American Modern Paintings

Artist: Arnold Grossman (American, 1923-2016) Title: Still Life Year: c.2000 Medium: Oil painting on paper Paper: Thick oil painting paper Size i...

In this painting by Judith Shahn, the artist renders a boat and dock in a series of lines. The artist takes a naive approach at depicting the subject by simplifying the elements in t...

Joyce Treiman Ink on paper, framed under glass; signed in pencil lower right; Dimensions: 16 1/2 x 13 3/4 inches; 18 3/4 x 14 3/4 inches frame. Joyce Wahl Treiman was an American painter, printmaker, sculptor and teacher. Her work ranged from "the impishly perverse and humorously paradoxical to the brilliant and profound." She was known as an excellent draftsperson throughout her career. She made several trips to Europe to study the old masters, and the human figure is central in her work. In her later paintings she is known to have inserted self-portraits. She attended Stephens College in Columbia, Missouri, and then studied at the State University of Iowa (today the University of Iowa) under the influential painter Philip Guston. During World War II she worked as a commercial artist but resigned when she began to have success with exhibitions of her work in Chicago and New York. In 1945 she married Kenneth Treiman, and son Donald, now an Architect, was born in 1950. The Treimans, along with Rene and Rose Wahl, moved to Los Angeles in 1960. She was in an exhibit of Tamarind prints...

Virginia Berresford Pond in Back of Her House Signed and titled on the reverse Oil on board 23 1/2 x 17 1/2 inches Virginia Berresford was an underrated American modernist who had ...

In this painting, Nussbaum portrays a Rabbi, or Rebbe outside the synagogue The vibrant colors used in this painting seem to overlay each other without being previous mixed. Ervin B...

SALE ONE WEEK ONLY “Vernors and Oreos” is a clever colorful piece by Richard Wilson that is full of significant meaning for native Detroiters. The beverage and cookies are specific treats for many people in Detroit and Michigan, but for Stevie Wonder in particular who is also a native Detroiter. The soda is produced and has been manufactured in the city of Detroit since 1862 by the Vernors Co. The story goes that prior to his concerts, Stevie Wonder, always requested that Vernors' Ginger Ale and Oreos be provided in his dressing room. Wilson has a great admiration for Stevie Wonder and as a gift to the city of Detroit he painted a mural of Stevie Wonder on an outside wall of the Music Hall. The “Ginger Ale and Oreos” painting...

This artwork "Still Life with Fruits in a Plate, and Cup" c.1980 is an oil painting on paper by American artist Carol Fremlin, b.1933. It is signed at th...

A cubistic, playful cityscape of Portland, with its famous bridges crossing the river is a backdrop for this female biker, clad in vintage wear and a red hat. Portland's Finest: Vi...

Claire Mahl Moore (who also used the names Clara and Millman) was a native New Yorker who studied at the Art Students League, made prints on the NYC ...

When I think of where McCauley fits into American art, as a contemporary painter, sculptor and naturalistic interpreter, I place him in the same philosophical tribe as Walton Ford, A...

Artist: Marshall Goodman, American (1916 - 2003) Title: Children Playing Year: circa 1960 Medium: Oil on Canvas, signed l.r. Size: 30 x 25 in. (76.2 x 63.5 cm)

