American Modern Paintings

Venetian Canal, c. 1910-11 Tempera on board Signed lower right 24 x 30 inches 30 x 36 inches, framed Frank Nelson Wilcox (October 3, 1887 – April 17, ...

fun with Color Theory As seen at Art on Paper 2024 at The Mannix Project East Hampton NY 12"x12" (15"x15" framed) These come in a white frame. Acrylic on Paper Artist Statement: Pa...

Provenance The artist; Collection of Walter Stuempfig, Philadelphia; Private collection, Massachusetts until 2022 The Philadelphia modernist Arthur B. Carles was a brilliant coloris...

"V" - Original Pop Art Original pop art "V" by Robert Wilham Hends. A white background with a small blue triangle in the top center, with a larger red "V" taking up the majority of ...

Spring Has Sprung on the Farm - Abstracted Landscape in Oil on Masonite Abstract farm with seeds sprouting in a bold abstract expressionist painting by ...

Early oil on canvas painting by the well known American artist, Nahum Tschacbasov done in the “Social Realism” period of the artist’s career. Signed lower left. Original artist inventory label on stretcher verso dates the painting to 1937. Condition of the painting is very good. The painting is housed in a contemporary version of a House of Heydenryk frame that measures overall 14.25 by 27.25 inches. Provenance: Estate of the artist Nahum Tschacbasov. Nahum Tschacbasov Biography : Russian-American artist Nahum Tschacbasov (1899-1984) is known for his cubo-surrealistic works which feature a strong psychological element. Some of his work bears a resemblance to work of another Russian-American artist--David Burliuk. He was somewhat of a late starter, moving to Paris in 1932 to study under Adolph Gottlieb, Marcel Gromaire and Fernand Leger. He had his first exhibition in Paris in 1934. He then returned to the US where he joined Rothko and Gottlieb at the Galery Seccession. He was one of the co-founders of The Ten, a group of social conscious abstract painters which included Rothko, Gottlieb, Joseph Solman and Ilya Bolotowsky, among others. In 1944, he began to work at Stanley Hayter's Atelier 17, a center for surrealistic ideas. Between 1936 and 1943, he had five one-man exhibitions at the ACA Galleries and participated in five group shows. He also exhibited at the Whitney, the Pennsylvania Academy of Fine Arts, the Knox Albright Museum, the Chicago Institute of Fine Art and Corcoran, among others. His work can be found in the permanent collections of the Met, the Whitney, the Brooklyn Museum and the Jewish Museum. Tschacbasov has been the subject of two recent retrospective at Fletcher Gallery, Woodstock, NY and Arthur...

From the estate of Jerry Opper & Ruth Friedman Opper Yellow c. 1950's Gouache on Paper 15" x 18", Unframed *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

Oil on canvas painting by the Russian/American artist, Nicolai Cikovsky. Signed lower left. In good unrestored condition. Housed in custom made wood and lemon gold gilt frame. Overal...

Interior with Man at Table American Modernism WPA Social Realism Modern Painting Philip Evergood (1901 - 1973) Untitled (Interior with Man at ...

