American Modern Paintings

Mid Century Desert Mesa Landscape with Cacti in Oil on Canvas Colorful mid century desert landscape with beautiful cacti by Vina McPheeters (American, 1892-1964). Colorful cacti are dotted throughout the foreground, lush with yellow and pink blooms. In the distance, dramatic mesas rise to meet a cloud-filled sky. Signed "Vina McPheeters" in the lower right corner. Presented in an antiqued bronze-colored frame. Frame size: 25.75"H x 29.75"W Image size: 20"H x 24"W Vina Pearl McPheeters (American, 1892-1964) was born in Iowa on October 7, 1892. Vina was the wife of Robert Guy...

Signed (lower right): Robert Vickrey

Early modern original watercolor and gouache ad layout for Foley's by Houston portraitist Robert C. Joy. The work features a German military aircraft flying over a pile of tin cans t...

This painting is part of our exhibition Charles Goeller: A Wistful Loneliness. Oil on canvas, 29 x 24 inches, Signed lower left Price Upon Request

George Deem (American, 1932-2008) Oil painting on wood board Depicting a still life arrangement with grapes, pears, and a pomegranate alongside a white ceramic pitcher and wine gla...

"American Geisha" - Figurative Portrait in Oil on Linen Modern portrait of a woman by American painter, Patricia Gren Hayes (b. 1932). The woman is s...

Bay Area School figurative of a cowboy and hats by Berkeley artist Patricia Gren Hayes (American, b- 1932), circa 1983. Signed "Gren Hayes 1983" upper center and signed and titled "Cowboy Boots" on verso. Unframed. Size: 16"H x 20"W. Bay Area Figurative...

"Artist at Work" - Portrait of the Artist in Oil on Canvas Figurative painting of an artist at work by Christine Chatwell (American, 20th Century). Presented in a blue wooden frame....

This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Refreshment and Intermission, tempera on board, 11 x 19 inches, c. 1930/40s, signed lower middle, exhibited at Groom's one person show at Closson’s Gallery, Cincinnati, OH, March, 1943 (see The Cincinnati Enquirer, March 7, 1943, section 3, p. 4); provenance includes a private Ohio collection; presented in a period gold painted frame About the Painting Refreshment and Intermission is part of a series of paintings of Amish subjects Grooms started in 1938 based on his travels in Pennsylvania. These tempera works reflect the Regionalist impulse to paint local scenes far away from big cities. Focusing on both people and landscape, Grooms' compositions tell the stories of the uniquely American experience of the Amish. “Grooms paints the Amish people with as much understanding of type and appreciation of the plastic quality as any artist who has approached this challenging subject," noted the art critic for The Cincinnati Inquirer when reviewing Grooms' solo exhibition at Closson' Gallery, "In his current show, ‘Refreshment and Intermission,’ is a case in point. Here the absorbed concentration of people eating is described without an ounce of sentimentality. He has made the most of the interest between groups and of the conversations, both humorous and serious. The work has the quaint simplicity of a Lord’s Supper...

Clarence Holbrook Carter (American, 1904-2000) Still Life with Apples, 1940 Oil on canvas Signed and dated upper right 18 x 24 inches Clarence Holbrook Carter achieved a level of na...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, ...

Park Scene (Chelsea, Manhattan) Oil on artist's board, c. 1947-49 Signed lower right (see photo) Provenance: Estate of the artist Dehn Heirs Condition: Good, needs a light cleaning Original wormy chestnut frame Painting size: 9 1/4 x 12 inches Frame size: 14 1/4 x 17 inches One of the earliest know Virginia Dehn paintings after her marriage to Adolf in 1947. The lived in Chelsea at 433 West 21st St. Inscription by artist verso: Virginia Dehn 443 W. 21 St. New York City V.70 Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

Medium: Oil on Canvas Size: 40" x 20"

Nude Woman in Bed with Mirror - Figurative Portrait in Oil on Canvas Modern portrait of a nude woman by American painter, Patricia Gren Hayes (b. 1932). The woman is laying in bed, ...

