Carl Froschl Art

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Auth...

Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Authenticity.

Louis Adolphe TESSIER (Angers 1858 – Angers 1915) Portrait de femme sous une treille et au panier de pêches Pastel H. 115 cm ; L. 75 cm Signé en bas à droite et daté 1890 Peintre a...

Elegant and graphic study of a figure of undetermined gender. It's executed with quick and confident brush strokes in the artist's signature color scheme of black and red. It's a fla...

Signed figurative pastel on canvas circa 1910 by French genre painter Pierre Carrier-Belleuse. The work depicts three ballerinas wearing white tutus, warming up in a studio. Carrier-Belleuse was a contemporary of Edgar Degas and they exhibited simultaneously at the major Salons in Paris. This classic example evokes the Belle Epoque period in french history and is superbly executed. Signature: Signed lower right Dimensions: Framed: 29"x24" Unframed: 26"x21" Provenance: Private French collection Pierre Carrier-Belleuse studied at the École des Beaux-Arts in Paris under Alexandre Cabanel and the interior decorative artist Pierre Victor Galland. He started out as an oil painter and produced genre compositions, such as his Final Rendezvous. From 1885, however, he opted to work exclusively in pastel, producing a large number of sketches and portraits but always remaining faithful to his earlier genre compositions. Examples include Pierrot, Harlequin, Woman with Cat. The periodical Figaro Illustré published a large number of his sketches of dancers, a recurrent theme throughout his work. From 1875, Pierre Carrier-Belleuse exhibited frequently at the Paris Salon, receiving an honourable mention in 1887 and being awarded a silver medal at the Exposition Universelle of 1889. Museum and Gallery Holdings: Dunkirk: Dancer Adjusting her Shoe (pastel) Gray: On the Dunes; In the Sun La Rochelle: Dancer Le Puy-en-Velay: Fantasy Mulhouse: Mule's Bonnet Paris (Municipal Collection): Tender Vow (pastel) Versailles...

Anna Milo Upjohn was an overlooked female illustrator in the school of Jessie Willcox Smith. Her work displays a deep academic knowledge evident in her stylized illustrations of children and engaging their world. Signed lower right- 'A.M.UPJOHN" unframed. She was an assignment artist for renowned women's publications such as The Woman's Home Companion and children's books, as well as commercial assignments.s for the Red Cross. Unframed Anna Milo Upjohn (1868–1951) was an American artist, illustrator, author, and relief worker who, late in her long career, became known for paintings, drawings, and illustrations she made for the American Red Cross. After graduating from high school, she studied art briefly in New York but obtained most of her training in Paris from Claudio Castelucho and Lucien Simon.[1] In the early years of the twentieth century, she became known both for her portraits and paintings of children and for her book and magazine illustrations. Finding herself in France at the outset of the First World War, she devoted herself to relief work first among the refugees in Paris and later among the devastated villages in France and Belgium. Having spent the first half of her adult life as an independent professional, she served as a staff artist for the American Red Cross between 1921 and 1931. She traveled extensively during her adult life and lived mostly in New York City; Ithaca, New York; and Washington, D.C. Early life and training During the 1870s, Upjohn's family lived with her grandfather, a well-known architect named Richard Upjohn who had retired to a scenic home in Garrison, New York. Richard Upjohn's biographer says when she was about five she would accompany him as he sketched and painted. She questioned him about his color choices and learned that artists often chose colors different from the ones present in the subjects they painted. He also showed her engravings of famous paintings, explaining what made them great and where they fell short in his view.[2] Her family was living in Fond du Lac, Wisconsin when she graduated from high school in 1887.[3] A few years later, the family moved to New York, where, in the early 1890s, she took classes at the Cooper Union Woman's Art School.[4] She began her foreign travels in 1893 and during the next few years studied art in Munich, Florence, and Paris.[5] In 1902, she took an illustration class at the National Academy of Design and the following year won the Academy's Suydam silver medal for her work.[6] Between 1909 and 1912, she studied and traveled in Europe's other major cities.[7] In 1922, Upjohn told a reporter that she had studied art "in many places, usually for a few months at a time and disconnectedly, but what counted most was the work she did in Paris under Castelucho and Lucien Simon.”[1] Born in Barcelona, Castelucho's birth name was Claudi Catelucho Diana, but he went by his surname alone. In Paris during the early years of the twentieth century, he and Simon both trained private students and both taught at two mondernist alternatives to the École des Beaux Arts: the Académie Colarossi and the Académie de la Grande Chaumière.[8] Upjohn did not say whether she took private lessons, classes, or both. Career in art Image No. 1, Anna Milo Upjohn, Young Boy Going Fishing, 1910, oil on canvas, 25 x 30 inches In 1890, at the age of twenty-one, Upjohn completed a painting of angels for St. Paul's Episcopal Cathedral in Fond du Lac, Wisconsin. Her uncle Richard M. Upjohn had designed the building and her father was currently its rector (having succeeded John Henry Hobart Brown...

Woman's Face is an original painting artwork in mixed media on paper realized by the Greek-French artist Alkis Matheos . Very good conditions. Signed by the artist's stamp on the r...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing an...

"Remember Me" is a poignant piece of art that evokes a powerful sense of nostalgia and remembrance. The piece centers around the face of a character, depic...

Valley of No Shadows is an original painting by Fredrick Idele. Fredrick created Valley of No Shadows with Acrylic, Pastel, and Charcoal on a 24W by 24H inches Card. "Valley of No Shadows" is a captivating artwork that portrays a peaceful state of mind where fears and worries are conquered, and inner peace is found. The artwork features a character adorned with African symbols...

Agnes Mills (American, -2008) Untitled (Girl Eating an Apple), c. Late 20th - Early 21st Century Watercolor (?) and pastel on canvas 30 1/8 x 23 3/4 in. Framed: 37 3/4 x 31 5/8 x 1 ...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.