American Modern Nude Paintings

Signed and Dated Modern Line Drawing Oil Painting of Nude Man. Louis Stettner (November 7, 1922 – October 13, 2016) was an American photographer of the 20th century whose work inclu...

Lillian Delevoryas Untitled (Nude & Interior), 1969 Oil on board 19 3/4 x 15 1/2 in. Framed: 24 1/2 x 20 1/2 x 1 1/4 in. Signed and dated lower righ...

"Parisian Model" is an oil on canvas painting by Max Weber painted in 1908. The work is signed and dated, lower right, "Max Weber Paris 1908". The painting size is 35 1/2 x 19 5/8 inches. The framed size is 43 x 27 x 2 1/4 inches. "Parisian Model" was painted in 1908, when Weber participated in a life class in Matisse's studio in Paris and painted several nudes. Weber was influenced toward a more Cubist styler after seeing Cezanne's work in the 1906-07 Salon in Paris, and he consorted within avant-garde circles in Paris as early as 1905. After returning to the US in 1909, Weber was credited with showing American audiences Cubism based on his firsthand knowledge of the key players and the style. Several drawings of Weber's from this time are in museum collections at The Met, the Smithsonian, and MoMA and show a similar style and stocatto gesture. Parisian paintings by Max Weber are extremely rare as there are hardly any that have sold publicly. Provenance: Estate of the Artist Gerald Peters Gallery...

"Woman by Basin" by Philadelphia born modernist and surrealist painter Leon Kelly, is a framed and matted portrait of a female nude. The 22.5" x 17.75" mixed media on artist board i...

Hans Burkhardt The Artist's Wife (1930) Oil on canvas, 20" x 16" 24" x 20 ½" x 1 ½" framed Dated 1930 lower right recto. Annotated "To Elsa HB Louise Burkhardt 1930. HB" verso. ...

Delicate and expressive depiction of a nude couple by Byron Richard Rodarmel (American, 1932-2007). A couple is intertwined on a bed, rendered in a soft palette of peach, yellow, pin...

Modern nude study of red-haired woman reclining seated by American painter, Patricia Gren Hayes (b. 1932), 1979. Signed and dated on verso Provenance: Purchased as part of larger collection of artist's work Unframed. Canvas size: 16"H x 20"W. Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative & Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez. She started a freelance commercial art business in 1963; copyrighted a National Cartoon, 1976, and served as Exhibition Director for San Francisco Woman Artists Gallery and the San Francisco Museum of Modern Art, 1976-1978. She was a workshop instructor at the San Francisco Woman Artists Gallery, 1977-1985; and was Manager/Owner Stanton Art Gallery, Alameda, CA, 1976-1982. Solo Exhibitions: Berkeley Marina, 1974; Oakland Center for The Visual Arts, "Images of Women", 1979 Group Exhibitions: Oakland's Dept of Education, 1963, Studio One; Alameda County Fair, 1975, 1976, 1978; San Francisco Art Festival, 1969, 1970, 1976, 1977, 1978; San Francisco Museum of Modern Art, 1976, 1977, 1978; San Francisco Women Artists Gallery Exhibition, award winner - 1970, 1977, 1978; Hayward Bay Fair Art Festival, award winner - 1971; Capricorn Assunder Gallery, 1973; Oakland Art Festival, 1973, 1974; Alameda Art Association, 1978; El Cerrito...

Modern nude study of woman seated in chair by American painter, Patricia Gren Hayes (b. 1932). Red haired women with side view of same woman with asymmetrical composition circa 1970. Unsigned. Provenance: Purchased as part of larger collection of artist's work Unframed. Canvas size: 29"H x 29"W Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative & Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez. She started a freelance commercial art business in 1963; copyrighted a National Cartoon, 1976, and served as Exhibition Director for San Francisco Woman Artists Gallery and the San Francisco Museum of Modern Art, 1976-1978. She was a workshop instructor at the San Francisco Woman Artists Gallery, 1977-1985; and was Manager/Owner Stanton Art Gallery, Alameda, CA, 1976-1982. Solo Exhibitions: Berkeley Marina, 1974; Oakland Center for The Visual Arts, "Images of Women", 1979 Group Exhibitions: Oakland's Dept of Education, 1963, Studio One; Alameda County Fair, 1975, 1976, 1978; San Francisco Art Festival, 1969, 1970, 1976, 1977, 1978; San Francisco Museum of Modern Art, 1976, 1977, 1978; San Francisco Women Artists Gallery Exhibition, award winner - 1970, 1977, 1978; Hayward Bay Fair Art Festival, award winner - 1971; Capricorn Assunder Gallery, 1973; Oakland Art Festival, 1973, 1974; Alameda Art Association, 1978; El Cerrito...

