Portrait Paintings

Antique American modernist portrait oil painting by Salpi Miriam Mavian (Born 1908). Oil on canvas, circa 1930. Signed. Displayed in a giltwoo...

Portrait Of King Edward VI (1537-1553) King Of England after William SCROTS (1510-1553) Large circa 17th Century portrait of Edward VI, King Of England, oil on canvas. Excellent qu...

A delightful 20th Century Italian school portrait depicting a older lady dressed in a chequered mustard coat and blue head scarf. Well presented in a simp...

“Surely I Will Fly” is a vibrant and hopeful expression of the human spirit's innate desire for freedom and transcendence. This painting represents the moment when we spread our wing...

Emil Hermann (1871 - 1966) Austria, Ohio, Wichita Falls (Texas) Artist Image Size: 47.5 x 36 Frame Size: 54.5 x 44 Medium: Oil Dated 1918 "Sam Houston" Emil Hermann (1871 - 1966) Emil Hermann (Am.1871-1966) Emil Hermann was born in Vienna of French and Austrian parents. His father was an engineer who did not consider art a proper profession for a young man. But so obvious was Hermann's talent, that his father let him enter the Royal Academy in Vienna. He went on to study at the National Art Institute at Budapest and the Rembrandt Art Institute in Amsterdam. In 1889, Hermann came to the United States to study at the Pennsylvania Academy of Fine Arts at the age of nineteen. Hermann was the organizer and first president of the Ohio Brush and Pencil Club and president of the Dayton, Ohio Art Club. As a result of his work in the latter city, a two-million-dollar art center was later founded there. After enrolling in the Academy, he opened his first studio in Philadelphia. In 1890, he received his citizenship papers. His first break came when a Dayton art dealer invited Hermann to hold a one-man art show. From this show, he obtained a position as a muralist with the great Schachne Studios. Soon, he became one of the best-known portrait artists in the area, drawing the leading citizens of Dayton to his studio. The upcoming artist was such a success that, soon, he was traveling throughout the country to execute portrait commissions and hold exhibitions. On one such trip, he was in Tulsa. After viewing his exhibition, a group of Missouri attorneys, some of whom were living in Oklahoma, commissioned Hermann to paint a portrait of General John H. Pershing from an only existing photograph that had been made in France. This work, when completed, was presented to the Missouri Historical Society in St. Louis, and he was later commissioned to duplicate the portrait for the city of Loclede, Missouri, the birthplace of General Pershing. At a suggestion from his Tulsa friends, Hermann opened an exhibit on the balcony of the Freer Furniture Company, at Ninth and Scott in Wichita Falls, in 1919, in the midst of the great Burkburnett oil boom. Mr. and Mrs. J.A. Kemp commissioned him to do a portrait, which now hangs in the Kemp Public Library. As a result of this show his fame spread and he was soon flooded with offers from all parts of the southwest. The Fort Worth citizens club gave him a commission to do a portrait of Teddy Roosevelt...

Tiberio Titi (Florence, Italy, 1573 – 1638) Title: Portrait of a Gentleman Medium: Oil on panel Dimensions: Without frame 122 x 91 cm – with frame 162 x 133 x 10 cm Publications: G...

