American Modern Paintings
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Style: American Modern
1950s "Rectangle" Mid Century Abstract Gouache Painting
Located in Arp, TX
Opper Estate
Maroon Abstract
c. 1940-1950's
Gouache on Paper
15" x 18" Unframed
From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann.
San Francisco Abstract Expression
A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency.
Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...
Category
Mid-20th Century American Modern Paintings
Materials
Paper, Gouache
Mid-Century Modern Abstract Acrylic Painting
Located in Palm Beach, FL
Evocative abstract acrylic painting on canvas that explores the relationship between yellow and grey. Painted with acrylic on canvas in 1973 by Bonnie Lewton, titled on the back yell...
Category
20th Century American Modern Paintings
Materials
Acrylic
Large 1960 California "Abstract Landscape" Jack Stuck Painting
Located in Arp, TX
Jack Stuck (1925-1993)
"Abstract Landscape"
1960
Collage oil paint, charcoal, paper and canvas laid down on masonite
48"x46" natural wood frame 51" x 49"
Si...
Category
Mid-20th Century American Modern Paintings
Materials
Canvas, Masonite, Charcoal, Oil, Laid Paper
The Kabbalists, Hassidic Rabbis Judaica Colorful Modernist Painting
Located in Surfside, FL
Joseph Wolins
1915-1999
Wolins was born in Atlantic City, New Jersey. He studied at the National Academy of Design from 1935 to 1941 under Leon Kroll. He also studied in Europe in ...
Category
20th Century American Modern Paintings
Materials
Canvas, Oil
Landscape with Cypress and Fence
Located in Lawrence, NY
Art critic Hilton Kramer called the Greek-American artist Aristodimos Kaldi's paintings "beautifully executed landscapes in a lyric mode. . . all delicacy and nuance and romance. . . " Kaldis was a New York School painter...
Category
1970s American Modern Paintings
Materials
Oil
The Bass Season by John Atherton
Located in New Orleans, LA
John Atherton
1900-1952 American
The Bass Season
Saturday Evening Post cover, June 29, 1946
Signed "Atherton" (lower right)
Inscribed "The Bass Season opens in the east July 1st /...
Category
20th Century American Modern Paintings
Materials
Canvas, Oil
Simka Simkhovitch WPA Artist Painting Gouache American Modernist Beach Scene
Located in Surfside, FL
Simka Simkhovitch (Russian/American 1893 - 1949)
This came with a small grouping from the artist's family, some were hand signed some were not.
These were studies for larger paintings.
Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes.
Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine.
In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi.
Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...
Category
1930s American Modern Paintings
Materials
Gouache, Board
Flowers in a Blue Vase
Located in New York, NY
Inscribed lower left: For Barbara + Ernie; signed and dated upper right: Kulicke 58
Category
Mid-20th Century American Modern Paintings
Materials
Oil, Board
In Soquel, California, 1950s Farm Landscape with Silo, Blue, Green, Gold, Gray
Located in Denver, CO
"In Soquel (California)" is an original oil on board painting by Jon Blanchette (1908-1987) circa 1955. Farm landscape with figure hanging laundry and silo, painted in colors of blue...
Category
1950s American Modern Paintings
Materials
Board, Oil
"Animal" Abstract Oil on Canvas Award Winning Illustrator Bill Shields
Located in Arp, TX
Bill Shields
"Pink Abstract"
1970's
Oil on canvas
Artist's wood frame 30"x2"x24"
Signed in paint lower right
Excellent Condition - Minor wear consistent with age and history.
CV
EDUCATION:
Chicago Academy Of Fine Art
San Antonio Art Institute
MAJOR FIELDS OF PROFESSIONAL ENDEAVOR:
Freelance graphic design and illustration
Instructor of painting and illustration
Landscape, figurative and abstract painting
ART RELATED EMPLOYMENT: (Professor of Art)
California College of Arts and Crafts, Oakland, CA
Academy of Art College, San Francisco, CA
San Francisco Art Institute
San Jose State University
AWARDS FOR ILLUSTRATION, Gold Medals:
New York Society of Illustrators
Los Angeles Society of Illustrators
San Francisco Society of Illustrators
Dallas-Fort Worth Art Director's Club
Houston Artist's Guild
BIBLIOGRAPHY:
Feature articles in: American Artist, Communication Arts, Print, North Light.
Architectural design featured in: Better Homes and Gardens, American
Home, Sunset Magazine, Architectural Digest.
ILLUSTRATION CLIENTS:
Oil Companies:
Champlin Oil Company, Mobil Oil Company, Continental Oil Company, Standard Oil Company, Humble Oil and Refining Company.