Hand signed Irises (purple and yellow flowers) 30 X 37 framed. 20.5 X 26.5 sheet without frame. Bernard Chaet (born 1924, Boston, MA - 2012) was an American artist; Chaet is known for his colorful, dynamic modernist paintings and masterful draftsmanship, his association with the Boston Expressionists, and his 40-year career as a Professor of Painting at Yale University. His works also include watercolors and prints. In 1994, he was named a National Academician by the National Academy of Design. Chaet was instrumental in transforming Yale’s traditional art program into one with a more modernist approach that gained national prominence. Chaet melded landscape and abstraction in a traditional established by Vincent Van Gogh, Georges Seurat, Edvard Munch, Piet Mondrian, and Ferdinand Hodler. His own tenure began in 1951 at Yale, where he worked closely with Josef Albers to revamp Yale’s art program. Between 1959 and 1962 he was the chair of what was then called the Yale Department of Art of the School of Fine Arts — prior to becoming one of the independent professional schools at Yale in 1973. Chaet taught painting and drawing and mentored generations of emerging talents. Chaet was the author of the 1970 textbook “The Art of Drawing” and “An Artist’s Notebook 1979,” both of which have since been reissued several times. In the latter book, alongside examples of work by his favorite artists, are student drawings by Yale graduates such as Robert Birmelin, Michael Mazur and Eugene Baguskas. Born in Boston, Massachusetts, in 1924, Chaet studied at the School of the Museum of Fine Arts in Boston and then earned a B.A. at Tufts University. Known for his expressionist landscapes and still lifes, Chaet’s work has continuously been shown in galleries in his native Boston, in New York City, and around the country. In 2010, a retrospective of his seascapes was featured at the Cape Ann Historical Society in Gloucester, Massachusetts, where he had a home and a summer studio in nearby Rockport. His has also exhibited at David Findlay Gallery in New York and at Swarthmore College. Many of Chaet’s students went on to notable art careers, including Janet Fish, Chuck Close, and Richard Serra. His work is represented in the collections of the Brooklyn Museum, the Art Institute of Chicago, the Metropolitan Museum of Art in New York, the DeCordova Sculpture Park and Museum in Lincoln, Massachusetts, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the Museum of Fine Arts in Boston, the Yale University Art Gallery in New Haven, CT, and the Addison Gallery of American Art in Andover, MA. Chaet is the recipient of many awards including: the National Foundation of the Arts and Humanities, Sabbatical Grant in 1967-68, the National Academy of Fine Arts, Benjamin Altman Award in Painting in 1997, and the American Academy of Arts and Letters Jimmy Ernst Prize in 2001. Chaet was born and raised in the Dorchester neighborhood of Boston, MA. He completed a dual program at the Museum of Fine Arts, Boston—studying painting with Karl Zerbe—and Tufts University, graduating with a B.S. in 1949. Chaet is known for his association as a first generation Boston Expressionist. (along with Hyman Bloom and Jack Levine) Chaet was a contributing editor to Arts Magazine. In 1960 he published the book Artists At Work, which features in depths conversations with artists Pat Adams, Anni Albers, Josef Albers, Al Blaustein, Hyman Bloom, James Brooks, Robert Engman...

Donald Stacy "Mound Street" c. 1950s Gouache paint on paper 24" x 18'" unframed Unsigned Came from artist's estate For sale is a striking black and white painting titled "Mound Stre...

Study for Mid-Manhattan II Oil and graphite on paper, mounted to board, 1932 Signed by the artist in pencil lower right Sight size: 8 1/2 x 7 inches One of a series of studies for th...

