Unknown

R. Hoag “Large Cat Peering Out Window”

1979

Mid Century Modern Bold Geometric Abstract Oil Painting by Russell C.1950s Original oil on canvas housed in a custom frame Canvas dimensions 24" wide x 40" high The custom frame measures 34" wide x 54" high Signed in the lower right corner Please note: The custom frame shows distress and discoloration and will need restoration. We are including the original frame, as it's a great fit for the painting. The frame will need to be repainted, or restored, or replaced. The frame is included in "as is" condition. A fine opportunity to acquire a classic mid century modern abstract painting We have no additional information on the artist. Russell appears to be a common name; we will update the listing if any new information comes our way. This large mid century painting...

Large, mid century abstract, painting, signed "Sutton" Dated 1969 Oil line Candace 24 x 48 unframed, 26.5 x 50.5 framed

Mid Century Abstract Dock Scene by Igor Medvedev c.1960 Oil on canvas. Dimensions 42" x 26". The frame measures 43" x 27". Signed in the lower right co...

Dorothy Finley pair of vintage paintings "Abstract Diptych" circa 1970s. Brilliant pair of large scale abstract paintings by listed artist Dorothy Finley, (American, 1920-2004) This was created as a diptych and are offered as a matching pair only. Each canvas measures: 40" wide x 48" high. The two together measure: 80" wide x 48" high. The simple pine frames add an additional half inch to the overall measurements. These fantastic paintings are bright, bold and colorful. They will be the focal point of any room. The paintings are signed on the back. Very good condition. Born Dec. 15, 1920, in Seattle, Dorothy Finley lived in Fallbrook, Ca from 1974 until her passing in 2004. She attended Fresno State College and continued her studies in Japan, Taiwan, Germany, and the U.S. She was a prize winning painter and teacher, since 1958. Her works are in numerous museums and private collections. Finley studied with Walter McCown...

Vintage Surreal Oil Painting on Canvas c.1940s to 1950s. Classic Surrealism brought to life on canvas by a very talented artist. The painting has no visible signature. Canvas dimen...

Michael Thorn Bradley (American 1944-2015) Abstract Oil Painting of Clouds Titled "Kayenta"

Amish Farmscape #3, 1984, oil on canvas, 40 x 30 inches, signed and dated lower right; signed, dated, and titled verso About the Painting Amish Farmscape #3 is part of a multi-painting series of barns completed in the early 1980s for an exhibition at New York’s prestigious Sid Deutsch Gallery. Lewandowski painted this work at an important point in his career. It was the first major project undertaken by Lewandowski after his retirement from serving as the Chairman of Winthrop University’s Art Department, the last academic position he held after teaching for nearly thirty years. Lewandowski had been inspired to work on the series by a visit to Lancaster County, Pennsylvania. Like his friend and mentor, Charles Sheeler, Lewandowski had always been fascinated by vernacular architecture and the Amish barns of Pennsylvania brought back memories of rural scenes Lewandowski had painted in the Midwest much earlier in his career. Amish Farmscape #3 is a strong example of Lewandowski’s late precisionist work. The complexity of the composition and Lewandowski’s technical acumen are on full display. Being relieved of the burdens of teaching and administering a university art department likely allowed Lewandowski greater freedom and most importantly more time to complete the Amish Farmscape series. Although Lewandowski’s brand of precisionism changed throughout the years, he never deviated from the core tenets of the Immaculate School artists. In this work, we see simplified and flattened forms, the use of ray-lines to define light and space, the elimination of extraneous details, a polished almost machine-like finish, and the complete lack of visible brushstrokes, all hallmarks of the precisionist painters. Lewandowski was the last of the 20th century precisionists and in Amish Farmscape #3, we see just how successfully he continued to work in this style until his death in 1998. About the Artist Edmund Lewandowski was among the best of the second-generation precisionist painters. He was born and raised in Milwaukee, Wisconsin and studied at the Layton School of Art with Garrett Sinclair. Lewandowski achieved early success when in 1936 two of his watercolors were shown at the Phillips Collection as part of a Federal Art Project exhibition. Then, in 1937, his work was first exhibited at Edith Halpert’s Downtown Gallery which represented Lewandowski into the 1950s. Under Halpert’s guidance, Lewandowski continued to explore watercolor as his main medium during the 1930s and 1940s, since the gallery already represented Charles Sheeler, who worked primarily in oils. Sheeler became Lewandowski’s major influence as the primary leader of the ill-defined, but very recognizable Immaculate School artists, which included other Downtown Gallery painters, Niles Spencer, George Ault, and Ralston Crawford, as well as Charles Demuth and Preston Dickinson, both of whom died at a young age and had been represented by the Charles Daniel Gallery. Sheeler is credited with giving Lewandowski technical advice on how to make his paintings more precise and tightly rendered and by all accounts, Sheeler was a fan of Lewandowski’s work. Through the Downtown Gallery, Lewandowski’s paintings were accepted into major national and international exhibitions and purchased by significant museums and collectors. Franklin and Eleanor Roosevelt and Nelson Rockefeller acquired works by Lewandowski. He was included in the Museum of Modern Art’s important 1943 exhibition, American Realists and Magic Realists as well as juried exhibitions at the Whitney Museum of American Art, the Pennsylvania Academy of Fine Arts, and the Art Institute of Chicago. Lewandowski also completed commissions for magazines during the 1940s and 1950s, including several covers for Fortune. Throughout his career, Lewandowski explored urban and rural architecture, industry, machinery, and nautical themes. Looking back on his career, Lewandowski wrote, “My overwhelming desire as an artist through the years has been to record the beauty of man-made objects and energy of American industry on canvas. For as far back as I can recall, the cityscapes, farms and depictions of industrial power and technological efficiency has had a great attraction for me. I try to treat these observations with personal honesty and distill these impressions to a visual order.” Lewandowski is credited with extending precisionism to the Midwest and successfully continuing the style into the 1990s, three decades after Sheeler’s death and six decades after Demuth’s passing. Late in his career, Lewandowski enjoyed a resurgence of popularity as he was represented during the 1980s by New York’s Sid Deutsch and Allison Galleries...

An original oil on canvas painting by American artist James Koenig created in 1944.

You are viewing a modern abstract painting by Robert Blair. Robert Noel Blair (American, 1912-2003) was an American artist, painter, sculptor, printmaker and teacher. He is best k...

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