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Old Masters Paintings

OLD MASTERS

Encompassing centuries of change in Europe between 1300 and 1800, from booms of prosperity to bloody revolutions, Old Masters describes a wide range of artists. The informal term was derived from the title of an artist who trained in a guild long enough to become a master, such as Leonardo da Vinci, who studied in a Florence painters’ guild. However, Old Masters paintings, prints and other art is now used to refer to work made by any artist with a high level of skill in painting, drawing, sculpture or printmaking who worked during this era.

The 15th century’s expansive trade and commerce spread culture across borders. A vibrant period of art emerged, bolstered by studies of anatomy and nature that influenced a new visual realism. From Raphael and Michelangelo in the Renaissance to Rembrandt van Rijn and Johannes Vermeer in the Dutch Golden Age, artists expressed emotion, naturalism, color and light in new ways. El Greco and Paolo Veronese were leaders in the dramatic style of Mannerism, while Caravaggio and Peter Paul Rubens demonstrated the movement and meticulous detail of Baroque art.

Historically, most attention was concentrated on male artists, but recent research and exhibitions have elevated the impactful work of women such as Rachel Ruysch and Artemisia Gentileschi. In late-18th-century France, female artists like Adélaïde Labille-Guiard and Élisabeth Vigée Le Brun were prominent names. Nevertheless, access to the academies and guilds was highly restricted for women, and even those able to establish practices were expected to adhere to portraits and still lifes rather than the grand history paintings being created by men.

Find a collection of Old Masters prints, paintings, drawings and watercolors and other art on 1stDibs.

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Style: Old Masters
Portrait of a Young Prince, 19th c., by Mystery Artist
Located in New York, NY
Mystery Artist Untitled (Young Prince), c. 1800-1900 Oil on canvas 16 x 13 in. Framed: 23 x 19 1/2 x 2 in.
Category

19th Century Old Masters Paintings

Materials

Canvas, Oil

SIMON PETER TILEMANN, Family Portrait, 1658, Old Master. Baroque Rococo Painting
By Simon Peter Tilemann
Located in Berlin, DE
Extremely decorative and large oil painting from the 17th century. Restored in places.   Signed and dated Simon Peter Tileman 1658 fecit 'lower right Dimensions without frame. From Wikipedia, the free encyclopedia: Simon Peter Tilemann (1601, Lemgo – 1668, Vienna), was a German Baroque painter who was active Bremen, Kassel and Italy. According to Houbraken he first learned to paint flowers and he had a daughter who could paint flowers in watercolors. He was a good landscape painter who spent many years in Italy, but later switched to portrait painting and who painted the portrait of Ferdinand...
Category

1650s Old Masters Paintings

Materials

Canvas, Oil

The Lamentation of Christ, 16th Century Oil Old Master
Located in London, GB
Circle of Ridolfo Ghirlandaio 1483 - 1561 Oil on panel Image size: 20 ½ x 16 ½ inches (52 x 42 cm) Handmade contemporary style gilt frame The lamentation of Christ was one of the most popular scenes depicted in European art from the 11th to the 18th century. Depicting the lamentation or pieta from the Italian word for ‘Pity’ of Christ with Jesus’s mother Mary cradling his body. Christ is depicted nude, wearing only a blueish loincloth around his waist, a horizontal scar marking his rib cage. His head and torso are held upright, and his eyes are closed, his right arm lays to his side as does his left. Standing behind him, is the Virgin Mary, outfitted in her traditional dress of a robe with a white veil. She stands behind Christ and bends slightly, looking looking away from Christ to something that has caught her attention, her right hand holding his shoulder. Her left-hand carefully holds his arm. This work is quite unusual with Mary . This stunning work jumps out with its dark background and strong flesh colours. Ridolfo Ghirlandaio was the son of the eminent painter Domenico Ghirlandaio. Following his father’s death in 1494, when he was just eleven years old, Ridolfo is thought to have continued his training with his uncle Davide, who had taken over the Ghirlandaio workshop. Vasari noted that Ridolfo also studied with Fra Bartolommeo...
Category

16th Century Old Masters Paintings

Materials

Oil

17th Century by Felice Torelli Hagar and the Angel Oil on Canvas
Located in Milano, Lombardia
Felice Torelli (Verona, Italy, 1667 - Bologna, Italy, 1748) Title: Hagar and the Angel Medium: Oil on canvas Dimensions: without frame 41 x 116 cm - wit...
Category

Late 17th Century Old Masters Paintings

Materials

Cotton Canvas, Canvas, Oil

South Pier, Sunderland 19th century oil , john callow
Located in York, GB
A fine 19th century oil on canvas painting "South Pier, Sunderland " signed and indistinctly dated 1844, the size of the painting being approx. 45 x 80 cm whilst overall size bei...
Category