Costa Rica! Still Life with Guitar, Fruit, Wine, and Newsprint in Oil on Canvas Still life in a semi-cubist style by Irene Pattinson (American, 1909-1999). On a reddish-purple table, there is a plate with two apples, a bottle of wine, and an acoustic guitar. The guitar's headstock is shown extending from where the neck meets the body, implying a cubist interpretation of the scene. At the back of the still life arrangement, there is a (collage) newspaper with "Costa Rica!" in the headline. At the left of the composition, there is a curtain or cloth draped across part of the scene. Signed "Irene Pattinson" on verso. No frame. Canvas size: 32"H x 24"W Irene Pattinson (American, 1909-1999) studied at the California School of Fine Art (now The San Francisco Art Institute), San Francisco State College and The Marion Hartwell School of Design. She was President of the San Francisco Woman Artists Association 1955-56. Provenance:The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art Solo Exhibitions: Lucien Labaudt Gallery 1955; San Francisco Museum of Art, 1961 (39 works) Selected Group Exhibitions: San Francisco Art Association Annual 1948, 54, 55; San Francisco Woman Artists, 1957-1960; Oakland Art Museum Annual, 1951, 58; California Palace of the Legion of Honor, 1960; Richmond Art Center, 1955, 56, 57, 58; San Francisco Art Institute 1959, 60. The Art Bank of the San Francisco Art Association, 1958, 59, 60, 62, 63; Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1960; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963; Awards: First Place, San Francisco Woman Artists Assoc., 1957, 1959; San Francisco Art Festival 1957;Literature: San Francisco Art Institute - A catalog of the Art Ban 1962/63; San Francisco and the Second Wave: The Blair Collection Exhibitions: 1963 The Art Bank of the San Francisco Art Association, San Francisco, CA 1963 California Palace of The Legion of Honor: Forth Winter Invitational, San Francisco, CA 1962 The Art Bank of the San Francisco Art Association, San Francisco, CA 1961 San Francisco Museum of Art, San Francisco, CA 1960 California...

Whimsical wood assemblage/sculpture of a cat and man looking out a window with reclaimed shutters by Daniel Albert Harris (Hungarian/American, 1914-1984), circa 1970. Signed lower center below shutter "ZEV". Purchased as part of a collection of his works. Size: 48"H x 32"W x 5.25"D. By listed artist Daniel Albert Harris (Hungarian/American, 1914-1984) who adopted the name of Zev, which means 'Wolf' in Hungarian. Born Daniel Harris and adopting the name of Zev, he studied at the Masters Institute of the Roerich Museum in Hungary, in New York City at the National Academy of Design, and at New York University, where he also taught for two years. His artistic talents were discovered by Grace McCann Morley of California in the early 1940's, and she invited him to exhibit in the Abstract & Surrealist Art in America exhibition at the San Francisco Museum of Art in 1944. Zev built a fantasy structure in Big Sur, California called "Crazy Crescent" which has since been condemned by city officials. He also illustrated Eugene Walter's book Singerie-Songerie, a version of Hamlet for monkeys. Harris changed his name to ZEV, which means 'wolf' in Hungarian, when he moved to Europe in 1953. He first went to Paris, then Spain where he created huge sculptures for a villa in Spain, and then Rome where he died in 1984. SOLO EXHIBITIONS San Francisco Museum of Art, 1947 Pinacotheca Gallery (Rose Fried...

Clarence Holbrook Carter (American, 1904-2000) Quadratic, 1979 Acrylic and collage on textured paper Signed and dated lower right 30 x 22 inches 31.5 x 23.5 inches, framed A surreal...

Signed lower right, 'Haefner' for Janice Haefner (American, 1919-2002) and painted circa 1960; additionally signed, verso, and with artist address. This life-time member of the Pacific Art League lived in Los Altos...

Donald Stacy "Sitting in Chair" c.1950s Gouache and oil pastel on paper 24" x 18" unframed Came from artist's estate *Custom framing available for additio...

Solitary Mister 1964 Oil on canvas 52 x 38 inches (132.1 x 96.5 cm) This work is offered by CLAMP in New York City.

1940s Tromp L'oeil Still Life Rose and Amaranth in Alcove Wonderful rose and amaranth still life in an alcove by Riverda Kapunas (American/Greek, 20t...

