Flower Black and White Photography

Linarejos Moreno Art Forms in Mechanism XVll, 2016 archival digital print on Baryta paper, ed. 1/3 75-5/8 x 51-1/4 inches paper size The series “Art Forms in Mechanism” began when Linarejos Moreno discovered a collection of 19th century botanical models while researching at the Cabinet of Scientific...

Nobuyoshi ARAKI (*1940, Japan) Love-Dream, Love-Nothing #010, 2018 gelatin silver print 50.8 x 60 cm (20 x 23 5/8 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is a Tokyo-based photographer. Araki completed his studies at Chiba University’s Department of Photography, Painting and Engineering with a focus on the study of film and photography. His photographic project Satchin earned him the prestigious Taiyo Award in 1964, shortly after he had joined the advertising agency Dentsu, where he worked until 1972. At Dentsu he met his wife Yoko, to whom he paid homage in Sentimental Journey, a photographic record of their honeymoon published in 1971. Eros and thanatos (sex and death) has been a central theme in Araki’s work; an abiding fascination with female genitalia and women’s bodies in Japanese bondage, flowers, food, his cat, faces and Tokyo street...

Hand Printed Platinum Photograph Australian Artist Beautiful Blacks and Creamy Whites

black + white toy-camera image from the series 'my affair with diana' 10x10 image size in edition of 50 (price increases as edition sells). printed on hahnemuhle bamboo su...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20 CURRENT EXHIBITION - runs through February 25, 2017. Any framed photographs purchased during the show will ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady used the process, due to its cost and versatility advantages. In addition Sink and Hatgi’s work can also be seen revived in contemporary artists work...

This whimsical scene of two children playing in a field of flowers invokes a strong feeling of nostalgia. The girl in the foreground is almost statuesque, while her playmate in the b...

Nobuyoshi ARAKI (*1940, Japan) Love-Dream, Love-Nothing #014, 2018 gelatin silver print 50.8 x 60 cm (20 x 23 5/8 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is ...

Audrey Hepburn, 1953 - Bob Willoughby (Portrait Photography) Archival pigment print Printed on 20 x 24 inch paper From an edition of 25 Also available in alternative sizes Bob W...

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Arts...

Nobuyoshi ARAKI (*1940, Japan) 69YK #55, 2009 Gelatin silver print 60 x 50.8 cm (23 5/8 x 20 in.) Print only Nobuyoshi Araki (Tokyo, 1940) is a Tokyo-based photographer. Araki completed his studies at Chiba University’s Department of Photography, Painting and Engineering with a focus on the study of film and photography. His photographic project Satchin earned him the prestigious Taiyo Award in 1964, shortly after he had joined the advertising agency Dentsu, where he worked until 1972. At Dentsu he met his wife Yoko, to whom he paid homage in Sentimental Journey, a photographic record of their honeymoon published in 1971. Eros and thanatos (sex and death) has been a central theme in Araki’s work; an abiding fascination with female genitalia and women’s bodies in Japanese bondage...

Much of my work as an artist is a response to the flowing narratives of nature, and to the wealth of languages that nature has developed that tell us its stories. Through my close sc...

black and white toy camera image from the series 'homeland' 10 x 10 image size in edition of 50 (price increases as edition sells). printed on hahnemuhle bamboo sustainable paper a...

black and white toy camera image from the series 'homeland' 10 x 10 image size in edition of 50 (price increases as edition sells). printed on hahnemuhle bamboo sustainable paper a...

Edition of 110 Signed and numbered by the artist. Artist Commentary: Halston’s studio at the Olympic Tower was as grand as he was. From his office, you could see the spires of Saint...

Stamped with artist's estate ink stamp and numbered 1/5 on reverse Modern silver gelatin print Printed on 15 3/4 x 11 3/4 inch paper From an edition of 5 Provenance: The Estate of D...