1840s Old Masters Paintings

Materials

Oil

Portrait of Julien Prieur the bailiff of the Marquis d'Armentières as a Hunter
By Jean-Baptiste Oudry
Located in PARIS, FR
This portrait depicts us the trusted confidant of the Conflans d'Armentières family. More precisely, Julien Prieur was the fiscal procurator of the Marquisate of Armentières, playing...
Category

1730s Old Masters Paintings

Materials

Canvas, Oil

King Portrait Clementi Paint Oil on canvas Old master 18th Century Italian
Located in Riva del Garda, IT
Maria Giovanna Battista Clementi known as La Clementina (Turin, 1692 - Turin, 1761), Attributable to Portrait of Victor Amadeus II of Savoy (Turin 1666 - Moncalieri 1732) king of Sardinia, duke of Savoy, marquis of Saluzzo and duke of Monferrato, prince of Piedmont and count of Aosta, Moriana and Nizza from 1675 to 1720. Oil on oval canvas, 79 x 62 cm., Framed 98 x 82 cm. The portrayed in this fascinating virile portrait is King Vittorio Amedeo II of Savoy, portrayed in ceremonial armor and red cloak according to the traditional courtly iconography, represented half-length, slightly three-quarter-length, with the towering "courtly" wig, according to the dictates of fashion of the first decades of the century, of French inspiration. In order to represent the power embodied in our austere portrayal, the sovereign is immortalized with the symbolic attributes of the power of the family, identifiable in the ancient crown of the Kingdom of Sardinia, in the scepter with the Mauritian cross and in the necklace of the Supreme Order of the Most Holy Annunziata, established in 1364 by Amedeo VI, as the highest honor of the House of Savoy...
Category

18th Century Old Masters Paintings

Materials

Oil

Arcadian Italian Landscape - Old Master 17thC French oil painting herdsman sheep
By (Attributed to) Gaspard Dughet
Located in London, GB
A delicate oil on canvas landscape capriccio of an Arcadian landscape with figures and sheep and goats in the foreground. A stormy sky and blasted tree populate the landscape and the...
Category

17th Century Old Masters Paintings

Materials

Oil

Portrait of George Gordon, 7th Laird of Buckie (1707-1756)
Located in Maidenhead, GB
John Alexander (Scottish, 1686-1766) Portrait of George Gordon, 7th Laird of Buckie (Scottish, 1707-1756), c. 1743 Oil on canvas In a carved ebonised frame, with gilded inner slight...
Category

1740s Old Masters Paintings

Materials

Oil

Portrait Gentleman Armor Carbone Van Dyck Paint Oil on canvas 17th Century Italy
Located in Riva del Garda, IT
Giovanni Bernardo Carbone (Genoa, 1616 - 1683), workshop Portrait of a gentleman in armor with battle scene in the background Oil on oval canvas (117 x 105 cm. - In gilded frame 124...
Category

17th Century Old Masters Paintings

Materials

Oil

17th-18th Century By Giovanni Girolamo Bonesi Mary Magdalene Oil on Canvas
Located in Milano, Lombardia
Beautiful original frame in carved, sculpted and gilded wood. Oral expertise by Prof. Massimo Pulini.
Category

17th Century Old Masters Paintings

Materials

Canvas, Oil

16th Century by Venetian Maestro Deposition of Christ Oil on Panel
Located in Milano, Lombardia
16th Century Venetian Maestro Title: Deposition of Christ Medium: Oil on panel Dimensions: without frame 40 x 25 cm Formerly Canesso Collection, Paris. Fairs: The International Biennial of Antiques in Florence 2022 (BIAF, Biennale Internazionale dell’Antiquariato di Firenze) Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti (From the Giorgio Baratti Collection) curated by Anna Orlando, Agnese Marengo and Annalisa Scarpa, Genoa, 2022, pp. 22, 23. In this precious panel we can admire a lament over the body of Christ by a large group of bystanders among whom we can recognise the Virgin and, in the foreground, St Catherine of Alexandria...
Category

16th Century Old Masters Paintings

Materials

Oil, Wood Panel

17th Century By Domenico Maria Canuti Toilet of Venus with Cupids and Satyrs
Located in Milano, Lombardia
Domenico Maria Canuti (Bologna 1626 - 1684) Title: Toilet of Venus with Cupids and Satyrs Medium: Oil on canvas Dimensions: without frame 79 x 98 cm - ...
Category

Late 17th Century Old Masters Paintings

Materials

Cotton Canvas, Canvas, Oil

Archery - Oil on Canvas by an Anonymous French Master end of 18th/Early 19th
Located in Roma, IT
Archery is a beautiful oil on canvas realized by an anonymous French artist of the end of XVIII century and the beginning of XIX century. This marvelous genre scene is very detailed...
Category

Late 17th Century Old Masters Paintings

Materials

Oil, Canvas

Portrait of a Gentleman in Grey Coat & White Cravat, Oil on canvas Painting
Located in London, GB
This exquisite work, presented by Titan Fine Art, is by the notable artist Hans Hysing, who was a noteworthy painter in England; it is significant in its q...
Category