A large & delightful oil on Masonite, ca. 1950s, Martha's Vineyard street scene painting by artist Francis Chapin. Image size: 24" x 36". Framed size: 27" x 37". In a painted woo...

Lloyd Goff studied at the Art Students League, and has work in the collections of the Smithsonian American Art Museum, Whitney Museum of American Art, and T...

Sheldon Martin Bryan (American, 1916-1968), Portrait of a Man, Oil on Canvas, depicting a middle-aged man in brown suit with red tie, signed lower left, wood frame. Image: 29.5" H x ...

This painting is part of our exhibition Charles Goeller: A Wistful Loneliness. Oil on canvas, 30 x 25 inches, Signed lower right, Signed verso on stret...

fun with Color Theory As seen at Art on Paper 2024 at The Mannix Project East Hampton NY 12"x12" (14"x14" framed) each These come in a white frame. Acrylic on Paper Artist Statement...

Oil on cardstock painting of oil tankers docked in port along with people dockside on a bright clear day by the Long Island American artist, Whitney Myron H...

Mid Century Naturaleza Muerta Con Mangoes (Still Life w. Mangoes) by Francisco Dosamantes Substantial and brilliant modernist still-life painting mangoes by Francisco Dosamantes (Mexico, 1911-1986) Exhibition label on verso (circa 1957), "Salon De Plasticas Mexicana - Instituto Nacional De Bellas Artes - Francisco Dosamantes, Naturaleza Muerta Con Mangoes." Image 24"H x 31.5"W. "Francisco Dosamantes was born in Mexico City on October 4, 1911. His father was Daniel Dosamantes who was a builder, interior decorator and painter. Since its founding in 1949, the Hall of Plastic Mexican SPM, has accommodated the most representative work of the national art. Throughout its existence they have been part of hundreds of painters, sculptors, engravers, designers, ceramists and photographers of all tendencies and generations. Jut names: Diego Rivera, David Alfaro Siqueiros, Gerardo Murillo "Dr. Atl" Frida Kahlo, Rufino Tamayo, Francisco Dosamantes, Jorge González Camarena, Leopoldo Mendez...

Baltimore-born Thaddeus Haduch was mainly known as a landscape artist. He was born to Polish immigrant parents in East Baltimore in 1905. It seems that he lived his entire life in a...

Mid Century South Lake Tahoe in Winter Landscape Original Oil Painting Snow-capped stone pillars with split-rail fence framing iconic South Lake Tahoe valley in winter. A crisp blue...

Fred Nagler was born in 1891 in Springfield, Massachusetts, where he first studied wood carving. From 1914 to 1917, he studied at The Art Students League of New York, where his profe...

Fisherman Watercolor Comes Framed (see photo) About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk fr...

A charming, colorful 1930s painting of a young woman knitting by famed Chicago Modern artist, Francis Chapin. A harmonious palette of cheerful yellows, reds and blues, where a young...

Countryside Home - 2018 Original Oil on Board Vibrant landscape depicting a small white home in the countryside by an unknown central California coast artist Maria Pavao Hadsell (Po...