This stunning British 18th century Old Master portrait oil painting, with exceptional provenance, is by noted artist George Romney. It was painted in 1788, commissioned by James Evelyn of Felbridge as it is of his younger daughter Anne, aged 20 years old. James was a Doctor of Law and Anne's mother was his second wife, Jane. Felbridge house, Anne's home, was in the village of Godstone in Surrey. This superb oil painting is a seated portrait of Anne, wearing a white dress with a green sash, her forearms exposed and her hands in her lap. Anne is blessed with the most wonderful long auburn curly hair and is visually stunning. Her body is partly turned away from the artist/viewer and she is slightly gazing down at us with confident, clear eyes. Anne is pictured in a landscape with a dramatic sky behind her. Romney's brushwork on her dress, hair and the background is superb. The delicate detailing of her facial features is also stunning. Sometimes Old Master portraits can be a little staid, but this one of Anne with her wild auburn hair and bold look is just magnificent. This is a fantastic example of George Romney's work and of an 18th century British Old Master with exceptional detailed provenance. Name plate states: Anne, younger daughter of James Evelyn of Fellbridge Esq. 1788, aged 20. Romney. Provenance. With Charles Cecil Cope Jenkinson, 3rd Earl of Liverpool (1784-1851) With The Hon. Henry Berkeley Portman (1860-1923), Later 3rd Viscount Portman; with Emma, Viscountess Portman (1862-1929) By 1926; with her daughter Lady Moyra Dawson-Damer (1897-1962) Thence by family descent. Painted in 1788. There are various labels verso. Mentioned in Lord Hawkesbury's Catalogues of Portraits at Compton Place and at Buxted Park, in Sussex, 1903, p.18, no. 3, at Buxted Park, as in the 'Dining Room, South Wall'. Further Bibliography: Gower (R. S.) Romney, London, 1904, p. 175 Kidson (Alex) George Romney, A Complete Catalogue of his Paintings, New Haven and London: Yale University Press, 2015, I, p. 205, no. 422 (illus).Ward (Humphrey) and Roberts (William) Romney: A Biographical and Critical Essay, London: T Agnew & Sons, 1904, p. 51 Condition. Oil on canvas. Image size 30 inches by 24 inches and in good condition. Frame. Housed in an ornate gilt frame with name plate, 37 inches by 31 inches and in good condition. George Romney (1734-1802) was born in Dalton-on-Furness, Lancashire, on 15 December 1734, the third of the eleven children of John Romney and Anne Simpson. Leaving school at the age of eleven, he worked for eight years in his father's cabinetmaking workshop before being apprenticed to a local painter, Christopher Steele, with whom he served for two years, from 1755 to 1757, in Kendal, York, and Lancaster. He married a Kendal girl, Mary Abbot...

Susan Ricker Knox American, 1874-1959 Lady in a Sun Hat Oil on canvas 28 by 36 in, w/ frame 36 by 44 in Signed upper left Susan was born in Portsmouth, New Hampshire, Susan Knox ex...

It is a striking portrait. Canadian artist Daniel Hughes is known for his stunning, realistic paintings. Hughes' attention to detail, the natural colour palette and ‘true to life’ re...

Konstantin Razumov (Born 1974) Russian Elegant Reclining Nude wearing a Black Corset Top and Blue Hat Oil on canvas: 11 x 8inches. Frame: 18 x 15 inches. Konstantin Razumov's wor...

I observed that her beauty comes from embracing herself. Her flexibility to switch from night to day and her open alms of embracing the two seasons. Therefore, embrace yourself like...

This lovely British Edwardian Impressionist portrait oil painting is by noted artist Percy William Gibbs. Pained circa 1910 it is a head and shoulders portrait of a gentleman in a da...

Artist/ School: Manner of Guido Reni (1575-1642) Italian Title: The Prophecy of Simeon Medium: oil painting on canvas, unframed Painting: 21.5 ...

Rolf Stoll (American, 1892-1978) Kae Dorn Cass, 1940 Oil on canvas Signed upper right 32 x 25 inches 38 x 31 inches, framed Exhibited: The 27th Annual May Show, Cleveland Museum of Art, Cleveland, OH, 1940 This work won first prize for oil painting- Portrait category Provenance: Collection of Kae Dorn Cass's niece Kae Dorn Cass Rolf Stoll Rolf Stoll, a painter of figure subjects, landscapes and floral still lifes, was an important member of the Cleveland art scene during the second quarter of the century. He was also an influential teacher, as well as one of Ohio’s foremost portrait painters. Rolf Stoll was born in Heidelberg, Germany, in 1892. As a boy, he attended a military academy, during which time he developed an interest in art. He received his early formal training at the Academy of Fine Arts in Karlsruhe and at the Academy of Fine Arts in Stuttgart. He emigrated to the United States in 1912, settling in New York City. A decade later, after studying at the school of the National Academy of Design and supporting himself by working as a commercial artist, Stoll decided to leave New York. Upon the recommendation of Warren Pryor, one of his teachers, he decided to move to Cleveland, Ohio. After arriving in Cleveland, Rolf Stoll continued to work as a commercial artist. However, in 1926, he joined the faculty of the Cleveland School of Art, where he taught drawing. Two years later Stoll was appointed head of the school’s portrait painting department. A talented portraitist, Stoll’s sitters included industrialists, community leaders and many prominent members of Cleveland and Ohio society, as well as over twenty faculty members from Case Western Reserve University. Stoll also gave portrait classes at the John Huntington Polytechnic Institute from 1926 to 1953. In his male portraits especially, he was admired for his ability to convey the dignity of his sitter’s professional position without sacrificing individuality. As noted by one contemporary reviewer, Stoll was a “master of rich color, a searching student of human types, a forceful portrayer of all that the face reveals of the mind and the soul.” In addition to his activity as a portraitist, Rolf Stoll painted figure subjects and floral still lifes. He was also known for his views of the Ohio countryside...