18th Century Old Masters Paintings

Materials

Canvas, Oil

18th Century by Nicola Viso The adoration of the magi Oil on canvas
Located in Milano, Lombardia
Nicola Viso, (active 1724 – 1742) Title: The adoration of the magi Medium: Oil on canvas Dimensions: without frame 63 x 100 cm – with frame 76.5 x 114.7 x 4.5 cm Signed “N. Viso. f” ...
Category

18th Century Old Masters Paintings

Materials

Canvas, Oil

19th century landscape/portrait horse with army officer, William Edward Millner
Located in York, GB
Portrait of a bay horse with army officer seated on a drinking trough, signed with monogram and and dated 81', inscribed verso 'by W E Milner, Gainsborough', oil on canvas. The size overall being 44 x 57 cm (17.5 x 22.5 inches) whilst the image is 35 x 48 cm ( 19 14 inches ) In very good condition housed in a gilt frame. William Edward Millner...
Category

19th Century Old Masters Paintings

Materials

Oil

A Guardian Angel and a Child
Located in New York, NY
Provenance: Cornelius Vanderbilt, New York; by whom gifted in 1880 to: The Metropolitan Museum of Art, New York (80.3.673); deaccessioned and sold: Christie’s, New York, 12 June 19...
Category

17th Century Old Masters Paintings

Materials

Terracotta, Gesso

Hagar Angel Sacrifice Isaac 18th Century Neapolitan School Old master Paint Oil
Located in Riva del Garda, IT
18th-century Neapolitan master Pair of paintings ‘Hagar and the Angel’ and ’The Sacrifice of Isaac’ Pair of oils on oval canvas 75 x 60 cm. - In frame 84 x 69 cm. The proposed pair...
Category

18th Century Old Masters Paintings

Materials

Oil

Allegory Wisdom Stella Paint Oil on canvas Old master 16/17th Century Italy Art
Located in Riva del Garda, IT
Giacomo Stella (Brescia 1545 - Rome 1630) Allegory of Wisdom (or prudence) Oil painting on canvas 193 x 75 cm., In frame 199 x 82 cm. The work is accompanied by critical study drawn...
Category

16th Century Old Masters Paintings

Materials

Oil

Antique painting. "Kings from all over the world in Bethlehem". Christian scene.
Located in Berlin, DE
Huge and very decorative castle painting. Antique oil painting. Probably 18th century. "Kings from all over the world in Bethlehem". Christian scene. Canvas relined. Big, heavy fr...
Category

18th Century Old Masters Paintings

Materials

Canvas, Oil

18th Century by Richard Wilson Landscape Oil on canvas
Located in Milano, Lombardia
Richard Wilson (Montgomeryshire, UK, 1714 - Denbigshire, UK, 1782) Title: Landscape Medium: Oil on canvas Dimensions: without frame 33 × 42,5 cm Painting without frame Not signed Ex...
Category

18th Century Old Masters Paintings

Materials

Canvas, Oil

19th century English School Portrait of a Gentleman, with Riding Crop & Dog
Located in York, GB
(early 19th century) unsigned English School Portrait of a Young Gentleman, with Riding Crop and Dog The reverse stamped T Brown, High Holborn, Linen, oil on canvas, The size overall being 104 cm x 84 cm whilst the painting is 89cm x 70cm A charming portrait in overall very good condition housed in a gilt frame The painting has been cleaned recently . There is some old restoration in the form of a small patch to the rear,barely visible to the front. some texturization to top right in certain light Certainly does not detract from this charming painting SHIPPING Free uk delivery Delivery usually within 14 working days.Fully insured delivery. please provide telephone/email details for courier. We ship worldwide for free. All taxes/customs etc to be paid for by purchaser. RETURNS (The Consumer Contracts Regulations) Whilst we are sure that you will be extremely happy with your purchase, if for any reason you are not, then you are entitled to return the item to us for a refund. For all purchases made you are entitled to return the item(s) for a period of up to 14 days following receipt by you or a representative indicated by you. Please contact us to confirm that you are returning the item(s) and the reason for doing so. Upon receipt of the item(s) we will refund the purchase price via your original payment method...
Category