Artist: George Cecil Carter (1908–1993) Medium: Oil on board Size: Image: 16 ⅞ x 9 ⅞ in Framed: 20 ⅝ x 13 ½ x 1 ⅞ in Style: Mid-Century Modern, Abstract Figurative This striking 1950s oil painting by celebrated Colorado abstract expressionist George Cecil Carter presents a modernist portrayal of a couple, believed to depict Alfred Stieglitz and Georgia O’Keeffe. Rendered in bold brushstrokes and a rich color palette, the piece showcases Carter’s unique ability to merge abstraction with figurative expression, creating a sense of movement and emotion. Housed in a custom frame, this original mid-century artwork is a must-have for collectors of modernist and abstract figurative art. Provenance: From a private collection in Denver, Colorado. About the Artist – George Cecil Carter Born in Oklahoma in 1908, Carter became a leading figure in Colorado’s abstract expressionist movement, working alongside artists like Al Wynne, Mary Chenoweth...

The Cosmos and Tree - Original Abstracted Composition by Dave Francis Unique and thought-provoking abstracted composition with cosmos and oak tree by California artist Charles "Dave...

In the tradition of Modigliani, Maurer's depictions of women are expressive and lively. America had very few modernists who painted in this manner but Maurer is famous for exactly t...

A Large, Dynamic 1950s Mid-Century Modern Watercolor of Lower Manhattan, New York City by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). The image is watercolor, pastel and c...

Clarence Holbrook Carter (American, 1904-2000) Caged, 1971 Acrylic on paper Signed and dated lower right 24 x 20 inches A surrealist mid-century figural abstract painting. Clarenc...

Clarence Holbrook Carter (American, 1904-2000) Cicada, c. 1960s Watercolor on scintilla 30 x 20 inches Clarence Holbrook Carter achieved a level of national artistic success that wa...

Oil on artist board original painting by the well known American artist, Nicolai Cikovsky. Thick vibrant colors with a vase of flowers, a banjo and a notebook with photographs with a rough sea as the background. Circa 1940. Condition is very good. Overall framed in a circa 1960 frame, 23 by 27.25 inches. Landscape and figure painter Nicolai S. Cikovsky, 1894-1984, was born in Russia, where he studied at the Vilna Art School, 1910-1914; the Penza Royal Art School, 1914-1918; and Moscow High Tech Art...

Abstract watercolor composition bearing the influence of the earlier color-block compositions of Paul Klee. Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre (1903-2001), a Hungarian modernist painter. As a Denver, Colorado resident, Pavel Kontny exhibited at galleries and museums throughout the United States, Germany and Japan. There, he was inspired by frequent trips to Native American pueblos in the Southwest, as well as by the study of the Plains Indians of Montana and Wyoming. Over the years Kontny had a number of students and generously helped young artist by hosting exhibitions at his Cherry Hills home. For many years he generously donated his paintings to support charitable causes in Denver. Influences during his European years included German pastelist C.O. Muller, German Informel painter Karl Dahmen and Swiss artist, Hans Erni. In the early 1950s his painting style showed the influence of the Die Brücke (The Bridge), a group of German expressionist artists formed in Dresden in 1905 who had a major impact on the evolution of modern art in the twentieth century in Germany. By the middle of the decade his style incorporated more referential abstraction and total abstraction, resulting in part from his study of Hans Hartung, a German artist based in Paris who exhibited his gestural abstract work in Germany. The American moon landing in 1969 inspired Paul Kontny...

"Parisian Model" is an oil on canvas painting by Max Weber painted in 1908. The work is signed and dated, lower right, "Max Weber Paris 1908". The painting size is 35 1/2 x 19 5/8 inches. The framed size is 43 x 27 x 2 1/4 inches. "Parisian Model" was painted in 1908, when Weber participated in a life class in Matisse's studio in Paris and painted several nudes. Weber was influenced toward a more Cubist styler after seeing Cezanne's work in the 1906-07 Salon in Paris, and he consorted within avant-garde circles in Paris as early as 1905. After returning to the US in 1909, Weber was credited with showing American audiences Cubism based on his firsthand knowledge of the key players and the style. Several drawings of Weber's from this time are in museum collections at The Met, the Smithsonian, and MoMA and show a similar style and stocatto gesture. Parisian paintings by Max Weber are extremely rare as there are hardly any that have sold publicly. Provenance: Estate of the Artist Gerald Peters Gallery...