William Stephens Shields, Jr., 1925 - 2010 "Dreamer's Forest" 1994 Oil on panel 48"x36" artist framed Signed lower right William Stephens Shields, Jr., 1925 - 2010 He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas. At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields. He took them by storm, first Houston, then San Francisco, followed by New York in the late 60's. For 35 years, Bill produced some of the country's best illustrations: fresh, playful, loose and innovative. His illustrations were coveted by such clients as Bantam Books, Time Life, MacMillan Publishing Co., and were awarded numerous gold medals by the Societies of Illustrators in New York, San Francisco and Los Angeles, and the Houston Artists Guild. Later, following inspirational trips to Mexico and France, Bill shifted his attention to the self-directed world of fine art. After years of sculpting, making assemblages, painting nudes and landscapes, he settled on the exploration of large abstract oil paintings. His paintings have been exhibited in galleries in San Francisco, Connecticut and New York. CV EDUCATION: Chicago Academy Of Fine Art San Antonio Art Institute MAJOR FIELDS OF PROFESSIONAL ENDEAVOR: Freelance graphic design and illustration Instructor of painting and illustration Landscape, figurative and abstract painting ART RELATED EMPLOYMENT: (Professor of Art) California College of Arts and Crafts, Oakland, CA Academy of Art College, San Francisco, CA San Francisco Art Institute San Jose State University AWARDS FOR ILLUSTRATION, Gold Medals: New York Society of Illustrators Los Angeles Society of Illustrators San Francisco Society of Illustrators Dallas-Fort Worth Art Director's Club Houston Artist's Guild BIBLIOGRAPHY: Feature articles in: American Artist, Communication Arts, Print, North Light. Architectural design featured in: Better Homes and Gardens, American Home, Sunset Magazine, Architectural Digest. ILLUSTRATION CLIENTS: Oil Companies: Champlin Oil Company, Mobil Oil Company, Continental Oil Company, Standard Oil Company, Humble Oil and Refining Company. Industrial: Hughes Tool Company, General Electric, United States Steel, Phelps Dodge, Sylvania Television, Texas Gulf Sulphur, Litton Industries, Houston Lighting and Power Company...

J. James Akston Mountain Landscape by ocean Acrylic on Board Frame: 11.5 x 16. Image: 5 X 9.5 Joseph James Akston was a Polish American sculptor, painter, known for surrealist abstract painting and Aubusson (for Les Ateliers Pinton Frères, tapisserie, Aubusson) tapestry artist. Born in Warsaw, Poland in 1898 he died in Palm Beach Florida in 1983. During the 1960s and '70s the entrepreneur-artist James Joseph Akston adopted a unique Surreal Expressionist style in order to present his private primordial universe and lampoon its denizens, a ribald cast of animal creatures with human foibles. A successful industrialist, he began his career with General Motors foreign operations and then started his own business. Intermittently he studied painting, first with Jerry Farnsworth in North Truro (Mass.) and then with Jose Clemente Orozco in Mexico. In the early 1960s Akston became publisher-editor of a group of art publications which included The Magazine Arts. Initially an abstract expressionist, Akston had one-man exhibitions at the New York Convention Center and the Corcoran Museum in Washington. Since 2015 the record price for this artist at auction is $12,575 USD for Spheres Aux Triangles Aubusson Tapestry, sold at Bonhams New York in 2019. He was a Graduate of Georgetown University. He sat on the board of the Norton Museum. Exhibitions 1976 Hokin Gallery 1966 Gallery 63 NYC 1960 Gallery 63 Rome , Italy Select Public Collections National Museum, Wshington DC Boca Museum of Art Whitney Museum of Art, NYC Museum of Modern Art, NYC Museum of African Art Washington DC (Now part of Smithsonian Museum) Bibliography: 1962 Art...

fun with Color Theory As seen at Art on Paper 2024 at The Mannix Project East Hampton NY 12"x12" (14"x14" framed) each These come in a white frame. Acrylic on Paper Artist Statement...

This captivating original mountain landscape by the talented Paul K. Smith brings to life the beauty and historical charm of Colorado’s mining heritage. Painted in the 1930s-1950s, the artwork likely depicts one of Colorado's iconic historic mining towns...

Gorgeous plein air landscape of California East Bay Hills titled "Waning Light" by Francis Woodcock (1906 - 1983), circa 1960s. Signed lower right and on vers...

Farm in Autumn with Pumpkins in Watercolor on Heavy Paper Colorful landscape of a farm in autumn with pumpkins by Les (Leslie Luverne) Anderson (Americ...

fun with Color Theory As seen at Art on Paper 2024 at The Mannix Project East Hampton NY 12"x12" (15"x15" framed) These come in a white frame. Acrylic on Paper Artist Statement: Pa...

Gorgeous earth-toned figurative watercolor painting of Monterey crab fishing by James Tazewell Hughins (American, 1922-2009), circa 1980. Signed ...

