Portrait Figurative Paintings
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Art Subject: Portrait
Untitled
Located in PARIS, FR
Sara Shamma is a renowned painter whose works can be found in both public and private collections around the globe. Shamma was born in Damascus, Syria (1975) to a Syrian father and L...
Category
2010s Figurative Paintings
Materials
Oil
Looking outside
Located in PUIFLIJK, NL
Francien Krieg, a contemporary Dutch artist, gives a new dimension to figurative painting with her penetrating and unfiltered portraits. Krieg, who received her art education at the ...
Category
2010s Impressionist Figurative Paintings
Materials
Oil, Wood Panel
Untitled - Woman, nude portrait, figurative oil painting, blue & black
Located in Ciudad de México, MX
Using pure oil paint, which gives the artwork its unique texture, the artist manages to use two particularly difficult colors to work with: black and blue. In his composition, he cre...
Category
2010s Contemporary Figurative Paintings
Materials
Oil
Russin
By Vilma Eckl
Located in Wien, 9
The extensive work of Vilma Eckl covers a period of more than seventy years. Her incomparable artistic talent and her essential contribution to the history of art can be seen in her ...
Category
20th Century Modern Figurative Paintings
Materials
Canvas, Oil
Detente
By Edmund Ward
Located in New York, NY
Purchased from Ward Estate after his passing in 1990. Part of a private collection since mid 1990's till now and custom framed in handmade unique frames. Ward had a unique vision on ...
Category
Early 20th Century Tonalist Figurative Paintings
Materials
Oil
At The Wall
Located in New York, NY
Oil on canvas. Engaging. Female centric.
About the artist:
“There's a dry ironic twist to Paul’s paintings that give the work — while realistic — a postmodern feeling of refl...
Category
2010s Contemporary Figurative Paintings
Materials
Canvas, Oil
Translucent
Located in New York, NY
Mysterious woman. Oil on canvas. Fab wallpaper background.
About the artist:
“There's a dry ironic twist to Paul’s paintings that give the work — while realistic — a postmode...
Category
2010s Conceptual Figurative Paintings
Materials
Canvas, Oil
KPM Porcelain Allegorical Plaque Of Admiration Late 19th Century Plaque
Located in New York, NY
Berlin Porcelain Allegorical Plaque of Admiration
KPM, Late 19th CENTURY
The three-quarter-length portrait depicting a brunette woman with blue eyes in light ecclesiastical robes supporting palms crossed over chest and looking up over right shoulder - in a landscape immersed in powder blue sea holly...
Category
19th Century Figurative Paintings
Materials
Porcelain, Paint
Daydreaming
Located in Washington, DC
Ideal head by 19th-century American painter.
Category
Late 19th Century Academic Figurative Paintings
Materials
Masonite, Oil
Stars Splinter, Pointed and Wild
Located in New York, NY
Unsigned
Category
2010s Contemporary Portrait Paintings
Materials
Linen, Oil
Young Girl Red Dress lost in Thought, Mid Century Woman's Magazine Illustration
By Lorraine Fox
Located in Miami, FL
Lorraine Fox (1922–1976) was an American illustrator and commercial artist who illustrated magazines, book covers, and advertisements. Among the magazines, she illustrated for was Wo...
Category
1960s Feminist Figurative Paintings
Materials
Oil, Board
Butterfly 2, 2018
Located in ATLANTA, GA
Lisa Matrundola was born the youngest of five children in Montreal, Quebec. Her parents immigrated to Canada from Italy and England in the mid 1950’s. Self-sufficiency, hard work and...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Oil
Visage Irina Gros Plan
Located in Porto, 13
Visage Irina Gros Plan,2013
Oil on Canvas
A lot delicacy is felt in the traits of the drawings from Philippe Pasqua, which in no way diminishes the strength of each work. Thus, a fl...
Category
2010s Contemporary Figurative Paintings
Materials
Oil
Japanese Girl Promenading
Located in New York, NY
Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8).
Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly.
In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters.
In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23).
In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”).
Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5).
During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this sparkling portrayal of a young woman dressed in a traditional kimono and carrying a baby on her back, a paper parasol...
Category
Late 19th Century Figurative Paintings
Materials
Oil, Wood Panel
Imago, 2015
Located in ATLANTA, GA
Jacopo Scassellati was born in Sassari (Sardinia) in 1989 where he still resides today. His family is originally from Umbria. Very early on, he disp...