Industrial:
Hughes Tool Company, General Electric, United States Steel, Phelps Dodge, Sylvania Television,
Texas Gulf Sulphur, Litton Industries, Houston Lighting and Power Company, International Business Machines.
Institutional:
National Aeronautics and Space Administration, United
States Air Force, United States Department of the Interior,
American Petroleum Institute, New York Stock Exchange, National Broadcasting
Company, American Iron and Steel Institute, CBS Broadcasting Company,
Vanguard Recording Company, Diners Club, Stanford Research Institute,
Victoria Station, Neiman Marcus, Bank of America, Automobile Club of Southern California,
Airlines:
TWA, British West Indies Airlines, Pan American Airlines...
Category
Mid-20th Century American Modern Paintings
Materials
Masonite, Oil
Warlock, 1950s Signed Abstract Oil Painting, Black, White, Gray, Orange, Purple
Located in Denver, CO
Original oil and metal foil on board abstract painting by George Cecil Carter (1908-1987) circa 1950s. Signed by the artist in the lower right corner, titled and dated verso. Painted in shades of dark blue, gray, white, orange, and purple. Presented in an original George Nix frame measuring 30 ¾ x 36 ¾ inches. Image size measures 23 ¼ x 29 ¼ inches.
About the Artist:
Born 1908, Woodward, Oklahoma
Died 1987, Canon City, Colorado
George Cecil Carter was born in Oklahoma in 1908 and became a noted Colorado abstract expressionist, despite having no formal training. He worked as a coal miner, gold miner, and machinist at Schneebeck’s Industries in Colorado Springs for twenty years During that time, Carter worked on his art and was was mentored by Broadmoor Academy painter, Charles Bunnell.
Carter worked out of Colorado Springs and Canon City, Colorado. He exhibited nationally, including Texas and Illinois. Among his contemporaries are Al Wynne, Mary Chenoweth...
Category
1950s American Modern Paintings
Materials
Foil
Mill Near Plainfield, New Hampshire, Landscape Painting, Charles Partridge Adams
Located in Denver, CO
"Mill Near Plainfield, New Hampshire" is an original, signed watercolor painting by artist Charles Partridge Adams (1858-1942), circa 1900. Singed by the artist in the lower left corner. Portrays a mill along a river with trees and clouds, painted in shades of brown, green, gray, and blue. Presented in a custom frame, outer dimensions measure 13 ¾ x 12 ¼ x 1 ¼ inches. Image size is 7 x 5 inches.
Expedited and international shipping is available - please contact us for a quote.
About the Artist:
Born Massachusetts, 1858
Died 1942
Born in Franklin, Massachusetts, Charles Partridge Adams moved with his mother and two sisters to Denver, Colorado, in 1876 in an effort to cure the two girls who suffered from tuberculosis. In Denver, Adams found work at the Chain and Hardy Bookstore. He received his first, and only, art training from the owner's wife, Helen Chain. Mrs. Chain, a former pupil of George Inness, provided instruction and encouragement to the young artist and introduced him to other artists in the area including Alexander Phimister Proctor...
Category
20th Century American Modern Paintings
Materials
Watercolor, Archival Paper
Dark Harbor, Maine
Located in Lawrence, NY
Art critic Hilton Kramer called the Greek-American artist Aristodimos Kaldi's paintings "beautifully executed landscapes in a lyric mode. . . all delicacy and nuance and romance. . . " Kaldis was a New York School painter...
Category
1960s American Modern Paintings
Materials
Oil
Basketball Player
By Ben Shahn
Located in Fairlawn, OH
Basketball Player
Gouache on card stock, c. 1940
Signed by the artist in ink lower center
A study for the fresco mural in the Social Security Buildin...
Category
1940s American Modern Paintings
Materials
Gouache
Sunflowers, Large Scale Modernist Floral Bouquet Still-Life by Tarmo Pasto
By Tarmo Pasto
Located in Soquel, CA
Sunflowers, Large Scale Modernist Floral Bouquet Still-Life by Tarmo Pasto.
A stunning large-scale modernist oil on canvas still-life of sunflowers by Dr. Tarmo Pasto (American, 1906-1986). This modern floral bouquet still-life, painted by Pasto in 1973, harkens back to Van Gogh's world famous turn-of-the-century depiction of the same subject. Pasto uses a modern and fresh color palette of dark green, light yellow, lavender, and peach in this vibrant modern sunflower portrayal.
Signed "Tarmo Pasto" and dated "73" lower right.
Presented in a brown painted wood frame.
Image size: 38"H x 30"L.
Framed size: 44"H x 36"W x 2"D.
Dr. Tarmo Pasto was a psychiatrist and artist, who taught psychology and art through the 1970s at California State College at Sacramento since the schools inception. He also authored a book on art...