Early 19th Century Old Masters Paintings

Materials

Oil

Annunciation De Witte Paint Oil on canvas Old master 17th Century Flemish Art
Located in Riva del Garda, IT
Pieter de Witte, also known as Peter Candid (Bruges, 1548 - Munich, 1628) - Workshop/School The Annunciation oil on canvas (cm): 79 x 110 - framed 92 x 127 We are delighted to present a fascinating work, dating back to the beginning of the 17th century, inspired by the prototype of the Annunciation created around 1586-1595 by Pieter de Witte, also known as Peter Candid (Bruges, 1540/1548 - Munich, 1628), which has been lost but made famous thanks to an engraving made and published by Jan Sadeler I (1550-1600). A painter of Flemish origin with strong affinities to 16th century Italianising culture, De Witte tackles the theme of the Annunciation numerous times, revealing knowledge of both Roman and Florentine Mannerism, inherited from his Italian sojourn. Some of these works are now housed in various international museums, in addition to autograph or workshop works that can be found in numerous public or private collections; in this regard, we may mention the following: - National Museum in Prague [1] - Carrara Academy of Bergamo, Angelo Annunziante and Vergine Annunziata [2]. - Finnish National Museum, Helsinki  - Private property, religious institution Bergamo (Bergamo area) Observing the composition, we can admire the rather well-established iconographic scheme, with the two figures immersed in an almost dreamlike atmosphere: the Archangel Gabriel on the left, of an ethereal beauty, appears imperious as he delivers the supreme annunciation to the Virgin Mary, who greets him with lowered eyes, composed in her amazement; surprised in the act of reading a book, she receives the white lilies...
Category

17th Century Old Masters Paintings

Materials

Oil

17th century By Neapolitan Maestro San Vincenzo Ferreri Oil on canvas
Located in Milano, Lombardia
17th Century Neapolitan Maestro Title: San Vincenzo Ferreri Medium: Oil on canvas Dimensions: without frame 63 x 48.5 cm - with frame 77 x 63.5 cm Original shaped, carved, sculpted a...
Category

17th Century Old Masters Paintings

Materials

Canvas, Oil

Period Italian Venetian Portrait Painting
Located in Roma, IT
Francesco Fedeli (Venice, 1738 - 1805) called “Il Maggiotto “ great Italian painter and physicist. The “𝗖𝗼𝗻𝗰𝗶𝗮 𝗖𝗮𝗿𝗲𝗴𝗵𝗲” ( Craftsman fixing chairs ) is taken from one of...
Category

Late 18th Century Old Masters Paintings

Materials

Canvas, Oil

18th Century by Antonio Stom Architectural Capriccio Oil on Canvas_
By Antonio Stom
Located in Milano, Lombardia
Antonio Stom (Venice, Italy, c. 1688 - 1734) Title: Architectural Capriccio Medium: Oil on canvas Dimensions: without frame 88 x 113 cm - with frame 106 x 132 cm Carved, sculpted and...
Category

Early 18th Century Old Masters Paintings

Materials

Canvas, Oil, Cotton Canvas

The Resting Of Diana, Guillaume Courtois Known As 'il Borgognone' (1626 - 1679)
Located in Riva del Garda, IT
Guillaume Courtois known as 'il Borgognone' (Saint Hippolyte 1626 - Rome 1679) The Resting of Diana Oil on canvas (97 x 70 cm. - Framed cm. 121 x 95) The proposed painting, of exqui...
Category

17th Century Old Masters Paintings

Materials

Oil

Galante Scene Vermeer d'Utrecht Paint Oil on canvas 18th Century Flemish Old Art
Located in Riva del Garda, IT
Flemish painter of the 18th century - Follower of Jan van der Meer, called Vermeer d'Utrecht (Schoonhoven, verses 1630 - 1692) Courtship scene at the entrance of an inn oil on canvas, 70 x 62 cm. (with frame 80 x 72 cm.) This pleasant genre scene, depicting a young innkeeper conversing amiably with a gentleman as she prepares to serve him wine in a glass goblet that she still holds in her hand, is inspired by the painting made in 1653 by the Dutch painter Jan van der Meer, known as Vermeer d'Utrecht, and today kept in Paris at the Louvre Museum. Set outside an inn or a post station, the scene illustrates the theme of seduction, with the young waitress being courted by the client, a charming traveler with a changing red cloak, who tries to charm her. Yes, it is a work that harmoniously combines the painter's Dutch origins, with the stylistic characters learned during his training in his homeland, with the Italian-like characters learned during his trip to Italy around 1655. In Rome, in particular, he met and collaborated with various authors of the Bamboccianti school, first of all Jan Miel...
Category

18th Century Old Masters Paintings

Materials

Oil

17th century Dutch portrait of a Lady in Red adorned with Pearls
By Pieter Nason
Located in Bath, Somerset
Portrait of a lady, half-length in a feigned oval wearing a ruby coloured silk gown holding entwined strings of pearls across her bodice. Signed 'PNason' and dated 1667 (lower right)...
Category

17th Century Old Masters Paintings

Materials

Oil, Canvas

18th Century By Giustino Menescardi Ascent to Calvary Oil on Canvas
Located in Milano, Lombardia
Giustino Menescardi (Milan, Italy, c. 1720 - Venice, Italy, after 1779) Title: Ascent of Calvary Medium: Oil on canvas Dimensions: without frame 47 x 36 cm - with frame 57 x 43 cm Shaped and gilded wooden cassetta frame Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti...
Category

