American Modern Paintings
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Style: American Modern
Modernist Abstract Expressionist Watercolor Painting Bauhaus Weimar Pawel Kontny
By Pawel Kontny
Located in Surfside, FL
Abstract watercolor composition bearing the influence of the earlier color-block compositions of Paul Klee.
Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre (1903-2001), a Hungarian modernist painter. As a Denver, Colorado resident, Pavel Kontny exhibited at galleries and museums throughout the United States, Germany and Japan. There, he was inspired by frequent trips to Native American pueblos in the Southwest, as well as by the study of the Plains Indians of Montana and Wyoming. Over the years Kontny had a number of students and generously helped young artist by hosting exhibitions at his Cherry Hills home. For many years he generously donated his paintings to support charitable causes in Denver. Influences during his European years included German pastelist C.O. Muller, German Informel painter Karl Dahmen and Swiss artist, Hans Erni. In the early 1950s his painting style showed the influence of the Die Brücke (The Bridge), a group of German expressionist artists formed in Dresden in 1905 who had a major impact on the evolution of modern art in the twentieth century in Germany. By the middle of the decade his style incorporated more referential abstraction and total abstraction, resulting in part from his study of Hans Hartung, a German artist based in Paris who exhibited his gestural abstract work in Germany. The American moon landing in 1969 inspired Paul Kontny...
Category
20th Century American Modern Paintings
Materials
Canvas, Oil
Double Ovoids, Mid-Century Blue & Black Figurative Abstract Ovoids
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
Double Ovoids with Blue and Black, 1960s
Acrylic on scintilla
15.25 x 12.25 inches
A surrealist mid-century figural abstract painting....
Category
1960s American Modern Paintings
Materials
Acrylic
Untitled Diptych by Suzanne Law. Paintings Framed
Located in Miami Beach, FL
Untitled Diptych, painting by Suzanne Law. Framed
Overall size:
Image size: 12.6 in. H x 34.2 in W
Frame size: 18.1 in. H x 44.8 in W x 1 in D
Individual size:
Image size: 12.6 in. ...
Category
1990s American Modern Paintings
Materials
Canvas, Wood, Acrylic
Maze, 20th Century Geometric Figurative Abstract Acrylic Painting
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
Maze, 1982
Acrylic on cardboard
Signed and dated upper right
7 x 9.5 inches
A surrealist mid-century figural abstract painting.
Clar...
Category
1980s American Modern Paintings
Materials
Acrylic
Untitled Abstract Landscape Oil Pastel Painting Figurative Abstraction
By John Evans
Located in Surfside, FL
John Evans (American, b. 1945), Untitled oilstick on paper, signed in pencil lower center, gallery label (Allan Stone Gallery, New York) affixed verso, sheet: sight size is 22"h x 3...
Category
1990s American Modern Paintings
Materials
Paper, Oil Pastel
1950s "Curled Up Cubist" MidCentury Figurative Gouache University of Paris
By Donald Stacy
Located in Arp, TX
Donald Stacy
"Curled Up Cubist
c.1950s
Gouache on paper
24" x 18" unframed
Unsigned
Came from artist's estate
Donald Stacy (1925-2011) New Jersey
Studied: Newark School of Fine Art
The Art Students League
Pratt Graphic Arts Center
University of Paris 1953-54
University of Aix-en-Provence 1954-55
Faculty: Art Department of the New School
Museum of Modern Art
School of Visual Arts
Stacy Studio Workshop
Exhibitions: Grand Central Moderns
George Wittenborn
The New School
Print Exhibitions, Chicago
University of Oklahoma
Honolulu Museum
Monclair Museum
Wisconsin State College
Louisiana Art Commission
Philadelphia...
Category
Mid-20th Century American Modern Paintings
Materials
Paper, Gouache
Original Painting. New Yorker Cover Proposal Baseball c. 1939 Modern Cubist Deco
Located in New York, NY
Original Painting. New Yorker Cover Proposal Baseball c. 1939 Modern Cubist Deco
Antonio Petruccelli (1907 - 1994)
Play Ball
New Yorker cover proposal, c. 1939
12 x 8 inches (sight)
Framed 18 1/2 X 14 3/4 inches
Gouache on board
Estate sticker verso
BIOGRAPHY:
Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests.