Category
1970s American Modern Paintings
Materials
Oil, Canvas
Fading Nights
Located in East Hampton, NY
Stripes
Shipping price can change depending on location
Artist Statement:
Painting has been a powerful medium for expressing my emotions. Through my art, I am able to escape, dream,...
Category
2010s American Modern Paintings
Materials
Canvas, Acrylic
American Modernist Abstract Landscape Oil Painting of Trees, Yellow Orange Blue
Located in Denver, CO
Mid 20th Century abstracted landscape pen and oil painting with trees by American Modernist Henriette "Yetti" Stolz, signed on the back of the painting. Portrays a modernist landscape of a forest with trees, painted in shades of gold, brown, orange, and blue. Presented in a vintage frame measuring 30 ¾ x 36 ¼ inches. Image measures 30 ¼ x 35 ¾ inches.
Provenance: Estate of the Artist, Henriette "Yetti" Stolz
Painting is in good condition - please contact us for a detailed condition report.
About the Artist:
Henriette “Yetti” Stolz was born in Serbia in 1935 ( and is still living ). Her family emigrated to Denver, Colorado, in the early 1950s after WWII and she attended East High School before studying art at Colorado College, in Colorado Springs in the mid to late 50s. While there studying she would have been exposed to modernist artists working both at the college ( ie. Mary Chenoweth...
Category
Mid-20th Century American Modern Paintings
Materials
Canvas, Ink, Oil
Warm and Inviting Mid-Century Oil Painting on Board
Located in Palm Beach, FL
Warm and inviting Mid-Century oil painting on board with a peaceful approach to what must have been the artist's humble slant front desk where he sketched. One of six Robert Blanchar...
Category
Mid-20th Century American Modern Paintings
Materials
Oil
Mountain Landscape, Colorado Springs, Colorado, Framed Landscape Oil Painting
Located in Denver, CO
Mountain Landscape, Near Colorado Springs, Colorado is a vertical oil on board painting by Mary Cane Robinson. Presented in a custom frame, outer dime...
Category
Mid-20th Century American Modern Paintings
Materials
Oil
Large Abstract Painting, "Torn and Most Whole"
Located in Palm Beach, FL
Large abstract painting that explores the relationship between warm and cool colors in an exhilarating and decidedly feminine way. Signed on the edge of the canvas and titled Torn an...
Category
20th Century American Modern Paintings
Materials
Paint
The Docks
Located in New York, NY
Signed and dated lower right: EVERETT SHINN / 99
Category
Late 19th Century American Modern Paintings
Materials
Paper, Pastel
Homesteaders, 1960s Framed Colorado Mountain Landscape Oil Painting
Located in Denver, CO
"Homesteaders" is an original oil on board painting by artist Harold Vincent Skene (1883-1978) painted in 1960. The painting depicts two figures plowing a field with a pair of oxen, ...
Category
1960s American Modern Paintings
Materials
Oil, Board
Still Life with Apples and Skull, Figurative Oil Painting by Ohio Artist
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
Still Life with Apples, 1940
Oil on canvas
Signed and dated upper right
18 x 24 inches
Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...
Category
1940s American Modern Paintings
Materials
Oil
Charles Pompilius figurative Young Female Nude Oil on Panel
Located in Detroit, MI
"Untitled" portrays a young female nude in an intimate setting within the artist's studio. This painting is done in the classical vein of full portraiture. The model, however, is not posed quietly, but is engaged with a person or object off the frame, or, perhaps in an interior monologue with herself. Regardless of which, the viewer's attention is not only attracted to the beauty of the model's figure, but the intention of her actions.
Charles Pompilius...
Category
Early 2000s American Modern Paintings
Materials
Oil, Panel
Ed Sketching at Red Rocks, Vintage 1940s Original Mountain Landscape, Colorado
Located in Denver, CO
Original vintage 1940s Modernist Landscape painting of Red Rocks Park, Colorado by Vance Kirkland (1904-1981). Titled, "Ed (Hicks) Sketching at Red Rocks". This regionalist mountain landscape painting is set near Red Rocks Park, Morrison, Colorado (just west of Denver). The figure in the painting is of Kirkland's friend, Ed Hicks. Watercolor on paper, signed and dated, January 1943, lower left and titled verso by the artist. Painted in colors of red, brown, blue, and green. Presented in a custom gold leaf frame, outer dimensions measure 34 ¾ x 42 ⅞ x 1 ¼ inches. Painting as shown within the mat and frame measures 21 x 29 inches.
