Portrait Paintings

Gerard SOEST (1600 - 1681) Portrait of a Young Boy oil on canvas 35.5 x 30.5 inches inc. frame Gerard Soest (circa 1600 – 11 February 1681), also known as Gerald Soest, was a portra...

Classical Portrait Oil Painting signed oil on canvas, framed French artist, indistinctly signed dated 1900 Framed: 28 x 24 inches Canvas: 22 x 18 inches Provenance: private collectio...

Telopa, the father and son of artists, paints women in an elegant Mannerist style that combines classic beauty and mythological, symbolic allegory. A San Francisco Bay Area native,...

Oil on canvas Karine Bartoli was born in 1971 in Ajaccio. She enrolled at the Ecole Nationale Superieure des Beaux Arts in Marseille where she graduated in 1997. Since then she has ...

Striped Cap is a baroque inspired portrait, oil on linen, by Ray Donley. It is 24x24. It is a timeless figurative painting featuring a female figure. For Ray Donley, the classic...

Painting, 19th century, women portrait, oil on canvas. Dimensions with frame 63cm x 77.5cm

"Silence Over Dnieper River" is a landscape painting by the impressionist Sergei Kovalenko. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist Edition : Unique, sign...

“Their Romantic Honeymoon: The Bride and Groom Visit Niagara Falls,” original cover for Liberty magazine, published July 9, 1927 Newlyweds Lil and Sandy are on their honeymoon at N...

Danny Galieote Freedom From Fear, Ed. 1/10 Giclee on Archival Acid-Free Rag Paper 35” x 27” Image Unframed, 46 x 38" Framed "This series of works ar...

The Couple French artist, mid 20th century signed and dated 59' signed oil on canvas, framed framed: 27 x 23inches canvas: 24 x 20 inches Provenance: private collection, Paris Condi...

'BRIGANTI', OR, 'THE FIRECRACKER' At least three goddesses were known by names incorporating brÃ

The vivid Golden and Yellow behind the figure has a dreamlike quality, giving the piece an otherworldly feel. The tribal figure is so detailed, Ignacio Trelis...

The full frontal female figure is suspended in mid-air with both arms in motion, seemingly about to jump off the canvas. The blurred figure is set against a clear, graphic backdrop of reds, black and other dark tones with a turquoise rectangular box framing the torso of the figure. A simple black wooden frame frames the work. "I have been active in telling stories with images for over 45 years. My fascination with shapes and textures are my earliest memories and everything I have done in my adult life has revolved around these interests. I learned a lot about color, composition and story telling by stripping all sentimentality from these elements and using them for more than 25 years as a designer. Although I enjoy the challenge and variety of commissions, my own work is very personal. My work has always been about expressing the otherness and mystery just underneath everyday life. Reacting to the ephemeral nature of life and mortality. All of my personal paintings are just different ways of expressing one moment, one feeling. I’m describing a place I’ve never been with a language I’ve never spoken but I’ve spent my whole life trying to get there because its my home." -- Mark Gilmore...

Portrait Of An Officer Wearing The Order of Saints Maurice and Lazarus, circa 1860 circle of Giuseppe Ugolino (1826-1897) Huge mid 19th Century Italian portrait of an Officer wearing the Order Of Saint Maurice and Lazarus, oil on canvas. Important early military portrait from the Italian Wars Of...