"Reflecting Thoughts About Remembering" - Monoprint on Paper Sepia colored monoprint of a male figure "reflecting and remembering." A nude male figure sits with his head facing down...

*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...

Oil on canvas painting by the well known Russian/American artist, Nahum Tschacbasov. Done with a thick impasto paint the artist portrays the powerful yet colorful nature of the general...

Eugene Higgins In Foreign Parts, circa 1913 Signed lower right Watercolor on paper Sight 17 x 13 inches Born William Victor Higgins in 1884 to a Shelbyville, Indiana farm family where the only art Victor was aware of as a child was his father's love of flowers. "He loved their forms and their colors, and he tended his garden as a painter might work a canvas." At the age of nine, Victor met a young artist who traveled the Indiana countryside painting advertisements on the sides of barns. He purchased paints and brushes so the young Higgins could practice his own artwork on the inside of his father's barn. He also taught Victor about art museums and especially about the new Chicago Art Institute. This information never left the young artist, and he saved his allowance until his father allowed him at the age of fifteen to attend Chicago Art Institute. He worked a variety of jobs to finance his studies both there and at the Academy of Fine Arts. Victor Higgins traveled to New York in 1908, where he met Robert Henri, who became a significant influence by depicting every-day scenes and stressing the importance of the spirit and sense of place as important factors in painting. Higgins was also greatly affected by the New York Armory Modernism Show of Marsden Hartley in 1913. While Victor Higgins was in Chicago he met former mayor and avid collector Carter H. Harrison who was to prove instrumental in the growth of Higgins career for several years. Harrison agreed to support Higgins for four years to go to Paris and Munich and paint and study in the great museums in Europe. While at the Academie de la Grande Chaumier in Paris (1910-1914) he met Walter Ufer, who was another Chicago artist being sponsored by Carter Harrison. This meeting was not only a life-long friendship, but the beginning of a great change in the way Higgins looked at "American" art. He decided that America needed it's own authentic style rather than the 19th Century classic style he was taught in Europe. Very soon after returning to Chicago in 1914, Harrison sent him and Walter Ufer on a painting trip to Taos, New Mexico for a year in exchange for paintings. Higgins made other similar agreements and was able to support himself with his painting. This trip was a life-changing experience and introduced Higgins to the authentic America he had been looking for. In 1914 Taos was an isolated village about twelve hours from Santa Fe on an impossible dirt road. But the colorful life of the pueblo people and the natural beauty drew a collection of artists who became the Taos art colony, from which the Taos Society of Artists was founded in 1915. Victor Higgins became a permanent resident within a year of his arrival and a member of the society in 1917, exhibiting with Jane Peterson in 1925 and with Wayman Adams and Janet Scudder in 1927. The members would travel around the country introducing the Southwest scenes with great success. He remained a member until the Society's dissolution in 1927. Higgins was the youngest member of the group of seven. Other members were Joseph Henry Sharp, Bert Phillips...