Trompe l'Oeil Still Tuscan Landscape in Oil on Masonite Landscape in the trompe l'oeil style by Richard M. Bacon (American, 20th Century). This piece has been composed to create the...

Steinberg's Holiday Magazine Cover, " The North of Jersey " is similar to his famous New Yorker Cover "View of the World from 9th Avenue”. ...

Clarence Holbrook Carter (American, 1904-2000) Up the Avenue, 1979 Acrylic and collage on paper Signed and dated lower right 15 x 11 inches A surrealist mid-century figural abstract...

Richard Joseph Ericson (American, 1922-2010) Untitled, 1962 Oil on canvas 18 x 16 in. Framed: 20 x 18 in. Signed lower left: RJE '62 Richard Joseph Ericson (b. October 22, 1922-d. November 21, 2010), born in Chicago, Illinois. Son of Claire (b. 1899) and Arthur Ericson (b. 1899). His father was an accountant for a food products company and the family moved to Mount Vernon, Westchester County, New York, when he was a young child. Ericson, a twin, first began to draw at age five and took up painting in oils at age twelve. He studied at the Art Students League in New York City in 1941, where he received an honorable mention during the annual scholarship competition held that year. During this period he worked as a commercial artist. After America's entry in World War II Ericson enlisted in the Army in 1942, where he served as a warrant officer. He saw service in North Africa, France, and Germany. While overseas, he did many drawings of the places in which he was stationed. He eventually found himself guarding Italian prisoners of war who had been captured in Sicily and southern Italy. While performing his duties during 1943 and 1944 he found time to paint several important, large scale portraits of the prisoners who were happy to pose for him. As the war concluded he was able to visit Holland to study. After nearly three years overseas, Ericson returned to America and traveled back to his home town of Chicago where he furthered his studies at the Art Institute of Chicago. He married in 1948 and moved his young family to Mexico, where he attended Mexico City College. He studied art and exhibited while living there, receiving his Master of Arts degree, cum laude, in 1953. For a time after his return to the United States he taught art in Dutchess County, New York, where he and his wife built their own house by hand. Eventually the family, which would come to include seven sons, settled in Hicksville, Long Island, New York. Ericson joined the staff of Hicksville High School as the art teacher in 1962, a position he would hold until his retirement in 1983. As a teacher, Ericson was open to all fields and styles of art, constantly experimenting and experiencing new forms and styles. He had started printmaking in the late 1940's and continued to work in this medium for many years, producing mezzotints, etchings, and wood block prints. He also continued to paint, creating portraits, scenes in southern Dutchess County, and Long Island landscapes - for which he would become well known. Ericson grew to love the area in which he lived, and depicted it quite often in his paintings. He became enamored with the historic village of Cold Spring...

Robert Alexander Darrah “R.A.D.” Miller (1905 - 1966) Robert Alexander Darrah Miller, called “RAD” by his friends, was born in Philadelphia. He enrolled at the Pennsylvania Academy of the Fine Arts from 1923 to 1927 under the tutelage of Daniel Garber. In 1928, Miller moved to Bucks County where he would meet and marry Celia Belden Marshall, daughter of Dr. George M. Marshall, who at that time owned the Phillips Mill property. Nearly a year later, in 1929, a committee headed by artist, William Lathrop, negotiated to purchase the Mill property from Dr. Marshall for the purpose of holding art exhibitions. Thus, the Phillips Mill Art Association was formed. RAD Miller was a regular exhibitor at the Phillips Mill with the traditional New Hope Impressionists. Many of the original founders of the New Hope Art Colony, set in their ways, frowned upon the concept of modernist painting. A decision was made by the Association to not include the growing group of modernist painters in the area to exhibit with them at Phillips Mill. Although clearly not a traditional impressionist, Miller was not being excluded with the others, largely because his father-in-law formerly owned the mill and was one of the Association’s board of directors. RAD was sympathetic to his fellow modernists. In 1933, he was one of the original members of the Independents, a group formed for modernist artists who chose to embark on a more non-traditional creative path. They would exhibit in tandem with the Impressionists but at different locations. Around the time of his arrival to New Hope in 1928, Miller struck up a friendship with Thomas Hart Benton, and in 1932 he worked under Benton on a mural project. RAD’s paintings...

