Portrait Paintings

Remembering the magic of everyday life moments in the art of David Teniers: The art of David Teniers the Younger (1610–1690) coincided with the heyday of the Flemish Baroque and captured a great variety of motifs of his time. In this painting of a seemingly simple peasant scene lies keys to understanding both the imaginative mind of Teniers as well as why this time period produced some of the most iconic works in all of art history.  As indicated by the name, Teniers was more or less born into his profession. As the son of David Teniers the elder, himself a painter who studied under Rubens, the younger David received training in art from a very young age and had no less than three brothers who also became painters. Because of his father’s frequent financial failures that even at times saw him imprisoned, David the younger helped to rescue the family from ruin through painting copies of old masters. Essentially, the young Teniers was confronted with painting as both a passion and creative expression as well as a necessity during difficult times, an experience that would shape much of his capacity and sensitivity in his coming life. Despite the hardships, the talent and determination of Teniers was recognized and quickly expanded his possibilities. He had already spent time in France and possibly also England when he was hired by his father’s former teacher Rubens to help with a prestigious commission with mythological paintings, now considered lost, for Philip IV the king Spain. In 1644–54 Teniers was appointed dean of the Antwerp Guild of Saint Luke, manifesting his esteemed position within the artistic community. A few years afterwards he took an important step when relocating to Brussels, where Teniers yet again found new career opportunities that would prove to be very successful. As the keeper of the collections of Archduke Leopold Wilhelm, a role similar to what we now refer to as an art advisor, Teniers purchased hundreds of important artworks that manifested the prominent status of the Archduke’s collection while at the same time providing an unusual access to inspiration and knowledge for Teniers himself. Since he kept on painting during the same time, his creative scope must have seemed almost bewildering in the great variety of images and stories that he surrounded himself with.  Regardless of how glamorous and culturally stimulating the career of Teniers was, he was as open to the charm and existential importance of everyday life as he was to works of great masters and luxurious collectibles. In his impressive repertoire of genres with everything from exquisite royal portraits, interiors, landscapes and history paintings he always added something new and inventive, highlighting the possibilities of art and importance of an experimental and intuitive mind. It is difficult to single out one aspect or genre to summarize his legacy, since it lies much more in the broad virtuosity across many motifs, although he is particularly remembered for farm scenes and meticulously depicted interiors where other paintings and artworks are captured with an astonishing precision. However, the fact that he is still today one of the most known and celebrated names of the Dutch Golden Age is a proof to the magic of his work, which continues to spark dialogue and wonder in the contemporary viewer of his works. The farm boy in the field in this painting, which likely dates to the mature part of his career, is a wonderful entry into the mind of Teniers. In the tightly cropped motif, we see him standing right in the middle of the busy harvest when men, women and everyone capable were sent out in the field to collect the crop that formed the very core of their diet and survival. In the background we see a fresh blue sky interspersed with skillfully painted clouds, some trees reaching their autumnal colours and in the far distance the glimpse of a small church and village. The presence of a church in a landscape, so typical of Dutch art, served both a symbolic and visual function as a representation of faith while at the same time defining scale and distance. In the field, the work is in full action with the farmers spread out in various positions, all in the midst of hard and sweaty labour. While they are portrayed as having nothing else than the work on their mind, our farm boy seems to have his attention directed elsewhere. Standing there with his white, half open shirt, flowy curls and strong, sturdy body; his gaze is directed away, out of the picture and the scythes in his hands. He looks almost smirking, expressed with tremendous subtlety in the slight smile of his lips and big eyes, being just in the middle of losing focus on the work. What is it that steals his attention? What has he seen, or realized, or felt – to break him free of the arduous task of harvesting, if but for a moment? Here starts the wondering and the questions that are the hallmark of a great piece of art. Instead of explicitly locking in the motif in overly clear symbolism Teniers has chosen an open ended, subtle yet striking moment for us to consider. While it of course can be related to numerous other farm scene depictions of this time, and clever usages of gazes and real-life scenes to underscore various moral or symbolic meanings, the painting can be much more of a contemplation than an explanation or illustration. The ordinary nature and understated yet emotionally textured composition of the motif gives greater space for our own reactions and thoughts. Has he seen a pretty farm girl just passing by? Is he fed up with the farm life, joyously dreaming away for a minute, imagining another future? Or is he simply in need of distraction, looking away and ready for anything that can steal his attention? One quality that never seem to have escaped Teniers was that of curiosity. During all of his career he constantly investigated, expanded and experimented with not only the style and technique of painting, but with the vision of art itself. Being credited with more or less introducing farm motifs for a broader audience not only tells us of his ability to understand the demand for different motifs, but the sensitivity to transform seemingly ordinary parts of life into deep aesthetic experiences, far beyond their expected reach. The farm boy in this painting is, of course, exactly that. But with the help of one smirk the entire picture is charged with a different energy, awakening many contrasts and relationships between the calm landscape, the hard work and his own breach of effectivity, holding sharp scythes while thinking or seeing something else. It is no wonder Teniers chose to work with farm scenes as a way of investigating these intricate and delicate plays on expectations and surprises, clarity and ambivalence. It invites us to an appreciation of human everyday life that connects us with the people of 17th century...