From the estate of Jerry Opper & Ruth Friedman Opper Orange Nude c. 1950's Gouache on Paper 15" x 18", Unframed *Custom framing available for additional charge. Please expect framin...

Lovers - Nude Couple in Bed - Figurative Composition in Acrylic on Paper Expressive depiction of a nude couple by Byron Richard Rodarmel (American, 1932-2007). A couple is intertwin...

2023, Oil on canvas

2023, Oil on canvas

Sterling Strauser "Nude" 1962 Oil on board Framed 13.25 x 7.25 x 1 in Signed and dated in pencil lower right Sterling Strauser was born in Bloomsburg, PA on August 15, 1907. He rece...

Woman in a Red Hat - Figurative Study Oil on Canvas A reclining figure painting by American painter, Patricia Gren Hayes (b. 1932), shows a person in a black dress and a Russian Fez...

Woman in Bloom - Figurative Nude Study Oil on Canvas A nude woman, seemingly pregnant, sits reclined in a chair with her hands at the base of her belly holding a flower. This striki...

Carl Gustaf Simon Nelson, American (1898-1988) "Nude Musicians," 30 x 35 inches, oil on canvas Signed and dated 1938 signature lower right. Provenance: Collection of Seymour Stein Bio Carl Gustaf Simon Nelson (1898 - 1988) A painter, graphic artist and teacher whose paintingfocus was color and content landscapes, Nelson at age five immigrated with his family to Sioux City, Iowa from Sweden in 1903. He studied at the Chicago Academy of Fine Arts* from 1920 to 1921, then at the Art Students League* in New York from 1923 to 1927 with Kimon Nicolaides and Kenneth Hayes Miller. He taught at the American Peoples School of New York, an adult education project; at the Cambridge School of Design from 1948 to 1952; and finally at the Boston YMCA until 1968. His work was exhibited at the Carnegie...

Three Poses - Nude Figure Study by Patricia Gren Hayes Three nude women serving as models in an art class, showing different expressions by American painter, Patricia Gren Hayes (Ca...

Born in 1933, Otis Huband declared his intention to be an artist at age 6. He earned his BFA and MFA at Richmond Professional Institute of the College of William & Mary, now Virginia...

"Rosemary" Berkeley Figurative School by Patricia Gren Hayes 1980 A large scale portrait of a blond woman by Patricia Gren Hayes (b. 1932). The model is in front of a window, with h...

A Muse - Figurative Study in Oil on Canvas A nude man wearing a sailor hat while he looks down at a woman sitting on sheets of red and blue by American painter, Patricia Gren Hayes ...

Alma Davies Untitled, 1954 Oil on canvas 40 x 25 7/8 in. Signed verso: Alma Davies (illegible inscription) Dated verso: 3/5/54 Inscribed on stretcher bar: Student of Raphael Soyer W...

This painting was done early in Clyde Singer's career while at the Art Students League in New York. It was purchased directly from the artist in 1988.

This delicate oil and ink painting on panel by Dusso depicts a beautiful and graceful woman seen from behind, her nude figure enhanced by the framing of her hair. She holds a vase in...

Alexander Redein (American, 1912 - 1990) At Home, 1975 Oil on board 12 x 15 3/4 in. Framed: 17 1/2 x 21 3/8 in. Signed lower right: Redein Inscribed verso: At Home 1975 Alex Redein was born on January 21, 1912 in Bridgeport, Connecticut. He was a prominent member of the New York art community for many years. He studied at Yale School of Fine Art, The Art Students League, and in Mexico City. Along with Remo Farrugio, Byron Browne, Herbert and Henry Kallem, Joseph DeMartini, Michael Lekakis...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a watercolor and gouache beach scene three young men bathing...