William Stephens Shields, Jr., 1925 - 2010 "Saturday Night Live" 1996 Oil on canvas 36"x48" artist framed Signed lower right William Stephens Shields, Jr., 1925 - 2010 He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas. At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields. He took them by storm, first Houston, then San Francisco, followed by New York in the late 60's. For 35 years, Bill produced some of the country's best illustrations: fresh, playful, loose and innovative. His illustrations were coveted by such clients as Bantam Books, Time Life, MacMillan Publishing Co., and were awarded numerous gold medals by the Societies of Illustrators in New York, San Francisco and Los Angeles, and the Houston Artists Guild. Later, following inspirational trips to Mexico and France, Bill shifted his attention to the self-directed world of fine art. After years of sculpting, making assemblages, painting nudes and landscapes, he settled on the exploration of large abstract oil paintings. His paintings have been exhibited in galleries in San Francisco, Connecticut and New York. CV EDUCATION: Chicago Academy Of Fine Art San Antonio Art Institute MAJOR FIELDS OF PROFESSIONAL ENDEAVOR: Freelance graphic design and illustration Instructor of painting and illustration Landscape, figurative and abstract painting ART RELATED EMPLOYMENT: (Professor of Art) California College of Arts and Crafts, Oakland, CA Academy of Art College, San Francisco, CA San Francisco Art Institute San Jose State University AWARDS FOR ILLUSTRATION, Gold Medals: New York Society of Illustrators Los Angeles Society of Illustrators San Francisco Society of Illustrators Dallas-Fort Worth Art Director's Club Houston Artist's Guild BIBLIOGRAPHY: Feature articles in: American Artist, Communication Arts, Print, North Light. Architectural design featured in: Better Homes and Gardens, American Home, Sunset Magazine, Architectural Digest. ILLUSTRATION CLIENTS: Oil Companies: Champlin Oil Company, Mobil Oil Company, Continental Oil Company, Standard Oil Company, Humble Oil...

Exhibited: New York Society of Artist Sid Deutsch Owings-Dewey Fine Art It's Skyscraper City: 1918. The artist depicts a simultaneous interior and exerterior view.. Based on Cole...

Venetian Canal, c. 1910-11 Tempera on board Signed lower right 24 x 30 inches 30 x 36 inches, framed Frank Nelson Wilcox (October 3, 1887 – April 17, ...

A vibrant 1930s American Scene painting of a sunlit Victorian house by noted American Modern painter Francis Chapin (Am. 1899-1965). Very reminiscent of Edward Hopper's artwork, the...

Valley House Gallery is honored to present a selection of paintings from the estate of American artist, John Hartell (1902-1995). John Hartell taught two disciplines at Cornell University in Ithaca, New York: freshman architecture and graduate painting. He was a much-loved professor there from 1930 until his retirement in 1967; one of his most illustrious students is the architect Richard Meier. As an artist, Hartell's first solo exhibition was in 1937 at Kleeman Gallery in New York. He exhibited at Kraushaar Galleries in New York for four decades, beginning in 1943. The Hartell Gallery at Cornell University, under the Sibley Dome, is named for him. In describing John Hartell, the artist Michael Boyd...

Lovely landscape by Tarmo Pasto. Signed and dated "1948" on the bottom right. Unframed. Image size: 25"H x 30"W. Dr. Tarmo Pasto was born on July 27, 1906 in Monessen, Pennsylvania, of Finnish descent. Tarmo Pasto was a psychologist and artist, who taught psychology and art through the 1970s at California State College at Sacramento since the schools inception. He also authored a book on art, The Space-Frame Experience in Art, published in 1964. He, however, was mainly known to the world for introducing the works of one of his psychology patients, Martin Ramirez...

Jersey Shore III Casein on Masonite, 1967 Signed lower right (see photo) Initialed, dated and titled verso Provenance: Estate of the artist Virginia Dehn (the artist's widow) Dehn Quests Created on location on the Jersey Shore. The Jersey Shore was the main playground for thousand to escape the summer heat of New York. This small painting shows Dehn's mastery of patterning color to depict movement and recreation. Part of a suite of paintings done on this theme. Within a year of it's creation, Dehn dies from a heart attack. Casein on Masonite Condition: Excellent Image: 6 x 11" Frame: 9 3/8 x 14 1/2" Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895-1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs...

A strong modernist oil painting depicted in 1927 by Russian-American painter Ben Benn. With a highly recognizable modern style, fast brush stroke and expressive use of color, shape, ...

Oil on canvas

Original oil on canvas painting by Anton Refregier of a young girl resting in the grass. Signed upper right and dated 1962. Condition is very good. The painting is in its original oa...

Abstracted Figure in Nature in Ink and Pastel on Paper Beautiful and unique abstract piece of a figure in nature by Frank Rowland (American, 1927-2012). The graceful and simplifie...