Provenance: Private Collection, Denver, Colorado
About the Artist:
Variously referred to as the “Father of Modern Colorado Painting,” “Dean of Colorado Artists” and “Colorado’s pre-eminent artist,” Kirkland was an inventive, visionary painter who spent fifty-two years of his fifty-four year career in Denver. Of the approximately 1,200 paintings he created, about 550 from the first half of his career (1927-1953) are water-based media: acquarelle, gouache, casein and egg tempera, with a few oils. In the latter half of his career (1953-1981) he used oil and his unique oil and water mixture. He also produced five hundred drawings and some ten prints, mostly lithographs on stone, while also engaged in teaching full-time for most of the period.
To show people “something they have never seen before and new ways to look at things,” he felt he needed to preserve his artistic freedom. Consequently, he chose to spend his entire professional career in Denver far removed from the established American art centers in the East and Midwest. “By minding my own business and working on my own,” he said, “I think it was possible to develop in this part of the country… I’ve developed my kind of work [and] I think my paintings are stronger for having worked that way.” The geographical isolation resulting from his choice to stay in Colorado did not impede his creativity, as it did other artists, but in fact contributed to his unique vision.
The son of a dentist, who was disappointed with his [son’s] choice of art as a career, Kirkland flunked freshman watercolor class in 1924 at the Cleveland School of Art (now the Cleveland Institute of Art) for putting colors into his landscapes that did not exist in nature and for competing colors. Not dissuaded, he won first prize for his watercolors in his junior and senior years. [While in Cleveland,] he studied with three influential teachers. Henry Keller, included in the prestigious New York Armory Show in 1913, introduced him to designed realism which he later used in his Colorado landscapes in the 1930s and 1940s. His other teachers were Bill Eastman, who studied with Hans Hofmann and appreciated all the new movements in modern art, and Frank Wilcox, a fine watercolorist.
While a student at the Cleveland School of Art, Kirkland concurrently took liberal arts courses at Western Reserve and the Cleveland School of Education and taught two freshman courses in watercolor and design, receiving his diploma in painting from the school in 1927 by doing four years of work in three. The following year he received a Bachelor of Education in Art degree from the same institution.
In 1929 he assumed the position of founding director of the University of Denver’s School of Art, originally known as the Chappell School of Art. He resigned three years later when the university reneged on its agreement to grant its art courses full recognition toward a Bachelor of Arts degree. His students prevailed on him to continue teaching, resulting in the Kirkland School of Art which he opened in 1932 at 1311 Pearl Street in Denver. The building, where he painted until his death in 1981, formerly was the studio of British-born artist, Henry Read, designer of the City of Denver Seal and one of the original thirteen charter members of the Artists’ Club of Denver, forerunner of the Denver Art Museum. The Kirkland School of Art prospered for the next fourteen years with its courses accredited by the University of Colorado Extension Center in Denver.
The teaching income from his art school and his painting commissions helped him survive the Great Depression. The U.S. Treasury Department’s Section of Fine Arts commissioned from him two post office murals, Cattle Roundup (1938, Eureka, Kansas), and Land Rush (1940, Sayre, Oklahoma). He also did murals for several Denver clients: the Gerald Hughes mansion (1936, later demolished), Arthur Johnson home (1936-37, Seven Drinks of Man), Albany Hotel (1937, later demolished), Neustetter’s Department Store (1937, “History of Costume,” three of five saved in 1987 before the building interior was demolished in advance of its condo conversion), and the Denver Country Club (1945, partially destroyed and later painted over).
In 1953 the Ford Times, published by the Ford Motor Company, commissioned Kirkland along with fellow Denver artists, William Sanderson and Richard Sorby, to paint six watercolors each for the publication. Their work appeared in articles [about] Colorado entitled, “Take to the High Road” (of the Colorado Rockies) by Alicita and Warren Hamilton. Kirkland sketched the mountain passes and high roads in the area of Mount Evans, Independence Pass near Aspen, and Trail Ridge Road in Rocky Mountain National Park.
In 1946 Kirkland closed his art school when the University of Denver rehired him as director of its School of Art and chairman of the Division of Arts and Humanities. In 1957...
Category
1940s American Modern Paintings
Materials
Watercolor
"Yellow Sky" Oil on Canvas by Jerome Gastaldi #2
Located in Pasadena, CA
This painting features a yellow sky (as Gastaldi named it) and it is part of 3. The #1 one is featuring a red sky and the third one is the desert light.
#1 and 2 show the strength of nature with vigorous large brush strokes and bright colors whereas the colors of #3 depicting the desert light, are more muted and reflect perfectly the desert atmosphere before a storm.
See, attached the pictures of the 2 matching ones.
Jerome Gastaldi, born in Oakland, California, in 1945, is a contemporary artist.
His works have been compared by art critics to that of Robert Rauschenberg, Edward Kienholz...
Category
21st Century and Contemporary American Modern Paintings
Materials
Oil, Canvas
Simka Simkhovitch WPA Artist Oil Painting Gouache American Modernist Powerline
Located in Surfside, FL
Simka Simkhovitch (Russian/American 1893 - 1949)
This came with a small grouping from the artist's family, some were hand signed some were not.