Bruce Sargeant (1898-1938)] Two Sailors n.d. Signed in red, u.r. Double-sided painting on panel 30 x 24 inches

Framed to Guild of Framers Museum Standard. :: Painting :: Classical :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Si...

Portrait of a Gentleman original Oil on Wood Panel 19th Century Original oil on wood panel of a gentleman. Appears to be German, circa 1830-1850. Artist is unknown. Period frame inc...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Lafuente - Grape harvester - Oil on canvas Spanish school signed "Lafuente". Oil measures 61x50 cm. Frameless.

Jadviga Žilvinska (1918-2010) was born in Tallinn. She grew up in Liepāja, where her great interest in art began and strengthened, which led the young artist to study at the Art Academy of Latvia. During her studies at the Academy, she studied with K. Ubāns, V. Tone and J. Liepiņš, and defended her diploma thesis under the guidance of L. Liberts. Later on, she devoted her entire life to art, working at the Liepāja School of Fine Arts and as a portraitist at the "Māksla" combine. She had four favourite themes: landscapes, portraits, flowers and sacred painting. Her works have lyricism and inner harmony. In the portraits, we see not only the outer form of a person, but the artist allows us to look into the very essence of a person - it is likely that the models themselves often saw something new and bright in themselves through the artist's vision. The works are executed in various techniques - tempera, oil, pastel and watercolour. CV: 1938 - Graduated from the Liepaja Secondary School of Applied Arts, Department of Decorative Painting. 1943 - Latvian Academy of Art, L. Liberts Figurative Painting Workshop with her diploma work "At the Artist's" 1946-1948 - teacher of painting and drawing at Liepāja Fine Arts High School. 1948-1966 - portraitist at the "Māksla" combine Participated in exhibitions since 1948. Member of the Artists' Union since 1966. Solo exhibitions in Riga, Jelgava, Sigulda (1972); Riga (1975; 1978; two in 1981; 1986; 1994), Jurmala (1979). Works exhibited in Latvia as well as abroad (Poland, Switzerland, Italy, Japan, Finland, Venezuela, Germany, Hungary). The works are located in: "Portrait of Cardinal Julian Vaivoda", 1983, in the Vatican Museum in Rome "Portrait of Pope John Paul II, 1982, in the Roman Catholic Metropolitan Curia of Riga The altarpieces "The Heart of Jesus" and "Our Lady of Fatima", the paintings "John the Baptist" and "The Holy Family" , all from the late 1960s, in the Church of St Mary Magdalene...

A superb early 20th century French impressionist oil on canvas head and shoulders portrait of an African man wearing a yellow jacket. Excellent quality and condition work, with a pu...

Frank Allen 70s painting of African-American man dressed in a white robe and top hat. Oil on canvas. 20 x 24.

