Old Masters Paintings

IN THE WOOD - Italian oil on board framed painting, Italy, xx sec, Raffaele Tafuri. External measurement cm.66x59 Raffaele Tafuri (1857-1929) was an I...

Mystery Artist Untitled (Young Prince), c. 1800-1900 Oil on canvas 16 x 13 in. Framed: 23 x 19 1/2 x 2 in.

Fine 19th Century Oil on Canvas Portrait of a Young Woman in large gilt gesso frame .unsigned. Identity of the sitter as yet unknown. The artist has managed to capture her ethereal b...

Still Life with Dead Birds 18th Century Italian School, we cannot see a signature oil painting on canvas, framed framed: 16 x 20 inches canvas: 13 x 17...

This extremely rare miniature, attributed to the great miniaturist Floriano Pietrocola (Vasto, 3 May 1809 – Sant'Agata sui Due Golfi, 4 August 1899), depicts His Eminence Cardinal Pa...

A delightful large oil on canvas of a wooded landscape which dates to circa 1830 and is attributed to Irish artist James Arthur O’Connor. A superb painting and an excellent example o...

Bon Boullogne (Paris, 1649 - Paris, 1717) workshop of Episodes from the myth of Diana oil painting on canvas Dimensions: 84 x 114 cm. with antique frame 100 x 132 cm. The beautiful painting proposed shows a series of episodes taken from the myth of the divinity Diana, the Roman divinity of hunting, forests and wild animals, masterfully captured in this valuable painting, which shows a luxuriant wood, a favorite place of the divinity, as a theater of his adventures. The composition opens, on the left, with a sort of presentation of the divinity, portrayed as an attractive young girl, surrounded by her faithful Nymphs, one of whom holds her quiver with arrows, and by one of her beloved dogs. hunting her. The 'story' continues in the central part where we can see the divinity during a wild boar hunt...

Biblical Figures, Large Gathering around Christ? Dutch Old Master, early 17th century oil painting on wood panel, stuck on velvet backing board velvet board: 27 x 29 inches board: 25.5 x 26 inches provenance: private collection, France condition: good and sound condition, obvious old panel...

French painter (19th century) - Trompe l'oeil with collector's prints: knight, classical figures and exotic animals. 39 x 51 cm (without frame) - 51.5 x 63.5 cm (with frame). Pen, brown ink, tempera and watercolour on paper, in gilt wood frame (not signed). The composition simulates a group of prints and watercoloured drawings arranged as if scattered on a wooden surface, following the trompe l'oeil tradition of antiquarian subjects widespread in France between the late 18th and early 19th century. The individual "cards" depict subjects of encyclopaedic and collectible character: a knight in armour on a rearing horse, a bird perched on flowering branches against a Pompeian red ground, a classical female figure after a Greek vase engraving...

Circle of Arthur Devis (1712-1787) Portrait of a gentleman, standing full length, wearing a blue jacket, waistcoat and breeches, at a desk in a library Oil on canvas Signed lower cen...

Portrait of a lady in a masquerade costume by François de Troy (1645–1730) Signed lower right: peint… de Troy… 18th century France, Paris, circa 1715-1720. Canvas: h. 81 cm, w. 65 cm...

Pier Francesco Mola ‘il Ticinese’ (Coldrerio, 1612 – Rome, 1666) workshop The Temptations of Saint Anthony Oil on canvas 75 x 62 cm. - Framed (with defects) 82 x 71 cm. The the...

Sir David Wilkie RA (18 November 1785 – 1 June 1841) “The Parish Beadle” Oil on canvas Although unsigned, this beautiful painting is undoubtedly an original work by David Wilkye as...

Andrea Scacciati (Florence 1642-1710) Composition of flowers within embossed vase (2 of 3) oil on canvas 130 x 90 cm In antique frame 145 x 105 cm. Work with expertise by Prof. Emi...

“The Kermesse of Saint George (A Village Festival)” is an oil on canvas painting by David Teniers the Younger (or David Teniers II) as opposed to his father, David Teniers the Elder....

In this captivating mid 18th century portrait, presented by Titan Fine Art, a young English lady is presented in a luminous white satin gown trimmed with intricate lace and blue ribb...