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Classic Figurative Year: 2001 Title: Jesus Christ Size: 20.5"...

This small Flemish painting, measuring only 24.5 x 18.5 cm and executed on a copper plate, depicts Saint Nicholas of Tolentino. Created in the 17th century, the artist remains unknow...

[Bruce Sargeant (1898-1938)] Man with Red Fez n.d. Signed in red, u.r. Double-sided oil painting on panel 30 x 24 inches

This early 19th-century oil painting depicts the Danish prime minister, Peter Georg Bang (1797-1861). Despite rising to the highest echelons of society, Peter Georg Bang remained re...

Outstanding early 18th century English portrait of James Bellevue. The portrait was always believed to be the work of Sir Godfrey Kneller who was known to have painted James Bellevu...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Eli...

Realistic early German portrait painting of Johann Ludwig-Mosley wearing his various military awards. The back features further documentation about the man's life and service. Curren...

Portrait of a Young Lady French School, mid 20th century signed, S. Ascher signed oil on canvas, unframed canvas: 16 x 13 inches provenance: private collection, Paris condition: good...

A beautiful late 19th century French impressionist oil on canvas portrait of a young lady wearing a red hat and flower in her lapel. Very interesting and excellent quality portrait o...

Artist/ School: signed French School, Bouchet (19th-20th Century) Title: Portrait of a bearded man Medium: oil on board Size: 11 x 8.5 inches Provenance: private collection, Fran...

David van der Linden 'Don't let the sun blast your shadow'' 100 x 100 cm Oil on canvas framed in a black wooden frame (included in price) 115x115 cm David van der Linden is a Dutch...

Artist: Frederick Goodall (English, 1822-1904) Title: "Susannah (Without the Elders)" *Monogram signed and dated by Goodall lower left Year: 1885 Med...

For me, this reclining nude spectacularly captures 1920's Paris, in life and art, at least as I understand it from the many books I have read focusing on that magical period. The mo...

This fine oil on canvas, attributable to a late 17th-century Venetian artist, is a coeval copy of the famous portrait by Pieter Paul Rubens, documented in the collections of Cosimo I...

!9th century English portrait of a King Charles Cavalier Spaniel Wonderful portrait study of this very popular breed of dog. Dating from the middle of the 19th century this piece...

An expressive, unfinished oil study depicting a smartly dressed gentleman. The artist uses gestural brushstrokes and a muted palette to loosely capture the man's sharp features. Unsi...

John Tarantola's original nude portrait "Wood Nymph" (2018) is a beautiful realist painting done with oil on panel, which depicts an athletic nude male figure standing in a forest, p...

Signed lower left, 'W. Schwartz' for Walter Erwin Otto Schwartz (Danish, 1889-1958), dated 1935 and inscribed 'Skagen' lower right. A substantial, psychologically penetrating portrait of a young woman with braids, shown dressed in a charcoal wool coat and wearing a copper-colored neck-scarf. The self-possessed sitter stands and meets the viewers gaze directly, proving herself an unusually confident subject for this noted Danish Modernist. Nephew of the Danish academic artist, Frans Schwartz, Walter Schwartz grew up surrounded by the painters who frequented the Danish art colony on the picturesque island of Skagen. Walter first studied formally (1904-8) with Michael Ancher...

Konstantin Razumov (Born 1974) Russian A Pensive Semi-Nude Young Lady wearing a White Veil Oil on canvas: 16 x 8 inches. Frame: 23 x 15 inches. Konstantin Razumov's work has bee...

The Victorian English Gentleman Portrait of a Man seated in a leather chair, holding a letter in his hand. oil on canvas , framed framed: 41 x 33 inches canvas: 36 x 28 inches prove...

Gaspare Diziani (Belluno 1689 - Venice 1767) Portrait of a Young Princess (Salome?) Oil on canvas 42 x 33 cm Framed 70 x 63 cm A charming portrait of a beautiful young woman with ...