Lizard Prunus X-Ray Photography on Dibond Lambda Print Still Life Nature - Perspex Front UV Resistant The photography of Arie van ’t Riet is a merger of his scientific background, being an engineer and physicist, and his passion and love for flora and fauna. His focus is on the essence of nature. This process takes a sense of beauty, but also technical knowledge and insight. The animals (found dead) he uses, are placed in an optimal position together with plants and other crops. This setup, called a Biorama, is placed for a X-ray and by radiation fixated on film. For this work van ’t Riet received a special permit. Because he is specialised in working with this equipment he is able to make a picture in just one take. This is complicated because, for example, a thin leaf needs another approach than a fat...

Singapore, 2016. Photographed at The Flower Dome at Gardens by the Bay. Featured in the 2015 Guinness Book of World Records as the largest glass greenhouse...

Archival Black and White Pigment print, from an Analogue Negative, Framed in a white Shadow box fram “Joshua’s Hand” reaches into the sun despite the rays of heat beating down on it...

Audrey Hepburn Consults with Costumer, c26_24 -- Audrey Hepburn in her dressing room with costumer Edith Head photographed for LIFE in 1953. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. To the left of the photo is a standing woman in white button down shirt...

Audrey Hepburn Consults with Costumer, c26_24 -- Audrey Hepburn in her dressing room with costumer Edith Head photographed for LIFE in 1953. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. To the left of the photo is a standing woman in white button down shirt...

The Kennedy Campaign 1959, nb_060_061. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions ...

The Kennedy Campaign 1959, nb_060_061. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editio...

Bruno Bisang CHARMAINE, Paris 1991 (P&E_060) 45 x 37.5 inches Archival Pigment Print / Black & white fine art Bartya / Color gloss resin coated Edition of 7 + 2 AP Signed by arti...

For the past 30 years Barbara Jaffe has used her 4x5 inch view camera and a variety of black & white and expired pos/neg Polaroid films to create photographs that are a tribute to th...

For the past 30 years Barbara Jaffe has used her 4x5 inch view camera and a variety of black & white and expired pos/neg Polaroid films to create photographs that are a tribute to th...

Edition of 45 Signed, titled, negative date, print date, and numbered by Michael Kenna Sepia toned gelatin silver print Michael Kenna's black and white photographs are powerful and ...

Roger BALLEN Giggles, from the series 'Boarding House', 2006 Vintage silver gelatin print Image 45 x 45 cm (17 3/4 x 17 3/4 in.) Sheet 50 x 50 cm (19 3/4 x 19 3/4 in.) Edition of 10 ...

Kosuke (*1986, Japan) WARNING #31, 2008 Silver gelatin print Sheet 50.8 x 61 cm (20 x 24 in.) Edition of 15, plus 3 AP's; Ed. no. 4/15 print only Strongly inspired by the works of e...

Vampire is an original photograph realized by Plinio Martelli in 2000s. The artwork represents a vampire woman. Excellent conditions. Hand-signed and...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Stamped with Odette Arnaud and Cecil Beaton stamps on the reverse Silver gelatin print, printed circa 1950

Signed, titled, and dated on Artist's label on verso. Signed in pencil on recto. Artist stamp embossed on recto Gelatin Silver Print Image - 13 1/2" x 10 1/2"; Mount - 15" x 20"; Mat...

Four Women in traditional German dress playing traditional Instruments, photographed by Ellen von Unwerth in 2015 for her ‘Heimat’ Series. All prints are limited edition. Available...