Gracie Mansion, c. 1944, oil on canvas, signed lower right, 25 x 30 inches, presented in a newer frame Isabella Markell was a painter, etcher, and sculptor, who is best known for ...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Clarence Holbrook Carter (American, 1904-2000) Rockefeller Center, 1962 Acrylic and sand on scintilla Signed and dated lower left 25 x 20 inches Clarence Holbrook Carter achieved a ...

Striking Fauvist portrait with a vibrant, high voltage color palette, featuring a green woman with red hair by Sydney Helfman (American, 1926-2010). Aut...

William Stephens Shields, Jr., 1925 - 2010 "Blue Heaven" 1997 Oil on canvas 48"x48" artist framed Signed lower right William Stephens Shields, Jr., 1925 -...

Donald Stacy "Red Sun" c.1950s Gouache and oil pastel on paper 13.75" x 17" unframed Unsigned Came from artist's estate *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. Donald Stacy (1925-2008) New Jersey Studied: Newark School of Fine Art The Art Students League...

Artist: Ben Benn, Polish/American (1884 - 1983) Title: Roof Top Year: circa 1920 Medium: Oil on Canvas, signed l.r. Size: 24 x 18 in. (60.96 x 45.72 cm) Frame Size: 33.5 x 27.5 inche...

Georgina Klitgaard Fodder Stacks, Bearsville Signed lower right Oil on canvas 24 x 30 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign...

Frame measures 13.75 X 14.75, board measures 11 X 12 inches Seymour Remenick (1923-1999) American; Philadelphia, PA. Oil on canvas painting Folk Singers and musicians.Seymour Remeni...

Cubist Style Mid Century Color Blue Watusi The Watusi /wɑːtuːsi/ is a solo dance that enjoyed brief popularity during the early 1960s. It was one of the most popular dance crazes of...

Signed lower right: H. GASSER; on verso: “Gloucester Vista” / HENRY GASSER / N.A.

Artist: Remo Farruggio, Italian/American (1904 - 1981) Title: Reclining Nude with Rose Year: circa 1970 Medium: Oil on Canvas, signed l.r. Size: 37.5 x 52.25 in. (95.25 x 132...

When I think of where McCauley fits into American art, as a contemporary painter, sculptor and naturalistic interpreter, I place him in the same philosophical tribe as Walton Ford, A...

Signed and dated lower left: "Ben Norris / 29 - XII - 50". With label verso: "Landscape Variations II - Sardonic Interlude / by Ben Norris". From the Estate of the Artist. Exhibite...

A charming 1950s painting depicting a lighthouse in Martha's Vineyard, titled "Vineyard Light" by notable artist Francis Chapin. Artwork size: 8" x 9 1/2". Framed size: 9" x 10 1...

Abstract landscape with colored plots in a dominant green. The landscape evolves in modulations with blurred contours, to suggest volumes more than to draw a precise pattern. The pal...

Claire Mahl Moore (who also used the names Clara and Millman) was a native New Yorker who studied at the Art Students League, made prints on the NYC ...

Abstract Work on Paper Mid-Century Modernism Greek American Gouache Drawing. A modernist artist who emigrated to America from Greece in 1904, when he was fourteen years old, Jean Xceron is described as having a reputation as an artist that has mysteriously fallen into obscurity---especially since he was reportedly quite prominent during his lifetime. However, a partial explanation of that omission is the fact that many of his papers and early records have been lost. He was a painter of biomorphic abstractions and did collages, which were influenced by Dadaism. Xceron was active in New York City when modernism was gaining influence. Of him during this period, it was written that his artistic role was "a vital link between what is commonly termed as the first-generation (the Stieglitz group, the Synchromists, etc.) and second-generation, the American Abstract Artists, the Transcendental Painting...