Remembering the magic of everyday life moments in the art of David Teniers: The art of David Teniers the Younger (1610–1690) coincided with the heyday of the Flemish Baroque and captured a great variety of motifs of his time. In this painting of a seemingly simple peasant scene lies keys to understanding both the imaginative mind of Teniers as well as why this time period produced some of the most iconic works in all of art history.  As indicated by the name, Teniers was more or less born into his profession. As the son of David Teniers the elder, himself a painter who studied under Rubens, the younger David received training in art from a very young age and had no less than three brothers who also became painters. Because of his father’s frequent financial failures that even at times saw him imprisoned, David the younger helped to rescue the family from ruin through painting copies of old masters. Essentially, the young Teniers was confronted with painting as both a passion and creative expression as well as a necessity during difficult times, an experience that would shape much of his capacity and sensitivity in his coming life. Despite the hardships, the talent and determination of Teniers was recognized and quickly expanded his possibilities. He had already spent time in France and possibly also England when he was hired by his father’s former teacher Rubens to help with a prestigious commission with mythological paintings, now considered lost, for Philip IV the king Spain. In 1644–54 Teniers was appointed dean of the Antwerp Guild of Saint Luke, manifesting his esteemed position within the artistic community. A few years afterwards he took an important step when relocating to Brussels, where Teniers yet again found new career opportunities that would prove to be very successful. As the keeper of the collections of Archduke Leopold Wilhelm, a role similar to what we now refer to as an art advisor, Teniers purchased hundreds of important artworks that manifested the prominent status of the Archduke’s collection while at the same time providing an unusual access to inspiration and knowledge for Teniers himself. Since he kept on painting during the same time, his creative scope must have seemed almost bewildering in the great variety of images and stories that he surrounded himself with.  Regardless of how glamorous and culturally stimulating the career of Teniers was, he was as open to the charm and existential importance of everyday life as he was to works of great masters and luxurious collectibles. In his impressive repertoire of genres with everything from exquisite royal portraits, interiors, landscapes and history paintings he always added something new and inventive, highlighting the possibilities of art and importance of an experimental and intuitive mind. It is difficult to single out one aspect or genre to summarize his legacy, since it lies much more in the broad virtuosity across many motifs, although he is particularly remembered for farm scenes and meticulously depicted interiors where other paintings and artworks are captured with an astonishing precision. However, the fact that he is still today one of the most known and celebrated names of the Dutch Golden Age is a proof to the magic of his work, which continues to spark dialogue and wonder in the contemporary viewer of his works. The farm boy in the field in this painting, which likely dates to the mature part of his career, is a wonderful entry into the mind of Teniers. In the tightly cropped motif, we see him standing right in the middle of the busy harvest when men, women and everyone capable were sent out in the field to collect the crop that formed the very core of their diet and survival. In the background we see a fresh blue sky interspersed with skillfully painted clouds, some trees reaching their autumnal colours and in the far distance the glimpse of a small church and village. The presence of a church in a landscape, so typical of Dutch art, served both a symbolic and visual function as a representation of faith while at the same time defining scale and distance. In the field, the work is in full action with the farmers spread out in various positions, all in the midst of hard and sweaty labour. While they are portrayed as having nothing else than the work on their mind, our farm boy seems to have his attention directed elsewhere. Standing there with his white, half open shirt, flowy curls and strong, sturdy body; his gaze is directed away, out of the picture and the scythes in his hands. He looks almost smirking, expressed with tremendous subtlety in the slight smile of his lips and big eyes, being just in the middle of losing focus on the work. What is it that steals his attention? What has he seen, or realized, or felt – to break him free of the arduous task of harvesting, if but for a moment? Here starts the wondering and the questions that are the hallmark of a great piece of art. Instead of explicitly locking in the motif in overly clear symbolism Teniers has chosen an open ended, subtle yet striking moment for us to consider. While it of course can be related to numerous other farm scene depictions of this time, and clever usages of gazes and real-life scenes to underscore various moral or symbolic meanings, the painting can be much more of a contemplation than an explanation or illustration. The ordinary nature and understated yet emotionally textured composition of the motif gives greater space for our own reactions and thoughts. Has he seen a pretty farm girl just passing by? Is he fed up with the farm life, joyously dreaming away for a minute, imagining another future? Or is he simply in need of distraction, looking away and ready for anything that can steal his attention? One quality that never seem to have escaped Teniers was that of curiosity. During all of his career he constantly investigated, expanded and experimented with not only the style and technique of painting, but with the vision of art itself. Being credited with more or less introducing farm motifs for a broader audience not only tells us of his ability to understand the demand for different motifs, but the sensitivity to transform seemingly ordinary parts of life into deep aesthetic experiences, far beyond their expected reach. The farm boy in this painting is, of course, exactly that. But with the help of one smirk the entire picture is charged with a different energy, awakening many contrasts and relationships between the calm landscape, the hard work and his own breach of effectivity, holding sharp scythes while thinking or seeing something else. It is no wonder Teniers chose to work with farm scenes as a way of investigating these intricate and delicate plays on expectations and surprises, clarity and ambivalence. It invites us to an appreciation of human everyday life that connects us with the people of 17th century...

