national and international group exhibitions. Ivanjicki’s painting was influenced by Symbolism, Surrealism, Pop art and Fantastic art. In the course of her career, the artist received the Vuk Lifetime Achievement Award (Vukova nagrada, 1988), the Seventh of July Award (Sedmojulska nagrada, 1988) and the Karic Award. L'Inconnue de la Seine (English: The Unknown Woman of the...

Impasto Oil Painting of River Tree Scene British Postwar & Contemporary Artist, Terry Evans Terry Evans is a British Postwar & Contemporary Painte...

Victor Gilbert 1847 - 1933, French Oil on Panel A magnificent work by Victor Gilbert and one for all collectors. This is a rare and important example on a grand scale that is scarcely seen. Artist's very rarely painted on beautiful mahogany panels as large as this as they were too expensive and very hard to buy. The fact that Gilbert did this highlights the significance of this work. Panel Size: 45 x 26" (114 x 66cm) Outside Frame Size: 52 x 33" (132 x 84cm) Free Shipping Victor Gilbert’s natural ability as an artist was recognized early, but his family lacked the financial resources to send the young man to the École des Beaux-Arts. Rather than enrolling in the École, Gilbert was apprenticed to Eugene Adam as an artisan painter and decorator. His only formal education was evening classes with Pierre Levasseur at the École de la Ville de Paris. Perhaps it was his early immersion into la vie quotidienne that formed the basis for his later choices of subject matter for his art, that of the markets and streets of Paris. Despite his lack of formal training, Gilbert’s admissions to the Paris Salons of 1873 and 1874 were very well received by audiences and critics alike; at this time he was supported by the dealer Paul Martin, who was an important proponent of the Impressionist movement. Gilbert emerged in the early 1880s as the primary Realist painter to record the French marketplace...

In good condition measures 48x24. Original oil on canvas unframed

NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...

Artist: Lou Fink, American (1925 - 1980) Title: Asphalt Year: 1967 Medium: Oil on Canvas, signed verso Size: 40 x 48 in. (101.6 x 121.92 cm)

Vibrant Flower Market in Nice Tony Minartz (French, 1873 - 1994) oil on thick artist paper painting : 16 x 20 inches Provenance: private collection in the South of France, Conditi...

Mane-Katz (1894-1962) Landscape with palm tree. Gouache on paper, signed lower right. Dimensions: (Frame) H 37.5" x W 31", (Sight) H 24.5" x W 18" Emmanuel Mané-Katz (Hebrew:מאנה כ...

Signed oil on canvas still life in landscape circa 1980 by sought after French post impressionist painter Marcel Dyf. The work depicts a view of a harbour from beyond the open green ...

"6th Avenue El" American Scene Social Realism Mid-20th Century New York City Ernest Fiene (1894-1965) "6th Avenue El" 12 1/4 x 14 1/4 Oil on canvas board, c. 1940s Signed lower righ...