Symbols abound in this monumental painting by Bruno Surdo. Each of the subjects on this canvas is dependent upon the other. They require the presence of the others for balance and ...

Agnolo di Cosimo, known as 'il Bronzino' (Monticelli of Florence, 1503 – Florence, 1572) The Holy Family with San Giovannino Oil on table (120 x 90cm. - I...

“Does it Get Better?” is a hauntingly beautiful question that echoes the collective longing of humanity. It's an emotional inquiry that arises from the depths of our darkest moments ...

Tania Rivilis Some Ambiguous Words 63 x 45 cm Oil on wood panel First we can announce some wonderful news! 3 May 2022 Tania Rivilis did win the first price of the Royal Academy of ...

Early 20th century oil on board society portrait by French artist Rose Teitgen-Obeurer. Signed top left. A charming and characterful portrait of a fine lady...

Robert Frain active 1829-1877, was a Scottish painter. There is very little biographical information regarding Frain, however he was active in the first quarter to the third quarter ...

Matt Talbert's "Lost in Thought" (2024) is an original, handmade oil painting on panel that depicts a portrait of a woman leaning against a wall with bright sunlight shining on her. ...

This superb British Edwardian figurative landscape oil painting is by noted animal artist Edwin Noble. Painted in 1904 it is a large and detailed painting of a young man, kneeling in a grassy thicket with his two dogs, a lurcher and terrier. He is restraining the dogs whilst his ferret goes down a rabbit hole in the hedgerow. Two dead rabbits are already lying on the grass beside them. Beyond is a county landscape of fields and trees. The young man in his stripped shirt and waistcoat and the two white dogs really stand out in the mass of greenery around them as do the white wild flowers at their feet. The detail and brushwork are superb. This is an excellent example of Edwin Noble's work as an animal painter in the Edwardian period and also depicts country pursuits. Signed and dated Edwin Noble 04 lower right. Provenance. From the collection of Derek Parker and Peter Wynne Morris, Interior designers, antique dealers and collectors over sixty years. Condition. Oil on canvas. Image size 50 inches by 40 inches and in good condition. Frame. Housed in a complementary frame, 54 inches by 44 inches and in good condition. John Edwin Noble (1876-1961). Painter and illustrator who worked as Edwin Noble. He was the son of the artist John Sargent Noble...

European Master (17th-18th century) - Portrait of a nobleman. 81 x 65 cm without frame, 100.5 x 83.5 cm with frame. Antique oil painting on canvas, in a carved and gilded wooden fr...

Jacques BERLAND (1918-1999) Portrait of a woman, circa 1950 Oil on canvas 34 × 25 cm A figurative painter of the Paris School, Jacques Berland's work was brought back into the limel...

Helen Of Troy, 19th Century by ARMAND POINT (1860-1930) sales to $190,000 Large 19th Century French Classical portrait of Helen Of Troy, oil/mixed media on canvas by Armand Point. ...

Topers in Deep Conversation Dutch School, mid 17th entury circle of David Teniers (Dutch 1610-1690) oil on canvas canvas: 8 x 7 inches provenance: private collection, France conditio...

Oil on canvas with its original frame.

Giovanni Boldini 1842-1931 Italian Portrait of Emilienne Le Roy Oil on canvas A dazzling display of Giovanni Boldini’s signature style, Portrait of Emilienne Le Roy captures the ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Gob...

English School, circa 1780’s Circle of George Romney (1734-1802) oil painting on canvas, framed framed: 36 x 30 inches canvas: 30 x 25 inches private collectio...

"Afternoon Light" by Linda Delahaye (France based) is an original oil on linen depicting a young man resting in the shade of his home in the afternoon. Born: 1980, Canada Lives and ...

Portrait of Eugène de Zereso de Cejada. Oil on mahogany panel. Eugène de Zereso de Cejada was a Belgian politician and Baron.

"Micky" by John Young-Hunter (British 1874-1955) signed and dated 1920 oil on canvas, unframed canvas: 50 x 31 inches provenance: private collection, UK condition: very good and soun...