Category
21st Century and Contemporary Abstract Impressionist Figurative Paintings
Materials
Oil
3-9-22 (Duptych) - 21st Century, Contemporary, Portrait Painting, Oil on Canvas
Located in Barcelona, Catalonia
“I paint the human figure and explore further till I reach the Beauty of Being, the Soul.. the part of Human Being where everything is in total Serenity, Goodness and Harmony, where ...
Category
21st Century and Contemporary Contemporary Portrait Paintings
Materials
Canvas, Oil
"Milton Avery #6"
Located in Lambertville, NJ
Gershon Benjamin (1899-1985)
An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benjamin sustained an active career for over seven decades. D...
Category
1930s Modern Portrait Paintings
Materials
Pastel
1900 Young Girl
Located in Fort Washington, PA
Medium: Oil on Canvas
Signature: Unsigned
Category
20th Century Figurative Paintings
Materials
Canvas, Oil
Boy Reading
Located in Fort Washington, PA
Medium: Oil on Canvas
Signature: Unsigned
Category
1920s Figurative Paintings
Materials
Canvas, Oil
Ritratto di Camillo Mastrocinque
Located in ATLANTA, GA
Robert Carroll was born in 1934 and was predominantly inspired by the 1950s growing up. Abstract Expressionism prevailed in the 1950s as a primary method of painting, and explored id...
Category
20th Century Post-War Figurative Paintings
Materials
Oil
No. 83 - Make A Wish
Located in Wien, 9
No. 83 - Make a Wish (2021), Öl und Acryl auf Leinwand, 100 x 100 cm
Elena Steiner was born in Susice (Czech Republic) in 1975 and lives and works in Vienna. She completed her painting studies at the Institute for Fine and Media Art at the University of Applied Arts in Vienna in Johanna Kandl’s class.
In her series of works, Elena Steiner examines a different type of person, sensitizes the viewer, confronts him with the uncompromising demasking of his own world and that of the portrayed by violating the illusion-bearing canvas surface. She creates realistic acrylic paintings as metaphors for being and appearance. The injuries in the form of seams, stitches and stitches are the epitome of traditional female role fulfillment. Elena Steiner deals with the questions of the value of fulfilling external wishes, social recognition and self-determination. Her works experiment with the border areas between painting, object, real exhibition space and imaginative spatiality and thus offer a captivating game be-tween closeness and distance, between impenetrable closeness and revealing familiarity. Her artistic work shows a zoomed in, sharply focused, snappy, humorous portrait...
Category
2010s Portrait Paintings
Materials
Canvas, Oil, Acrylic
Portrait of a Redhead in Profile
By Leon Kroll
Located in Miami, FL
Beautifully rendered in Krolls signature academic style. Unframed - Signed lower right, unframed
Category
1930s Academic Portrait Paintings
Materials
Oil, Wood
The Savior, Paperback Cover
By James Meese
Located in Fort Washington, PA
Date: 1952
Medium: Oil on Board
Dimensions: 23.00" x 16.00"
Signature: Signed Lower Left
This is the paperback cover for A Bullet For My Love by Octav...
Category
1950s Figurative Paintings
Materials
Oil, Board
Ballentine Beer Advertisement
Located in Fort Washington, PA
Signed Lower Left
Category
1940s Figurative Paintings
Materials
Canvas, Oil
New Years Baby, Liberty Magazine Cover
Located in Fort Washington, PA
Date: 1932
Medium: Oil on Canvas
Dimensions: 18.00" x 20.00"
Signature: Signed Lower Right
A New Year's themed cover painting by Leslie Thrasher for the January 9, 1932 edition of L...
Category
1930s Figurative Paintings
Materials
Oil, Canvas
"Gemini" oil painting on panel figurative two women female red hair
Located in Phoenix, AZ
Rachel Bess
Gemini, 2020
oil on panel
17.5" x 12" unframed
21” x 15.5” framed
Rachel Bess is known for her precise and theatrical oil paintings that ble...