Signed by the photographer

Peace and Tranquility by Catherine Yi-Yu Cho Woo Available sizes: 15" x 15" - Edition 22 of 100 About the Artwork: According to Chinese tradition, pink flowers enhance relationships, while water symbolizes wisdom and wealth, increasing the influx of people and prosperity into one’s life. Feng Shui - The Ancient Chinese Art of Placement Dr. Catherine Yi-yu Cho Woo was a master of Feng Shui, the 4,000-year-old Chinese art of designing one's environment to maximize the flow of positive energy (ch'i). Dr. Woo believed that there is no separation of art, life, and Feng Shui. Her works therefore embrace and reflect a balance of the five elements in Chinese philosophy — metal, water, wood, fire, and earth. Building on these principles, she had channeled an insight into beauty and peacefulness into her works that has won praise from those seeking enlightenment, mainstream American corporations, and many others. As a disciple of Mizong Feng Shui, Dr. Woo maintained that the positioning of paintings within a room can have different effects on those who view the paintings. Displays of her works that respect Feng Shui principles, whether in public or in private homes, have been found to bring a sense of peace and tranquility. Available sizes: 15" x 15" - Edition 22 of 100 Artist Bio: Dr. Catherine Yi-yu Cho Woo (1935 - 2021) Scholar, teacher, painter, poet, composer The Honorable Dr. Catherine Yi-yu Cho Woo was an accomplished poet, composer, painter, teacher, and writer. She was the first Asian American woman to serve on the National Council on the Arts, and was honored by the National Endowment for the Arts with an appointment as an Ambassador for the Arts. Dr. Woo's paintings have been shown in galleries and museums throughout Asia and the United States, including the United Nations, the Sackler Museum at Harvard University, and the National Gallery in Taipei, Taiwan. One reviewer said, "To stand in front of Dr. Woo's work is to experience the stirrings of the heart, mind, and soul of nature, as if the paintings are alive. Trees and mountains breathe out peace. Splashes of color vibrate with the energy of life and movement. Her visually poetic paintings create a close relationship between the beauty of nature and its beholder." Born in Beijing to a family of classically-educated scholars, all four of Yi-yu's great-grandfathers earned Jin Shi...

Sublime Success by Catherine Yi-Yu Cho Woo Available sizes: 22" x 22" - Edition 5 of 99 A Blessing for "Sublime Success": One who views this Things will go smoothly. One who stu...

Wings of Splendor by Catherine Yi-Yu Cho Woo Available sizes: 22" x 22" - AP 9/8 (Artist Proof) 15" x 15" - Edition 21 of 100 Feng Shui - The Ancient Chinese Art of Placement Dr. Catherine Yi-yu Cho Woo was a master of Feng Shui, the 4,000-year-old Chinese art of designing one's environment to maximize the flow of positive energy (ch'i). Dr. Woo believed that there is no separation of art, life, and Feng Shui. Her works therefore embrace and reflect a balance of the five elements in Chinese philosophy — metal, water, wood, fire, and earth. Building on these principles, she had channeled an insight into beauty and peacefulness into her works that has won praise from those seeking enlightenment, mainstream American corporations, and many others . As a disciple of Mizong Feng Shui, Dr. Woo maintained that the positioning of paintings within a room can have different effects on those who view the paintings. Displays of her works that respect Feng Shui principles, whether in public or in private homes, have been found to bring a sense of peace and tranquility. Artist Bio: Dr. Catherine Yi-yu Cho Woo (1935 - 2021) Scholar, teacher, painter, poet, composer The Honorable Dr. Catherine Yi-yu Cho Woo was an accomplished poet, composer, painter, teacher, and writer. She was the first Asian American woman to serve on the National Council on the Arts, and was honored by the National Endowment for the Arts with an appointment as an Ambassador for the Arts. Dr. Woo's paintings have been shown in galleries and museums throughout Asia and the United States, including the United Nations, the Sackler Museum at Harvard University, and the National Gallery in Taipei, Taiwan. One reviewer said, "To stand in front of Dr. Woo's work is to experience the stirrings of the heart, mind, and soul of nature, as if the paintings are alive. Trees and mountains breathe out peace. Splashes of color vibrate with the energy of life and movement. Her visually poetic paintings create a close relationship between the beauty of nature and its beholder." Born in Beijing to a family of classically-educated scholars, all four of Yi-yu's great-grandfathers earned Jin Shi...