Provenance: Suida-Manning Collection, New York Private Collection Exhibited: Venetian Paintings of the Sixteenth Century, Finch College Museum of Art, New York, October 30-December 15, 1963, no. 31. Veronese & His Studio in North American Collections, Birmingham Museum of Art, Oct. 1-Nov. 15, 1972, and Montgomery Museum of Fine Arts, Dec. 5-Dec. 31, 1972 Literature: Robert L. Manning, A Loan Exhibition of Venetian Paintings of the Sixteenth Century, exh. cat. New York 1963, cat. no. 31ill., as by Veronese Stephen Clayton and Edward Weeks, eds., introduction by David Rosand, Veronese & His Studio in North American Collections, Birmingham 1972, as by Veronese, p. 38 ill. Terisio Pignatti, Veronese, Venice 1976, I, p. 199, cat. no. A225, II, fig. 908, as attributed to Veronese Terisio Pignatti and Filippo Pedrocco, Veronese; catalogo completo dei dipinti, Florence 1991, no. 54°, as attributed to Veronese. Terisio Pignatti and Filippo Pedrocco, Veronese, Milan 1995, II, pp. 517-518ill., cat. no. A 56, under attributed paintings, by Veronese and workshop) John Garton, Grace and Grandeur; The Portraiture of Paolo Veronese, London-Turnhout 2008, p. 237, fig. 77, cat. no. R16, as workshop of Veronese. Scarsellino’s art is widely regarded as critical link between the Renaissance and the Baroque styles in Emilian painting; not only was he an important transmitter of the heritage of the Renaissance, but he was also open to innovative ideas, and was one of the earliest to experiment with the trend to naturalism that would become fundamental to art of the new century. Born around 1550, he received his earliest training from his father Sigismondo, an architect and painter; it was probably while working at his father’s side as a youth that he acquired the nickname Scarsellino, or “little Scarsella”. After absorbing the principles of his art in Ferrara and Parma, he went to Venice in 1570, staying for four years and working in the shop of Veronese. In the following decade, his art —especially in terms of its piety and its development of landscape— demonstrates a strong sympathy with that of the Carracci, with whom he worked in 1592-1593 at the Palazzo dei Diamanti in Ferrara. Maria Angela Novelli and later Alessandra Frabetti both propose that Scarsellino traveled to Rome, although such a trip has not been documented; if he did travel to Rome, it probably would have occurred during the years that Scarsellino’s colleagues Agostino and Annibale Carracci were there, that is, beginning in 1595 and until 1609. The last decades of Scarsellino’s career again involve stylistic experimentation, this time in a manner that would bring his work very close to the progressive figurative naturalism of Carlo Bononi and prepare the way for Guercino. The present portrait of a distinguished gentleman had been long thought to be by Paolo Veronese and was in fact attributed to him by such distinguished connoisseurs as Adolfo Venturi and Wilhelm Suida. The portrait’s style is, however, distinct from Veronese’s, although clearly indebted to it, and the attribution to the young Scarsellino is wholly convincing. The painting would then date from the 1570s – a date confirmed by the costume the subject wears. The puffed hat that appears in the painting had a rather short-lived vogue in the early 1570s. One sees it in Giambattista Moroni’s Portrait of Count...

Medium: Oil on Masonite Signature: Signed Center Left Santa's 1963 Corvette Convertible, Hertz Advertisement.

Acrylic on Canvas, framed to Guild of Framers Museum Archival Standard :: Painting :: Classical :: This piece comes with an official certificate of authenticity signed by the artist ...

Ron Santo was an American Major League Baseball third baseman who played for the Chicago Cubs from 1960 through 1973 and the Chicago White Sox in 1974 Hall of fame induction: 2012 Ernest Banks, nicknamed "Mr. Cub" and "Mr. Sunshine", was an American professional baseball player who starred in Major League Baseball as a shortstop and first baseman for the Chicago Cubs between 1953 and 1971 Hall of fame induction: 1977 This artwork is framed in a simple black frame measuring 24.5 x 28 inches. Margie Lawrence Ron Santo and Ernie Banks...

˜The Feminine Mystique. Rublev Oils and Michael Harding Oils on on Professional Quality primed gessoed stretched duck cotton canvas, on Museum Quality ...

Original painting signed by the Artist on the lower right.

