Flower Black and White Photography

Singapore, 2016. Photographed at The Flower Dome at Gardens by the Bay. Featured in the 2015 Guinness Book of World Records as the largest glass greenhouse...

Stamped with artist's estate ink stamp and numbered 1/5 on reverse Modern silver gelatin print Printed on 15 3/4 x 11 3/4 inch paper From an edition of 5 Provenance: The Estate of D...

This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches. Cecilia Montalvo & Charlie McCullers are a collaborative team. Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...

Edition of 45 Signed, titled, negative date, print date, and numbered by Michael Kenna Sepia toned gelatin silver print Michael Kenna's black and white photographs are powerful and ...

For the past 30 years Barbara Jaffe has used her 4x5 inch view camera and a variety of black & white and expired pos/neg Polaroid films to create photographs that are a tribute to th...

Edition of 15 Signed, titled, numbered, and print type by David Johndrow Printed 2010 Series: Terrestrials Platinum Palladium print, 10 x 10 in. While integrating photography and hi...

Lizard Prunus X-Ray Photography on Dibond Lambda Print Still Life Nature - Perspex Front UV Resistant The photography of Arie van ’t Riet is a merger of his scientific background, being an engineer and physicist, and his passion and love for flora and fauna. His focus is on the essence of nature. This process takes a sense of beauty, but also technical knowledge and insight. The animals (found dead) he uses, are placed in an optimal position together with plants and other crops. This setup, called a Biorama, is placed for a X-ray and by radiation fixated on film. For this work van ’t Riet received a special permit. Because he is specialised in working with this equipment he is able to make a picture in just one take. This is complicated because, for example, a thin leaf needs another approach than a fat...

Kosuke (*1986, Japan) WARNING #31, 2008 Silver gelatin print Sheet 50.8 x 61 cm (20 x 24 in.) Edition of 15, plus 3 AP's; Ed. no. 4/15 print only Strongly inspired by the works of e...

WTF, Funny Portrait of an ostrich grumpily looking at the camera, photographed in black and white, was captured by David Yarrow. All prints are limited edition. Available in multiple...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Stamped with Odette Arnaud and Cecil Beaton stamps on the reverse Silver gelatin print, printed circa 1950

Four Women in traditional German dress playing traditional Instruments, photographed by Ellen von Unwerth in 2015 for her ‘Heimat’ Series. All prints are limited edition. Available i...

Signed by the photographer

Peace and Tranquility by Catherine Yi-Yu Cho Woo Available sizes: 15" x 15" - Edition 22 of 100 About the Artwork: According to Chinese tradition, pink flowers enhance relationships, while water symbolizes wisdom and wealth, increasing the influx of people and prosperity into one’s life. Feng Shui - The Ancient Chinese Art of Placement Dr. Catherine Yi-yu Cho Woo was a master of Feng Shui, the 4,000-year-old Chinese art of designing one's environment to maximize the flow of positive energy (ch'i). Dr. Woo believed that there is no separation of art, life, and Feng Shui. Her works therefore embrace and reflect a balance of the five elements in Chinese philosophy — metal, water, wood, fire, and earth. Building on these principles, she had channeled an insight into beauty and peacefulness into her works that has won praise from those seeking enlightenment, mainstream American corporations, and many others. As a disciple of Mizong Feng Shui, Dr. Woo maintained that the positioning of paintings within a room can have different effects on those who view the paintings. Displays of her works that respect Feng Shui principles, whether in public or in private homes, have been found to bring a sense of peace and tranquility. Available sizes: 15" x 15" - Edition 22 of 100 Artist Bio: Dr. Catherine Yi-yu Cho Woo (1935 - 2021) Scholar, teacher, painter, poet, composer The Honorable Dr. Catherine Yi-yu Cho Woo was an accomplished poet, composer, painter, teacher, and writer. She was the first Asian American woman to serve on the National Council on the Arts, and was honored by the National Endowment for the Arts with an appointment as an Ambassador for the Arts. Dr. Woo's paintings have been shown in galleries and museums throughout Asia and the United States, including the United Nations, the Sackler Museum at Harvard University, and the National Gallery in Taipei, Taiwan. One reviewer said, "To stand in front of Dr. Woo's work is to experience the stirrings of the heart, mind, and soul of nature, as if the paintings are alive. Trees and mountains breathe out peace. Splashes of color vibrate with the energy of life and movement. Her visually poetic paintings create a close relationship between the beauty of nature and its beholder." Born in Beijing to a family of classically-educated scholars, all four of Yi-yu's great-grandfathers earned Jin Shi...

Sublime Success by Catherine Yi-Yu Cho Woo Available sizes: 22" x 22" - Edition 5 of 99 A Blessing for "Sublime Success": One who views this Things will go smoothly. One who stu...