Tableau ancien – Paysage nocturne animé Attribué au cercle de Christian Wilhelm Ernst Dietrich (1712–1774) Huile sur toile – Dimensions : 63 x 48 cm Cadre en bois doré d’époque, rich...

The Cavalry Skirmish Flemish School, mid 17th century circle of Lambert de Hondt (Flemish, 1620-1665) oil on panel, framed Framed: 21 x 27 inches Board: 16 x 22 inches Provenance: private collection, France Condition: very good condition, with old repairs and thinning in places. This painting, attributed to the circle of Lambert de Hondt (Flemish, 17th century), depicts an intense battle scene, typical of Flemish military compositions of the time. Lambert de Hondt was known for his battle scenes, landscapes, and hunting scenes, often filled with dynamic action and fine detail, and this work clearly reflects his influence. The artwork portrays a cavalry skirmish with soldiers in traditional 17th-century military dress, including red tunics...

John Thomas Serres (1759-1825) Fisherfolk unloading the days catch Oil on canvas Canvas Size - 17 x 25 in Framed Size - 22 x 30 in John Thomas Serres, a luminary in the realm of mar...

Portrait of a Young Lady, probably British c.1730–1740 Attributed to Jeremiah Davison (c. 1695–1745) What makes this portrait immediately compelling is its directness: the sitter’s ...

Flemish School, 1600s Landscape With Pan and Syrinx painted around the 1600s oil on copper 19 x 23.5 cm frame 29 x 34 cm Hand-made oak frame by Swedish frame maker Christer Björkma...

Anonymous 15th Century Italian, Probably Milan area The Nativity of Christ Pigments, ink and gold leaf on vellum Unsigned as is always the case with illuminated manuscripts The Virgi...

Attributed to Pierre-Henri de Valenciennes Landscape with Setting Sun Oil on canvas Circa 1790 Unsigned A finely composed and atmospheric late 18th-century landscape attributed to P...

Artist/ School: 17th Century Dutch School Title: An Extensive River Landscape with Figures in the foreground Medium: oil painting on canvas, framed Pai...

Gaspare Diziani (Belluno 1689 – Venice 1767) Allegory of Sleep (or of Night) 19 x 39 cm. In a fine frame with Rococo carvings, 37 x 56 cm. Provenance: Hampel Fine Art Auction...

The Italian Landscape English artist, early 19th century circle/ follower of Joseph Mallord William Turner (British 1775-1851) oil on wood panel, framed in a delightful antique walnu...

This superb British Old Master oil painting is attributed to circle of Sir Thomas Lawrence. Painted circa 1795, the sitter is Major-General James Hanson Salmond (1766–1837) an office...

This extraordinary late 16th-century panel by an artist working in the circle of Spanish painter Miguel Barroso (1538-1590) depicts the Virgin Mary seated upon a raised throne. She g...

This very charming British 19th century Old Master portrait oil painting is attributed to the circle of Thomas Lawrence. Painted circa 1810 it is a seated half length portrait of a l...

An exceptional and rare 16th-century Venetian High Renaissance oil on canvas, titled "Triple Portrait". Elegantly composed and richly atmospheric, this work is firmly attributed to t...

This strong Flemish Old Master portrait oil painting is attributed to Ferdinand Voet. The sitter is Anna De Hooghe, the fourth wife of artist Ludolf Bakhuizen (1631-1708), a German-born Dutch painter, draughtsman, calligrapher and printmaker. He was the leading Dutch painter of maritime subjects after Willem van de Velde the Elder and Younger left for England in 1672. He also painted portraits of his family and circle of friends. Painted circa 1660 Anna is standing profile but turned to the viewer/artist with her hand to her heart. She is set in a landscape at twilight. A really lovely painting and superb example of Dutch art. It is recorded in the RKD archives with N Maes signature LL - since removed through restoration. Provenance. The estate of George Way. Archive RKD Condition. Oil on canvas, 38 inches by 34 inches unframed and in good condition. Frame. Housed in a fine period carved frame, 46 inches by 42 inches framed and in good condition. Jacob Ferdinand Voet or Jakob Ferdinand Voet (1639-1689) was a Flemish portrait...

Sin firmar, de autor anónimo Se presenta enmarcada la obra con un marco de la época de la obra en madera policromada (el marco presenta faltas) Medidas obra: 84 x 65 cm. Medidas...