In a vibrant celebration of African heritage and beauty, our protagonist, a stunning black African woman, graces the scene with her majestic presence. Crowned with a voluminous afro ...

This artwork elegantly blends classic and contemporary elements, depicting a young woman in a stylish black outfit holding a phone to her ear. She stands against an endless blue sky...

Bruce Sargeant (1898-1938)] Two Sailors n.d. Signed in red, u.r. Double-sided painting on panel 30 x 24 inches

Muse is a large-scale painting by Contemporary French artist, Pierre-Yves Gervais. With her face turned away from us we can only see the Muses erotic hair pin. This 1994 Oil on Canva...

‘Far Places Were Once Within Me’. Oil on canvas, approximately 11â€

Title: Woman with Glass Author: Ramón Pichot Soler (1924-1996) Technique: Oil on hardboard Dimensions: 18.1 x 15 inches Framing: Unframed Estimated year: 1970s Descripti...

Jose Luis Fuentetaja - Maternity - mixed media (print and oil on canvas). Canvas size 54x65 cm. Frameless. Is born in Madrid on the 21st july 195...

A superb early 20th century French impressionist oil on canvas head and shoulders portrait of an African man wearing a yellow jacket. Excellent quality and condition work, with a pu...

Oil on Canvas. A portrait of a gentleman is accompanied by the inscription in the upper left corner "Paulus Castellanus Sanator." The word Castellanus could be the very common surna...

This lovely British Edwardian Impressionist portrait oil painting is by noted artist Percy William Gibbs. Pained circa 1910 it is a head and shoulders portrait in semi profile of a d...

Diego Rivera 1886-1957 Mexican Delfina y Dimas Signed and dated 1935 Tempera on masonite In the intimate masterwork Delfina y Dimas, the great Diego Rivera illustrates all of his...

Acrylic on Canvas framed by Southgate Gallery Exeter to Guild Of Framers Museum Standard. 12"x16" or 16"x20" approximately including frame size. Painting is framed after purchase so ...

Bull dog in a suit Animals dressed up fantasy, surreal Comes ROLLED in a tube Needs framing Artist Y.m.Lo is known for his Wheat Pasted Animals in proper ...

Framed to Guild of Framers Museum Standard. :: Painting :: Classical :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Si...

“Does it Get Better?” is a hauntingly beautiful question that echoes the collective longing of humanity. It's an emotional inquiry that arises from the depths of our darkest moments ...

Matt Talbert's "Lost in Thought" (2024) is an original, handmade oil painting on panel that depicts a portrait of a woman leaning against a wall with bright sunlight shining on her. ...

A study of the bust of Ferdinand Bol's 'Portrait of A Mathematician' which is currently part of the Louvre Collection in Paris. Unsigned. Presented in a gilt frame. On canvas.

Lafuente - Grape harvester - Oil on canvas Spanish school signed "Lafuente". Oil measures 61x50 cm. Frameless.

English School, circa 1780’s Circle of George Romney (1734-1802) oil painting on canvas, framed framed: 36 x 30 inches canvas: 30 x 25 inches private collectio...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Topers in Deep Conversation Dutch School, mid 17th entury circle of David Teniers (Dutch 1610-1690) oil on canvas canvas: 8 x 7 inches provenance: private collection, France conditio...

Jacques BERLAND (1918-1999) Portrait of a woman, circa 1950 Oil on canvas 34 × 25 cm A figurative painter of the Paris School, Jacques Berland's work was brought back into the limel...