In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s.
‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune.
Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...
Category
1930s American Modern Paintings
Materials
Gouache, Board
Neon modern roller girl "TAKE THE HIGHWAY"
Located in THOMERY, FR
This painting is from the series 'Rollers & skate', a series of variations on California's skateboard culture of the 70s, which takes a new turn today. The artist defends feminist va...
Category
21st Century and Contemporary American Modern Paintings
Materials
Acrylic
Homebody
Located in Scottsdale, AZ
Febland creates wonderfully dynamic technical and dramatic narratives. The works are evocative of many places in America(especially that of his newer works which seem to sew-togethe...
Category
2010s American Modern Paintings
Materials
Oil
R.E.M. - Murmur (Grammy, Album Art, Iconic, Rock and Roll, Pop, Legendary)
By Kerry Smith
Located in Kansas City, MO
Kerry Smith
R.E.M. - Murmur
Mixed Media on Crescent board
Year: 2022
Size: 21x20in
Signed, dated by hand
COA provided
Ref.: 924802-1633
---------------------------------------
"Of...
Category
2010s American Modern Paintings
Materials
Acrylic, Gouache, Board, Mixed Media
TOAST TO THE BAR MITZVA Modernist Judaica Oil Painting
Located in Surfside, FL
Subject: Jewish American Family Bar Mitzvah with Rabbi
Medium: Oil
Surface: Canvas
Country: United States
In this painting, Joseph Wolins uses vibrant and complimentary colors and...
Category
20th Century American Modern Paintings
Materials
Canvas, Oil
Classic Vertical Nude - Mixed Media by Leon Dusso
Located in Pasadena, CA
This delicate oil and ink painting on panel by Dusso depicts a beautiful and graceful woman seen from behind, her nude figure enhanced by the framing of her hair. She holds a vase in...
Category
Mid-20th Century American Modern Paintings
Materials
Ink, Oil
San Francisco Cable Car WPA Artist Adolf Dehn Modernist Art Gouache Oil Painting
By Adolf Dehn
Located in Surfside, FL
ADOLF ARTHUR DEHN (American, 1895-1969)
San Francisco Bay Area street scene, with Trolley, Streetcar, Cable Car with bay and Alcatraz Island in background.
Hand signed LRC.
Sight 19" x 15", overall 23" x 19".
Adolf Dehn (November 22, 1895 – May 19, 1968) was an American artist known mainly as a lithographer. Throughout his artistic career, he participated in and helped define some important movements in American art, including regionalism, social realism, and caricature. A two-time recipient of the Guggenheim Fellowship, he was known for both his technical skills and his high-spirited, droll depictions of human foibles.
Adolph Dehn was born in 1895 in Waterville, Minnesota. He began creating artwork at the age of six, and by the time of his death had created nearly 650 images.
Dehn went to the Minneapolis School of Art (known today as the Minneapolis College of Art and Design), where he met and became a close friend of Wanda Gag. In 1917 he and Gág were two of only a dozen students in the country to earn a scholarship to the Art Students League of New York. He was drafted to serve in World War I in 1918, but declared himself a conscientious objector and spent four months in a guardhouse detention camp in Spartanburg, SC and then worked for eight months as a painting teacher at an arm rehabilitation hospital in Asheville, NC. Later, Dehn returned to the Art Students League for another year of study and created his first lithograph, The Harvest.
In 1921 Dehn's lithographs were featured in his first exhibition at Weyhe Gallery in New York City. From 1920 to 1921 in Manhattan, he was connected to New York's politically left-leaning activists. In 1921, he went to Europe. In Paris and Vienna he belonged to a group of expatriate intellectuals and artists, including Andrée Ruellan, Gertrude Stein, and ee cummings...
Category
1930s American Modern Paintings
Materials
Oil, Gouache
The Hillside, Colorado, 1930s Landscape Oil Painting, Hillside Farm with Truck
By Hayes Lyon
Located in Denver, CO
WPA era oil on canvas landscape painting by Hayes Lyon (1901-1987) titled 'The Hillside' from 1938. American modernist portrayal of a hillside farm with a b...