Swimmers and sun tanners at the local watering hole. Her birth name was Theresa Berney. At the time of her passing she was known as Theresa Loew. Birth place: Baltimore artist, blo...

Cowboy Hunting Pronghorn Deer ("American Antelope") in Watercolor and Gouache Detailed western scene by H. Rich (American, 20th Century). A cowboy is on a ridge, with two horses, ha...

Still Life with Daises and Wisteria in Acrylic on Masonite Still life by a window by Richard M. Bacon (American, 20th Century). A still life with a bouquet, a glass of wine, and a b...

Clarence Holbrook Carter (American, 1904-2000) Over and Above: Kangaroo, c. 1960s Acrylic on paper, mounted on matte board Signed lower right 14 x 5 inches Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...

Portrait in Striped Shirt (46) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 12 in. x 10 in. (30.48 cm x 25.4 cm)

Red Head Madame- Original 1975 Acrylic on Canvas Modern portrait of a nude red head woman by Bay Area artist Patricia Gren Hayes (American, 1932). The woman is seated on a chair, nu...

Patch of Cyan, Vintage Electric Blue Geometric Abstract by Eleanor Perry A bold modernist abstract painting by San Francisco, California artist Eleanor Perry (American, 20th Centu...

A large and wonderful Modernist still life of a cast iron pot, squash and ladle by notable Chicago artist Flora Schofield. Artwork size: 28 1/2" x 20". Framed size: 24" x 26". A painter, print maker and sculptor, Flora Schofield (Schoenfield), was born in Lanark, Illinois. She studied at the School of the Art Institute of Chicago and taught Saturday classes there until 1904. Schoenfield also studied with Charles Hawthorne, B.J.O Nordfeldt and William Zorach in Provincetown, Massachusetts. She studied with Albert Gleizes, Fernand Leger and Natalia Goncharova in Paris, France. In 1923, Schofield’s abstractions caused a split at the venerable Chicago Society of Artists. When her artwork was was accepted by the jury, the notable Impressionist painter Pauline Palmer and the notable Modernist painter Carl Hoeckner got into a row that ended-up splitting the group. The Impressionists then broke away into their own organization called the ”Association of Chicago Painters and Sculptors”. Paintings by Flora Schofield have been exhibited at the Pennsylvania Academy of the Fine Arts, Philadelphia; the Salon d’Automne and Salon de Independants, Paris; the Salons of America; the Society of Independent Artists, New York; the Wichita Museum of Art, Wichita; Gallery Carmine, Paris; the National Arts Club Galleries, New York; Marshall Fields Galleries...

Frank Nelson Wilcox (American, 1887-1964) The Wood Chopper, Brecksville, Ohio, c. 1917 Oil on masonite 33 x 24 inches "We were fortunate in that the two farms in Brecksville were still open to our visits. The urbanization of the township was then only beginning and we spent several summers there where I tried to capture something of the rural peace so soon to be erased from the countryside." - Wilcox Exhibited: “Water Colors and Oils by Frank N. Wilcox,” Cleveland Museum of Art, January 1937. Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School...

"Madam Suburbia #2" (Woman and Child, Sue & Casey) in Oil on Canvas An auburn-haired woman sits in a chair with her young child, by American painter, Patricia Gren Hayes (b. 1932). ...

Clarence Holbrook Carter (American, 1904-2000) Air Chamber, 1965 Collage, graphite and gouache on paper Signed and dated upper left 30 x 22 inches Provenance: Descended through the family. Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...

Original hand made, hand woven wall hanging modern art tapestry. Manufactura de Tapecarias de Portalegre (Portugal) (TMP Fino) tapestries are woven by hand on vertical looms. Arth...

Clarence Holbrook Carter (American, 1904-2000) Mandala No. 15, 1969 Acrylic on paper Signed and dated verso 27.5 x 22 inches Clarence Holbrook Carter achieved a level of national ar...