Category
2010s Contemporary Figurative Paintings
Materials
Oil, Panel
Trouble at the Garage
Located in Fort Washington, PA
Medium: Oil on Canvas
Dimensions: 28.00" x 22.00"
Signature: Signed Lower Right
Category
Late 19th Century Figurative Paintings
Materials
Canvas, Oil
Urban Empire # 9
Located in Singapore, SG
In the Mughal era, we see kings and queens looking out into their natural space - scenic beauty containing nature and architecture. Given the settings, what would happen if the king ...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Paper, Acrylic, Pigment
"Sea Witch and the Jellyfish" oil portrait on Dibond panel
Located in Phoenix, AZ
Rachel Bess
Sea Witch and the Jellyfish, 2017
oil on Dibond
30.5” x 22" unframed
36" x 27.25" framed
Rachel Bess is known for her precise and theatrical oil...
Category
2010s Contemporary Figurative Paintings
Materials
Oil, Panel
Ginevra de Benci
By Brett Osborn
Located in ATLANTA, GA
Brett Eric Osborn was born in Lima, Ohio in 1963. Both his father and his cousin are artists and influenced the young Osborn during his formative years. Brett recalls being a child d...
Category
21st Century and Contemporary American Impressionist Figurative Paintings
Materials
Oil
"Jasmine and Clove" oil painting woman female portrait black dress
Located in Phoenix, AZ
Rachel Bess
Jasmine and Clove, 2017
oil on Dibond
10” x 8” unframed
13.5" x 11.75" framed
Rachel Bess is known for her precise and theatrical oil painti...
Category
2010s Contemporary Figurative Paintings
Materials
Oil
"Nude Woman with 2 Men"
Located in Fort Washington, PA
Date: 1970
Medium: Oil on Canvas
Dimensions: 25.00" x 22.00"
Signature: Signed Lower Right
Fawcett book cover.
Robert Berran has been a prolific romance and historical book cover il...
Category
1970s Figurative Paintings
Materials
Canvas, Oil
Half Length Portrait of Mr. Robertson of Edinburgh
Located in Miami, FL
Half Length Portrait of Mr. Robertson
Sir. Henry Raeburn ( Scottish 1756 - 1823 )
Half Length Portrait of Mr. Robertson
29x 24
Purchased, J Leger & Son,...
Category
18th Century Realist Portrait Paintings
Materials
Oil
"Girl in Pareu"
By RAD Miller
Located in Lambertville, NJ
Robert Alexander Darrah “R.A.D.” Miller (1905 - 1966)
Robert Alexander Darrah Miller, called “RAD” by his friends, was born in Philadelphia. He enrolled at the Pennsylvania Academy of the Fine Arts from 1923 to 1927 under the tutelage of Daniel Garber. In 1928, Miller moved to Bucks County where he would meet and marry Celia Belden Marshall, daughter of Dr. George M. Marshall, who at that time owned the Phillips Mill property.
Nearly a year later, in 1929, a committee headed by artist, William Lathrop, negotiated to purchase the Mill property from Dr. Marshall for the purpose of holding art exhibitions. Thus, the Phillips Mill Art Association was formed. RAD Miller was a regular exhibitor at the Phillips Mill with the traditional New Hope Impressionists. Many of the original founders of the New Hope Art Colony, set in their ways, frowned upon the concept of modernist painting. A decision was made by the Association to not include the growing group of modernist painters in the area to exhibit with them at Phillips Mill. Although clearly not a traditional impressionist, Miller was not being excluded with the others, largely because his father-in-law formerly owned the mill and was one of the Association’s board of directors. RAD was sympathetic to his fellow modernists. In 1933, he was one of the original members of the Independents, a group formed for modernist artists who chose to embark on a more non-traditional creative path. They would exhibit in tandem with the Impressionists but at different locations.
Around the time of his arrival to New Hope in 1928, Miller struck up a friendship with Thomas Hart Benton, and in 1932 he worked under Benton on a mural project. RAD’s paintings...
Category
1940s American Modern Figurative Paintings
Materials
Canvas, Oil
Superstar
Located in New York, NY
Innocence of childhood. Portrait.
About the Artist:
My art is a visual recording of the powerful imagines that occur regularly in life, distilling them down and preserving the ...
Category
2010s Contemporary Figurative Paintings
Materials
Canvas, Oil
Family Picnic, Saturday Evening Post Cover
Located in Fort Washington, PA
Date: 1952
Medium: Oil on Canvas
Dimensions: 34.00" x 27.00"
Signature: Signed Lower Left
Cover for The Saturday Evening Post Magazine, May 31, 1952.