Artificial aging technique, oil & tempera on canvas Motion 20 based on a feature from the film "A Man and a Woman" dated in 1966 from the director Claude Lelouch

Lacey Lewis's (US based) "Amber Ray" is an original, handmade oil painting that depicts a female model sitting on a red couch, with big dark hair, and pasties over her nipples. Thi...

Temi Wynston Edun is a contemporary abstract figurative artist who lives and works in Columbia, Maryland. Born in Ibadan, West Africa, the first of six children, his intense and brooding portraits explore social, political, and psychological themes of the Black experience. His engaging figures capture phenotypic features of people of sub-Saharan heritage that he calls “Africanness” in a unique and distinctive use of mark making. Scale portraits and figures, usually isolated in spare or abstract backgrounds, emphasize the facial stares and expressions of the subjects, transporting the viewer to a level of intimacy and engagement with the work. This intimacy is the focal objective of the artist’s creations. Nothing tells the story of humanity like the face of a human. I am fascinated by faces and the stories they tell, I look for "interesting faces" more so than beautiful ones. But, to me, interesting is not enough. A portrait must be engaging and emotive, be able to tell a story without words and to communicate with the viewer in an unspoken dialogue of innovative ideas and insights, and of some shared experiences. From an early age, Edun’s talent was recognized. He won multiple awards as a child including a competition in 1979 for his design of a poster commemorating UNESCO’s International Year of the Child. While a teenager studying at Edo College in Benin City, Nigeria (high school), his portrait of the Oba of Benin (the traditional ruler of the Edo people) was presented to the Oba. In 1984, Wynston earned a Bachelor of Fine Arts from the University of Benin in Benin City, Nigeria, where he graduated with honors. One of his large-scale metal sculptures is still exhibited in a garden at the university. After graduation, Edun had exhibitions of his work in both Benin City and in Lagos, Nigeria. In 1990, after migrating to the U.S., he received a commission to design a work of art for the Howard University Gospel Choir. From 1990 to 1993, Wynston worked and studied under internationally acclaimed Baltimore-based artist Larry “Poncho” Brown...

Kiara Aileen Machado is a contemporary artist born in Lynwood, California who depicts and explores the construction of identity, familial lineage, intergenerational trauma and cultur...

Painting, 19th Century, Portrait of an African Boy, signed, oil on canvas. Dimensions with frame 65cm x 73cm

Vandendaele Casimir Deinze 1818 – 1880 Ghent Belgian Painter Portrait of a Gentleman Signature: Signed bottom left and dated 1843 Medium: Oil on panel Dimensions: Image size 23 x 19...

Oil on panel, signed, dated and inscribed ‘Bou Saada, 1894’ lower right Image size: 13 x 8 3/4 inches (33 x 22.25 cm) Ornate Gilt frame Euguene Alexis Girardet A child prodigy, Gi...

For sale we have this large portrait depicting two young girls in white dresses, standing side by side and posing for the painting. Painted by John Peoli and the Girls happen to be J...

Léa Lafugie was a French painter born in Paris, known for her portraits and landscapes inspired by her travels. She studied at the National School of Decorative Arts in Paris and lat...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Presently I'm working on wood, I'm intrigued by wood grain swirling like water and how that ground moves through the swimmer's form”. Carol graduated from the Art Center College of Design in painting. For some 20 years she split her time between her loft in downtown LA and a beach bungalow in Hawaii- satisfying a passion for culture and the ocean's pull. In LA she painted backdrops...

Claudine with Fan

Zack Zdrale (b. 1977) takes a traditional approach to his work although his subjects and compositions place his work in the present. He is mostly known for...

This artwork captures the beauty, strength, and grace of women from the diverse cultures of Africa and celebrates the beauty of African women in all their forms. Shipping Procedure ...

An Orientalist figurative or genre painting by Conrad Kiesel.

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual level...

Tanvi Pathare Within Contemporary Florence Portrait painting 105 x 115 cm oil on linen (frame included in price) size with frame: 110 x 120 cm Tanvi Pathare from India attended the...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and...