Wonderful modernist landscape painting. Francis Kelly was born in 1927 in St. Paul, Minnesota. He received his early education in Chicago and California. He served in the United States Navy from 1944 to 1948 when he entered the Art Center School, Los Angeles. During 1951 in 1952 he lived in Paris, attending the Academie de la Grande, Chaumiere. In 1953 he went to the University of Hawaii, Honolulu, and then to the University of California at Los Angeles, where he was graphic laboratory assistant to John Paul Jones. Awarded a Fulbright Grant in 1955 he came to the Graphic Department of the Central School, London. The St. George's Gallery first introduced his etchings in Britain. In 1958 Kelly was awarded the Stacy Grant for painting. His work has been shown at Royal Academy Exhibitions and he has traveled extensively. In 1966 he was appointed Art organizer for the U.S. Embassy "Festival of Arts in Humanities". His paintings were shown in the exhibition "Five American Artists in Britain". During 1976 he acted in a similar capacity on behalf of Windsor & Newton Ltd., who sponsored an exhibition of American artists commemorating the U.S. Bicentennial. He appeared in the film Science in Art. Kelly has studied painting conservation at the Courtald Institute. In 1967 he was sent to the Italian Art and Archives Rescue Fund to Florence to restore flood damaged paintings. In 1971 his book, Art Restoration, was published by David and Charles and in the U.S. by McGraw-Hill. His second book, The Studio and The Artist was published in 1975. Kelly's work has been shown at 24 museums in Great Britain and numerous galleries. Acquisitions have been made by many public and private collections, universities and educational services. During more than 40 years in Britain he has found a growing affinity with the countryside, observing less the well-known landmarks but rather more the timeless rural lanes and by-ways as yet still unspoiled by building and industry. A member of the group in Brighton preserving Brighton's West Pier, he has produced a series of works recording the ravages of time on this finest of Victorian structures.

Leon Dolice (1892 - 1960) New York Harbor (Brooklyn Bridge), circa 1930-40 Pastel on paper 12 x 19 inches Signed lower right Provenance: Spanierman Gallery, New York The romantic b...

Modern nude study of woman seated in chair by American painter, Patricia Gren Hayes (b. 1932). Red haired women with side view of same woman with asymmetrical composition circa 1970. Unsigned. Provenance: Purchased as part of larger collection of artist's work Unframed. Canvas size: 29"H x 29"W Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative & Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez. She started a freelance commercial art business in 1963; copyrighted a National Cartoon, 1976, and served as Exhibition Director for San Francisco Woman Artists Gallery and the San Francisco Museum of Modern Art, 1976-1978. She was a workshop instructor at the San Francisco Woman Artists Gallery, 1977-1985; and was Manager/Owner Stanton Art Gallery, Alameda, CA, 1976-1982. Solo Exhibitions: Berkeley Marina, 1974; Oakland Center for The Visual Arts, "Images of Women", 1979 Group Exhibitions: Oakland's Dept of Education, 1963, Studio One; Alameda County Fair, 1975, 1976, 1978; San Francisco Art Festival, 1969, 1970, 1976, 1977, 1978; San Francisco Museum of Modern Art, 1976, 1977, 1978; San Francisco Women Artists Gallery Exhibition, award winner - 1970, 1977, 1978; Hayward Bay Fair Art Festival, award winner - 1971; Capricorn Assunder Gallery, 1973; Oakland Art Festival, 1973, 1974; Alameda Art Association, 1978; El Cerrito...

Clarence Holbrook Carter (American, 1904-2000) Transection with Architectural Forms, c. 1980s Acrylic and graphite on board 12 x 20 inches A surrealist mid-century figural abstract ...

New Mother at the Park -- Day 65 Artist Kristin Cohen (American, b. 1963) abstract figurative captures quiet moment of new motherhood while ticking off the days. Signed on verso an...

Untitled painting by Suzanne Law. Framed Image size: 12.6 in. H x 17.1 in W Frame size: 18.1 in. H x 22.4 in W x 1 in D Wood frame

Rene Robert Bouche American, 1906-1963 Portrait of Virginia Cowles Oil on canvas 33 by 43 in, w/ frame 35 ½ by 45 ½ in Signed upper left Fascinated by th...