Striking regionalist painting by American/Hungarian artist Charles Harsanyi. Autumn Colors in Stephenstown NY. 15" x 20" Oil on board with bold brushwork housed in a 19.25 x 24.25 white washed period frame. Charles Harsanyi (American, 1905-1973) Charles E. Harsanyi was born in Tapolcza, Hungary in 1905. He studied at the Royal Academy in Budapest, Hungary with A. Bankhard from 1923 to 1928. Nineteen years later, in 1947, Harsanyi moved to the U. S., settling in Jackson Heights, New York. The painter and drawing specialist became a member of numerous prestigious art clubs including the Salmagundi Club, The Society of Independent Artists and the Allied Artists of America. Harsanyi served as an awards director and chairman of admissions for the Audubon Artists Association during the 1950s. Later in life after living in Stephentown, New York and Cape Coral, Florida, Harsanyi passed away in Fort Myers, Florida in 1973. STUDIED Royal Academy in Budapest, Hungary with A. Bankhard, 1923-28 MEMBER Salmagundi Club, 1941 Brooklyn Painters & Sculptors American Artists Congress Society of Independent Artists Audubon Artists Association, jury awards director, 1952; chairman admissions committee, 1953; nominating committee, 1955, 1956 Artists Fellow Allied Artists of America, life member; jury awards 1945; jury selection, 1954 AWARDS Long Island Art League, 1954 (prize) Cumberland Valley Artists, 1949, 1950, 1952 (prizes) EXHIBITIONS: Society of Independent Artists, 1929, 1930, 1936-40, 1943, 1944 National Academy of Design, 1933-55 Salons of America, 1934 Brooklyn Museum, 1934 Corcoran Gallery, 1935-51 (four times) Allied Artists of America, 1935-53 (bronze medals 1944, 1953) Doctor Saharunis Art Gallery, Naples, Florida, 1970s American Federation of Arts traveling exhibit Farnsworth Museum, 1950 Springfield Museum of Art, 1947-50 Denver Art Museum, 1937-39 Washington County Museum of Fine Art, 1937-46 (prizes 1938, 39, 41, 43, 54) (gold medal 1946) Butter Art Institute, 1953 World's Fair, New York, 1939 Baltimore Museum of Art, 1939 Art Institute of Chicago, 1941-44 Cincinnati Art Museum, 1941 Pennsylvania Academy of the Fine Arts, 1942, 1948, 1949 Salmagundi Club, 1946 (prize), 1951 (prize) Connecticut Academy of Fine Arts, 1942, 1943, 1945, 1953, 1955 (William Bradford...

"Mutual Admiration" Flower Mid-Century Modern Oil Painting Monterey Artist Mid-Century Modern painting of a little blonde girl in a white apron adoring her flowers by Monterey Artist Rose Marie (Smith) Ansel, (American, 1921-2012) Rose Marie was born and lived in the Monterey area all her life. She volunteered in various city government associations and founded the Parade of Nations in 1970 which celebrated the many ethnic cultures on the Monterey Peninsula...

Abstract oil on wood panel depicting the beginnings of the ascendancy of the Earth by Julie R. Fudge (American, 20th Century). Signed "Julie Fudge" on verso. Unframed. Image, 42"H x ...

An American Female Artist in her late signature style depicts a Horse and a Colt in an abstract landscape. Ethel Magafan scapes the defining lines with a knife to add to the creative...

This striking 20th-century modernist watercolor by Richard K. Ayers depicts a captivating scene of an old mine and houses in Cortez, Colorado. The artwork features a rich color palette of blue, green, gold, and brown, capturing the rugged beauty of the landscape with a unique, abstract perspective. Presented in a custom frame with all archival materials, the outer dimensions of the piece measure 36 ½ x 30 ½ x ¾ inches, with an image size of 24 ¾ x 18 ¾ inches. About the Artist: Richard K. Ayers (1921–2003) was a talented artist who studied at Miami University...

Artist: Remo Farruggio, Italian/American (1904 - 1981) Title: Reclining Nude with Rose Year: circa 1970 Medium: Oil on Canvas, signed l.r. Size: 37.5 x 52.25 in. (95.25 x 132...

Acrylic on board Signed lower right corner Condition: Painting is excellent Frame has surface wear Provenance: Estate of the artist William C. Grauer (1895-1985) William C. Grauer (1895-1985) was born in Philadelphia to German immigrant parents. After attending the Philadelphia Museum School of Industrial Art, Grauer received a four year scholarship from the City of Philadelphia to pursue post graduate work. It was during this time that Grauer began working as a designer at the Decorative Stained Glass Co. in Philadelphia. Following his World War I service in France, Grauer moved to Akron, Ohio where he opened a studio in 1919 with his future brother-in-law, the architect George Evans...

Evelyn (Raskin) Brackett (American, Born 1922) Signed: E. Brackett (Lower, Left) " Nude ", circa 1950s Oil on Board 10" x 8" Housed in a 1 1/4" Carved Frame with a 2 1/8" Line...