Lucha" is a poignant and evocative artwork that delves deep into the complexities of human emotions, interpersonal relationships, and the struggle to cope with personal challenges. T...

Hovsep Pushman is celebrated for romantic and exotic subjects such as Nubian princesses, Kurdish tribesmen, itinerant gypsies, and in our example a noble Reader of the Koran. Many of...

Acrylic on Canvas framed to Guild of Framers Museum Standard. Size framed is approximately 16” x 20”. Please allow approximately a week for delivery as artworks are framed once t...

Work on canvas

Born in Hollywood and raised in the urban sprawls of Los Angeles, Julio’s artistic aesthetic was shaped early on by the platinum light and expansive concrete horizons of southern Cal...

Laura Greenwood (1897-1951) Portrait of a Young Woman, ca. 1925 Oil on canvas, measuring 16 x 20 inches Signed lower right. Condition: the piece will require some minor conserva...

Edouard Dumoulin (1898 - 1973) Creole woman 1938 Oil on canvas 89 x 74 cm (97 x 85 cm with frame) 35.04 x 29.13 in (38.19 x 33.46 in with frame) Signed and dated top right Online ca...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. (Issues b...

The painting “Strong and Bold” from the series painting of Emily’s Diary portrays a compelling depiction of an African woman adorned with a nourishing Afrocentric hairstyle The fac...

Portrait of an Elegant Lady by John Arthur Machray Hay (Scottish, 1887-1960) signed and dated 1910 oil on canvas, unframed canvas: 30 x 24 inches provenance: private collection, UK c...

CARLOS MANUEL SALAZAR RAMIREZ "COMPANEROS" ACRYLIC ON CANVAS, SIGNED COSTA RICA, DATED 1989 16 X 24 INCHES Carlos Manuel Salazar Ramírez Born 1954 Ramírez is a artist born i...

Artist: Hilo Chen Title: City - 4 Year: 1977 Painting oil on canvas Size 54 x 54 inches 137 x 137 cm Contemporary photo-realist painter Hilo Chen (Yee-Lum) was born in 1942 in Taiwan and later became an American citizen. He is noted for his paintings of nudes and flowers. Chen's as painter is nothing less than superb. The skin tones of his nudes seem more "real" than life itself. You feel as though you can almost touch these women who are so oblivious to being observed. Chen's work is held in public collections at: The Solomon R. Guggenheim Museum, New York, NY; San Jose Museum of Art, San Jose CA...

Giacomo used to paint with his brother Giulio, identifying their works with the monogram «I I». The strong influence of his father, Francesco, is undeniable in all his works, althoug...

Man in Blue French School, circa 2000 oil painting on canvas, framed canvas: 60cm x 50cm framed: 76cm x 66cm Superb decorative French portrait of a young man, painted in blue. Wonde...

A very engaging portrait of a pretty young girl holding a posy of flowers. On a large scale, this impressive piece would add grandeur to a hall or drawing room. William Edwards Mill...

I stood apart, a quiet enigma in a world of noise, my gaze often lost in horizons no one else could see. Within me swirled a tempest—thoughts too vast for words, emotions too intr...

This elegant English 19th-century portrait of a young boy dressed in a Cavalier costume, painted circa 1860, is a striking example of Victorian portraiture that seamlessly combines h...

Property from the Collection of Solomon and Hannah Shahmoon Measurements image size: 10 1/4 by 13 1/4 inches; overall: 13 3/4 by 17 inches Weight approx. 2 lbs. Condition good con...

"Crossing a Stream in the Highlands" featuring children and their dog wading through a mountain stream was painted by the British artist, Edward Holmes, in 1880. Holmes was born in 1841, the brother of renowned Victorian genre painter, George Augustus Holmes...

We are pleased to offer a captivating portrait, most likely painted in the late 18th century, attributed to an artist within the circle of Christian Wilhelm Ernst Dietrich. This oil ...

Mark Andrew Bailey's "Bad Hombre XLIV" (2025) is an original, handmade oil painting that depicts an impressionistic profile portrait of a male cowboy with a beard wearing a hat. Ab...