Early 18th Century Old Masters Paintings

Materials

Cotton Canvas, Canvas, Oil

19th Century Oil Farmer And Bull Country Landscape Scene After Aelbert Cuyp
By Aelbert Cuyp
Located in York, GB
After Aelbert Cuyp (unsigned) an oil on board country scene depicting a farmer and bull. The painting is in overall very good condition however the frame has some losses .Mainly to...
Category

19th Century Old Masters Paintings

Materials

Oil

Still-Life Carpet Tibaldi Paint 17th Century Oil on canvas Old master Italy
Located in Riva del Garda, IT
Antonio Tibaldi (Rome, c. 1633 - c. 1684) Still Life with Precious Objects, Brocade Fabrics and a Plate of Sweets c. 1650/1660 Oil on canvas, 96 x 130 cm In frame 115 x 150 c...
Category

17th Century Old Masters Paintings

Materials

Oil

The Misunderstanding - Still Life with Honey Bee on Edge of Crystal Decanter
Located in Chicago, IL
While still life painting can be dated back to the Ancient Egyptians, this still life takes on a modern theme. A crystal decanter and whiskey glass are set upon a piece of fraying tapestry. The curiosity comes when the viewer takes a closer look to discover a bee has flown in and is perched precariously on the neck of the decanter. This piece is framed in a heavy wooden frame with a gold insert. The framed dimensions are H 14.5 x W 16.5 inches. Matthew Cook...
Category

2010s Old Masters Paintings

Materials

Oil, Panel

Cattle and Drover in a Landscape - British Victorian art landscape oil painting
Located in London, GB
This gorgeous oil on canvas Victorian Old Master painting is by British artist Henry Jutsum. Painted circa 1850 the painting depicts a drover on horse back bringing up the rear behin...
Category

19th Century Old Masters Paintings

Materials

Oil

17th Century by Cesare Pronti Martyrdom of Saint Agatha Oil on canvas
Located in Milano, Lombardia
Cesare Pronti (Cattolica, Italy, 1626 - Ravenna, Italy, 1708) Title: Martyrdom of Saint Agatha Medium: Oil on canvas Dimensions: Without frame 57.7 x 37 cm – with frame 64 x 42.7 x 3...
Category

17th Century Old Masters Paintings

Materials

Canvas, Oil

16th-17th Century By Giacomo Cavedone Susanna and the Elders Oil on Canvas
Located in Milano, Lombardia
Publications: - E. Negro, N. Roio, Giacomo Cavedone 1577-1660, Modena 1996, pp. 164, 165.
Category

17th Century Old Masters Paintings

Materials

Canvas, Oil

Portrait of a Woman in a red Dress - French Old Master art oil painting
Located in London, GB
This lovely French Old Master portrait oil painting is attributed to the circle of Jean Auguste Dominique Ingres. Painted circa 1810 it is a head and shoulders profile of a beautiful woman, resting her head on one hand. There is superb attention to detail and vibrant colouring. An excellent example of a French Old Master portrait of the period. Unsigned. Provenance. London estate. Condition. Oil on canvas, 15 inches by 12 inches unframed and in good condition. Frame. Housed in a gilt frame, 20 inches by 17 inches framed and in good condition. Jean-Auguste-Dominique Ingres (1780-1867) was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of David. In 1802 he made his Salon debut, and won the Prix de Rome for his painting The Ambassadors of Agamemnon in the tent of Achilles. By the time he departed in 1806 for his residency in Rome, his style—revealing his close study of Italian and Flemish Renaissance masters—was fully developed, and would change little for the rest of his life. While working in Rome and subsequently Florence from 1806 to 1824, he regularly sent paintings to the Paris Salon, where they were faulted by critics who found his style bizarre and archaic. He received few commissions during this period for the history paintings he aspired to paint, but was able to support himself and his wife as a portrait painter and draughtsman. He was finally recognized at the Salon in 1824, when his Raphaelesque painting of the Vow of Louis XIII was met with acclaim, and Ingres was acknowledged as the leader of the Neoclassical school in France. Although the income from commissions for history paintings allowed him to paint fewer portraits, his Portrait of Monsieur...
Category

19th Century Old Masters Paintings

Materials

Oil

17th Century By Livio Mehus Allegory of Augustinian Order Oil on Canvas
Located in Milano, Lombardia
Livio Mehus (Oudenaarde, Belgium, 1630 - Florence, Italy, 1691) Title: Allegory of Augustinian Order Medium: Oil on canvas Dimensions: without frame 94 x 98 cm - with frame 116 x 143...
Category

17th Century Old Masters Paintings

Materials

Oil, Canvas

William Albert Clark, clumber spaniel, dog, oil painting.
By William Albert Clark
Located in York, GB
study of a seated clumber spaniel, oil on canvas, signed and dated 1929 lower left. Housed in a new gilt frame. Paintings of these beautiful dogs are...
Category

1920s Old Masters Paintings

Materials

Oil

17th Century By Gramatica Cryptoportrait of a lady as The Veronica Oil on Canvas
Located in Milano, Lombardia
Antiveduto Gramatica (1569 – 1626) Title: Cryptoportrait of a lady as The Veronica Medium: Oil on canvas Dimensions: without frame 100 x 74.5 cm - with frame 123.5 x 103.5 cm Ancien...
Category