Serene mid century lakeside landscape by an unknown artist (American, 20th Century). Presented in a rustic giltwood frame. Image: 9"H x 12"W. Framed: 11.25"H x 14.25"W. Excellent w...

Wonderful and dynamic western painting of two wild fighting stallions by listed artist Bernard Preston Thomas (American, 1918-1992), dated 1951. Signed and dated lower left corner and on verso. Image size: 28"H x 36"W. Presented in rustic painted frame size: 34"H x 41"W x 3"D. Originally from Sheridan, Wyoming, he loved football and art, giving up the sport to concentrate on a career in art. Thomas graduated from Woodbury College in Los Angeles with a Bachelor of Science degree, earning the Leo Youngsworth Award for outstanding senior art student at Woodbury. He became a camouflage technician at the outbreak of WWII and caught the attention of General Patton...

Raoul Middleman (born 1935 in Baltimore, Maryland) is an American painter. Middleman has been a member of the Maryland Institute College of Art faculty since 1961. American University Museum at the Katzen Center has described Middleman as a "Baltimore maestro [whose] nudes are not pretty—they are sagging, dimpled, and real. His cityscapes reveal the underbelly of post-industrial rot, his narrative paintings give contemporary life to his personal obsessions. They are intelligent, messy, and utterly masterful." From an interview with RM "I was doing abstract art. Then Roy Lichtenstein came around, and I wanted to be current. I remember Grace Hartigan said, “You’ve gotta go to New York, seize destiny by the hand.” My friend Jon Schueler took my slides up to Eleanor Ward, who had the Stable Gallery. My Pop art paintings were discovered. I moved to New York into Malcolm Morley’s old loft down on South Street. Agnes Martin was upstairs... People who interest me come from different quarters. I knew guys around Schueler, like B.H. Friedman. But I also knew the Pop world pretty well – Al Hansen, Richard Artschwager, Lichtenstein. I became friends with Raoul Hague...

Oil on canvas, signed with initials center left. Measures 32" x 23.5" including the frame. Provenance: ACA Galleries, NYC Bradbury Art and Antiques, Wiscasset, Maine Brought to...

An oil on board Judaic painting by modern artist Ben-Zion Weinman. It depicts a portrait in profile of an old Jew. The work is signed "Ben-Zion". Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant...

Henry Schnakenberg is mostly known for New York City scenes. This is clearly a departure. It is signed at the lower left and dated '4-53' on the r...

Manfred Schwartz (American, b. Poland, 1909-1970), Reclining Nude Woman, Oil on Canvas, apparently unsigned, gilt wood frame. Image: 14.75" H x 17.75" D; frame: 22" H x 25" W x 2.5"....

Oscar Bluemner Sheepshead, Long Island, 1907 Signed with the artist's conjoined initials "OB" and dated "4-30 - 5 - 30" / "Aug 3, 07" Watercolor on paper 6 x 10 inches Provenance: J...

"Rosemary" Berkeley Figurative School by Patricia Gren Hayes 1980 A large scale portrait of a blond woman by Patricia Gren Hayes (b. 1932). The model is in front of a window, with h...

Signed and dated top right: “Norris (c) 1982”. With label verso: “Ben Norris, 1982 / Coronation / watercolor, 52 x 31 1/4 inches”. As a teacher, academic, and artist, Ben Norris had...

Born in LaGrange, IL, 1905, Paul Parker was a multifaceted man of the arts: art historian, advertising art director, painter in oil and watercolor, museum director (Colorado Springs ...

Lillian Delevoryas Untitled (Nude & Interior), 1969 Oil on board 19 3/4 x 15 1/2 in. Framed: 24 1/2 x 20 1/2 x 1 1/4 in. Signed and dated lower righ...