Category
1930s American Modern Paintings
Materials
Canvas, Oil
Vermont Landscape
Located in Chicago, IL
A "Thumb Box" (Diminutive) painting of Vermont by Harold Haydon.
Harold Emerson Haydon was born in Fort William, Ontario, Canada in 1909. Haydon came ...
Category
1940s American Modern Paintings
Materials
Oil
Fish Story oil painting by Williams Charles Palmer
Located in Hudson, NY
This painting is illustrated in the Catalogue of the 1945 Encyclopedia Britannica Collection of Contemporary American Painting, p.84. Written and edited by Grace Pagano.
"Painting ...
Category
Mid-20th Century American Modern Paintings
Materials
Oil, Canvas
Ponte Neuf (The Old Bridge)
Located in Los Angeles, CA
(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan)
Oil on panel, 14 ½ x 18 inches unframed, 22 x 25 ½ inches framed, inscribed “painted by David McCosh Property of Edward b. Rowan” and numbered “8” verso
Exhibited:
The First Exhibit of the Iowa Artist...
Category
1920s American Modern Paintings
Materials
Oil
Untitled (Sunset)
Located in Chicago, IL
A "Thumb Box" or diminutive painting by Harold Haydon depicting a mountain at sunset.
Harold Emerson Haydon was born in Fort William, Ontario, Canada in...
Category
1950s American Modern Paintings
Materials
Oil
Gospel Hall, Calais, VT
Located in Chicago, IL
A "Thumb Box" (diminutive) painting of the Gospel Hall in Calais, VT by Harold Haydon.
Harold Emerson Haydon was born in Fort William, Ontario, Canada i...
Category
1940s American Modern Paintings
Materials
Oil
The Swing
By Will Barnet
Located in New York, NY
Signed lower right: Will Barnet; on verso (photo available): Will Barnet / Aug 1963
Category
Late 20th Century American Modern Paintings
Materials
Canvas, Oil
1990 Untitled Abstract Oil Painting on Canvas Illustrator Bill Shields
Located in Arp, TX
William Stephens Shields, Jr., 1925 - 2010
Untitled
1990
Oil on canvas
60"x48" artist framed
Signed lower right
William Stephens Shields, Jr., 1925 - 2010
He was born in san Franc...
Category
Late 20th Century American Modern Paintings
Materials
Canvas, Oil
Original Painting Steel Workers Fabric Design Industrial Deco American Modernism
Located in New York, NY
Original Painting Steel Workers Fabric Design Industrial Deco American Modernism
Antonio Petruccelli (1907 - 1994)
Steel Workers
Textile design
19 1/4 X ...
Category
1930s American Modern Paintings
Materials
Gouache, Board
Tribe of Benjamin, Large Judaica Mixed Media Collage Painting
By Archie Rand
Located in Surfside, FL
Tribe of Benjamin, Biblical mural with wolf. I believe this is a study for a stained glass window. Untitled, mixed media on paper, signed lower left, inscribed "To my dear friend Dav...
Category
1980s American Modern Paintings
Materials
Paint, Paper, Mixed Media
Waiting for the band
Located in THOMERY, FR
This painting is from the serie 'Rollers & Skate". It is done with acrylic paint alla prima on a cotton canvas. The painting is inspired by the Californian skate and rollerblading c...
Category
21st Century and Contemporary American Modern Paintings
Materials
Oil Pastel, Acrylic
Artist and His Family, 1950s Interior Figurative Oil Painting, Red Green White
Located in Denver, CO
Oil on board painting by Donna Marecak (1922-1998) titled 'Artist and his Family' from 1950. Interior scene with four figures, a baby, and a cat gathered around a table. Painted in ...
Category
1950s American Modern Paintings
Materials
Oil, Board
Untitled (Country Landscape with Figures)
Located in Chicago, IL
A Modernist landscape painting with figures by artist (William) Davenport Griffen. His paintings tend to be rare.