These were studies for larger paintings.
Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes.
Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine.
In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi.
Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...
Category
1930s American Modern Paintings
Materials
Gouache, Oil, Board
Hospitalities Long Past, 1940s Oil Painting of Store Front
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
Hospitalities Long Past, 1941
Oil on canvas
Signed and dated lower right
37 x 27 inches
"Looking into store front windows has always i...
Category
1940s American Modern Paintings
Materials
Oil
Contemplation, charcoal and collage, dark female portrait, brown, orange, gold
Located in Brooklyn, NY
Collage and acrylic paint on sintra panel, excellent gift
Category
2010s American Modern Paintings
Materials
Mixed Media, Panel
"Red Sky" Oil on Canvas by Jerome Gastaldi #1
Located in Pasadena, CA
This painting features a red sky (as Gastaldi named it) and it is part of 3. The #2 one is featuring a yellow sky and the third one is the desert light.
#1 and 2 show the strength of nature with vigorous large brush strokes and bright colors whereas the colors of #3 depicting the desert light, are more muted and reflect perfectly the desert atmosphere before a storm.
See attached the pictures of the 2 matching ones.
Jerome Gastaldi, born in Oakland, California, in 1945, is a contemporary artist.
His works have been compared by art critics to that of Robert Rauschenberg, Edward Kienholz...
Category
21st Century and Contemporary American Modern Paintings
Materials
Oil, Canvas
Enchanted, Original Impressionist Forest Painting, Acrylic Polymer on Metal
Located in Golden, CO
This original modern landscape painting titled, Enchanted, is a bold vivid work of contemporary art. The original large-scale digital painting, dye-sublimated onto aluminum by Colora...
Category
2010s American Modern Paintings
Materials
Metal
Torso No. 3, Mid-Century Figural Abstract Acrylic Painting, Ohio artist
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
Torso No. 3, 1967
Acrylic on paper
Signed and dated lower right
13 x 9 inches
21 x 17 inches
A mid-century figural abstract painting.
Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...
Category
1960s American Modern Paintings
Materials
Acrylic
Eye of the Desert, Figural Abstract collage, Surrealist Black & Brown painting
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
Eye of the Desert, 1965
Collage, graphite and gouache on paper
Signed and dated lower right
16 x 12 inches
25 x 21 inches, framed
A mid-century figural abstract painting.
Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...
Category
1960s American Modern Paintings
Materials
Gouache, Graphite
Donkey Menagerie, mixed media on wood panel
By Jenny Toth
Located in Brooklyn, NY
Watercolor, pencil, and pen on wood
Category
2010s American Modern Paintings
Materials
Wood, Watercolor, Pen, Pencil
1950s Abstract Figurative Composition with Brown, White, and Black, Oil Painting
Located in Denver, CO
1950s abstract oil on canvas painting by Henriette "Yetti" Stolz from 1956. Completed in shades of brown, white, black, and gray. Signed by the artist in the lower right corner. Presented in a vintage frame measuring 42 ¾ x 16 ¾ inches. Image size measures 42 ¼ x 16 ¼ inches.
Provenance: Estate of the Artist, Henriette "Yetti" Stolz
Painting is in good condition - please contact us for a detailed condition report.
About the Artist:
Henriette “Yetti” Stolz was born in Serbia in 1935 ( and is still living ). Her family emigrated to Denver, Colorado, in the early 1950s after WWII and she attended East High School before studying art at Colorado College, in Colorado Springs in the mid to late 50s. While there studying she would have been exposed to modernist artists working both at the college ( ie. Mary...
Category
1950s American Modern Paintings
Materials
Canvas, Oil
Golden Cycle Mill, Colorado, 1940s WPA Mining Watercolor Landscape, Black White
Located in Denver, CO
Original 1940s watercolor on paper painting by Charles Ragland Bunnell portraying a semi abstracted view of Golden Cycle Mill in Colorado Springs, Colorado. Painted in shades of black and gray. Presented in a custom black frame, outer dimensions measure 18 x 19 ½ x 1 ⅜ inches. Image sight size is 8 ⅛ x 9 ⅝ inches.
Golden Cycle Mining and Reduction Company was a mining company in Colorado City (now Old Colorado City) in El Paso County, Colorado.
Piece is clean and in excellent condition - please contact us for a detailed condition report.
Expedited and international shipping is available - please contact us for a quote.