Clymer's coverscape takes you to Massachusetts' tidelands where the frost is on the pumpkin and the red and gold areon the trees. Gloucester harbor and the inlets roundabout-- for three centuries this haven has been the homeport of renowned and valiant fisherman. They were the Captains Courageous of Rudyard Kipling, the hero’s of Longfellow's The Wreck of the Hesperus and of James B. Connolly's tales of the sea.
John Ford Clymer's success as an artist can be traced to his boyhood in the Kittitas Valley located in the central regions of Washington state. It was there that he developed an enthusiasm for the world around him and an abiding respect for historical accuracy. Over the years John Clymer received numerous awards and honors including the revered Prix de West in 1976, from the national Academy of Western Art. Other great achievements included both gold and silver metals for his oils and charcoal drawings from the Cowboy Artists of America, "Western Artist of the Year" from the National Wildlife Art Collectors Society, and both John and Doris were honored at the Ellensburg National Art Show and Auction for their contributions to western heritage. John's highest honor came in 1988 when he was awarded the prestigious Rungius Medal from the Wildlife of American West Art...
Category
1950s Figurative Paintings
Materials
Canvas, Oil
Boy in Striped Sweater Sits on a Tree Branch, Advertisement, Cream of Wheat, 1929
Located in Fort Washington, PA
Medium: Oil on Canvas
Signature: Unsigned
Advertisement, Cream of Wheat, 1929.
Category
1920s Figurative Paintings
Materials
Canvas, Oil
The Hatchet - Movie Moment of High Drama
By Amos Sewell
Located in Miami, FL
High drama and fear is exressed on the faces of 5 kids as they anticipate the outcome a scary event.
Signed lower left
From the Estate of Charles Martignette.
Most likey for the Sa...
Category
1950s American Realist Figurative Paintings
Materials
Oil
"Story of a Bad Boy" Book Illustration
By Edward John Prittie
Located in Fort Washington, PA
Date: 1927
Medium: Oil on Canvas
Dimensions: 27.00" x 18.00"
Signature: Signed Lower Right
"We Amused Ourselves for an Hour or More, Darting in and out Among the Crowd and Setting off our Crackers", The Story of a Bad Boy...
Category
1920s Figurative Paintings
Materials
Canvas, Oil
The Old Couple
Located in Fort Washington, PA
Medium: Oil on Canvas
Dimensions: 21.00" x 28.00"
Signature: Signed Lower Left
Book cover, The Old Couple.
Category
Mid-20th Century Figurative Paintings
Materials
Canvas, Oil
Charity Bazaar
Located in Fort Washington, PA
Medium: Oil on Board
Dimensions: 27.00" x 21.50"
Signature: Signed Lower Right
Date: 1930s
Probable magazine cover, 1930-1935.
Category
1930s Figurative Paintings
Materials
Oil, Board
Secret Project, Magazine Story Illustration
By Amos Sewell
Located in Fort Washington, PA
Date: 1948
Medium: Oil on Board
Dimensions: 17.25" x 13.50"
Signature: Signed Lower Left
Magazine Story Illustration
Category
1940s Figurative Paintings
Materials
Oil, Board
'East, West, Hame's Best' Liberty Cover
Located in Fort Washington, PA
Date: 1929
Medium: Oil on Canvas
Dimensions: 20.00" x 16.00"
Signature: Signed Lower Left
Liberty Magazine Cover, March 16, 1929
Category
1920s Figurative Paintings
Materials
Canvas, Oil
Fare Thee Well! Liberty Magazine Cover
Located in Fort Washington, PA
Date: 1928
Medium: Oil on Canvas
Dimensions: 20.00" x 16.00"
Signature: Signed Lower Right
Liberty Magazine Cover, August 4, 1928
Category
1920s Figurative Paintings
Materials
Canvas, Oil
Maclean's Magazine Cover, 1930
Located in Fort Washington, PA
Medium: Oil on Board
Signature: Signed Lower Right
Maclean's Magazine Cover, September 15th, 1930
Category
1930s Figurative Paintings
Materials
Oil, Board
Spring Carrying Out Winter, Collier's Magazine Cover, March 24, 1923
By E.M. Jackson
Located in Fort Washington, PA
Medium: Oil on Canvas
Signature: Signed Lower Right
Collier's Magazine Cover, March 24, 1923
Category
1920s Figurative Paintings
Materials
Oil, Canvas
Prospector firing Rifle ( Happiness is a Warm Gun ) Gay Art
By Robert Riggs
Located in Miami, FL
Tempera mixed with gum arabic and alcohol on Renaissance Panel
Robert Riggs was a gay man. Being gay in American during the 1940's time was something not to flaunt in public. Rigg's had to communicate his underlying feelings in more symbolic ways.