Wings of Splendor by Catherine Yi-Yu Cho Woo Available sizes: 22" x 22" - AP 9/8 (Artist Proof) 15" x 15" - Edition 21 of 100 Feng Shui - The Ancient Chinese Art of Placement Dr. Catherine Yi-yu Cho Woo was a master of Feng Shui, the 4,000-year-old Chinese art of designing one's environment to maximize the flow of positive energy (ch'i). Dr. Woo believed that there is no separation of art, life, and Feng Shui. Her works therefore embrace and reflect a balance of the five elements in Chinese philosophy — metal, water, wood, fire, and earth. Building on these principles, she had channeled an insight into beauty and peacefulness into her works that has won praise from those seeking enlightenment, mainstream American corporations, and many others . As a disciple of Mizong Feng Shui, Dr. Woo maintained that the positioning of paintings within a room can have different effects on those who view the paintings. Displays of her works that respect Feng Shui principles, whether in public or in private homes, have been found to bring a sense of peace and tranquility. Artist Bio: Dr. Catherine Yi-yu Cho Woo (1935 - 2021) Scholar, teacher, painter, poet, composer The Honorable Dr. Catherine Yi-yu Cho Woo was an accomplished poet, composer, painter, teacher, and writer. She was the first Asian American woman to serve on the National Council on the Arts, and was honored by the National Endowment for the Arts with an appointment as an Ambassador for the Arts. Dr. Woo's paintings have been shown in galleries and museums throughout Asia and the United States, including the United Nations, the Sackler Museum at Harvard University, and the National Gallery in Taipei, Taiwan. One reviewer said, "To stand in front of Dr. Woo's work is to experience the stirrings of the heart, mind, and soul of nature, as if the paintings are alive. Trees and mountains breathe out peace. Splashes of color vibrate with the energy of life and movement. Her visually poetic paintings create a close relationship between the beauty of nature and its beholder." Born in Beijing to a family of classically-educated scholars, all four of Yi-yu's great-grandfathers earned Jin Shi...

A Spring Song by Catherine Yi-Yu Cho Woo Available sizes: 22" x 22" - Edition 7 of 99 About the Artwork: According to Chinese tradition, spring and summer are the growing seasons for business, personal health, and wealth. Feng Shui - The Ancient Chinese Art of Placement Dr. Catherine Yi-yu Cho Woo was a master of Feng Shui, the 4,000-year-old Chinese art of designing one's environment to maximize the flow of positive energy (ch'i). Dr. Woo believed that there is no separation of art, life, and Feng Shui. Her works therefore embrace and reflect a balance of the five elements in Chinese philosophy — metal, water, wood, fire, and earth. Building on these principles, she had channeled an insight into beauty and peacefulness into her works that has won praise from those seeking enlightenment, mainstream American corporations, and many others . As a disciple of Mizong Feng Shui, Dr. Woo maintained that the positioning of paintings within a room can have different effects on those who view the paintings. Displays of her works that respect Feng Shui principles, whether in public or in private homes, have been found to bring a sense of peace and tranquility. Artist Bio: Dr. Catherine Yi-yu Cho Woo (1935 - 2021) Scholar, teacher, painter, poet, composer The Honorable Dr. Catherine Yi-yu Cho Woo was an accomplished poet, composer, painter, teacher, and writer. She was the first Asian American woman to serve on the National Council on the Arts, and was honored by the National Endowment for the Arts with an appointment as an Ambassador for the Arts. Dr. Woo's paintings have been shown in galleries and museums throughout Asia and the United States, including the United Nations, the Sackler Museum at Harvard University, and the National Gallery in Taipei, Taiwan. One reviewer said, "To stand in front of Dr. Woo's work is to experience the stirrings of the heart, mind, and soul of nature, as if the paintings are alive. Trees and mountains breathe out peace. Splashes of color vibrate with the energy of life and movement. Her visually poetic paintings create a close relationship between the beauty of nature and its beholder." Born in Beijing to a family of classically-educated scholars, all four of Yi-yu's great-grandfathers earned Jin Shi...

Dream Like Blooms by Catherine Yi-Yu Cho Woo Available sizes and editions: 22" x 22" - Edition 9 of 99 22" x 22" - Edition 16 of 99 22" x 22" - Edition 1...

Nick Decker Lily #1 (Platinotype), 1980, printed 2006 Black and white photograph Image Dimensions: 12 x 9 .75 inches (30.5 x 24.8 cm) Mounted Dimensions: 20 x 16 inches (50.8 x 40....

signed by the photographer

"Annunciation 3" Photography 23"x19" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV Author's direct print on wood Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of creative people. His father, Pedro Clavijo, was a Columbian journalist and a radio reporter. His grandfather by his father's side, Edmundo Clavijo Cubilios, was a famous Columbia's photograph and artist. His grandfather and grandmother by his mother's side, Vladimir and Margarita Telepnevs, were painters. In 1986 Vladimir graduated from the Moscow Polygraphic Academy, faculty of graphic art, specializing in painting, graphics, and polygraphic design. PRIVATE COLLECTIONS: ELTON JOHN PRINCESS MICHAEL of KENT MARIE CHRISTINE PETER...