About the artist:
Artist and teacher, Charles (“Charlie”) Bunnell worked in a variety of styles throughout his career because as an artist he believed, “I’ve got to paint a thousand different ways. I don’t paint any one way.” At different times he did representational landscapes while concurrently involved with semi- or completely abstract imagery. He was one of a relatively small number of artists in Colorado successfully incorporating into their work the new trends emanating from New York and Europe after World War II. During his lifetime he generally did not attract a great deal of critical attention from museums, critics and academia. However, he personally experienced a highpoint in his career when Katherine Kuh, curator at the Art Institute of Chicago, personally chose one of his paintings – Why? - for its large exhibition of several hundred examples of abstract and surrealist art held in 1947-48, subsequently including it among the fifty pieces selected for a traveling show to ten other American museums.
An only child, Bunnell developed his love of art at a young age through frequent drawing and political cartooning. In high school he was interested in baseball and golf and also was the tennis champion for Westport High School in Kansas City. Following graduation, his father moved the family to Denver, Colorado, in 1916 for a better-paying bookkeeping job, before relocating the following year to Colorado Springs to work for local businessman, Edmond C. van Diest, President of the Western Public Service Company and the Colorado Concrete Company. Bunnell would spend almost all of his adult life in Colorado Springs.
In 1918 he enlisted in the United States Army, serving in the 62nd Infantry Regiment through the end of World War I. Returning home with a 10% disability, he joined the Zebulon Pike Post No. 1 of the Disabled American Veterans Association and in 1921 used the benefits from his disability to attend a class in commercial art design conducted under a government program in Colorado Springs. The following year he transferred to the Broadmoor Art Academy (founded in 1919) where he studied with William Potter and in 1923 with Birger Sandzén. Sandzén’s influence is reflected in Bunnell’s untitled Colorado landscape (1925) with a bright blue-rose palette.
For several years thereafter Bunnell worked independently until returning to the Broadmoor Art Academy to study in 1927-28 with Ernest Lawson, who previously taught at the Kansas City Art Institute where Bunnell himself later taught in the summers of 1929-1930 and in 1940-41. Lawson, a landscapist and colorist, was known for his early twentieth-century connection with “The Eight” in New York, a group of forward-looking painters including Robert Henri and John Sloan whose subject matter combined a modernist style with urban-based realism. Bunnell, who won first-place awards in Lawson’s landscapes classes at the Academy, was promoted to his assistant instructor for the figure classes in the 1928-29 winter term. Lawson, who painted in what New York critic James Huneker termed a “crushed jewel” technique, enjoyed additional recognition as a member of the Committee on Foreign Exhibits that helped organize the landmark New York Armory Exhibition in 1913 in which Lawson showed and which introduced European avant-garde art to the American public.
As noted in his 1964 interview for the Archives of American Art in Washington, DC, Bunnell learned the most about his teacher’s use of color by talking with him about it over Scotch as his assistant instructor. “Believe me,” Bunnell later said, “[Ernie] knew color, one of the few Americans that did.” His association with Lawson resulted in local scenes of Pikes Peak, Eleven Mile Canyon, the Gold Cycle Mine near Colorado City and other similar sites, employing built up pigments that allowed the surfaces of his canvases to shimmer with color and light. (Eleven Mile Canyon was shown in the annual juried show at the Carnegie Institute in Pittsburgh in 1928, an early recognition of his talent outside of Colorado.) At the same time, he animated his scenes of Colorado Springs locales by defining the image shapes with color and line as demonstrated in Contrasts (1929). Included in the Midwestern Artists’ Exhibition in Kansas City in 1929, it earned him the gold medal of the Kansas City Art Institute, auguring his career as a professional artist.
In the 1930s Bunnell used the oil, watercolor and lithography media to create a mini-genre of Colorado’s old mining towns and mills, subject matter spurned by many local artists at the time in favor of grand mountain scenery. In contrast to his earlier images, these newer ones – both daytime and nocturnal -- such as Blue Bird Mine essentially are form studies. The conical, square and rectangular shapes of the buildings and other structures are placed in the stark, undulating terrain of the mountains and valleys devoid of any vegetation or human presence. In the mid-1930s he also used the same approach in his monochromatic lithographs titled Evolution, Late Evening, K.C. (Kansas City) and The Mill, continuing it into the next decade with his oil painting, Pikes Peak (1942).
During the early 1930s he studied for a time with Boardman Robinson, director of the Broadmoor Art Academy and its successor institution, the Colorado Springs Fine Arts Center from 1930 to 1947. In 1934 Robinson gave him the mural commission under the Public Works of Art Project (PWAP) for West Junior High School in Colorado Springs, his first involvement in one of several New Deal art...
Category
1940s American Modern Paintings
Materials
Paper, Watercolor
Mid Century Fruit Still Life Gouache Painting "Fruit Still Life with Grapes"
Located in Arp, TX
From the estate of Jerry and Ruth Opper
Fruit Still Life with Grapes
c. 1950's
Gouache on Bristol Board
15" x 20"
Early still life expressionist painting b...