17th Century Old Masters Paintings

Materials

Canvas, Oil

Landscape with Gentleman on Horseback and Peasant Woman Receiving Alms
By Philips Wouwerman
Located in Stockholm, SE
Workshop / Circle of Philips Wouwerman (1619-1668) Landscape with Gentleman on Horseback and Peasant Woman Receiving Alms oil on oak panel 12.40 x 14.17 inches (31.5 x 36 cm) wit...
Category

17th Century Old Masters Paintings

Materials

Oak, Oil, Wood Panel

English 18th century portrait of a Lady and her Daughter in an interior
By (attributed to) Joseph Highmore
Located in Bath, Somerset
Portrait of a lady, three-quarter length, wearing a blue silk gown, seated in a classical interior, with her daughter in a pink gown standing beside her holding a sprig of blossom. T...
Category

Early 18th Century Old Masters Paintings

Materials

Oil

Spanish School 19th century, Santa Justa and Santa Rufina, oil on canvas
Located in Paris, FR
Spanish School of the 19th Century Santa Justa and Santa Rufina Oil on canvas 40 x 27 cm In quite good condition, the paint surface presents numerous crack...
Category

1840s Old Masters Paintings

Materials

Oil

17th Century by Giovan Battista Discepoli Coronation of Thorns Oil on Panel
Located in Milano, Lombardia
Giovan Battista Discepoli, also called the "Zoppo from Lugano" [Castagnola (Lugano), Switzerland, 1590 - Lugano, Switzerland, 1654] Title: Coronation of Thorns Medium: Oil on panel D...
Category

Early 17th Century Old Masters Paintings

Materials

Panel, Oil

Portrait of a Lady - Old Master British early 19thC oil painting woman bonnet
Located in London, GB
A fantastic British oil painting which is unsigned and is circle of Thomas Lawrence. It depicts a portrait of a lady and dates to circa 1820. This is a super portrait painting which ...
Category

19th Century Old Masters Paintings

Materials

Oil

Nicolas de Largillière - Portrait of a Lady, Paris, circa 1695
Located in PARIS, FR
Nicolas de Largillière (Paris, 1656-1746) Portrait of a lady, circa 1695 Oil on canvas (relined): 76 x 61 cm Framed: h. 97 cm, l. 82 cm To be included in the forthcoming catalogue raisonné of the artist by Dominique Brême, director of museum of Sceaux and artist specialist. Our work presents a majestic French aristocrat against the backdrop of a twilight landscape. The face seen from the front, the body turned three-quarters, the young woman is portrayed half-length, revealing her slim belted waist. The elongated face with rosy cheeks, almond-shaped eyes, straight nose and strong chin, solemn expression, the young woman sketches...
Category

1690s Old Masters Paintings

Materials

Canvas, Oil

Portrait Cardinal Barberini Alberti Paint Oil on canvas 17th Century Old master
Located in Riva del Garda, IT
Antonio Alberti (1603 - 1649) Portrait of Cardinal Antonio Marcello Barberini (Florence 1569 – Rome 1646) Inscription on the bottom: F.M D.D ANTONIUS BARBERINUS ROM. O. CAP. S.R.E. ...
Category

17th Century Old Masters Paintings

Materials

Oil

Philip V King Spain Louise Savoy Queen Gobert Paint Oil 18th Century Old master
Located in Riva del Garda, IT
Circle of Pierre Gobert (Fontainebleau 1662 - Paris 1744) Pair of portraits Portrait of Philip V, King of Spain (Versailles 1683 - Madrid 1746) Portrait of Queen Louise of Savoy (16...
Category

18th Century Old Masters Paintings

Materials

Oil

17th Century by Panfilo Nuvolone Still Life Oil on Slate
Located in Milano, Lombardia
Panfilo Nuvolone (Cremona, Italy, 1581 - Milan, Italy, 1651) Title: Still life Medium: Oil on slate Dimensions: without frame cm. 17 x 19.5 - with frame cm. 31.5 x 37.5 Expertise by...
Category

17th Century Old Masters Paintings

Materials

Slate

Feast in the Garden of Love, 17th century Antwerp, Louis de Caullery
Located in PARIS, FR
Louis de Caullery (1582-1621) Antwerp School early 17th century Oil on oak panel Dimensions: h. 51 cm (20.08 in), w. 43 cm (16.93 in) Ebonized wooden frame Framed: h. 67 cm (26.38 in...
Category