"Annunciation 2" Photography 59"x30" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV Author's direct print on wood Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of creative people. His father, Pedro Clavijo, was a Columbian journalist and a radio reporter. His grandfather by his father's side, Edmundo Clavijo Cubilios, was a famous Columbia's photograph and artist. His grandfather and grandmother by his mother's side, Vladimir and Margarita Telepnevs, were painters. In 1986 Vladimir graduated from the Moscow Polygraphic Academy, faculty of graphic art, specializing in painting, graphics, and polygraphic design. PRIVATE COLLECTIONS: ELTON JOHN PRINCESS MICHAEL of KENT MARIE CHRISTINE PETER...

Signed, titled and dated in pencil on verso Gelatin silver print Paper: 11" x 14", Mat: 16" x 20"

signed in pencil on recto Gelatin Silver Print 11 x 14inches

Lotus, c. 1880's Inscribed "Lotus flower" on recto Vintage Hand Colored Albumen Print Paper is 11 1/2 x 9 1/2 inches, Matted to 20 x 16 inches

Signed, numbered and dated in pencil on recto; Signed, titled, and dated with artist's copyright stamp on verso Gelatin Silver Print Image 8 x 8, Matted 20" x 16" Edition of 45

Signed by the photographer Edition 9/10

Signed by the photographer

Still Life with Grapes, silver gelatin print, limited edition photograph, signed Described as a "Poet of the Ordinary," Keith came of age during the turbulent sixties and seventies,...

Print is also available in a Medium size : 40'' x 56'' and is priced at : $14,000. It is a black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...

Print is also available in a small size : 50'' x 40'' and is priced at : $13,000. Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black floating frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...

Signed by the photographer

Signed by the photographer

Signed Silver gelatin print Available in two sizes: 11 x 14 inches 16 x 20 inches Also available as an editioned archival pigment print in two larger sizes and a platinum print, please enquire for details. Flor Garduño...

Signed Silver gelatin print Available in two sizes: 11 x 14 inches 16 x 20 inches Also available as an editioned archival pigment print in two larger sizes and a platinum print, pl...

Signed by the photographer

Signed by the photographer

Signed by the photographer

Amanda's Gift, limited edition, archival ink print, signed and numbered Storytelling comes naturally for photographer Keith Carter whose East Texas roots have greatly influenced hi...

Signed by the photographer

Signed by the photographer

Paris - Robert Frank (Black and White Photography) Signed and dated Silver gelatin print, printed 1970s 14 x 11 inches Frank’s photographs focused on elements of everyday life that ...

Romantic picture of a model from behind with big fabric flower at a fashion show. Gerard Uferas' photographs have appeared in numerous publications, including "Liberation", "Time Mag...

Mana Pools, Zimbabwe 2017 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 4...

This is a toned silver gelatin print made in late 1980's by Imogen Cunningham son and gifted photographer in his own right Rondal Partridge.

This photograph is signed by the photographer and is printed using the Fresson printing process. Size varies.

Persimmon Tree, Sulmona, Abruzzo, Italy, 2015 - Michael Kenna (Black and White) Signed, dated and numbered on mount Signed, dated, inscribed with title ...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Signed Silver gelatin print Available in two sizes: 11 x 14 inches 16 x 20 inches Flor Garduño (born 1957) is one of Mexico’s leading photographers, who...

Thomas Brummett has been working as an artist and professional photographer since 1983 when he graduated with a Master of Fine Arts from the Cranbrook Academy of Art. His work has be...

Listing is for FRAMED print. Edition of 7. CURRENT EXHIBITION - runs through December 18th, 2016. Any framed photographs purchased during the show will be available after December ...

Signed and with edition number on the front of the mount, stamped and titled and dated on the back. Three sizes available: 16 x 20 inches (mounted and matted to 24 x 30 inches); 20 x...

The images are created rather than found. There is a rearrangement of the sequence of events that leads to the existence of the image. The emotion (the looking in) is identified init...

The images are created rather than found. There is a rearrangement of the sequence of events that leads to the existence of the image. The emotion (the looking in) is identified init...

Put simply, I have begun to look inward to find my images. As I began using large format cameras and utilizing antique and obsolete photographic processes, I also began to reject the...

All editions signed by the photographer.

Signed by the photographer

All editions signed by the photographer.

Signed on front of print.

Signed, numbered and dated on front of the mount. Signed, dated, numbered and titled with artist's copyright stamp on back of the mount. Image size: 8 x 8 inches approximately. Over...