Category
Mid-20th Century American Modern Paintings
Materials
Board, Gouache
Torso No. 1, Mid-Century Figural Abstract Acrylic Painting
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
Torso No. 1, 1967
Acrylic on paper
Signed and dated upper right
15 x10 inches
24 x 20 inches, framed
A mid-century figural abstract painting.
Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...
Category
1960s American Modern Paintings
Materials
Acrylic
Simka Simkhovitch WPA Artist Oil Painting American Modernist Landscape Pond Tree
Located in Surfside, FL
Simka Simkhovitch (Russian/American 1893 - 1949)
This came with a small grouping from the artist's family, some were hand signed some were not.
Thes...
Category
1930s American Modern Paintings
Materials
Oil, Board
Serious Moonlight, abstract figures on gold metal leaf inspired by David Bowie
Located in Brooklyn, NY
Collage and acrylic paint on gold leafed sintra panel, excellent gift
Work inspired by David Bowie music
Category
2010s American Modern Paintings
Materials
Mixed Media, Panel
WPA Style Scene of Working Men Seated with Newspapers by John Deforest Stull
Located in New York, NY
This beautiful and sophisticated large scale oil on canvas painting was realized by the esteemed American artist John Deforest Stull in 1939. The composition depicts a WPA style scen...
Category
1930s American Modern Paintings
Materials
Canvas, Oil
In the Window, Ovoid Shapes Floating Through Windows
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
In the Window, 1973
Acrylic and collage on scintilla
Signed and dated lower right
30 x 22 inches
A surrealist mid-century figural abs...
Category
1970s American Modern Paintings
Materials
Acrylic
Pittsburgh Alleyway
By Aaron Bohrod
Located in Los Angeles, CA
Pittsburgh Alleyway, c. 1946, oil on gouache on paper on “prestwood” (Masonite), 9 x 12 inches, signed lower middle, Bohrod’s original label verso from his gallery at 4811 Tonyawatha...
Category
1940s American Modern Paintings
Materials
Mixed Media
"People" - Mid-Century Ovoid Geometrical Abstract Black & White Drawing
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
People, 1964
Ink and crayon on paper
Signed and dated upper right
36.5 x 24 inches
Clarence Holbrook Carter achieved a level of nation...
Category
1960s American Modern Paintings
Materials
Crayon, Ink
1950s "Short Hair" Mid Century Nude Gouache Painting
Located in Arp, TX
From the estate of Jerry Opper & Ruth Friedman Opper
Short Hair
c. 1940-1950's
Gouache on Paper
15" x 18", Unframed
From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann.
San Francisco Abstract Expression
A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency.
Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...
Category
Mid-20th Century American Modern Paintings
Materials
Gouache, Paper
Fitzhugh Mine, near Leadville, Colorado, Mountain Mining Landscape Oil Painting
Located in Denver, CO
Oil on mounted paper, Colorado modern mountain landscape painting by early 20th Century female artist, Eldora Pauline Lorenzini (1910- 1993) from 1937....
Category
1930s American Modern Paintings
Materials
Oil, Archival Paper
City Scape, Ovoid Geometrical Abstract Green & Brown Structures
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
City Scape, 1978
Acrylic on scintilla
Signed and dated lower right
30 x 22 inches
A surrealist mid-century figural abstract painting....
Category
1970s American Modern Paintings
Materials
Acrylic
Chromatic, Ovoid Head, Geometric Figurative Abstract Acrylic & Collage Painting
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
Chromatic, 1965
Acrylic and collage on scintilla
Signed and dated upper right
30 x 22 inches
A surrealist mid-century figural abstrac...
Category
1960s American Modern Paintings
Materials
Acrylic
Portrait of an Old Man with Cane, Important Chicago Modernist WPA Artist
Located in Surfside, FL
Portrait of an Old Man with Cane, by American artist William S. Schwartz, c. 1940, gouache painting, signed l.l, framed.
William S. Schwartz (February 23, 1896 – February 10, 1977) was an American artist who lived and worked in Chicago.
Schwartz was born in Smorgon in Belarus, then in the Russian Empire in 1896. His parents were Samuel Schwartz and Tauba Reznikoff. At the age of thirteen, he moved to the nearby city of Vilna to attend art school. Four years later, he emigrated to the United States and eventually enrolled in the School of the Art Institute of Chicago. After graduating, he put his art career on hold to concentrate on a budding career as an opera singer. When Schwartz returned to painting, he distinguished himself with dreamy, symbolist works and abstractions that tended to bewilder viewers. He also scandalized conservative audiences with numerous lithographs of nude women. During the Great Depression, Schwartz became an artist on the Federal Art Project (WPA) payroll painting murals. He was one of the seven WPA artists who contributed to a mural at Riccardo's, Schwartz (Music), Malvin Albright (Sculpture), Ivan Alrbight (Drama), Aaron Bohrod (Architecture), Rudolph Weisenborn (Literature), Vincent D’Agostino (Painting), and Ric Riccardo (Dance). In 2002 Chicago philanthropist Seymour H. Persky acquired the murals for his personal collection.