(William) Davenport Griffen was born in 1894 in Millbrook, NY. He graduated from Iowa State College in Ames, IA in 1918 with a B.S. in Civil Engineering; however, Griffen’s true love was painting. In 1919, he enrolled in the Chicago Academy of Fine Arts and subsequently studied at the Art Institute of Chicago from 1923-1928. In 1926, he was awarded the American Travel Scholarship and began painting in Provincetown, MA. In 1928, he was awarded the John Quincy Adams Scholarship and spent six months painting in Paris, France. Griffen also painted in the U.S. Virgin Islands for 11 months between 1930-1931. Griffen had one-man exhibitions of his Virgin Islands paintings...
Category
1930s American Modern Paintings
Materials
Oil, Canvas
Large Modernist Oil Painting Bridge over the Water Landscape
By Saul Schary
Located in Surfside, FL
Saul Schary was born in 1904 in Newark, New Jersey. Painter, Printmaker, Illustrator. He lived and worked in New York City and New Milford, Connecticut. Schary studied at the Art St...
Category
Mid-20th Century American Modern Paintings
Materials
Canvas, Oil
Original Arthur Smith Modernist Erotic Painting
By Arthur Smith
Located in Larchmont, NY
Arthur Smith (American, 1897-1972)
Untitled, 20th century
Oil on board
8 x 9 7/8 in.
Framed: 14 1/4 x 16 3/8 in.
Signed lower left: A Smith
Arthur Smith is a listed American paint...
Category
20th Century American Modern Paintings
Materials
Oil, Board
Johnny Hodges - The Big Sound (Grammy, Album Art, Iconic, Rock and Roll, Pop)
By Kerry Smith
Located in Kansas City, MO
Kerry Smith
Johnny Hodges - The Big Sound
Mixed Media on Crescent board
Year: 2016
Size: 21x20in
Signed, dated by hand
COA provided
Ref.: 91-0194
----------------------------------...
Category
2010s American Modern Paintings
Materials
Mixed Media, Acrylic, Gouache, Board
Portrait of Helene Sardeau (The Artist’s Wife)
Located in Los Angeles, CA
(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan)
Fresco, 20 x 16 inches unframed, 22 x 18 inch...
Category
1930s American Modern Paintings
Materials
Plaster, Mixed Media
Mother and Son (Colt and Mare)
By Herman Maril
Located in Los Angeles, CA
(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan)
Oil on canvas, 18 x 14 inches unframed, 22 x 18 inches framed, signed and dated lower right, inscribed “Mother and Son by Herman Maril ‘31” and “property Edward B. Rowan Falls Church VA” verso
Literature:
i) Dows, Olin, Herman Maril, The American Magazine of Art, Vol. 28, No. 7 (July 1935), p. 407 (illustrated with the title “Mare and Colt...
Category
1930s American Modern Paintings
Materials
Oil
Flower Still Life
By Adrian Dornbush
Located in Los Angeles, CA
(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan)
Oil on canvas, 24 ½ x 19 ½ inches unframed, 32 x 27 inches framed, signed and inscribed “Adrian Dornbush/ Flower Still Life” verso, a remnant of exhibition label verso, stamped “1454” verso, original frame
Exhibited:
i) Midwestern Artist’s Exhibition Representative Work from Missouri, Kansas, Oklahoma, Nebraska & Colorado, Kansas City Art Institute, February 1 to March 2, 1931, no. 34 (see catalog with a listing of work with this title); and ii) Special Display and Sale of Late Oil Paintings Produced by Cedar Rapids Own Artists from the Little Gallery, at Newman’s Department Store, Cedar Rapids, Iowa, March 1932 (see [Advertisement], The Gazette (Cedar Rapids, Iowa), March 15, 1932 – listing a work with this title, together with paintings by fourteen other artists, including Grant Wood, Marvin Cone...
Category
1930s American Modern Paintings
Materials
Oil
House Beautiful Cover Proposal. American Scene Social Realism Industrial WPA
Located in New York, NY
House Beautiful Cover Proposal. American Scene Social Realism Industrial WPA
Antonio Petruccelli (1907 – 1994)
Mixing Mortar
12 1/2 X 14 3/4 inche...