Cindy Kane (American, b. 1957) Untitled, 1985 Oil on plywood Sight: 31 1/2 x 28 1/2 in. Framed: 39 3/4 x 36 x 2 in. Signed lower right: KANE Signed, titled, dated verso: Cindy Kane, Untitled, 1985 Cindy Kane (American, 1957-) grew up in Washington DC during the Vietnam War era, absorbing the period's powerful political climate. She is a self-taught artist whose multi media work is born out of a deep sense of connection to the political and environmental issues of our times. Her early work was influenced by the experience of living and working at the bottom of the Grand Canyon National Park, where she had the opportunity to document Anasazi Indian pictographs in pen and ink drawings. These images would inform her work for years to come. She draws on personal narrative and experience to create her paintings of maps, birds, toys, and artifacts from nature, often collaging bits of newspaper headlines, pieces of her children's homework, and pages of sheet music beneath layers of color and imagery. In a review of her work, author and critic John Loughery wrote; "Kane leads us into a peculiar netherworld, a hard to place area that's both reassuringly ancient, and anxiously modern. This is a painter who is interested in the unconscious and the archetypal, and utilizes her own private, (but not inaccessible) vocabulary and imagery." In a submission to AskART, Diana Wilson...

This original oil on canvas painting, titled Early Spring (Thompson's Studio), was created in 1933 by renowned Colorado modernist John Edward Thompson (1882-1945). A striking example...

Compelling abstract figurative oil painting in bold, primary colors of a man and the moon by J. Gold (American, 20th Century). Signed "J. Gold" lower right. Presented in a Maple woo...

Charles Harsanyi (American, 1905-1973) The Ferry No 2, 1946 Oil on board 40 x 52 in. Framed: 46 x 58 in. Signed and inscribed verso Exhibited: Grand Central Art Galleries, 1946 Charles E. Harsanyi was born in Tapolcza, Hungary in 1905. He studied at the Royal Academy in Budapest, Hungary with A. Bankhard from 1923 to 1928. Nineteen years later, in 1947, Harsanyi moved to the U. S., settling in Jackson Heights, New York. The painter and drawing specialist became a member of numerous prestigious art clubs including the Salmagundi Club, The Society of Independent Artists and the Allied Artists of America. Harsanyi served as an awards director and chairman of admissions for the Audubon Artists Association during the 1950s. Later in life after living in Stephentown, New York and Cape Coral...

This colorful artwork ""Villa Schifanoia, Florence" 1984 is an oil painting on paper by American artist Patrice Lombardi. It is signed and dated at t...

Modernist Mosque, Vintage Abstracted 1970s Architectural Landscape by Connie Cowper Modernist abstracted architectural landscape of a mosque by Constance Cowper (American, 20th Century). This 1970 oil...

Mervin Jules (American, 1912-1994) Folk Singer, 20th century Oil on masonite 18 x 7 1/2 in. Signed lower left: Jules Provenance: Garelick's Gallery, Detroit Matte included, no fram...

Vibrant portrait of a laughing woman by Chelsea Frost. Executed in a fauvist style, this piece is bright and highly saturated. The woman is framed very ...

Distressed Abstract Painting Artist Statement: Painting has been a powerful medium for expressing my emotions. Through my art, I am able to escape, dream, hope, remain calm in the m...

Contemporary caricature-style portrait of a man by Michael Pauker (American, b. 1957). Signed "Michael Pauker" and dated 1976 on verso. Acquired with a collection of his work. Image ...

Oil on canvas. Signed and dated lower right 1930 Biography Hazel Finck Born in New Haven, Connecticut, Hazel Finck studied art with Guy Wiggins and Sigismund Ivanowski, a Russi...

Abram Tromka was born May 1, 1896 in Poland. At the age of seven he immigrated with his family to the United States, settling in New York City. It was on the boat coming to New York ...

From the estate of Jerry Opper & Ruth Friedman Opper Yellow c. 1950's Gouache on Paper 15" x 18", Unframed *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

This captivating 1982 oil painting titled 'Zeus, Venus, and Hera' is a stunning example of semi-abstract figurative art by Edward Marecak (1919-1993), a prominent Denver modernist ar...