Through the WPA, Schwarz received commissions to produce murals in post offices and public spaces. He created his “Americana Series,” a group of four paintings featuring poets, painters, composers and scientists. His Composersdepicts four contemporary musicians, among them, Victor Herbert. The mural was discovered at Glencoe Public Library, IL, in 2007, and include: Americana No. 1 Poets: Mark Twain, Walt Whitman and Edgar Allen Poe; Americana No. 2 Painters: Saint Gaudens, Bellows, Sargent, Innes, Whistler and Homer; Americana No. 3 Composers: Herbert, DeKoven, Chadwick, MacDowel; Americana No. 4 Scientists: Thomas Alva Edison, Steinmetz, Alexander Graham Bell...
Category
Mid-20th Century American Modern Paintings
Materials
Gouache
Ablaze, Ovoid Faces Looking Through Geometrical Windows
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
Ablaze, 1973-79
Acrylic and collage on scintilla
Signed and dated lower left
30 x 22 inches
A surrealist mid-century figural abstract...
Category
1970s American Modern Paintings
Materials
Acrylic
Still Life with Vase of Flowers
Located in Fairlawn, OH
Still Life with Vase of Flowers
Oil on board with incised scraffito, c. 1929-1930
Unsigned by the artist
Signed and inscribed verso: "Painting by my father, Aileen B. Cramer" verso, the artist's daughter
Signed with the estate stamp verso
Exhibited:
Gerald Peters Gallery, Konrad Cramer and the Woodstock School, 2000. (label, see photo), Ny-00457-38-C
H. V. Allison Galleries...
Category
1920s American Modern Paintings
Materials
Oil
Saturday Evening Post Illustration. “ The Devil’s Stronghold” Original Magazine
By Edwin Georgi
Located in Miami, FL
The work is mostly black and white to indicate that this is a night scene. On closer inspection, you will see areas of magenta and ivory throughout
The publisher's label on verso ide...
Category
1960s American Modern Paintings
Materials
Gouache, India Ink, Pencil
Up the Avenue, Geometrical Ovoid Abstract Acrylic & Collage Cityscape
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
Up the Avenue, 1979
Acrylic and collage on paper
Signed and dated lower right
15 x 11 inches
A surrealist mid-century figural abstract...
Category
1970s American Modern Paintings
Materials
Acrylic, Mixed Media
"Rockefeller Center" - Abstract Rock, Mid-Century Acrylic & Sand Painting
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
Rockefeller Center, 1962
Acrylic and sand on scintilla
Signed and dated lower left
25 x 20 inches
Clarence Holbrook Carter achieved a ...
Category
1960s American Modern Paintings
Materials
Mixed Media, Acrylic
FRANKLIN Karl Mann Associates NY - Oil o/B - Brooklyn Bridge & Manhattan Skyline
Located in Meinisberg, CH
Franklin for KARL MANN ASSOCIATES, New York
(American, active in the 1960 's)
The boarded up Brooklyn Bridge and the Manhattan Skyline
- Oil on ...
Category
1960s American Modern Paintings
Materials
Board, Oil
Over and Above: Kangaroo, Mid-Century Figurative acrylic painting
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
Over and Above: Kangaroo, c. 1960s
Acrylic on paper, mounted on matte board
Signed lower right
14 x 5 inches
Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...
Category
1960s American Modern Paintings
Materials
Acrylic
1950s "Pink Towel" Figurative Gouache Painting
Located in Arp, TX
From the estate of Jerry Opper & Ruth Friedmann Opper
Pink Towel
c. 1940-1950's
Gouache on Paper
15" x 18", Unframed
From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann...
Category
1950s American Modern Paintings
Materials
Gouache, Paper
Confederate Soldiers' Cemetery, Camp Chase, Columbus, Ohio Watercolor
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
Confederate Soldiers' Cemetery, Camp Chase, Columbus, Ohio, 1929
Watercolor on paper
Signed and dated lowe...
Category
1920s American Modern Paintings
Materials
Watercolor
American Modern paintings for sale on 1stDibs.
Find a wide variety of authentic American Modern paintings available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add paintings created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Clarence Holbrook Carter, Donald Stacy, Patricia Gren Hayes, and Jack Hooper. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Modern paintings, so small editions measuring 2 inches across are also available.
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