Category
1930s American Modern Paintings
Materials
Gouache, Board
Red Interior, Oil Painting, Scene Through Window
By Jennifer Presant
Located in Surfside, FL
Education
2002 – MFA; cum laude, New York Academy of Art, New York, NY
1993 – BFA; Washington University, St. Louis, MO
1992 – Lorenzo Di Medici Institute, Florence, Italy
Select Gallery Exhibitions
Linda Warren Projects, Chicago, IL
Eden Rock Gallery, St Barthelemy, F.W.I
Blank Space Gallery, New York, NY
Evanston Art Center, Evanston, IL
Noyes Cultural Arts Center, Evanston, IL
Quidley & Company, Boston, MA
Zolla Lieberman Gallery...
Category
Early 2000s American Modern Paintings
Materials
Linen, Oil
Casting Call
Located in Scottsdale, AZ
Febland creates wonderfully dynamic technical and dramatic narratives. The works are evocative of many places in America(especially that of his newer works which seem to sew-togethe...
Category
2010s American Modern Paintings
Materials
Oil
Early Spring, 1930s Impressionist Style Oil Painting, The Artists Studio
Located in Denver, CO
Oil on canvas painting, titled 'Early Spring' (Thompson's Studio) painted in 1933 and signed by John Edward Thompson (1882-1945). Impressionist style portrayal of the artists studio ...
Category
1930s American Modern Paintings
Materials
Canvas, Oil
Still/Life
Located in Scottsdale, AZ
David Febland is a prominent American artist working today. He pulls together imagery from his travels and composes them in a scene that is full of movement. The work is imbued wit...
Category
2010s American Modern Paintings
Materials
Oil
VASE WITH FLOWERS IN THE MIRROR Modernist Oil Painting
By Joseph Raskin
Located in Surfside, FL
Joseph Raskin painted still lifes throughout his career, often using them for formal and technical experimentation. Here, the artist renders a bouquet of a wide variety of flowers in...
Category
1940s American Modern Paintings
Materials
Canvas, Oil
The Wood Chopper, Brecksville, Ohio, Early 20th Century Cleveland School
By Frank Wilcox
Located in Beachwood, OH
Frank Nelson Wilcox (American, 1887-1964)
The Wood Chopper, Brecksville, Ohio, c. 1917
Oil on masonite
33 x 24 inches
"We were fortunate in that the two farms in Brecksville were still open to our visits. The urbanization of the township was then only beginning and we spent several summers there where I tried to capture something of the rural peace so soon to be erased from the countryside." - Wilcox
Exhibited: “Water Colors and Oils by Frank N. Wilcox,” Cleveland Museum of Art, January 1937.
Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School...
Category
1910s American Modern Paintings
Materials
Oil
Central City, Colorado, 1950s Semi-Abstract Cityscape Gouache Painting, Red Blue
Located in Denver, CO
'Central City, Colorado' by Leonard Silverstein is an original gouache on paper from 1954. Hand signed, titled, and dated by the artist in the lower right...
Category
1950s American Modern Paintings
Materials
Gouache, Archival Paper
Floral Still Life, by mid-century modern master artist
Located in Rockport, MA
Great still-life oil painting by Helen Stein. Has recently been restored to excellent condition.
11x15 inches painting : 16x21 inches with frame
Hele...
Category
Mid-20th Century American Modern Paintings
Materials
Oil
1950s "Short Hair" Mid Century Nude Gouache Painting
Located in Arp, TX
From the estate of Jerry Opper & Ruth Friedman Opper
Short Hair
c. 1940-1950's
Gouache on Paper
15" x 18", Unframed
From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann.
San Francisco Abstract Expression
A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency.
Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...
Category
Mid-20th Century American Modern Paintings
Materials
Gouache, Paper
Social Realist Street Scene Modernist Landscape Oil Painting
Located in Surfside, FL
Oil Painting Mid 20th century, signed P. Zimmerman Reminiscent of the Mid Century Social Realist and WPA works of Ben Shahn this captures an architectural street scape...