"CHILDREN OF THE SUN", 2019, is an oil painting on canvas by artist Tslil Tsemet, and measures 47x62". Characteristic of the artist's best work, it features a group of four contemporary strong-man heads of state portrayed in a child's garden of dangerous toys – from plastic ray-guns to nuclear warheads. Putin, barechested on his black unicorn, is blowing bubbles that float throughout this fascist paradise. Trump and Netanyahu appear at the end of a rainbow looking both grumpy and sinister. And Kim Jong...

Up for sale is a beautiful Antique 18-century original oil painting on canvas depicting a portrait of a Nobleman with a large whig, and red lined jacket...

Frans Pourbus (Bruges, 1545 - Antwerp, 1581) circle Portrait of a gentleman in Renaissance dress with a black doublet and ruff Late 16th century Oil on canvas 46 x 32 cm. - 65 x 53...

Frederick William Macmonnies Marion Jones Farquhar, 1905-11 Oil on canvas 24 x 20 inches Provenance: William Clerk Private Collection, New York Literature: Mary Smart, A Flight with Fame: The Life and Art of Frederick MacMonnies, with a Catalogue Raisonne of Sculpture and a Checklist of Paintings by E. Adina Gordon, Madison, Connecticut, 1996, no. 90. The work depicts Marion Jones Farquhar who, was an American tennis player who competed during the late 19th century and early 20th century. She won the singles titles at the 1899 and 1902 U.S championships and was the first American woman to medal at the Olympics placing Bronze in singles. Additionally, she was the artist's sister-in-law who often played and competed with MacMonnies in golf and tennis. MacMonnies would often study the movements of her form referenced in his sculpture. When MacMonnies won a doubles golf tournament he said "Marion dragged my dead weight thro' and won us the tournament, showing what great Generalship can do." A sculptor of classical figures, American-born Frederick MacMonnies had fame in the United States and Europe in the later half of the 19th century and early 20th century. He occasionally returned to America but lived most of his life as in expatriate in France. He was especially known for his lithe bronze figures, especially ones titled Diana. The classical names of these figures allowed him the appearance of propriety but gave him the opportunity to model svelte nudes. Frederick MacMonnies was one of the first American sculptors to recognize the potential market of the middle class. He copyrighted his works and then contracted with foundries to mass produce some of his figures such as Diana in smaller sizes. MacMonnies was born in Brooklyn, New York, and was a child prodigy at carving stone. At age 18, he worked in the studio of Augustus Saint-Gaudens, and then persuaded him to become his assistant, keeping models damp and covered, running errands, and cleaning the studio. Evenings he studied at the Art Students League, Cooper Union, and the National Academy of Design. In Saint-Gaudens' studio, he met many of the wealthy people who shared Saint-Gaudens Beaux-Arts based ideas that art and architecture should be unified in order to create public art in America equal to that of classical antiquity or Renaissance Europe. Among the men that MacMonnies met through Saint-Gaudens who later furthered his career were architects Stanford White and Charles McKim...

This is an Antique oil painting on canvas 19 century depicting a portrait of a British Gentleman by Listed British-Irish Artist Samuel West (1810-1860). C...

This artwork captures a surreal desert scene blending mystery and modernity. A figure in black, with a wide-brimmed hat, stands beside a small black cat near a weathered sign reading...

Thomas Hudson (Devon 1701 - London 1799) Portrait of a Notable in his Study Oil on canvas 124 x 102 cm. In antique frame 142 x 120 cm. This fascinating portrait is a valuable te...

A distinctive Mid-Century Modern portrait of a man with red necktie by noted Chicago painter, Francis Chapin (Am. 1899-1965). Chapin's estate records list the sitter as named Joe Mu...

After John Constable (British, 1776-1837) Portrait of A Man, c. 1800 Oil on canvas 23 3/4 x 19 3/4 in. Framed: 34 x 29 3/4 x 2 3/4 in. Sotheby'...