This lovely rustic figurative Old Master landscape oil painting is by Heinrich Wilhelm Schweickhardt and is signed lower left. He was a German born artist who settled in England in 1...

Antonio Zanchi (Este, Italy, 1631 – Venice, Italy, 1722) Title: Prometheus Bound Year: 1655-1660 Medium: Oil on canvas Dimensions: without frame 188 × 146 cm – with frame 194 x 152 x...

Portrait Of A Lady, Frances Bard (1646-1702) Mistress of Prince Rupert von de Pfalz, Duke of Cumberland (1619-1882) follower of Anthony Van Dyck (1599-1641) Huge 17th Century Engli...

This stunning Dutch Old Master animal portrait oil painting is attributed to circle or follower of Paulus Potter. Painted circa 1650 it is th...

Provenance: Private Collection, Cranston, Rhode Island (by the 1950s?); by family descent until sold at: Bill Spicer Auction, North Kingstown, Rhode Island, 26 January 2011; where a...

This lovely British 18th century Old Master landscape oil painting is attributed to circle of Richard Wilson. Painted circa 1770 it is a Capriccio Tivoli landscape with figures by a ...

Beautiful neoclassical style artwork by the great Italian artist Vittorio Pisani Probably depicts a theatre script of Aida Signed, located and dated lower right ‘Vittorio Pisani Roma...

Provenance: Fernandez Jimenez, Spain; part a family collection for over 80 years. Prints transported to the New World for use in missionary work and religious instruction often serv...

The Madonna & Christ Child Italian, 17th century oil on wood panel, unframed board: 9.5 x 7.5 inches provenance: private collection, Paris condition: very good and sound condition fo...

This superb 18th century Old Master floral still life oil painting is attributed to Flemish artist Pieter Casteels III. Painted circa 1730 it is a garland or swag of flowers, somethi...

“Craftsmen Before a House” is an oil on panel painting by David Teniers the Younger (or David Teniers II) as opposed to his father, David Teniers the Elder. Teniers II was an importa...

View of Capri - Francesco D'Angiolo Italia 2004 - Oil on canvas cm. 60x80 Gold leaf gilded wooden frame available on request.

Flemish painter of the 18th century - Follower of Jan van der Meer, called Vermeer d'Utrecht (Schoonhoven, verses 1630 - 1692) Courtship scene at the entrance of an inn oil on canvas, 70 x 62 cm. (with frame 80 x 72 cm.) This pleasant genre scene, depicting a young innkeeper conversing amiably with a gentleman as she prepares to serve him wine in a glass goblet that she still holds in her hand, is inspired by the painting made in 1653 by the Dutch painter Jan van der Meer, known as Vermeer d'Utrecht, and today kept in Paris at the Louvre Museum. Set outside an inn or a post station, the scene illustrates the theme of seduction, with the young waitress being courted by the client, a charming traveler with a changing red cloak, who tries to charm her. Yes, it is a work that harmoniously combines the painter's Dutch origins, with the stylistic characters learned during his training in his homeland, with the Italian-like characters learned during his trip to Italy around 1655. In Rome, in particular, he met and collaborated with various authors of the Bamboccianti school, first of all Jan Miel...

Circle of Thomas Hudson (1701-1779) British. 18th Century Bust Portrait of a Lady, Oil on Canvas, Inscribed on a label verso, canvas: 30" x 25" (76.2 x 63.5cm). frame: 30 x 25 in...

This lovely 18th century Old Master portrait oil painting is attributed to the circle of noted portrait artist Enoch Seeman. Seeman came from Poland to England as a youngster with hi...

John Vanderbank (London 1694-1739 London) Portrait of an artistic Gentleman, c. 1720s Three-quarter-length, wearing a turban ​ Oil on canvas 125.5 x 101.7 cm.; (within frame) 145.6 ...

This stunning large 19th century landscape oil painting is attributed to follower of Joseph Turner, possible George William Mote. Painted circa 1850 it is a panoramic landscape loo...

Francesco Tironi (Venice, circa 1745 - 1797) View of Venice with the entrance to Cannaregio oil on canvas 59 x 75 cm with frame 72 x 88 cm Work accompanied by a descriptive n...