Category
Mid-20th Century American Modern Paintings
Materials
Oil
"Buttermilk Bay, Cape Cod, " Georgina Klitgaard, Woodstock School Female WPA
Located in New York, NY
Georgina Klitgaard (1893 - 1976)
Buttermilk Bay, Cape Cod, Massachusetts, 1933
Oil on canvas
18 x 30 inches
Signed lower right
Provenance:
Frank K. M. Rehn Galleries, New York
Harold Ordway Rugg
Private Collection, Western New York
Georgina Berrian was born in Spuyten Duyvil, New York in 1893. She was educated at Barnard College...
Category
1930s American Modern Paintings
Materials
Canvas, Oil
Stormy Waters Study - frog and leaf
Located in Lafayette, LA
This is a unique 8"x10" oil on canvas color study by Francis X Pavy. it is framed. the images depicts a frog and a leaf.
Category
2010s American Modern Paintings
Materials
Oil
1990s Brown, Gold, Green Abstract Oil Painting, Large Format Horizontal Painting
Located in Denver, CO
Original abstract oil painting signed by Wilma Fiori (1929-2019) painted in 1994. Signed and dated by the artist on verso. Large format horizontal abstract...
Category
1990s American Modern Paintings
Materials
Oil, Canvas
American Scene Industrial Modern Lamp Magazine Illustration Mid-Century c. 1930s
Located in New York, NY
American Scene Industrial Modern Lamp Magazine Illustration Mid-Century
Antonio Petruccelli (1907 - 1994)
Oil Terminal
Lamp Magazine, published, c. 1930s.
15 3/4 X 12 inches (image)
18 X 14 inches board
Gouache on board
Signed lower right
unframed
BIOGRAPHY:
Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests.
In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s.
‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune.
Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...
Category
1930s American Modern Paintings
Materials
Gouache, Board
Large Oil Painting Of Cartoony Camouflage Tank in Illustration Style
Located in Surfside, FL
Seymour Chwast (born August 18, 1931) is an American graphic designer, illustrator, and type designer.
Chwast was born in Bronx, New York, and graduated with a Bachelor of Fine Arts from Cooper Union in 1951. With Milton Glaser, Edward Sorel...
Category
20th Century American Modern Paintings
Materials
Paint, Board
Original Painting. New Yorker Mag Cover Proposal WPA Mid Century American Scene
Located in New York, NY
Original Painting. New Yorker Mag Cover Proposal WPA Mid Century American Scene
Antonio Petruccelli (1907 – 1994)
Perplexed Gentleman
New Yorker cover proposal, c. 1939
13 1/4 X 8 ...
Category
1930s American Modern Paintings
Materials
Gouache, Board
The Demogogue
Located in Los Angeles, CA
The Demagogue or Tale in a Tub, 1952, oil on canvas, 20 x 24 inches, signed, titled, and dated verso
About the Painting
The Demagogue is an iconic Bendor Mark painting from the prime of his post-war period. Beginning early in his career, Mark was fascinated with depictions of the human figure and their capacity to tell stories of the world around him. Mark was a keen observer of his times and in The Demagogue we see Mark’s portrayal of a faithless politician holding up a “V” for victory sign as he appeals to the wanton desires and prejudices of the masses. Below the demagogue is a swirl of humanity representing the common man who is being pushed down by the powerful, while the robed figure of liberty with her scales of justice held high is brushed aside. Behind the demagogue, Mark places two other powerful supporting institutions which were often co-opted by the world’s dictators, the Church and the Military. Mark was an internationalist, so it is difficult to know exactly which demagogue inspired him to create this work, but in 1952 there were many to choose from. Whether depicting Argentina’s Peron (the demagogue and the women to the right resemble Juan and Eva Peron), Spain’s Franco or the United States’ homegrown fear mongers like Joseph McCarthy, Mark tells a universal story that unfolded in dramatic fashion during the post-war period as nations and their peoples grappled with authoritarianism and anti-democratic impulses. Stylistically, The Demagogue draws on the elements which make Mark’s work from this period immediately recognizable, a saturated palette, a closely packed and frenetic composition, exaggerated figuration and stylized facial features. But, above all, we see Mark’s ability to tell the stories of the rich and powerful and their ability to oppress. Like Mark’s work in the collection of the Whitney Museum of American Art (The Hourglass - 1950-51) and the Los Angeles County Museum of Art (Execution – 1940), The Demagogue pulls no punches, as the artist lays bare the threats to freedom and basic human rights.