With exquisite detail and sparkling color, this portrait of a young woman is a remarkable example of reverse glass painting. Lending the finished work a subtle three-dimensional effe...

JERRY BERNECHE Untitled (Cats & Dogs No. 10) Charcoal on paper 30 x 22 inches

JERRY BERNECHE Untitled (Cats & Dogs No. 8) Charcoal on paper 30 x 22 inches

In the oil on canvas, on the right, a young woman is depicted with dark hair tied up and held in place by ribbons of pearls. She is dressed in warrior clothes: she wears a red tunic...

Can you imagine life as if it were a gigantic rollercoaster ride of emotions? Just like on a rollercoaster, there are moments when we feel incredibly happy, and there are times when ...

Bask, Original Contemporary Surrealist Figurative Mixed Media Portrait Painting 42" x 33" x 1.5" (HxWxD) Oil and Print on Canvas This mixed media portrait by artist Sarah Jacobs...

Acrylic & gold on canvas

'Topers in a Tavern' Circle of Jacob Toorenvliet (Dutch 1635 - 1719) oil on panel, framed framed: 9 x 7 inches panel: 7.5 x 6 inches provenance: priv...

Signed and dated upper left: Dana R Pond 01

"Fear 1" Figurative Painting 15" x 15" inch by Ahmed Saber Color Pencil and Acrylic on Paper. AHMED SABER - BIO Ahmed Saber is an Egyptian artist bas...

Love Honor Obey? Lon Megargee ca. 1940 Oil on Board Size: 19.75 x 26.75 inches Frame: 26.75 x 33.75 inches signed lower right Painting is framed Creator...

Attributed to Gainsborough Dupont (1754 - 1797, British) Portrait of Owen Ormsby, bust-length, in a brown coat, with slightly later inscription identifying the sitter oil on canvas 2...

Painting: Oil on Canvas

Slade School Late 19th Century Portrait of a Mary Hardy (nee Sulman) Oil on panel Image size: 8 x 7 inches Contemporary frame Provenance Lady Town (Grandda...

Story illustration for “Marriage is a Private Affair” by Judith Kelly, published in the Ladies’ Home Journal, March 1941, page 13. Featuring a young bride and groom embracing as a ma...

Like the Westerns I grew up with, my own work is camouflaged in a veil of nostalgia. The figures in my work are often portrayed against a stark background. This forces the viewer to recognize the myth before the critique exposes itself. I work from observation and my imagination using watercolor and traditional printmaking methods. The figurative images I create are heavily researched. By using the West, a subject that I am both familiar with and continue to question, I aim to engage with our inherent perceptions of the past and the myths embedded within. - Jed Webster Smith

Acrylic on Canvas framed to Guild of Framers Museum Standard :: Painting :: Fine Art :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to...

A substantial and psychologically penetrating study of the American musician. Signed lower right with monogram; titled and dated, verso, 1977. Born in England, Pearl Took first studied at the Skipton Art School (1943-7) and, subsequently, at Sir John Cass College (1947-9). After immigrating to California in 1957, Took commenced her active career as a fine artist, also becoming an art teacher at Pasadena City College and a freelance illustrator with the Pasadena City News. As her painting style matured and evolved, she continued to further her studies, including at such prestigious institutions as the California State College, the Art Center of Design, the Otis Art Institute and the Parsons School...

Oil on canvas sold with frame Total size with frame 78x87 cm Hannes FRITZ-MÜNCHEN is an artist born in 1886 and died in 1981

This painting by Dometer Guczul, titled "Weaving a Chair While Smoking a Pipe," offers a glimpse into rural life with a quiet, contemplative charm. The scene depicts a man engaged in...

Jan Kupetsky (1667 - 1740) Czech School An artist grinding colours, possibly a self-portrait Oil on canvas Signed, verso : "Joseph Prinzig" Provenance: Private Collection, Hungary ...