An original modern 1930's oil painting by WPA era American artist Henry Ensol. This work comes in a period frame likely original to the piece.

Mid-century oil on masonite modern painting by the well known Russian/American artist, Nahum Tschacbasov. Signed top left and dated 1949. Titled verso. Condition is fair. Provenanc...

Original mid-century modern oil on canvas board painting of a woman with birds by the well known Russian/American artist Nahum Tschacbasov. Signed and ...

A Large, 1950s Mid-Century Modern Ink Drawing of Quebec City by Rudolph Pen. Artwork is formatted in a trapezoid shape, an innovative composition device for which the artist's work ...

This striking 1946 oil on canvas painting, titled Deserted Street, was created by Colorado/Woodstock modernist artist Jenne Magafan (1916-1952). The artwork features a solitary figu...

Modern unfinished portrait of handsome man in dress uniform by American painter, Patricia Gren Hayes (b. 1932), circa 1970. Unsigned. Provenance: Purchased as part of larger collection of artist's work from the estate of Larry Miller Unframed. Canvas size: 30"H x 36"W. Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative & Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkel...

Morris Kantor New York (1896 - 1974) Paris from the Ile St. Louis, 1927 (view of Eiffel Tower) Oil painting on canvas Hand Signed lower left. Provenance: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution ( bears label verso) Size: 20 3/4"H x 28 1/8"W (sight), 28.75 "H x 36"W (framed) Morris Kantor (Belarusian: Морыс Кантор) (1896-1974) was a Russian Empire-born American painter based in the New York City area. Born in Minsk on April 15, 1896, Kantor was brought to the United States in 1906 at age 10, in order to join his father who had previously relocated to the states. He made his home in West Nyack, New York for much of his life, and died there in 1974. He produced a prolific and diverse body of work, much of it in the form of paintings, which is distinguished by its stylistic variety over his long career. Perhaps his most widely recognized work is the iconic painting "Baseball At Night", which depicts an early night baseball game played under artificial electric light. Although he is best known for his paintings executed in a realistic manner, over the course of his life he also spent time working in styles such as Cubism and Futurism, and produced a number of abstract or non-figural works. A famous cubist, Futurist, painting of his "Orchestra" brought over 500,000$ at Christie's auction house in 2018 Kantor found employment in the Garment District upon his arrival in New York City, and was not able to begin formal art studies until 1916, when he began courses at the now-defunct Independent School of Art. He studied landscape painting with Homer Boss (1882-1956). In 1928, after returning to New York City from a year in Paris, Kantor developed a style in which he combined Realism with Fantasy, often taking the streets of New York as his subject matter. He did some moody Surrealist Nude paintings and fantasy scenes. In the 1940's he turned towards figural studies. Later in his career, Kantor himself was an instructor at the Cooper Union and also at the Art Students League of New York in the 1940s, and taught many pupils who later became famous artists in their own right, such as Knox Martin, Robert Rauschenberg, Sigmund Abeles and Susan Weil...

Modern Abstracted Still-Life with Antique Coffee Grinder by Anthony Rappa Modern textural still-life by California artist Anthony Rappa (America...

Stunning and expressive large scale oil painting by mid-century San Francisco artist Louis Earnest Nadalini (American, 1927-1995). Signed "Nadalini" lower right. Unframed. Image size...

A small, colorful Modernist landscape painting by Harold Haydon, depicting "Western View from Sun Deck on Ajax Mt., Aspen, Colo.", dated 1955. Image siz...

A whimsical modern figurative piece depicting a reclining woman with a black cat on a bright blue background by California artist Richard "Don" Klopfer (1920-2009). Signed on verso a...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...