About the Artist
Bendor Mark was an American modernist and social realist painter. Born as Bernard Marcus on June 5, 1912, in Brooklyn, New York, Mark trained at The Cooper Union during the 1920s where he studied with William Brantley van Ingen and became a prize-winning artist with a focus on painting the human figure. After his time at Cooper, Mark continued to live in New York and worked as a commercial artist and textile designer in addition to his pursuit of a career in painting. Like many Depression Era artists, Mark engaged with social progressives and in 1934, he joined the Artist’s Union which had the goal of advancing artists’ position as “worker.” Mark’s painting, Restaurant, which is now in the permanent collection of the Smithsonian American Art Museum, appeared in the February 1936 edition of the Union’s publication, Art Front, as part of a review of an exhibition at ACA Gallery in New York.
Mark worked on the Federal Art Project and by the mid- to late-1930s, began a series of paintings exploring the working conditions and hazards of the mining industry. Mark believed that miners were “in the forefront of the struggle for emancipation” and that the mere “struggle for existence is like moving mountains.” He became passionate about the Spanish Civil War and painted sympathetic images in support of the Spanish Republic. Mark was a premature anti-fascist and throughout his career painted works critical of dictators and other oppressors. During the late 1930s, Mark entered mural competitions with designs influenced by the Mexican muralists, taught adult art education in Queens, New York, and was an instructor at the WPA’s Queensboro Art Center. He was so committed to socially progressive art that by 1934, he had changed his name to Bendor Mark, in part, to distinguish his social realist paintings from his earlier work.
During World War II, Mark worked as an artist for military contractors. After the war, he was employed as a graphic artist and in the printing industry before moving to Southern California in 1948, where he returned to a fine art practice the following year with politically and socially charged images which reflected his view of the shortcomings of the post-War period, the continued threat of fascism, and the international tensions of the Cold War. As the mood of the country shifted towards the right during the McCarthy Era and the art world’s attention focused on abstraction at the expense of figuration, Mark’s career as a painter suffered.
From the 1950s through the 1980s, Mark continued to depict the events that shaped the world around him, often employing a highly stylized approach characterized by dynamic multi-figure compositions, a subtle muted palette, and exaggerated expressive features. A review of Mark’s oeuvre suggests that few people escaped Mark’s attention. He painted presidents, prime ministers, royalty, evangelists, musicians, and dictators (and their henchman), along with miners, farm workers, the urban poor, protesters, the unemployed and dispossessed. He laid bare the arrogance, cruelty, and hypocrisy of the world’s elites. Mark noted, “A work of art cannot be fully appreciated or wholly understood without considering the socio-political and cultural ambience that gave it birth.” He continued, “I have the ability to foresee the direction of social and political events while they are actually taking place.” He was not himself a direct political activist, however. Although Mark commented, “It’s a misconception to separate art from the social aspect of life,” he viewed artists as being neutral. According to Mark, “An apolitical attitude reflects the fact that the artist is passive. . . An artist never affects society; he merely reflects it.”
In addition to the Mexican Muralists, Mark was influenced by the old masters Rembrandt, Michelangelo, and Masaccio, as well as the more modern master, Van Gogh. Mark’s writings directly acknowledge these influences and archival material from his estate includes magazine articles, pamphlets and transparencies related to these artists. Mark also collected materials related to several of his social realist contemporaries, including Reginald Marsh, Ben Shahn, Leonard Baskin, and Raphael Soyer, who was Mark’s good friend. For years, Soyer sent Mark holiday cards and Soyer inscribed a message of friendship on a self-portrait he gifted to Mark in the 1970s, all of which are still held in the collection of Mark’s family.