We are proud to present outstanding original oil on canvas by American artist William Gropper (1897-1977.) William Gropper was an artist and illustrator, known for his exceptional a...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

From the estate of Jerry Opper & Ruth Friedman Opper Short Hair c. 1940-1950's Gouache on Paper 15" x 18", Unframed From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

From the estate of Jerry Opper & Ruth Friedman Opper Yellow c. 1950's Gouache on Paper 15" x 18", Unframed *Custom framing available for additional charge. Please expect framing tim...

From the estate of Jerry Opper & Ruth Friedman Opper Too Much c. 1940-1950's Gouache on Paper 15" x 18", framed wood gallery frame float mount 21.5"x19.5" From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

From the estate of Jerry Opper & Ruth Friedman Opper Yellow c. 1950's Gouache on Paper 15" x 18", Unframed *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

Nude with Drape, c. 1937, oil on board, 24 x 17 (oval), signed lower right, provenance: Frances Lee Kent Falcone Family Trust About the Painting Fletcher Martin’s Nude with Drape ...

Donald Stacy "Cube Head" c.1950s Ink wash on Arches 15" x 20" unframed Came from artist's estate *Custom framing available for additional charge. Please expect framing time between 4...

ABOUT the artist: Audrey Frank Anastasi is a prolific feminist artist, working in painting, drawing, collage, mixed media, & printmaking. She is also curator, gallerist, educator and arts advocate. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees. She has had 20 solo & 200 group shows. Her "ref-u-gee" series will be shown in 2020 at Medgar Evers College in collaboration with the Valentine Museum of Art, Brooklyn. Accompanying the show will be a limited-edition monograph w/ over 180 images and a foreword by Phyllis Braff. Ms. Anastasi's collage series was exhibited at Welancora Gallery, Brooklyn, in May, 2019. In 2018, ten paintings were exhibited in "Painting to Survive," curated by Yale critic Jonathan Weinberg. Book and catalog publications include "Stations of the Cross", SPQR press, BREUCKELEN magazine, “Audrey Frank Anastasi”, catalog essay Cindy Nemser, and "Collage," essay by Giancarlo T. Roma. Public art includes a portrait of Jo Davidson...

This artwork titled "Meditation" c.2000 is an oil painting on canvas by Italian/American artist Karl Gasser, 1948-2017. It is signed at the lower right corner by the artist. The size...

Donald Stacy "Orange Nude Lounging" c.1950s Oil pastel and gouache paint on paper 23" x 20" framed black gallery wood frame float mount Unsigned Came from artist's estate Donald Stacy (1925-2008) New Jersey Studied: Newark School of Fine Art The Art Students League Pratt Graphic Arts Center University of Paris 1953-54 University of Aix-en-Provence 1954-55 Faculty: Art Department of the New School Museum of Modern Art School of Visual Arts Stacy Studio Workshop Exhibitions: Grand Central Moderns George Wittenborn The New School Print Exhibitions, Chicago University of Oklahoma Honolulu Museum Monclair Museum Wisconsin State College Louisiana Art...

Donald Stacy "Nude in Park" c.1950s Gouache paint on paper 24" x 18'" unframed Unsigned Came from artist's estate Introducing a stunning black and white p...

Modernist reclining female nude figurative painting by an unknown artist (American, 20th Century). This vivid late 20th-century figural piece featur...

Lily Harmon (1912 - 1998) Woman with Rose Ink and gouache on board 23 x 19 inches Lily Harmon, was an artist who worked in portraiture, assemblage and book illustration, and whose ...

Gloria Dudfield Hanging on a Bar 1960's Gouache and Oil Pastel on Paper 17.75"x17" Gloria (Fischer) Dudfield July 12, 1922 – May 27, 2015 Came from a ...

