Josef Sudek Art

George Platt Lynes 1948 Photograph #1 of Balanchine Ballet ‘Orpheus’. George Platt Lynes rare original vintage 1948 gelatin silver photograph (dated by the NY City Public Library) of nude dancers Francisco Moncion and Nicholas Magallanes in George Balanchine's iconic mid-20th Century ballet 'Orpheus'. Stamped on verso in dark blue ink at upper center, "GEORGE PLATT LYNES/145 EAST 52 STREET NEW YORK”. Photo shoot took place in NYC. Costumes and Set by ISAMU NAGUCHI. Photo is 7 5/8 x 9 1/4 inches, soft satin finish in excellent condition. This photograph is from Francisco Moncion's original collection given to him by George Platt Lyons. It is one of 14 different poses in the 'Orpheus' series. 8 different photographs are remaining for sale and are available on request. All are original Platt Lyons gelatin silver prints original to Moncion's collection and are stamped by the photographer. Photographs from this celebrated series are in the permanent collections of the Metropolitan Museum of Art (NYC), Museum of Modern Art (MOMA, NYC), the NYC Public Library, and many university art archives. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Orpheus represents a major 20th Century artistic collaboration between composer Igor Stravinsky, choreographer George Ballanchine, and artist/designer Isamu Naguchi. Orpheus is a thirty-minute neoclassical ballet composed by Igor Stravinsky in collaboration with choreographer George Balanchine in Hollywood, California in 1947. The work was commissioned by Ballet Society, later renamed New York City Ballet, which Balanchine founded with Lincoln Kirstein. Sets and costumes were created by Isamu Noguchi. Noguchi’s lyre harp from the production became the symbol of the New York City Ballet. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel...

This silver gelatin print with exemplary provenance is unsigned but bears several stamps from the artist's family on the back of the mount, including the authentication stamp of Adam...

Edition of 15 Signed, dated and numbered. Series: Suburbia Bill Owens was born and raised in California. After volunteering in the Peace Corps he picked up photography and began his...

This print is signed in pencil on the front of the mount and stamped on the back of the mount. Despite Morley Baer’s adherence to the West Coast landscape tradition, his interests i...

'Telephone' from Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography has a dreamy mid-century modern nostalgic vibe. Primarily known as a color photo...

This silver gelatin print is signed and editioned "21/100" in pencil on the front of the mount with Baer's stamp on the back of the mount. This print is accompanied by its original b...

An original silver gelatin black and white photograph by the Associated Press, Paris. The view shows a demonstration with demonstrators and police on Boulevard Saint-Germain in June ...

An original silver gelatin black and white photograph by Associated Press Photo. The USS Roosevelt aircraft carriers on the Hudson River, New York, during Navy Day in 1945. Features...

No Edition Signed in ink on print margin by Jesse Alexander Gelatin silver print, 11 x 16 1/2 in. Jesse Alexander was considered one of the greatest race car photographers in history. His images of vintage automobiles and the people who gave them life; captured from the European race circuit during the 1950’s and 60’s are collected and exhibited by museums and galleries throughout the world. Jesse Alexander was involved in photography and especially motorsports photography since the early 1950s when he covered the original Mexican Road Race. He then spent many years in Europe covering Formula One...

Press Agency Trampus shot a unique, original silver gelatin black-and-white photograph. Paris, carriages, and cars, circa 1930. Features: Original silver gelatin print photography un...

Edward Weston (American, 1886-1958) Eggs and Slicer, 1930 Gelatin silver print, printed later by Cole Weston; signed, titled, dated and numbered '3E' by Cole Weston in pencil and 'Ed...

A striking black and white photograph by Harold E. Malde capturing a timeless Southwestern adobe church, defined by its sculptural forms, sunlit surfaces, and quiet, architectural pr...