From the late 1920s through the mid-1950s, Mark’s work was well received. His paintings won prizes and were accepted into major juried exhibitions including at the Brooklyn Museum, the New York World’s Fair and the Metropolitan Museum of Art. He gained national recognition for paintings depicting the oppressed and the common worker. Despite the decline in popularity of representational art during the 1950s and 1960s, Mark stayed true to his interest in depicting the human figure and by the last two decades of his life, his work underwent a reassessment as curators included Mark’s paintings in exhibitions showcasing the role of labor in art during the Depression Era. This recognition continued in recent years when Mark was honored by having his work included in the Whitney Museum of American Art’s ground-breaking exhibition, Vida Americana, which explored the pioneering role that the Mexican muralists played in the development of modern American art during the inter-war period. The influence of Rivera, Siqueiros and Orozco on Mark is unmistakable and his paintings from the 1950s (and beyond) sit comfortably in dialogue with other Los Angeles artists who continued to paint in the social realist tradition long after the mainstream art world had moved toward abstraction. Mark’s concern for underserved Brown and Black communities was shared with artists such as Charles White and his ally, Edward Biberman...
Category
Mid-20th Century American Modern Paintings
Materials
Canvas, Oil
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Subject: American Family
Medium: Oil
Surface: Canvas
Country: United States
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Joseph Wo...
Category
20th Century American Modern Paintings
Materials
Canvas, Oil
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Category
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About the Painting
Trees at Bloom was painted when Clarence Holbrook Carter lived in Pittsburgh and served as an instructor in the Department of Painting and Design at the Carnegie Institute of Technology (now Carnegie-Mellon University), a position he held from 1938 through 1944. It depicts a thick forest at the base of distance hills just outside the city. During his tenure in Pittsburgh, Carter was deeply influenced by not only the industrial might of the steel mills and iron forges of the city, but also the beauty of the surrounding landscape. As Frank Anderson Trapp noted in his book on the artist, for Carter “the terrain itself had its own special vitality, with its craggy, wooded hills threaded with ravine and watercourses . . . . the signs of industrial blight that were unalleviated in some parts of the country were there relieved by the geological variety of the parent landscape, and by the irrepressible presence of its natural growth, which softened the whole.” Trapp continues, “in his scenes of rural situations, Carter had a special gift for rendering those elements convincingly.” With the profusion of flowering trees which diffuse the light and the red cardinals darting from one branch to another, Trees at Bloom portrays the “irrepressible presence of nature” that Trapp describes.
About the Artist
Together with Charles Burchfield, Clarence Holbrook Carter was Ohio’s premiere American Scene painter and later an innovative magic realist. The son of a no-nonsense public-school administrator, Carter was born in 1904 outside of Portsmouth, Ohio, a small town in the heart of the Ohio River...
Category
1930s American Modern Paintings
Materials
Canvas, Oil
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Located in Arp, TX
From the estate of Jerry Opper & Ruth Friedman Opper
Yellow
c. 1950's
Gouache on Paper
15" x 18", Unframed
*Custom framing available for additional charge. Please expect framing tim...
Category
Mid-20th Century American Modern Paintings
Materials
Paper, Gouache
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Located in New York, NY
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Category
2010s American Modern Paintings
Materials
Oil
Field of marsh grass
Located in Lafayette, LA
This is a one-of-a-kind small painting, Measuring 8x10, entitled “ Field of marsh grass “. The medium is oil on canvas. It represents a file of marsh grass.
It is framed in a whitew...
Category
2010s American Modern Paintings
Materials
Oil
"Antenna Birds" New Yorker Mag Cover Proposal Mid-Century American Scene Modern
Located in New York, NY
"Antenna Birds" New Yorker Mag Cover Proposal Mid-Century American Scene Modern
Antonio Petruccelli (1907 – 1994)
Antenna Birds
New Yorker cover proposal, c. 1950s
12 1/2 X 9 1/4 in...
Category
1950s American Modern Paintings
Materials
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American Modern paintings for sale on 1stDibs.
Find a wide variety of authentic American Modern paintings available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add paintings created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Clarence Holbrook Carter, Donald Stacy, Patricia Gren Hayes, and Jack Hooper. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Modern paintings, so small editions measuring 2 inches across are also available.
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