Early 17th Century Old Masters Paintings

Materials

Oil, Wood Panel

Coastal Landscape Horses Paint 17th Century Oil on canvas Forest Old master Art
By Pandolfo Reschi known as Monsù Pandolfo (Danzica 1643 - Florence 1699), attributable
Located in Riva del Garda, IT
Pandolfo Reschi known as Monsù Pandolfo (Danzica 1643 - Florence 1699), attributable Coastal landscape with fortified city, castle with tower, and battle scene oil painting on canvas Measurements: canvas 90 x 120, with frame 104 x 134 This expansive coastal landscape, with a fortress-city overlooking the sea and a small castle with a watchtower, serves as the stage for an eventful battle scene between soldiers and, presumably, a band of brigands. It is an illustrative typology attributable to Pandolfo Reschi (Danzica 1643 - Florence 1696), known for his works in which he perfectly combines the airy landscape of Tuscan-Roman matrix with images of knights in battle or brigands intent on their raids. Pandolfo Reschi was born in Gdansk but from an early age he moved to Rome where he began his brilliant career following the style of Salvator Rosa, even if his real teacher was the Flemish-Italianized Livio Mehus. With Mehus and Rosa he refined his skills as a battle painter and was later taken to the workshop by the Borgognone, even if his main occupation was that of a genre painter. The decisive turning point in his career came after his transfer to Florence, around the middle of 1660, where he continued his studies with Livio Mehus. After a decade he was now an established and highly coveted painter, so much so that in 1670 he was hired by the Medici court as protege of Cardinal Francesco Maria de Medici...
Category

17th Century Old Masters Paintings

Materials

Oil

17th Century By Lombard Artist Still Life with Birds and Burning Fuse Oil/canvas
Located in Milano, Lombardia
Lombard Artist of the 17th Century Title: Still life with birds and burning fuse Medium: Oil on canvas Dimensions: without frame 79 x 109 cm - 103 x 136 cm with frame "Cassetta" fram...
Category

17th Century Old Masters Paintings

Materials

Canvas, Oil

Horses and stagecoach winter/snow scene, oil painting, by John Richard Worsdale
Located in York, GB
A fine antique oil painting of horses pulling a stagecoach in snow , by John richard Worsdale (1869-1947) The artist portrays this powerful scene with an extensive view, featuring the stagecoach pulled by 4 horses and a village scene behind with buildings and peopla with another coach behind. oil on canvas, signed lower left, housed in a gilt frame. The size of the painting is approx 74 cms x 49 cms, whilst framed size is 90cm x 67cm. The painting is in very good condition, relined, with only some minor craquelure to the skyline, The frame appears original and is also in good condition with only minor age wear. Provenance: The E. W. Towler Collection, formerly of Glympton Park, Woodstock, Oxfordshire. Eric W. Towler was a remarkable man. He was born in 1900 and left school at the age of 12 to work in a Yorkshire pit and through a lifetime of hard work, self-improvement, luck and a refusal to limit his horizons achieved many of his aspirations. As a Yorkshireman through and through, he believed in ‘spending the brass in his pocket’ and over time he was successful enough to acquire enough ‘brass’ to enable his purchase of Glympton Park and furnish it as a traditional country house with all the trappings – in his case collections of antique furniture...
Category

Late 19th Century Old Masters Paintings

Materials

Oil

Antique oil paining, A laughing man with an upturned glass, Dutch golden age
Located in DEVENTER, NL
Anonymous, 18th century Inspired by a painting by Petrus Staverenus (1610/1612 – 1654-07-28/1664-07-28) from a series of Five Senses 'Taste: A laughing man...
Category

18th Century Old Masters Paintings

Materials

Canvas, Oil

Saint Jerome, Antwerp, 16th century, circa 1550, cercle of Lambert Van Noort
Located in PARIS, FR
Saint Jerome in the desert Cercle of Lambert Van Noort (1520-1571, Antwerp) Antwerp School, mid-16th century Oil on oak panel. Dimensions: panel h. 69 cm (27.16 in), l. 52.5 cm (20.6...
Category

16th Century Old Masters Paintings

Materials

Oil, Wood Panel

A view at Tivoli
Located in Stoke, Hampshire
John Rathbone (1750-1807) View at Tivoli Signed lower right Oil on Canvas Canvas size - 18 x 24 in Framed size - 24 x 30 in John Rathbone was born in Cheshire in 1750 and worked as ...
Category