A Spring Song by Catherine Yi-Yu Cho Woo Available sizes: 22" x 22" - Edition 7 of 99 About the Artwork: According to Chinese tradition, spring and summer are the growing seasons for business, personal health, and wealth. Feng Shui - The Ancient Chinese Art of Placement Dr. Catherine Yi-yu Cho Woo was a master of Feng Shui, the 4,000-year-old Chinese art of designing one's environment to maximize the flow of positive energy (ch'i). Dr. Woo believed that there is no separation of art, life, and Feng Shui. Her works therefore embrace and reflect a balance of the five elements in Chinese philosophy — metal, water, wood, fire, and earth. Building on these principles, she had channeled an insight into beauty and peacefulness into her works that has won praise from those seeking enlightenment, mainstream American corporations, and many others . As a disciple of Mizong Feng Shui, Dr. Woo maintained that the positioning of paintings within a room can have different effects on those who view the paintings. Displays of her works that respect Feng Shui principles, whether in public or in private homes, have been found to bring a sense of peace and tranquility. Artist Bio: Dr. Catherine Yi-yu Cho Woo (1935 - 2021) Scholar, teacher, painter, poet, composer The Honorable Dr. Catherine Yi-yu Cho Woo was an accomplished poet, composer, painter, teacher, and writer. She was the first Asian American woman to serve on the National Council on the Arts, and was honored by the National Endowment for the Arts with an appointment as an Ambassador for the Arts. Dr. Woo's paintings have been shown in galleries and museums throughout Asia and the United States, including the United Nations, the Sackler Museum at Harvard University, and the National Gallery in Taipei, Taiwan. One reviewer said, "To stand in front of Dr. Woo's work is to experience the stirrings of the heart, mind, and soul of nature, as if the paintings are alive. Trees and mountains breathe out peace. Splashes of color vibrate with the energy of life and movement. Her visually poetic paintings create a close relationship between the beauty of nature and its beholder." Born in Beijing to a family of classically-educated scholars, all four of Yi-yu's great-grandfathers earned Jin Shi...

Dream Like Blooms by Catherine Yi-Yu Cho Woo Available sizes and editions: 22" x 22" - Edition 9 of 99 22" x 22" - Edition 16 of 99 22" x 22" - Edition 1...

Nick Decker Lily #1 (Platinotype), 1980, printed 2006 Black and white photograph Image Dimensions: 12 x 9 .75 inches (30.5 x 24.8 cm) Mounted Dimensions: 20 x 16 inches (50.8 x 40....

signed by the photographer

"Annunciation 3" Photography 23"x19" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV Author's direct print on wood Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of creative people. His father, Pedro Clavijo, was a Columbian journalist and a radio reporter. His grandfather by his father's side, Edmundo Clavijo Cubilios, was a famous Columbia's photograph and artist. His grandfather and grandmother by his mother's side, Vladimir and Margarita Telepnevs, were painters. In 1986 Vladimir graduated from the Moscow Polygraphic Academy, faculty of graphic art, specializing in painting, graphics, and polygraphic design. PRIVATE COLLECTIONS: ELTON JOHN PRINCESS MICHAEL of KENT MARIE CHRISTINE PETER...

"Annunciation 2" Photography 59"x30" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV Author's direct print on wood Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of creative people. His father, Pedro Clavijo, was a Columbian journalist and a radio reporter. His grandfather by his father's side, Edmundo Clavijo Cubilios, was a famous Columbia's photograph and artist. His grandfather and grandmother by his mother's side, Vladimir and Margarita Telepnevs, were painters. In 1986 Vladimir graduated from the Moscow Polygraphic Academy, faculty of graphic art, specializing in painting, graphics, and polygraphic design. PRIVATE COLLECTIONS: ELTON JOHN PRINCESS MICHAEL of KENT MARIE CHRISTINE PETER...

Signed, titled and dated in pencil on verso Gelatin silver print Paper: 11" x 14", Mat: 16" x 20"

signed in pencil on recto Gelatin Silver Print 11 x 14inches

Lotus, c. 1880's Inscribed "Lotus flower" on recto Vintage Hand Colored Albumen Print Paper is 11 1/2 x 9 1/2 inches, Matted to 20 x 16 inches

Signed, numbered and dated in pencil on recto; Signed, titled, and dated with artist's copyright stamp on verso Gelatin Silver Print Image 8 x 8, Matted 20" x 16" Edition of 45

Signed by the photographer Edition 9/10

Signed by the photographer

Still Life with Grapes, silver gelatin print, limited edition photograph, signed Described as a "Poet of the Ordinary," Keith came of age during the turbulent sixties and seventies,...

Print is also available in a Medium size : 40'' x 56'' and is priced at : $14,000. It is a black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...

Print is also available in a small size : 50'' x 40'' and is priced at : $13,000. Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black floating frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...

Signed by the photographer

Signed by the photographer