Phillip Roberts Title: Reclining Nude Medium: Oil on Canvas Year: circa 1970s Size: 20 x 18 inches Framed Size: 26 x 24 x 2 inches Signed, lower ight COA provided Framed Ref.: 924802-862 --------------------------------- Phillip received a BFA degree in painting from the Kansas City Art Institute, Kansas City, Missouri in 1972. Studied two years under painting department chairman, Wilbur Niewald. While attending school in Kansas City he became intrigued with the impressionist school of painting and their use of nature as a source of information for their work. Using the infinite variations of nature in the still life, figure and landscape, the artist is presented with limitless subject matter. Claude Monet, Camille Pissarro and other painters of nature were earlier influences on Phillip's work. Dealing with ever-changing elements of nature, movement of light and shadow in the landscape, field workers finishing their tasks, Phillip adopted a broken color style of applying paint to his canvas. This approach allowed the image on the canvas to be developed quickly, and all at one time. Phillip has lived and painted in the Northwest since 1989. His long desire to paint the subject matter of the impressionists painters and his belief that beautiful subject matter increases the probability of painting beautiful paintings, inspired two painting trips to Mexico and ten trips to Europe. In April of 2007, April of 2008 and again in 2014, a rented boat on the Canal du Midi, France served as a form of transportation, a floating studio and hotel. Early painting trips to France, England, and Spain were shared adventures with English painter Jeffrey Pratt...

From the estate of Jerry Opper & Ruth Friedmann Opper Shapes with Figure c. 1950's Gouache on paper 15" x 18", Unframed From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

Semi-abstract figurative oil painting by Denver modernist Edward Marecak (1919-1993). Titled 'Zeus, Venus, and Hera', painted in 1982 . Cubist, stylized figures depicting gods and goddesses from ancient mythology. Central to the painting is a male figure depicting Zeus, the Greek god of the sky, shown in the nude in rich shades of brown with a beard and bright blue eyes. His arms are wrapped around Venus, the Roman goddess of love, and Hera, the Greek Goddess of marriage and women. The trio is seated on a blue green chair...

Gloria Dudfield "Leaning Over" c. 1960s Gouache and charcoal on newsprint Unsigned 18" x 12" framed silver bamboo frame black mat 19.25"x25.25" Gloria...

"Bathers" by Philadelphia born modernist painter Leon Kelly, is a fantasy nude scene of two female figures, one with towel in hand, one only depicted as a portrait within the paintin...

Jack Hooper "Asian Woman II" 10-1990 Acrylic and conte crayon on rag paper 31"x42.25 unframed Signed and dated in pencil lower right Minor wear consistent with age and history Jac...

From the estate of Jerry Opper & Ruth Friedman Opper Backside c. 1950's Gouache on Paper 15" x 18" Unframed *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

From the estate of Jerry Opper & Ruth Friedman Opper Pink Lady c. 1940-1950's Gouache on Paper 15" x 18", Unframed $1000 *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann...

Untitled (Nude in front of light house, Lake Erie) Oil on board, 1970 Signed and dated lower right (see photo) Estate Stamp verso, No. 359 (see photo) Condition: Original untouched "...

Donald Stacy "Pink Floor" c.1950s Gouache paint on paper 17.25" x 17.25" unframed Signed in pencil lower right Came from artist's estate *Custom framing av...

Original mid-century modern oil on canvas board painting of a woman with birds by the well known Russian/American artist Nahum Tschacbasov. Signed and ...

Jack Hooper "Asian Woman I" 10-1990 Acrylic and conte crayon on rag paper 28"x42.25 unframed Signed and dated in pencil lower right Jack Meredith Hooper (August 26, 1928 - January ...

Stark, surrealist study of two nude figures in a color saturated room by Clayton Anderson (American, 20th Century), 1970. Signed and dated by the artist, left margin. Presented in a ...

Nude In Lavender NOT framed Neo Cubism About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City to paint seascapes, catch ...

Hollingsworth intertwines faces and figures along in black and red on a metallic ground. There are 3 nude figures in total. Black Arts Movement - Dreamy study of faces and nudes floating in a gold metallic sky. In the foreground the is a what appears to be an African figure in a long blue ground with bulbous red hat and then an indication of a mountainous horizon line. The right center is an indication of a sun. Acrylic and metallic paint on board Signed lower right BIOGRAPHY: Alvin Hollingsworth...

Artist: Remo Farruggio, Italian/American (1904 - 1981) Title: Champagne Glasses Year: 1954 Medium: Oil on Masonite, Signed l.r. Size: 26 in. x 19 in. ...

Mid Century figurative painting of a pensive sitting nude figure with moody, mid-century color palette in the background. Attributed to Elmer S. Albritton, unsigned (American, 1922-...

Fisherman Watercolor Comes Framed (see photo) About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk fr...