18th Century Old Masters Paintings

Materials

Oil

A view at Tivoli
A view at Tivoli
$6,833 Sale Price
50% Off
18th c. French Portrait of a Lady by Jean Ranc (1674 - 1735), Paris circa 1700
Located in PARIS, FR
Portrait of a Lady with carnations By Jean Ranc (Montpellier 1674 - Madrid 1735), circa 1700 Oil on canvas in oval shape, Dimensions: h. 35.82, w. 28.34 in. Period Louis XIV giltwood and carved frame with laurel leaves. Framed dimensions: h. 42.52 in, w. 33.85 in. Provenance: Collection of the Marquis de Bailleul at the Château d'Angerville-Bailleul (before 1942). To be included in the catalog raisonné of the artist by Stephane Perreau Important portrait of a young woman depicted half-length turned three-quarters, her face looking at the viewer. Dressed in a brick red velvet dress, an elegant blue scarf envelops her figure. Hair styled “a la Fontange”, her powdered hair is raised and tied at the back with a red ribbon, several curly locks escape from her bun and fall on her back and shoulders. The perfectly oval face with regular features dominated by her straight nose is softened by her gray eyes with slightly lowered lids. The red tinged skin tones on the cheeks and cheekbones color the face and make the portrait come alive. The young woman is portrayed standing near a pot of carnations. Her strongly lighted figure stands out against an architectural background of columns. The artist's palette is made of contrasts opposing warm to cold hues. The icy electric blue contrasts with the fiery brick red, the hair powdered with white accentuates even more the flush of the cheeks. The left arm bent at the elbow, extending the open hand with slightly bent fingers in the foreground brings depth to the composition. Our portrait, an interesting testimony in the corpus of works of the painter, is part of his youthful period, around 1700-1705. The former belonging of this portrait to the Marquis de Bailleul reinforces the remarkable character of our painting. The portrait has been examined by Stéphane Perreau, specialist of Jean Ranc and will be included in the catalog raisonné currently being written, under number P. 43. The notice edited by Mr Perreau is below: "Painted around 1700-1705, this portrait of a woman is directly inherited from Hyacinthe Rigaud, the master of Jean Ranc (the hand turned over the front, in a watch...
Category

Early 18th Century Old Masters Paintings

Materials

Canvas, Oil

Pair of Italian 18th Century Tempera on Canvas Classical Paintings "Capriccio"
By Pietro Paltronieri
Located in Rome, IT
A fine pair of huge Italian 18' century Capriccio with Classical ruins, tempera oil on canvas . Atr.Pietro Paltronieri, il Mirandolese (Mirandola 1673-1741 Bologna). Measurements ...
Category

Mid-18th Century Old Masters Paintings

Materials

Tempera

Pharmacist Valentino Signed Paint Oil on canvas Old master 17th Century Italy
By Giovanni Domenico Valentino (Rome 1630 - Imola 1708)
Located in Riva del Garda, IT
Giovanni Domenico Valentino (Rome 1630 - Imola 1708) Signed with the monogram G.D.V in the center right, on a majolica vase The pharmacist in his laboratory Oil on canvas, 73 x 66 cm In gilded and lacquered frame cm. 86 x 80 This work, depicting a fascinating laboratory interior with a pharmacist busy in the preparation of medicines, is part of the typical production of the Roman Gian Domenico Valentini, also known as Giovanni Domenico Valentino (Rome 1630 - Imola 1708). The canvas, which is signed with the monogram G.D.V in the center right on a majolica vase, should have been painted in Rome, where the painter worked from 1662 until his death, except in 1680-1681, when he worked in Imola and Ravenna. The use of models by Flemish artists who populated the Eternal City appears essential in the development of Valentini's painting. The use of Nordic models in the development of this type of pictorial genre, with interior scenes and elements of still life, had gained great fortune with the Roman client, leading to an almost serial production, but always of great evocative charm. . Giovanni Domenico Valentini distinguished himself in the artistic panorama of the Italian seventeenth century precisely for the peculiarity of his favorite subjects: they are mainly kitchen interiors or as in our case of a laboratory, where countless objects are piled up arranged in picturesque disorder: here the tools of a pharmacy, in copper and terracotta, vases or pourers in metal and clay, jars and albarelli in majolica, bottles, flasks, glasses, cauldrons, basins and other containers in copper and terracotta, as well as an open oven. The large background wall is occupied by an angular hanging shelf for jars and apothecary jars all arranged in a row, in the foreground the still life featured various pharmaceutical tools such as apothecary bottles, mortar bowls, jars and jars with handles as well as pots and copper vessels. Particularly striking from a chromatic point of view, and a typical piece of furniture of the painter, is the painting above the door frame, which depicts a landscape. The interiors of the Valentini, of which our painting is a valuable example, which display large quantities of objects or furnishings, are arranged with a wisely studied organization: the whole represented is arranged according to the dictates of a pre-ordered exhibition and appears so to speak 'on display', exhibited and organized according to the very personal intent of a painter who aims to ennoble everyday life and make it the emblem of his art. The interior of our pharmacy is very similar to a monogrammed version kept in the Musée des Beaux-Arts, Palais Fesch, in Ajaccio (inv. 852-1-461) depicting a 'Young man visiting a pharmacy', in which the same elements, albeit varied: the half-open wardrobe...
Category

17th Century Old Masters Paintings

Materials

Oil

Old Masters paintings for sale on 1stDibs.

Find a wide variety of authentic Old Masters paintings available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add paintings created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Antonio Savisio, Pietro Colonna, Goyo Dominguez, and Nicolaes Maes. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Old Masters paintings, so small editions measuring 4.5 inches across are also available. Prices for paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $338 and tops out at $1,495,000, while the average work sells for $7,505.

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