Late 17th Century Italian School. The Return of the Ark on the Covenant, Oil on Canvas, in a Fine 17th Century Italian Frame, canvas: 40.25" x 49.75" (102.3 x 126cm) Fine quality and rare 17th century Italian Old Master...

Salvator Mundi. Jacopo Giorgi (Florence 1623–1665), circle of Cesare Dandini Not signed. Oil on copper circa 1660–1665 22 × 15.5 cm (unframed) The painting is accompanied by an exp...

18th Century Austrian or South German School Portrait of a Cleric Holding a Book Oil on canvas, circa 1780 Presented in its original carved giltwood frame Not Signed A most engaging...

The Resting Place Dutch School, mid 17th century oil painting on board, unframed canvas: 7 x 9 inches provenance: private collection condition: very good and sound condition

John Wilson Ewbank (1799 - 1847) Shipping in the Harbour, South Shields Oil on canvas 39.5 x 58 inches unframed 47.75 x 66.5 inches framed Provenance: Christie's October 2002; Lot 11. Fine Art Society; Private Collection This marvellous up to scale Ewbank is full of light and warmth and almost certainly his greatest work of the sort rarely - if ever - seen on the market. John W. Ewbank (4 May 1799–28 November 1847), was an English-born landscape and marine painter largely operational from Scotland. The Humber river is a large tidal estuary on the east coast of Northern England. Life Ewbank was born at Darlington on 4 May 1799, the son of Michael Ewbank, an innkeeper. He was adopted as a child by a wealthy uncle who lived at Wycliffe, on the banks of the River Tees, in the North Riding of Yorkshire. Intended for the Roman Catholic priesthood, he was sent to Ushaw College, from which he absconded. In 1813 Ewbank was apprenticed to Thomas Coulson, an ornamental painter in Newcastle. In around 1816 he moved with Coulson to Edinburgh, where he had some lessons with Alexander Nasmyth. He found work both as a painter and a teacher. He was nominated in 1830 one of the foundation members of the Royal Scottish Academy. In 1833 he is listed as living at 7 Union Street on the eastern fringe of the New Town in Edinburgh. Works His sketches from nature were especially admired, and a series of 51 drawings of Edinburgh by him were engraved by W. H. Lizars for James Browne's Picturesque Views of Edinburgh (1825). He also made a reputation with cabinet pictures of banks of rivers, coast scenes, and marine subjects. As an illustrator he illustrated some early editions of Scott's Waverley Novels and one edition of Gilbert White...

A fine, imposing 18th century portrait of an unknown aristocrat,housed in a gilt frame The artist is also unidentified but certainly a talented hand, in the circle of one of the fine old masters of the period. Unsigned The size overall is 148 x 121 cm whilst the painting is 128 x 101 cm In overall good condition the frame at the bottom has bowed slightly The painting has been checked whilst being cleaned and has not been affected in any way . SHIPPING Free delivery to mainland uk ,worldwide shipping available please email for quote Delivery usually within 14 working days, insured please provide telephone/email details for courier. All taxes/customs etc to be paid for by purchaser. RETURNS (The Consumer Contracts Regulations) Whilst we are sure that you will be extremely happy with your purchase, if for any reason you are not, then you are entitled to return the item to us for a refund. For all purchases made you are entitled to return the item(s) for a period of up to 14 days following receipt by you or a representative indicated by you. Please contact us to confirm that you are returning the item(s) and the reason for doing so. Upon receipt of the item(s) we will refund the purchase price via your original payment method...

1910s Italian Signed Landscape Beautiful oil painting on cardboard by the great Bolognese artist Ugo Gheduzzi (Crespellano BO 5 March 1853 - Turin 1925). The light of rare intensity...

David Teniers the Younger (1610-1690) Follower of A Peasant Removing a Plaster: The Sense of Touch signed T on the table oil on panel panel size 7,20 x 5,55 inches (18,3 x 14,4 cm)...

Sir Anthony Van Dyck (1599-1641, Flemish) Study of a Head of Man Circa 1627-32, Van Dyck’s second Antwerp period Oil on paper, laid down on canvas Dimensions 15 x 14 inches (38.1 x 3...

Wonderfully painted early 19th-century English rural landscape with cattle in a cowshed. Very similar to the work of Edward Williams who was a very well-known English landscape pai...