Throughout Riggs oeuvre, one sees continuous references to strong hunked out manly men and vulnerable boys. It is a core element of is iconography and is described in a powerful graphic style.
In “Prospector firing Rifle” is a Dick Pic. Riggs is clearly making a sexual statement about the moment of climax. The long, straight rifle explodes and is captured at the peak moment of climax. Meanwhile, the bag two bags of gold clearly resemble the other part of the male anatomy. Riggs was a thoughtful and meticulous visual thinker and nothing in any of Riggs’s compositions were haphazardly placed. In tribute to the artist’s suppressed feelings, I have given this work a second title “Happiness is a Warm Gun...
Category
1940s Academic Figurative Paintings
Materials
Tempera
Young girl Redhead Holding her father's hand Illustration
By Robert Riggs
Located in Miami, FL
There is a reason why there are few contemporary painters who can paint a portrait this good. It's hard to do. It's easy to throw some paint or spray a mess of graffiti on canvas. ...
Category
1940s American Realist Portrait Paintings
Materials
Oil
Won Ton Ton: The Dog Who Saved Hollywood
Located in Fort Washington, PA
Date: 1976
Medium: Oil on Canvas
Dimensions: 29.00" x 22.00"
Signature: Faintly Signed "Marchetti" Lower Right
Cover art for the companion book to the 1976 film starring Bruce Dern and Madeline Kahn.
Category
1970s Figurative Paintings
Materials
Canvas, Oil
Grandma, Boy & Dog
Located in Fort Washington, PA
Medium: Oil on Canvas
Signature: Signed Lower Right
Contact for exact dimensions.
Category
20th Century Figurative Paintings
Materials
Canvas, Oil
Modern Folding Fan
By Dennis Lyall
Located in Fort Washington, PA
Medium: Oil on Board
Signature: Signed Lower Right
Sight Size 15.00" x 13.00;" Framed 18.00" x 15.00"
This painting was originally published on the Fleetwood First Day Cover for the U.S. 37c Flag Folding Fan...
Category
Early 2000s Figurative Paintings
Materials
Oil, Board
Murder Scene
Located in Fort Washington, PA
Medium: Oil on Canvas
Category
1920s Figurative Paintings
Materials
Canvas, Oil
Dreaming of a Better Life
Located in Fort Washington, PA
Medium: Oil on Canvas
Dimensions: 29" x 20"
Signature: Initialed Lower Left
American Artist (20th Century)
Category
20th Century Figurative Paintings
Materials
Canvas, Oil
Enfant dans un berceau
Located in Washington, DC
Signed with initials upper left
Category
Early 1900s Post-Impressionist Figurative Paintings
Materials
Canvas, Oil
Charles Laughton, Time magazine cover Illustration, March 31, 1952
Located in Miami, FL
Archivally Matted to 17.75 x 16.75 inches
Signed lower left
Category
1950s American Realist Portrait Paintings
Materials
Mixed Media, Gouache
Something New, Something Old- Book Cover
Located in Fort Washington, PA
Medium: Acrylic on Board
Dimensions: 16.00" x 20.00"
Signature: Signed Lower Right
GIrls of Canby Hall Book Cover
Category
Late 20th Century Figurative Paintings
Materials
Acrylic, Board
Portrait of a Man possibly Arthur Viscount Irwin, Temple Newsam Oil on canvas
Located in St. Albans, GB
Charles Jervas
Possibly Arthur, 6th Viscount Irwin (Temple Newsam)
Oil on Canvas
Picture Size: 50 x 40"
Outside Frame Size: 58 x 48"
1675 – 1739
Charles Jervas, who was born in Cl...
Category
Early 1700s English School Portrait Paintings
Materials
Oil
The sisters young women original oil on canvas painting
Located in Barcelona, Barcelona
Frame size 98x117 cm.
Ramon Aguilar i Moré (Barcelona, 1924-Barcelona, September 23, 2015) was a Spanish painter. His work was influenced by the expressionist movement, although...
Category
1970s Fauvist Portrait Paintings
Materials
Canvas, Oil